Relevant bibliographies by topics / Film-induced tourism

Academic literature on the topic 'Film-induced tourism'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Film-induced tourism"

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Reichenberger, Ina. "Film-Induced Tourism." Journal of Tourism Futures 4, no. 1 (March 9, 2018): 107–8. http://dx.doi.org/10.1108/jtf-11-2017-0048.

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Andereck, Kathleen L. "Film-Induced Tourism." Annals of Tourism Research 33, no. 1 (January 2006): 278–80. http://dx.doi.org/10.1016/j.annals.2005.10.001.

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Beeton, Sue. "Understanding Film-induced Tourism." Tourism Analysis 11, no. 3 (October 1, 2006): 181–88. http://dx.doi.org/10.3727/108354206778689808.

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Frost, Warwick, Glen Croy, and Sue Beeton. "Introduction: Film-Induced Tourism." Tourism Review International 13, no. 2 (October 1, 2009): 83–84. http://dx.doi.org/10.3727/154427209789604615.

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Yeo, Dennis. "The virtual cultural tourist: Film-induced tourism and Kubo and the Two Strings." Mutual Images Journal, no. 10 (December 20, 2021): 3–20. http://dx.doi.org/10.32926/2021.10.yeo.virtu.

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Over the past two decades, there has been growing research in film-induced tourism. Much of this research is focused on how film influences tourist destination choices. There has been less emphasis, however, on the nature and types of movies that may induce this attraction to such locations. By examining Kubo and the Two Strings (Knight, 2016), a stop-motion animation produced by Laika Studios, this paper aims to apply film studies to explore current understandings of film-induced tourism. This paper argues that Kubo is itself a form of film-induced tourism by positioning the viewer as a virtual cultural tourist whose cinematic experience may be likened to a veritable media pilgrimage through Japanese culture, history and aesthetics. The movie introduces the viewer into an imagined world that borrows from origami, Nō theatre, shamisen music, obon rituals and Japanese symbolism, philosophy and mythology. The resulting pastiche is a constructed diorama that is as transnational and postmodern as it is authentic and indigenous.
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Curtis, Simon. "Film-induced tourism (aspects of tourism), 2nd Ed." Tourism Planning & Development 14, no. 3 (February 20, 2017): 443–45. http://dx.doi.org/10.1080/21568316.2017.1291160.

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Liu, Yong, Wei Lee Chin, Florin Nechita, and Adina Nicoleta Candrea. "Framing Film-Induced Tourism into a Sustainable Perspective from Romania, Indonesia and Malaysia." Sustainability 12, no. 23 (November 26, 2020): 9910. http://dx.doi.org/10.3390/su12239910.

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This paper is particularly focused on film-induced tourism investigation as well as its cultural promotion and cultural change effect that impact on both the tourist destinations and the tourist demands. The case studies include the famous Transylvania, Romania as well as the two comparative destinations in Southeast Asia namely Bali in Indonesia, and Penang in Malaysia. Although tourism planners have limited control over the content of the films produced in the respective destinations and how the destinations are being portrayed in films, it is reflected in our studies that, the imaginary, visual representations of the destinations, albeit negative or distorted from their original identities, are still useful and viable to promote the tourist destinations. The three discussion cases form up the stratification of multiple stages in terms of implementing film-induced tourism strategies to promote their destinations, spanning from one of the oldest film-induced tourist destinations Transylvania, to an over decade-long film-induced destination Ubud in Bali, to a sprouting film-induced destination George Town in Penang. Such a stratification of three comparable destinations leads to both the vertical and horizontal evaluation of the effectiveness of film-induced tourism strategies. Hence, a methodology of multiple-case study with mixed-methods characterised by a set of differing qualitative research approaches will be adopted to the three distinctive destinations, respectively. Emerging markets require new techniques and strategies of marketing, especially in the unsettled post-COVID-19 era. Findings may be useful to destination managers in planning an effective destination image strategy in order to achieve the most sustainable positive impacts and aligning the films’ image of the destination with the desired image and the potential audience reach.
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Zulkifli, Nurul Deeyana, and Nur Hidayah Abd Rahman. "Malaysian Youth Motivational Factors of Film-Induced Tourism for Indonesian Film." Journal of Indonesian Tourism, Hospitality and Recreation 4, no. 2 (October 1, 2021): 135–46. http://dx.doi.org/10.17509/jithor.v4i2.39284.

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There are lots of efforts require in maintaining the sustainability of the tourism business, including promoting and marketing tourism destinations world widely. One of the alternatives recently used by the tourism industry around the world in promoting and marketing the places is through film tourism. In Indonesia, the film of Laskar Pelangi sparked the tourism industry in Indonesia. However, research on motivational factors of film-induced tourism in Indonesian film is limited. Thus, the study aims to identify the motivational factors that influence Malaysian youth to visit Indonesia after watching Indonesian films. To achieve the aim, the push and pull factors of film-induced tourism for Indonesian film have been investigated. This study using quantitative method for collecting the data and the questionnaires have been distributed to Malaysian youth who had watched Indonesian films as the target respondents. A total of 117 respondents were influenced to visit Indonesia after watching Indonesian films have participated in this research. This results show that novelty, entertainment and film location influenced Malaysian youth to visit Indonesia. The study suggests exploring other factors, such as accessibility, which could influence Malaysian youth to visit film location. Thus, this study provides a clear insight to research academic on motivational factors from Indonesian films that influence Malaysian youth to visit Indonesia. Further, it gives benefit to the tourism and film industry in Indonesia.Keywords: Film-Induced Tourism, Indonesian Film, Travel Motivation, Push and Pull Factors
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Vinklere, Daina, Ilze Kasa, and Ingrida Ludzina. "The film industry in Latvia as a potential resource for tourism development." Folia Geographica 18 (2020): 53–61. http://dx.doi.org/10.22364/fg.18.7.

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During a time of increasing competition in the tourism sector and growing demand for new tourism products, all stakeholders must more actively utilise non-traditional tourism resources. The film industry certainly counts as one of them. Although film-induced tourism has become quite popular round the world and maintains significant influence, these developments and research into this area have not gained enough attention in Latvia. The objective of this research is to examine the film industry as a tourism resource based on an analysis of the available public information on film production locations, related promotions for tourists in Latvia and the interest and experience of the general public in these types of tourist attractions. The results of the research prove the potential of the film industry, the existence of certain pieces of groundwork and at the same time the moderate interest of potential clients in engaging these resources and adding to Latvia’s tourist turnover.
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Mitta, Nitin, and G. Anjaneyaswamy. "Film Induced Tourism: A Study in Indian Outbound Tourism." Atna - Journal of Tourism Studies 8, no. 2 (July 1, 2013): 37–54. http://dx.doi.org/10.12727/ajts.10.3.

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It is widely believed that nothing unites India more than Cricket and Bollywood. Indian spending on foreign travel has increased to four fold as compared to that in the year 2000. While entire Europe and USA are still struggling to come out of recession, as per an estimate, Indian travellers are expected to grow to 50 million from 9 million. These statistics have enticed tourism boards across the world to find multiple avenues to have maximum share of this ever growing pie. Indian middle class is riding high on its growing affluence, and is exploring new locales and destinations to satisfy its craving for the distinct holiday experience. Indian outbound market is sending strong growth signals to the Tourism Boards and National Tourism Boards (NTBs) globally, who have been experimenting for novel ways to tap this market within their restricted resources. Recent studies by global researchers have established the positive influence of films, on people‟s travel decisions, especially to the respective locations and destinations featured on the silver screen. With its glossy and larger than life portrayal in the films, some of these destinations have successfully captured the imagination of movie goers and enticed them to visit the places where films are believed to be shot. Unlike the promotional films made for tourism boards, films are considered more authentic as coming from a third party, hence portrayed with a neutral approach. Through this paper, we have tried addressing the concerns in quantifying the impact of film-induced tourism. We have also covered the factors responsible for hindrance or limiting the impact on destination promotion, which was shown in the particular film.
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Dissertations / Theses on the topic "Film-induced tourism"

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Beeton, Sue 1956. "Film-induced tourism impacts and consequences." Monash University, National Centre for Australian Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7570.

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Bolan, Peter. "Film-induced tourism : motivation, authenticity and displacement." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551562.

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Films or movies provide us with a window into other places that broaden our knowledge and can fuel our desire to travel. What has become known as film-induced tourism has begun to gather momentum as an area of both academic research and industry interest. However, the phenomenon is wide-ranging and according to Beeton (2005), still a largely untapped and little-understood field of tourism research. Much of the literature to date has focused on the promotional aspects and the impacts of the phenomenon with little research into the motivations of the film-induced tourists themselves. Further, films are not always shot in the place where they are portraying on screen. This has become a common occurrence and it is not unusual for a film to be made in a completely different country from that it portrays. This form of displacement creates issues of authenticity and implications as to where the tourist influenced by such a film will choose to visit. This aspect in film tourism has been mentioned briefly by authors such as Beeton (2005), Hudson and Ritchie (2006) and Shandley et al. (2006) but they have not conducted investigations themselves and to date there have been no in-depth research studies into this aspect of the phenomenon. The overall aim of this thesis was to investigate what the author has termed displacement theory within the larger phenomenon of film-induced tourism and to present a clearer understanding of the inherent implications and opportunities for economic development this may bring. Within this the author sought to examine film influence on tourist motivation, tourist views on displacement and authenticity as well as industry opinion on these matters. An interpretivistic research approach was taken utilizing the power of the internet and harnessing the use of specially created blogs to collect qualitative data. The approach was designed to extract data in depth with a select set of bloggers rather than at a superficial level across a wider number of respondents through quantitative survey work. This was then followed up by semi-structured interviews with respective tourism and film organizations throughout the UK and Ireland. Findings reveal that these issues do matter to tourists and that there are three distinct markets in existence which comprise three distinct tourist types in relation to film- induced tourism. This has enabled the author to develop a model of displacement (the first such model in this field of study) which conveys the motivational factors at play on the tourist and what is happening when displacement in film tourism occurs in relation to the three distinct markets. This is then utilized to make key recommendations as to how industry can maximize future potential from film-induced tourism, especially when displacement occurs. The thesis has covered new ground in its contribution to knowledge through addressing a gap in the film-induced tourism literature and providing new theories culminating in a newly developed model to represent what is occurring. Further contribution has been made through the use of innovative methodologies. In this case the use of specially designed blogs to gather qualitative data for the research.
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Carvalho, Susan Belinda. "Film-induced tourism: the case of Portugal." Master's thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12391.

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Mestrado em Gestão e Planeamento em Turismo
The following dissertation discusses the topic of film-induced tourism in Portugal from the perspective of the Portuguese destination marketing organisations. As research concerning film tourism in Portugal was unavailable due to the novelty of the topic, primary research was developed through online survey questionnaires, case studies and interviews. The primary research conducted found that Portugal has all the necessary resources and attributes required to develop film tourism; however DMOs and film commissions need to work together to ensure that films are promoted in a way which can be beneficial to both the tourism sector and the film industry.
O presente trabalho aborda o tema do cineturismo em Portugal pela perspetiva das associações de promoção turística portuguesas. Dada a escassez de investigação sobre cineturismo em Portugal, devido à novidade do tema, foi desenvolvida investigação primária através de inquéritos por questionário, estudos de caso e entrevistas. A investigação primária conduzida concluiu que Portugal detém todos os recursos e atributos necessários para desenvolver o cineturismo, no entanto as associações de promoção turística e as film commissions necessitam de trabalhar em conjunto para garantir que os filmes são promovidos de uma forma que pode ser benéfica para o setor do turismo e para a indústria do cinema.
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Macionis, Niki (Nicole). "Film-Induced Tourism: The Role of Film as a Contributor to the Motivation to Travel to a Destination." Thesis, Griffith University, 2008. http://hdl.handle.net/10072/367078.

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Tourism and film are broadly recognised as linked through their power to create, alter and reinforce destination images (Beeton, 2005; Busby & Klug, 2001; Butler, 1990; Croy & Walker, 2004; Hudson & Ritchie, 2006; Olsberg, 2007; Riley & Van Doren, 1992; Tooke & Baker, 1996). Major motion picture films, in particular, provide the places, objects and subjects for the gaze of many people, and for some, films induce them to travel specifically to the locations where they were filmed (Riley, Baker & Van Doren, 1998). Yet, for others, visiting film sites may be incidental and simply add to more generally planned travel itineraries. Although motion picture films are not produced with the prime intent of inducing people to visit locations, this medium can enhance the awareness, appeal and profitability of destinations via images seen on the screen. It is these images that may influence consumer decision making processes in terms of motivating visitation to a film location. Understanding the relationship between tourism and popular media, such as film, is becoming more crucial as destinations strive to differentiate themselves in a crowded marketplace...
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Department of Tourism, Leisure, Hotel and Sport Management
Griffith Business School
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Buchmann, Anne-Kristina. "In the footsteps of the fellowship : understanding the expectations and experiences of Lord of the rings tourists on guided tours in New Zealand." Lincoln University, 2007. http://hdl.handle.net/10182/145.

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This study seeks to gain an insight into the experiences Lord of the Rings tourists have on guided tours in New Zealand and the role of the tour guide(s) in that experience. The study examines motivations, expectations, actual experience and its evaluation and the role of the tour leader and guides. By drawing primarily on the results of qualitative research that examined the experience of film tourists and other people involved in the film tourism industry over a span of three years, I identified underlying motivations involved in the production and consumption of film tourism. The study found that pre-tour images of Lord of the Rings and its publicity surrounding the making of the films play a significant role in the formation of film tourists' expectations. The emotional relationship towards the films and the novel by J.R.R. Tolkien had motivated film tourists to seek a meaningful and sincere experience. Furthermore, the film and its making as discussed on the DVDs, further publicised myths like the authenticity of the film production itself and the experience of great meaning for one's personal life. Consequently, the study found that most film tourists put a high significance on the sincerity of the relationships within the tour community and with the tour leader and guide(s). The film location visit itself was experienced as highly rewarding but was significantly enhanced by the presence of the tour community ('fellowship'), reenactments and the physical presence on site. This embodiment was crucial for the overall experience as it further authenticated the location visit but also the journey itself as a worthy and spiritual endeavour. It was shown that the New Zealand image of 'green', 'clean' and 'exotic otherness' has been reinforced by multiple media portraits and matches many aspects of the Middle-earth image. All film tourists judged the use of New Zealand for the portrayal of Middle-earth as 'authentic' even if they knew about J.R.R. Tolkien's British background. Furthermore, they judged their film tourism experience as authentic even though the locations were used in a fictional setting. Thus the notions of object authenticity was explored and replaced with the concepts of existential authenticity and sincerity to shift the focus towards the active process of negotiation of authenticity in the tourism experience. To understand tourists' behaviour and motivation, notions of 'spirituality' and 'pilgrimage' were also employed. The study tourists undertook a meaningful and spiritually significant journey that was enhanced through the experience of embodiment and community which suggested parallels between the religious pilgrim and the secular film tourist. Both are on a meaningful journey to distant places and follow scripted guidelines while also creating their own experience. Embodiment played an important role. Furthermore, film tourists sought the community of other believers and were willing to 'follow in the footsteps' of film stars and crew when choosing which film locations and eateries to visit as they sought places that had attained an 'aura'.
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Osborne, Kristin O'Neill. ""This Noble Ruin:" Doune Castle's Relationship to Popular Culture and Heritage." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1524747265143441.

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Bakiewicz, Justyna. "Heritage interpretation challenges and management issues at film-induced tourism heritage attractions : case studies of Rosslyn Chapel and Alnwick Castle." Thesis, Edinburgh Napier University, 2015. http://researchrepository.napier.ac.uk/Output/9161.

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Although previous research has widely acknowledged the phenomenon of film-induced tourism, there is a paucity of research in relation to management of film-induced tourism at built heritage sites. This research, underpinned by a constructivist paradigm, draws on three distinct fields of study – heritage tourism management, film-induced tourism and heritage interpretation – in order to provide a contribution to the heritage management field and address this particular gap in knowledge. Relying on the method of semi-structured interviews with managers, guides and visitors at Rosslyn Chapel (RC) and Alnwick Castle (AC), this thesis provides a rich understanding of how heritage interpretation can address a range of management challenges at heritage sites where film-induced tourism has occurred. These heritage visitor attractions (HVAs) were specifically selected as case studies as they have played different roles in media products. Rosslyn Chapel (RC) was an actual place named in The Da Vinci Code (TDVC) book and then film, whereas Alnwick Castle (AC) served as a backdrop for the first two Harry Potter (HP) films. Findings of this research include a range of management challenges at both RC and AC such as an increase in visitor numbers; seasonality issues; changes in visitor profile; revenue generation concerns; conservation, access, and visitor experience; and the complex relationship between heritage management and tourism activities. The findings also reveal film-induced tourism's implications for heritage interpretation such as the various visitors' expectations for heritage interpretation, changes to heritage interpretation as a result of film-induced tourism, and issues with commodification. These findings also demonstrate that film-induced tourism to some extent influenced visitors' preferences for heritage interpretation, though visitors' preferences differed from one to another. This thesis argues that, in the context of film-induced tourism at HVAs, as evident from the two case studies considered, heritage interpretation can be a valuable management tool and can also play a significant role in the quality of the visitors' experience.
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Čepková, Petra. "Filmový cestovní ruch." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-261819.

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The master thesis deals with new phenomenon in tourism film induced tourism. The main objective of the master thesis is to characterize film induced tourism which could be used as a tool to increase the attendance of the destination where the film was shot. Next main objective of the thesis is evaluation of film induced tourism in Europe, more precisely in Great Britain and Northern Ireland where the film induced tourism is at relatively advanced level. The master thesis is divided into the eight main chapters. The first part briefly defines term tourism, its importance and tips related to the place of realization. In the second chapter there is described management of destination, following with marketing direction in the fourth chapter. In the fifth part, there is definition of film-induced tourism, related history, supply, the opportunities of marketing promotion and typology of the film induced tourist. Next parts of thesis show significance and efficiency of film induced tourism, film induced tourism in Czech Republic and in the Europe where the main attention was focused on Great Britain and Northern Ireland. The last chapter refers to own research where the potential of film induced tourism was investigated by using quantitative and qualitative methods from respondents which were based in Czech Republic.
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Hoffman, Christopher, and Gustav Grönskog. "TV-seriers påverkan på destinationsimage: : En fallstudie om Peaky Blinders och Birmingham." Thesis, Mittuniversitetet, Institutionen för ekonomi, geografi, juridik och turism, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-39254.

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Film-induced tourism, or film tourism, is in a simplified sense the phenomenon that occurs when a person visits a place selected by inspiration from a film/TV series. A prerequisite for film tourism is that within a film/TV series, features appear that inspires the viewer to visit either recording locations or other places associated with the film/TV series. In the study of film tourism, destination image plays a central role, which can be explained as an individual's collection of expectations, ideas, feelings, and impressions that have been built up over time for a destination. This study aims to help fill a knowledge gap that includes studies of how films or TV series with negative/controversial content affect the viewer's perceptions and mental images of a destination image. More specifically, the study will focus on the TV series Peaky Blinders and Birmingham, England. Through the theory section, a theoretical framework is established in which, among other things, it is being described how previous research have focused on film tourism, destination image, motivation, and commitment. Furthermore, a conceptual model is created that clarifies the basis of our study and which also forms the cornerstone of the research design. The study includes a quantitative approach where three hypotheses are put and then tested against the data collection, which is gathered through a digital survey where the sample consists of Peaky Blinders fans. The results show the cognitive, affective, and conative image of Birmingham found by spectators of Peaky Blinders and explains how the commitment to the TV series affects these aspects. Conclusions are drawn by accepting the hypotheses, which is that the commitment to Peaky Blinders affects the cognitive, affective, and conative image of Birmingham.
Film-inducerad turism, eller filmturism, är i förenklad mening det fenomen som uppstår när en människa besöker en plats som valts ut genom inspiration från en film/TV-serie. En förutsättning för filmturism är att det inom en film/TV-serie framkommer särdrag som uppmanar åskådaren till att besöka antingen inspelningsplatser eller andra platser som förknippas med filmen/TV-serien. Inom studiet av filmturism spelar destinationsimage en central roll, vilket kan förklaras som en individs samling av förväntningar, idéer, känslor och intryck som har byggts upp med tiden för en destination. Denna studie ämnar bidra till att fylla en kunskapslucka vilken innefattar undersökningar av hur filmer eller TV-serier med en negativ/kontroversiell handling påverkar åskådarnas uppfattningar och mentala bilder av en destinations image. Mer specifikt kommer studien att fokusera på TV-serien Peaky Blinders och Birmingham, England. Genom teoriavsnittet etableras ett teoretiskt ramverk där det bland annat redogörs för hur tidigare forskning fokuserat på filmturism, destinationsimage, motivation samt engagemang. Vidare skapas en konceptuell modell som tydliggör grunden för vår studie och som även utgör grundstenen i utformandet av forskningsdesignen. Studien innefattar ett kvantitativt angreppssätt där tre hypoteser ställs för att sedan testas mot datainsamlingen, som sker genom en digital enkätundersökning där urvalet består av fans till Peaky Blinders. Resultaten visar den kognitiva, affektiva och konativa image av Birmingham som finns hos åskådare av Peaky Blinders samt redogör även för hur engagemanget för TV-serien påverkar dessa aspekter. Slutsatser dras genom ett accepterande av de ställda hypoteserna, vilket innebär att engagemanget för Peaky Blinders påverkar den kognitiva, affektiva samt konativa imagen av Birmingham.

2020-06-08

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Araujo, Arthur Filipe Barbosa de. "Film-induced slum tourism motivations: a structural approach." Doctoral thesis, 2019. http://hdl.handle.net/10773/28282.

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Film tourism encompasses visits to places whose attractiveness is related to audio-visual products (e.g., films, tv-series, soap operas…). A wide range of studies acknowledges those products’ potential to influence destination image, visit motivations, and, consequently, tourist arrivals to the portrayed places. The literature suggests that even films that depict destinations under a bad light can increase motivations to visit them. Such conclusions, strengthened by several real-world cases, imply that films might play a special role in inducing motivations for slum tourism, which is described as tourism to which poverty is part of the attraction. The slum tourism phenomenon has received little academic attention from the perspective of tourism studies, and research on slum tourists’ motivations is particularly scarce. In this context, the present study aims at developing and testing a causal model encompassing slum tourism motivations dimensions and the film elements that act as their determinants, that is, a model of Film-induced slum tourism motivations. To this end, due to the absence of previously validated scales on slum tourism motivations, first, an exploratory, qualitative study was carried out through semi-structured interviews with tourists visiting Rio de Janeiro’s favelas. Such preliminary study also served to adapt existing film tourist motivations theories to the examined context. Insights from the exploratory study helped inform the elaboration of a quantitative survey, which was applied to the same research universe. The collected data was then subjected to Exploratory and Confirmatory Factor Analysis, under the principles of Structural Equations Modelling, in order to verify whether the hypothesised causal relationships were true to the observed reality. Results show that slum tourism motivations are formed by two main dimensions: Learning motivations and Experiential motivations, and that each of those may be influenced by two factors of films determinants: Place & Personality and Performance. The findings expand the academic knowledge on slum tourism motivations, as the study represents a first initiative in structurally addressing them. Exploring the role of films in those motivations is another relevant theoretical contribution. From a managerial perspective, results provide insights that might help destination managers and entrepreneurs in their relationship with the film industry, as well as in the operationalisation and promotion of services.
O “film tourism” abrange visitas a locais cuja atratividade está relacionada a produtos audiovisuais (ex: filmes, séries de TV, telenovelas...). Uma ampla gama de estudos reconhece a potencial influência destes produtos na imagem de destinos, nas motivações de visita, e consequentemente, nas chegadas de turistas aos lugares retratados. A literatura sugere que mesmo filmes que retratam destinos de maneira negativa podem amentar as intenções de visita. Tais conclusões, aliadas a alguns casos reais, indicam que filmes podem desempenhar um papel especial na indução de motivações para o slum tourism, que é descrito como o turismo para o qual a pobreza é parte da atração. O fenômeno do slum tourism tem recebido pouca atenção na academia, e investigações sobre as motivações dos slum tourists são particularmente escassas. Neste contexto, o presente estudo visa desenvolver e testar um modelo causal que abranja as dimensões das motivações para o slum tourism e os elementos de filmes que agem como seus determinantes, ou seja, um modelo de Motivações para o slum tourism induzidas por filmes. Para este fim, devido à ausência de escalas previamente validadas para a mensuração de motivações para o slum tourism, primeiramente, um estudo qualitativo exploratório foi realizado por meio de entrevistas semiestruturadas com turistas que que visitavam favelas no Rio de Janeiro. Este estudo preliminar também serviu para adaptar teorias pré-existentes sobre film tourism ao contexto analisado. Conclusões do estudo exploratório auxiliaram na elaboração de um questionário quantitativo, que foi aplicado ao mesmo universo de investigação. Os dados coletados foram submetidos a Análise Fatorial Exploratória e Confirmatória, sob os preceitos da Modelação em Equações Estruturais, de modo a verificar se as relações causais definidas como hipóteses eram fiéis à realidade observada. Os resultados demonstram que as motivações para o slum tourism são formadas por duas dimensões principais: Motivações de aprendizado e Motivações experienciais, e que cada uma destas pode ser influenciada por dois fatores determinantes de filmes: Lugar & Personalidade e Performance. Tais conclusões expandem o conhecimento acadêmico sobre as motivações para o slum tourism, uma vez que o estudo representa uma primeira iniciativa de análise estrutural deste construto. Explorar o papel dos filmes nestas motivações é uma contribuição teórica adicional do trabalho. Do ponto de vista prático, os resultados fornecem importantes descobertas que podem auxiliar gestores de destinos e empreendedores nas suas relações com a indústria cinematográfica, bem como na operacionalização e na promoção de serviços.
Programa Doutoral em Turismo
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Books on the topic "Film-induced tourism"

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Sheila, Flanagan, and Gilbert David, eds. A film marketing action plan for film induced tourism destinations: Using Yorkshire as a case study. Saarbrücken, Germany: Lambert Academic Publishing, 2010.

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Film-Induced Tourism. Channel View Publications, Limited, 2016.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2016.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2016.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2005.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2010.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2005.

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Beeton, Sue. Film-Induced Tourism. Channel View Publications, Limited, 2016.

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Film-Induced Tourism. Channel View Publications, Limited, 2016.

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Beeton, Sue. Film-induced Tourism (Aspects of Tourism). Multilingual Matters Limited, 2005.

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Book chapters on the topic "Film-induced tourism"

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Beeton, Sue. "The film-induced tourism experience." In Routledge Handbook of the Tourist Experience, 315–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003219866-27.

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Skoko, Božo, and Katarina Miličević. "Challenges of film-induced tourism in Croatia." In The Routledge Companion to Media and Tourism, 206–14. London; New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429430398-25.

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Zilio, Daniel, Andrea Micheletti, and Nicola Orio. "Crowdsourcing for Film-Induced Tourism: An Approach to Geolocation." In Communications in Computer and Information Science, 108–16. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68130-6_9.

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Tung, Wei-Feng. "Augmented Reality for Mobile Service of Film-Induced Tourism App." In International Series on Computer Entertainment and Media Technology, 129–40. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-21323-1_7.

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Savino, Sandro, and Nicola Orio. "Searching and Exploring Data in a Software Architecture for Film-Induced Tourism." In Communications in Computer and Information Science, 71–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56300-8_7.

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Rainoldi, Mattia, Arne Van den Winckel, Joanne Yu, and Barbara Neuhofer. "Video Game Experiential Marketing in Tourism: Designing for Experiences." In Information and Communication Technologies in Tourism 2022, 3–15. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94751-4_1.

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AbstractWhile film and television have a long tradition in tourism marketing, the potential of video games is overlooked. This study unlocks a novel era of marketing by investigating the interplay between experiential factors and in-game experiences, and how they may contribute to one’s intention to visit in-game destinations. By taking Assassin’s Creed Odyssey as the study context, game world dynamics, level of immersion, level of freedom, connection to characters, and sense of realism are identified as the five pillars that shape gaming experiences. Drawing upon experience design, this study lays the groundwork for emerging marketing opportunities using video games for tourism and contributes to the broader field of media-induced tourism literature.
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Lavarone, Giulia, Nicola Orio, Farah Polato, and Sandro Savino. "Modeling the Concept of Movie in a Software Architecture for Film-Induced Tourism." In Communications in Computer and Information Science, 116–25. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41938-1_13.

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Dey, Nilanjan, Suvojit Acharjee, and Sayan Chakraborty. "Film Induced Tourism." In New Business Opportunities in the Growing E-Tourism Industry, 274–89. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8577-2.ch014.

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Many film locations around the world have become the pull factors for tourists to visit. The American soap opera ‘Sex and the City' is a prime example of that. Hundreds of restaurants, bars, and shops featured in the films and TV series turn out to be must-see destinations for tourists visiting different places. The Indian film named ‘Roza' has attracted a lot of tourist to visit a beautiful place in North India, named Kashmir. Recently, the tourists prefer to visit those destinations which are featured in films or movies and television series. This phenomenon is known as film induced tourism. In this paper, we propose a film induce tourism technique which can be evaluated by the mosaiced image obtained from a movie. The proposed system firstly read all the image sequences from a movie, and stitched them together such a way so that it becomes very much easier for a tourist to choose the best holiday destination from a movie or television series.
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"5. Effects on Tourism." In Film-Induced Tourism, 114–43. Bristol, Blue Ridge Summit: Multilingual Matters, 2016. http://dx.doi.org/10.21832/9781845415853-009.

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"Acknowledgements." In Film-Induced Tourism, viii. Bristol, Blue Ridge Summit: Multilingual Matters, 2005. http://dx.doi.org/10.21832/9781845410162-001.

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Conference papers on the topic "Film-induced tourism"

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Liu, Lanlan, and Qiang Yu. "Research on the development of film-induced tourism in Heilongjiang Province." In Proceedings of the 2018 International Conference on Economics, Business, Management and Corporate Social Responsibility (EBMCSR 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ebmcsr-18.2018.25.

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Park, Hyerim, Jungi Kim, Sunyoung Bang, and Woontack Woo. "The Effect of Applying Film-induced Tourism to Virtual Reality Tours of Cultural Heritage Sites." In 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8810089.

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Montañés-Brunet, Elvira Mª. "DEVELOPMENT OF INTERCULTURAL SKILLS IN ENGLISH FOR TOURISM THROUGH FILM-INDUCED LEARNING." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.0961.

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Yankovich, Anastasiya, and Natalya Morozova. "Theoretical foundations of the approach to the assessment of the tourist region, perspective for film-induced tourism development." In Цивилизация знаний: российские реалии. Киров: Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-36-1_125.

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