Books on the topic 'Film genre theory'
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Small, Edward S. Direct theory: Experimental film/video as major genre. Carbondale: Southern Illinois University Press, 1994.
Find full textJohn, Mercer. Melodrama: Genre, style, sensibility. London: Wallflower, 2004.
Find full textMartin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.
Full textSmall, Edward S. Direct theory: Experimental motion pictures as major genre. Carbondale: Southern Illinois University Press, 2013.
Find full textMoving pictures: A new theory of film genres, feelings, and cognition. Oxford: Clarendon Press, 1997.
Find full textMoving pictures: A new theory of film genres, feelings, and cognition. Oxford: Clarendon Press, 2002.
Find full textGrodal, Torben Kragh. Cognition, emotion, and visual fiction: Theory and typology of affective patterns and genres in film and television. Copenhagen: University of Copenhagen, Dept. of Film and Media Studies, 1994.
Find full textAuger, Emily E. The development of the tech-noir film: A theory of the development of popular genres in fiction and film (gothic, detective, scifi, and tech-noir). Lewiston: Intellect, 2010.
Find full textNotions of Genre: Writings on Popular Film Before Genre Theory. University of Texas Press, 2016.
Find full textGrant, Barry Keith, and Malisa Kurtz. Notions of Genre: Writings on Popular Film Before Genre Theory. University of Texas Press, 2016.
Find full textSmall, Edward S. Direct Theory: Experimental Film/Video as Major Genre. Southern Illinois University, 1995.
Find full textSmall, Edward S. Direct Theory: Experimental Film/Video as Major Genre. Southern Illinois University, 1995.
Find full textYoung, Paul. Film Genre Theory and Contemporary Media: Description, Interpretation, Intermediality. Oxford University Press, 2008. http://dx.doi.org/10.1093/oxfordhb/9780195175967.013.0008.
Full text(Editor), Garin Dowd, Lesley Stevenson (Editor), and Jeremy Strong (Editor), eds. Genre Matters: Essays in Theory and Criticism. Intellect Ltd, 2006.
Find full textMercer, John, and Martin Shingler. Melodrama: Genre, Style and Sensibility. Columbia University Press, 2013.
Find full textMercer, John, and Martin Shingler. Melodrama: Genre, Style and Sensibility (Short Cuts). Wallflower Press, 2004.
Find full textBordun, Troy. Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema. Springer, 2018.
Find full textBordun, Troy. Genre Trouble and Extreme Cinema: Film Theory at the Fringes of Contemporary Art Cinema. Springer, 2017.
Find full textHolliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.
Full textGenre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2015.
Find full textDowd, Garin, and Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2014.
Find full textGustafsson, Tommy, and Pietari Kääpä, eds. Nordic Genre Film. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693184.001.0001.
Full textTech-Noir Film: A Theory of the Development of Popular Genres. Intellect Ltd, 2011.
Find full textNeale, Steve. Film, Cinema, Genre. Edited by Frank Krutnik and Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.
Full textNick, Browne, ed. Refiguring American film genres: History and theory. Berkeley: University of California Press, 1998.
Find full textBrowne, Nick. Refiguring American Film Genres: Theory and History. University of California Press, 1998.
Find full textBrowne, Nick. Refiguring American Film Genres: Theory and History. University of California Press, 1998.
Find full textBrowne, Nick. Refiguring American Film Genres: Theory and History. University of California Press, 1998.
Find full textMurray Levine, Alison J. Vivre Ici. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940414.001.0001.
Full textTulloch, John, and Belinda Middleweek. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0001.
Full textTulloch, John, and Belinda Middleweek. Brutal Intimacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0007.
Full textRascaroli, Laura. Genre. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0004.
Full textTulloch, John, and Belinda Middleweek. Real Sex Films. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.001.0001.
Full textRealist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema. Amsterdam University Press, 2020.
Find full textTulloch, John, and Belinda Middleweek. Intimate Pleasures and the Madness of Love. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0009.
Full textCooper, L. Andrew. Dario Argento. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037092.003.0001.
Full textLewis, Hannah. “An achievement that reflects its native soil”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.003.0004.
Full textPravadelli, Veronica. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038778.003.0001.
Full textGrodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford University Press, USA, 1999.
Find full textTulloch, John, and Belinda Middleweek. Intimacy and Romance in Film Theory. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0004.
Full textCaps, John. Frustration. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0014.
Full textWhitehead, Kevin. Play the Way You Feel. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190847579.001.0001.
Full textFox, Alistair. The Coming-of-age Film as a Genre: Attributes, Evolution, and Functions. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0001.
Full textBettinson, Gary, and Daniel Martin. Introduction. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0001.
Full textAhmed, Omar. Studying Indian Cinema. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733681.001.0001.
Full textSegal, Adam. It’s a Mann’s World? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0009.
Full textWalker, Elsie. Hearing Haneke. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190495909.001.0001.
Full textWalden, Victoria. Studying Hammer Horror. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781906733322.001.0001.
Full textHart, Adam Charles. Monstrous Forms. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190916237.001.0001.
Full textWillis, Andy. From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0004.
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