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Books on the topic 'Film-form'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Film, form & feeling. New York: Harper & Row, 1985.

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2

Kolker, Robert Phillip. Film, form, and culture. 3rd ed. Boston: McGraw-Hill, 2006.

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Kolker, Robert Phillip. Film, form, and culture. Boston: McGraw Hill, 1999.

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Kolker, Robert Phillip. Film, form, and culture. 2nd ed. Boston: McGraw-Hill, 2002.

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5

O’Pray, Michael. Film, Form and Phantasy. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230535770.

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6

Film, form, and phantasy: Adrian Stokes and film aesthetics. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.

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7

O'Pray, Michael. Film, form, and phantasy: Adrian Stokes and film aesthetics. Basingstoke: Palgrave Macmillan, 2004.

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8

Clayton, Wickham, ed. Style and Form in the Hollywood Slasher Film. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137496478.

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9

Deren, Maya. An anagram of ideas on art, form and film. Ann Arbor: UMI Books on Demand, 2005.

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10

A grammar of murder: Violent scenes and film form. Chicago: The University of Chicago Press, 2009.

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11

The screenplay: A blend of film form and content. Boston: Focal Press, 1990.

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12

Fund, Scottish Film Production. The Glasgow Film Fund: Guidelines and application form : administors ... the Scottish Film Production Fund. Glasgow: The Fund, 1993.

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13

Thinking images: The essay film as a dialogic form in European cinema. Oxford: Peter Lang, 2012.

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14

Valkola, Jarmo. Perceiving the visual in cinema: Semantic approaches to film form and meaning. Jyväskylä: Jyväskylän Yliopisto, 1993.

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15

S, Burroughs William. The last words of Dutch Schultz: A fiction in the form of a film script. New York: Arcade Pub., 1993.

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16

S, Burroughs William. The last words of Dutch Schultz: A fiction in the form of a film script. London: Calder, 1986.

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17

Richard, David Evan. Film Phenomenology and Adaptation. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722100.

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Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation’s source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experience that includes the materiality of the body.

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18

Guidelines on subject access to individual works of fiction, drama, etc.: Final report of the Subcommittee on Subject Ac[c]ess to Individual Works of Fiction, Drama, etc., presented June 1989 to the RTSD Subject Analysis Committee. Chicago: American Library Association, 1990.

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19

Moholy-Nagy, László. Painting, photography, film. Cambridge, Mass: MIT Press, 1987.

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20

Painting, photography, film. Cambridge, Mass: MIT Press, 1987.

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21

Moholy-Nagy, László. Painting, photography, film. London: Lund Humphries, 1986.

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22

Keen, Suzanne. Narrative form. New York: Palgrave Macmillan, 2003.

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23

American Library Association. Subcommittee on Subject Access to Individual Works of Fiction, Drama, etc., ed. Guidelines on subject access to individual works of fiction, drama, etc. 2nd ed. Chicago: American Library Association, 2000.

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24

Yee, Martha M. Moving image materials: Genre terms. Washington, D.C: Cataloging Distribution Service, Library of Congress, 1988.

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25

Martin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.

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The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.

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26

Kolker, Robert Phillip. Film, Form and Culture. Mcgraw-Hill College, 1998.

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27

Kolker, Robert Phillip. Film, Form and Culture. Mcgraw-Hill College, 1998.

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28

Kolker, Robert Phillip. Film, Form, and Culture. Taylor & Francis Group, 2015.

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29

Kolker, Robert. Film, Form, and Culture. Routledge, 2015. http://dx.doi.org/10.4324/9781315728025.

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30

Kolker, Robert Phillip. Film, Form, and Culture DVD-ROM. McGraw-Hill Humanities/Social Sciences/Languages, 2005.

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31

Kolker, Robert Phillip. Film, Form, and Culture DVD-ROM. 3rd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2005.

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32

Film, Form, and Culture: Fourth Edition. Routledge, 2015.

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33

Belkıs, Uluoğlu, Vatansever Ali 1981-, and Enşici Ayhan, eds. Design and cinema: Form follows film. Newcastle, UK: Cambridge Scholars Press, 2006.

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34

Kolker, Robert Phillip. Film, Form, and Culture CD-ROM 1.03. McGraw-Hill Humanities/Social Sciences/Languages, 2001.

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35

Kolker, Robert Phillip. Film, Form, & Culture with CD-ROM 1.03. McGraw-Hill Humanities/Social Sciences/Languages, 2001.

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36

Kolker, Robert Phillip. Film, Form, and Culture w/ DVD-ROM. 3rd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2005.

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37

Kolker, Robert Phillip. Film, Form, & Culture with CD-ROM 1.03. 2nd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2001.

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38

Kolker, Robert Phillip. Film, Form, and Culture CD-ROM 1.03. 2nd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2001.

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39

Kolker, Robert Phillip. Film, Form, and Culture w/ DVD-ROM. McGraw-Hill Humanities/Social Sciences/Languages, 2005.

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40

Clayton, Wickham. Style and Form in the Hollywood Slasher Film. Palgrave Macmillan, 2014.

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41

Style and form in the Hollywood slasher film. 2015.

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42

Film, Form, and Culture 1.0.2 - revised CD-ROM. Mcgraw-Hill College, 2000.

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43

Łukasz, Ronduda, Joseph-Hunter Galen, and Electronic Arts Intermix, eds. The workshop of the film form 1970-1977: Early film work from Poland. New York: Electronic Arts Intermix (EAI), 2004.

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44

MEHRING, MARGARET. Screenplay, The: A Blend of Film Form and Content. Focal Press, 1989.

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45

Godard and the Essay Film: A Form That Thinks. Northwestern University Press, 2018.

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46

Inner London Education Authority. Learning Resources Branch. and British Film Institute, eds. Teachers' guide to the ILEA:BFI 6th form film course. London: ILEA Learning Resources Branch, 1985.

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47

Film Als Form: Joseph Beuys und das Bewegte Bild. De Gruyter, Inc., 2015.

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48

The Melodramatic Public: Film Form and Spectatorship in Indian Cinema. Palgrave Macmillan, 2010.

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49

Kuc, Kamila. Struggle for Form: Perspectives on Polish Avant-Garde Film 1916--1989. Columbia University Press, 2014.

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50

Camera lucinda, the moving image as evocative document: Film form, film meaning and the grammatology of archival selection. Ottawa: National Library of Canada, 1987.

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