Journal articles on the topic 'Film for Discussion'
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Clay, Felix, Emanuele Osimo, and Sara Al-Nakeeb. "The Cambridge Mental Health Film Club: lessons to learn, feedback, expansion and development of a standard operating protocol." BJPsych Open 7, S1 (June 2021): S132. http://dx.doi.org/10.1192/bjo.2021.378.
Full textBalčus, Zane Balčus. "DISCUSSION: JURIS PODNIEKS AND THE CONSTELLATIONS OF TIMES." Culture Crossroads 18 (October 31, 2022): 75–88. http://dx.doi.org/10.55877/cc.vol18.84.
Full textHanifi, Muhammad Luthfan, and Redyanto Noor. "KRONIK FILMEDIA’S RECEPTION TOWARDS FLORIAN GALLENBERGER’S COLONIA." HUMANIKA 27, no. 1 (June 6, 2020): 11–22. http://dx.doi.org/10.14710/humanika.v27i1.29469.
Full textPanzer, W., and N. Petoussi. "Film Processing - Summary of Discussion." Radiation Protection Dosimetry 49, no. 1-3 (September 1, 1993): 111. http://dx.doi.org/10.1093/oxfordjournals.rpd.a081914.
Full textPanzer, W., and N. Petoussi. "Film Processing - Summary of Discussion." Radiation Protection Dosimetry 49, no. 1-3 (September 1, 1993): 111. http://dx.doi.org/10.1093/rpd/49.1-3.111.
Full textZitmane, Marita. "Diskusijas “Vai Latvijas kino trūkst sieviešu stāstu?” apspriede sociālajā medijā Facebook. Komentāru analīze." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 306–19. http://dx.doi.org/10.37384/aplkp.2022.27.306.
Full textSullivan, Gordon. "“We Do Not Look At Them As They Really Are”: Technics andPhotogéniein Jean Epstein's Film-Philosophy." Film-Philosophy 22, no. 3 (October 2018): 406–27. http://dx.doi.org/10.3366/film.2018.0087.
Full textKapetanović, Amir. "“Kaya” from Novella to Film." Colloquia Humanistica, no. 7 (December 18, 2018): 135–52. http://dx.doi.org/10.11649/ch.2018.008.
Full textLippit, Akira Mizuta, Noëël Burch, Chon Noriega, Ara Osterweil, Linda Williams, Eric Shaefer, and Jeffrey Sconce. "Round Table: Showgirls." Film Quarterly 56, no. 3 (2003): 32–46. http://dx.doi.org/10.1525/fq.2003.56.3.32.
Full textLi, Manxi, Wenqing Su, and Xinman Li. "New Documentary Film Seeks to Be “More Real”." Scientific and Social Research 3, no. 5 (November 5, 2021): 169–73. http://dx.doi.org/10.36922/ssr.v3i5.1246.
Full textH Bickford, Sonja, and Michelle Warren. "Informed Change: Exploring the Use of Persuasive Communication of Indigenous Cultures Through Film Narratives." Informing Science: The International Journal of an Emerging Transdiscipline 23 (2020): 107–18. http://dx.doi.org/10.28945/4635.
Full textMartinelli, Lucas. "Women's Time: The Mar del Plata International Film Festival." Film Quarterly 73, no. 3 (2020): 89–92. http://dx.doi.org/10.1525/fq.2020.73.3.89.
Full textNie, Sen, and Yan Liu. "Discussion on the Digital Cinema Technology and its Development Trends." Advanced Materials Research 989-994 (July 2014): 4226–28. http://dx.doi.org/10.4028/www.scientific.net/amr.989-994.4226.
Full textGriffin, Lauren N. "Audience Reactions to Climate Change and Science in Disaster Cli-fi Films: A Qualitative Analysis." Journal of Public Interest Communications 1, no. 2 (December 22, 2017): 133. http://dx.doi.org/10.32473/jpic.v1.i2.p133.
Full textFife Donaldson, Lucy. "Surface Contact: Film Design as an Exchange of Meaning." Film-Philosophy 22, no. 2 (June 2018): 203–21. http://dx.doi.org/10.3366/film.2018.0073.
Full textVerevis, Constantine. "Remaking Film." Film Studies 4, no. 1 (2004): 87–103. http://dx.doi.org/10.7227/fs.4.6.
Full textDeb, Paul. "“I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions in Revolutionary Road." Film-Philosophy 25, no. 3 (October 2021): 251–71. http://dx.doi.org/10.3366/film.2021.0175.
Full textIsenberg, Noah, and Rob White. "Carnage and All: A Discussion." Film Quarterly 65, no. 3 (2012): 44–48. http://dx.doi.org/10.1525/fq.2012.65.3.44.
Full textRodriguez-Morales, Grisel, Erin Emery-Tiburcio, Robyn Golden, Marc Fenton, and Jasmine Chandy. "Schaalman Senior Voices: Transitioning From “What’s the Matter?” to “What Matters?”." Innovation in Aging 4, Supplement_1 (December 1, 2020): 582. http://dx.doi.org/10.1093/geroni/igaa057.1939.
Full textde Cock de Rameyen, Jade. "Narrative Difference: Jacques Rancière, Gilles Deleuze and Uncle Boonmee Who Can Recall His Past Lives." Film-Philosophy 25, no. 2 (June 2021): 165–86. http://dx.doi.org/10.3366/film.2021.0167.
Full textHanssen, Eirik Frisvold. "The cultural and social memory of film history online: Norwegian educational films on YouTube." Journal of Scandinavian Cinema 10, no. 3 (September 1, 2020): 259–69. http://dx.doi.org/10.1386/jsca_00028_1.
Full textWittusen, Cato. "Romantic Film-Philosophy and the Notion of Philosophical Film Criticism." Film-Philosophy 20, no. 2-3 (October 2016): 198–218. http://dx.doi.org/10.3366/film.2016.0011.
Full textTallant, David R., Karen L. Higgins, and Alan F. Stewart. "Application of Waveguide Raman Spectroscopy to High-Index Dielectric Films." Applied Spectroscopy 42, no. 2 (February 1988): 326–30. http://dx.doi.org/10.1366/0003702884428211.
Full textTrisnawati, Ririn Kurnia, Dian Adiarti, and Mia Fitria Agustina. "Gender stereotypes in Nancy Meyers� �The Intern� (2015): A study of film audience response." EduLite: Journal of English Education, Literature and Culture 6, no. 1 (February 28, 2021): 147. http://dx.doi.org/10.30659/e.6.1.147-164.
Full textKovanen, Marjo, and Sirkku Kotilainen. "Transcultural perspectives in Teaching Children's Horror Films." Seminar.net 14, no. 1 (June 28, 2018): 31–42. http://dx.doi.org/10.7577/seminar.2581.
Full textYu, Anni. "Discussion of the Artistic Aesthetic Transformation between Film and Literature from the Perspective of Adaptation." Journal of Language Teaching and Research 11, no. 6 (November 1, 2020): 1005. http://dx.doi.org/10.17507/jltr.1106.19.
Full textAnderson, Debra, Carol Langer, Rich Furman, and Kim Bender. "Using Films to Teach Social Welfare Policy." Advances in Social Work 6, no. 2 (November 30, 2005): 251–62. http://dx.doi.org/10.18060/111.
Full textHunter, Aaron. "When is the now in the here and there? Trans-diegetic music in Hal Ashby’s Coming Home." Alphaville: Journal of Film and Screen Media, no. 3 (August 8, 2012): 36–48. http://dx.doi.org/10.33178/alpha.3.03.
Full textMagerstaedt, Sylvie. "Humility and Greatness in Damien Chazelle’s First Man." Film-Philosophy 26, no. 2 (June 2022): 130–48. http://dx.doi.org/10.3366/film.2022.0192.
Full textKempen, Aldo. "Two Cats, One Fish: The Animal, Leviathan and the Limits of Theory." Film-Philosophy 26, no. 1 (February 2022): 44–62. http://dx.doi.org/10.3366/film.2022.0189.
Full textKim, Darae, Dina Iordanova, and Chris Berry. "The Busan International Film Festival in Crisis or, What Should a Film Festival Be?" Film Quarterly 69, no. 1 (2015): 80–89. http://dx.doi.org/10.1525/fq.2015.69.1.80.
Full textHelda, Trisna, Wahyudi Rahmat, and Silvia Marni. "Innovative Way to Improve Learning Languange and Cultural Understanding Through Film Background Minangkabau Culture." INTERNATIONAL JOURNAL OF LANGUAGE PEDAGOGY 1, no. 2 (November 23, 2021): 85–91. http://dx.doi.org/10.24036/ijolp.v1i2.15.
Full textCAO, C. H., M. YANG, and S. Z. YANG. "A DISCUSSION ON SPIN-POLARIZED QUASIPARTICLES INJECTION." International Journal of Modern Physics B 19, no. 01n03 (January 30, 2005): 487–89. http://dx.doi.org/10.1142/s0217979205028876.
Full textAstorino, Claudia Maria. "Cinema and Tourism." Revista Turismo em Análise 30, no. 3 (December 20, 2019): 539–61. http://dx.doi.org/10.11606/issn.1984-4867.v30i3p539-561.
Full textHunt, Kevin. "Michel Serres, Topology and Folded Time in Christopher Nolan's Dunkirk." Film-Philosophy 26, no. 3 (October 2022): 308–30. http://dx.doi.org/10.3366/film.2022.0203.
Full textSteven, Mark. "Nietzsche on Film." Film-Philosophy 21, no. 1 (February 2017): 95–113. http://dx.doi.org/10.3366/film.2017.0033.
Full textPermana, Rangga Saptya Mohamad, Lilis Puspitasari, Sri Seti Indriani, and Hanny Hafiar. "STRATEGI KOMUNIKASI PEMASARAN FILM INDIE: MODEL PEMASARAN DAN DISTRIBUSI FILM INDIE INDONESIA." Journal of Urban Society's Arts 5, no. 2 (March 6, 2019): 74–86. http://dx.doi.org/10.24821/jousa.v5i2.2120.
Full textPautz, Michelle C. "Cops on Film: Hollywood’s Depiction of Law Enforcement in Popular Films, 1984–2014." PS: Political Science & Politics 49, no. 02 (April 2016): 250–58. http://dx.doi.org/10.1017/s1049096516000159.
Full textMohamad Rasit, Rosmawati, and Nur Hazriani Razali. "Phenomenological Study of Shariah-Compliant Films as Da’wah Medium." Ulum Islamiyyah 23 (April 1, 2018): 1–11. http://dx.doi.org/10.33102/uij.vol23no0.15.
Full textÖztürk, Ridade. "Sufism in Cinema: The Case of Bab'Aziz: The Prince Who Contemplated His Soul." Film-Philosophy 23, no. 1 (February 2019): 55–71. http://dx.doi.org/10.3366/film.2019.0098.
Full textFigat, Katarzyna. "Hearing Films: A Contribution to the Discussion on Film Sound and Music Education." Panoptikum, no. 18 (December 29, 2017): 120–34. http://dx.doi.org/10.26881/pan.2017.18.08.
Full textEt.al, Poonam Pichanot. "Portrayal of Women from Stereotype to Empowered in Film Studies." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 3 (April 11, 2021): 3282–87. http://dx.doi.org/10.17762/turcomat.v12i3.1577.
Full textMutiara, Gea, Sri Mulyati, and Marsandi Manar. "CLASS CONFLICT IN PARASITE FILM USING MARXIST CRITICISM." Akrab Juara : Jurnal Ilmu-ilmu Sosial 7, no. 2 (May 5, 2022): 180. http://dx.doi.org/10.58487/akrabjuara.v7i2.1834.
Full textChen, Chunyan. "Discussion on the Generation and Incorporation of Female Subjects in Mirror Double Heroine Films." Scientific and Social Research 3, no. 4 (October 29, 2021): 175–80. http://dx.doi.org/10.36922/ssr.v3i4.1218.
Full textRuffino, Francesco, and Maria Grazia Grimaldi. "Nanostructuration of Thin Metal Films by Pulsed Laser Irradiations: A Review." Nanomaterials 9, no. 8 (August 6, 2019): 1133. http://dx.doi.org/10.3390/nano9081133.
Full textHorio, Masao. "Development of Planar Orientation in Polymer Processing." International Polymer Processing 1, no. 1 (March 1, 1986): 4–11. http://dx.doi.org/10.1515/217.860004.
Full textAmalia, Eka Rizki, Nurulazizah Ria Kusrini, and Pungky Ramadhani. "Using Films to Teach Listening Comprehension." IJEE (Indonesian Journal of English Education) 6, no. 2 (April 28, 2020): 119–32. http://dx.doi.org/10.15408/ijee.v6i2.14531.
Full textArouh, Melenia. "The Different Meanings of “Film Form”." Projections 14, no. 3 (December 1, 2020): 55–71. http://dx.doi.org/10.3167/proj.2020.140305.
Full textFanaqi, Chotijah, and Arti Nurdianti Chairunnisa. "Menangkal hoax melalui workshop literasi media dan bedah film “Tilik” bagi Karang Taruna Desa Karyamekar." Yumary : Jurnal Pengabdian Kepada Masyarakat 1, no. 2 (December 29, 2020): 59–67. http://dx.doi.org/10.35912/jpm.v1i2.59.
Full textWesterbeck, Ryan. "Police Brutality, Over-Policing, and Mass Incarceration in African American Film." Journal of Black Studies 51, no. 3 (December 27, 2019): 213–27. http://dx.doi.org/10.1177/0021934719895579.
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