Journal articles on the topic 'Film exhibition'
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Aveyard, Karina, and Albert Moran. "Cinema-Going, Audiences and Exhibition." Media International Australia 139, no. 1 (May 2011): 73–79. http://dx.doi.org/10.1177/1329878x1113900110.
Full textIswahyuningtyas, Cici Eka, and Mochammad Fadjar Hidayat. "Strategies and Challenges in Conventional and Digital Film Distribution and Exhibition in Indonesia." Jurnal Komunikasi 13, no. 1 (July 7, 2021): 133. http://dx.doi.org/10.24912/jk.v13i1.10033.
Full textSim, Jiaying. "Embodiment, Curation, Exhibition." Screen Bodies 1, no. 1 (March 1, 2016): 87–91. http://dx.doi.org/10.3167/screen.2016.010106.
Full textMoloney, Alison. "Fashion exhibition as film." Film, Fashion & Consumption 7, no. 1 (April 1, 2018): 39–55. http://dx.doi.org/10.1386/ffc.7.1.39_1.
Full textHovet, T. "The Teacher as Exhibitor: Pedagogical Lessons from Early Film Exhibition." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 6, no. 2 (April 1, 2006): 327–35. http://dx.doi.org/10.1215/15314200-2005-007.
Full textInce, Catherine. "Charles and Ray Eameses’ museums without walls: Films as exhibition and exhibitions as film." Film, Fashion & Consumption 7, no. 1 (April 1, 2018): 19–38. http://dx.doi.org/10.1386/ffc.7.1.19_1.
Full textKawakami, Ichiro. "3. Film Distribution, Exhibition Technology." Journal of The Institute of Image Information and Television Engineers 72, no. 9 (2018): 694–98. http://dx.doi.org/10.3169/itej.72.694.
Full textBernstein, Matthew. "Exhibition, The Film Reader (review)." Moving Image 3, no. 1 (2003): 178–81. http://dx.doi.org/10.1353/mov.2003.0002.
Full textCalder, Barnabas. "Book, exhibition and film reviews." Journal of Architecture 16, no. 6 (December 2011): 975–94. http://dx.doi.org/10.1080/13602365.2011.637001.
Full textUduku, Ola. "Book, exhibition and film reviews." Journal of Architecture 17, no. 3 (June 2012): 479–83. http://dx.doi.org/10.1080/13602365.2012.692615.
Full textCepl, Jasper. "Book, exhibition and film reviews." Journal of Architecture 19, no. 5 (September 3, 2014): 809–11. http://dx.doi.org/10.1080/13602365.2014.969974.
Full textBlagojević, Ljiljana. "Book, exhibition and film reviews." Journal of Architecture 20, no. 2 (March 4, 2015): 355–59. http://dx.doi.org/10.1080/13602365.2015.1028725.
Full textBeech, Nick. "Book, exhibition and film reviews." Journal of Architecture 20, no. 3 (May 4, 2015): 536–43. http://dx.doi.org/10.1080/13602365.2015.1053186.
Full textAllbeson, Tom. "Book, exhibition and film reviews." Journal of Architecture 21, no. 7 (October 2, 2016): 1154–58. http://dx.doi.org/10.1080/13602365.2016.1233624.
Full textGalán, Ignacio G. "Book, exhibition and film reviews." Journal of Architecture 23, no. 2 (February 17, 2018): 339–42. http://dx.doi.org/10.1080/13602365.2018.1443578.
Full textChmelyk, Iryna. "Loving Vincent: Online Exhibition as an Innovative Form of Presenting Visual Art in Ukraine." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 145–52. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235242.
Full textMerrington, Peter, Matthew Hanchard, and Bridgette Wessels. "Inequalities in Regional Film Exhibition: Policy, Place and Audiences." Journal of British Cinema and Television 18, no. 2 (April 2021): 198–222. http://dx.doi.org/10.3366/jbctv.2021.0566.
Full textDanso, Augustine. "Reconstructing cinematic activities in the early twentieth century: Gold Coast (Ghana)." Journal of African Cinemas 13, no. 2 (December 1, 2021): 147–55. http://dx.doi.org/10.1386/jac_00051_1.
Full textVinod Rao, N., and R. Rajeshwari. "OTT as New Platform of Cinema Exhibition: Opportunities and Challenges for Kannada Films." Asian Review of Social Sciences 10, no. 1 (May 15, 2021): 48–51. http://dx.doi.org/10.51983/arss-2021.10.1.2681.
Full textQuiroga Fernández, Sofía. "Moholy-Nagy’s Light Prop for an Electric Stage. Design, Copies and Reproductions." Disegno, no. 1-2 (2021): 166–77. http://dx.doi.org/10.21096/disegno_2021_1-2sqf.
Full textHilton-Smith, Simon, M. Elizabeth Weiser, Sarah Russ, Kristin Hussey, Penny Grist, Natalie Carfora, Nalani Wilson-Hokowhitu, Fei Chen, Yi Zheng, and Xiaorui Guan. "Exhibition Reviews." Museum Worlds 10, no. 1 (July 1, 2022): 257–89. http://dx.doi.org/10.3167/armw.2022.100121.
Full textGrogg, Morgan A. "The Iconic Wurlitzer: Transforming Early Film Exhibition." Film Matters 4, no. 4 (December 1, 2013): 56–58. http://dx.doi.org/10.1386/fm.4.4.56_1.
Full textEamon, Christopher. "Exhibition 3: Rare Film and Audio Art." Public 23, no. 46 (December 1, 2012): 77–97. http://dx.doi.org/10.1386/public.23.46.77_1.
Full textEamon, Christopher. "Exhibition 3: Rare Film and Audio Art." Public 46, no. 1 (December 1, 2012): 77–97. http://dx.doi.org/10.1386/public.46.1.77_1.
Full textReinhart, Martin. "The Film and Photo Exhibition of 1929." Maske und Kothurn 65, no. 1-2 (December 28, 2019): 126–29. http://dx.doi.org/10.7767/mako.2019.65.1-2.126.
Full textStevens, Kirsten. "Fighting the Festival Apocalypse: Film Festivals and Futures in Film Exhibition." Media International Australia 139, no. 1 (May 2011): 140–48. http://dx.doi.org/10.1177/1329878x1113900118.
Full textZarobell, John. "Global Art Collectives and Exhibition Making." Arts 11, no. 2 (March 1, 2022): 38. http://dx.doi.org/10.3390/arts11020038.
Full textTAYLOR, JEREMY E. "Chinese film exhibition in Occupied Manila (1942–1945)." Modern Asian Studies 47, no. 5 (February 1, 2013): 1588–621. http://dx.doi.org/10.1017/s0026749x12000467.
Full textLeivategija, Karin. "Filmid Eesti Rahva Muuseumi püsinäitusel „Kohtumised“." Eesti Rahva Muuseumi aastaraamat 62, no. 1 (December 20, 2019): 101–22. http://dx.doi.org/10.33302/ermar-2019-004.
Full textForgacs, David. "Film Culture in Rome." Film Quarterly 61, no. 3 (2008): 40–45. http://dx.doi.org/10.1525/fq.2008.61.3.40.
Full textSmith, Olga. "Exhibition as cinema, cinema as exhibition: Philippe Parreno and the moving image in the museum." Moving Image Review & Art Journal (MIRAJ) 11, no. 1 (April 1, 2022): 34–53. http://dx.doi.org/10.1386/miraj_00082_1.
Full textWalde, Laura. "Brevity ‐ format ‐ programme: A conceptual triangle." Short Film Studies 11, no. 2 (September 1, 2021): 233–38. http://dx.doi.org/10.1386/sfs_00058_1.
Full textAveyard, Karina. "Australian Films at the Cinema: Rethinking the Role of Distribution and Exhibition." Media International Australia 138, no. 1 (February 2011): 36–45. http://dx.doi.org/10.1177/1329878x1113800106.
Full textSong, Xu. "Journey to the East: A Review of Hollywood’s Film Localization Efforts for China’s Film Market." International Journal of English and Cultural Studies 2, no. 1 (December 11, 2018): 1. http://dx.doi.org/10.11114/ijecs.v2i1.3872.
Full textBañuelos Marco, Amaya. "Making intersexuality visible through the circulation of Lucia Puenzo's XXY." La Manzana de la Discordia 11, no. 2 (October 31, 2016): 21. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v11i2.1621.
Full textPutra, Achmad Eriansyah Utama, Agnes Juliarti, Dimas Mohammad Wibowo, Figra Ardham, and Vera Julianti. "Studi Aktivitas Pemasaran Film Independen: Kasus di Indonesia." Indonesian Business Review 2, no. 2 (February 6, 2020): 400–437. http://dx.doi.org/10.21632/ibr.2.2.400-437.
Full textCooper, Timothy P. A. "The Kaččā and the Pakkā: Disenchanting the Film Event in Pakistan." Comparative Studies in Society and History 62, no. 2 (March 30, 2020): 262–95. http://dx.doi.org/10.1017/s0010417520000055.
Full textSawadogo, Boukary. "Presence and exhibition of African film in Harlem." Journal of African Cinemas 12, no. 2-3 (December 1, 2020): 163–75. http://dx.doi.org/10.1386/jac_00034_1.
Full textCondon, Denis. "Film exhibition and distribution in Ireland, 1909–2010,." Early Popular Visual Culture 11, no. 4 (November 2013): 444–46. http://dx.doi.org/10.1080/17460654.2013.837594.
Full textJones, Janna. "Film Exhibition and Distribution in Ireland, 1909–2010." Historical Journal of Film, Radio and Television 33, no. 2 (June 2013): 328–29. http://dx.doi.org/10.1080/01439685.2013.782622.
Full textShiau, Hongchi, and Karina Aveyard. "Private Sponsorships and Independent Film Exhibition in Taiwan." Media International Australia 139, no. 1 (May 2011): 133–39. http://dx.doi.org/10.1177/1329878x1113900117.
Full textSIMONSON, MARY. "Visualizing Music in the Silent Era: The Collaborative Experiments of Visual Symphony Productions." Journal of the Society for American Music 12, no. 1 (January 25, 2018): 2–36. http://dx.doi.org/10.1017/s1752196317000505.
Full textMisek, Richard. "Trespassing Hollywood: Property, Space, and the “Appropriation Film”." October 153 (July 2015): 132–48. http://dx.doi.org/10.1162/octo_a_00230.
Full textVan Hemert, Tess, and Elizabeth Ellison. "Queensland's film culture: the challenges of local film distribution and festival exhibition." Studies in Australasian Cinema 9, no. 1 (January 2, 2015): 39–51. http://dx.doi.org/10.1080/17503175.2014.1002269.
Full textFreitas, Kênia. "How the Machine Works." Film Quarterly 74, no. 2 (2020): 54–60. http://dx.doi.org/10.1525/fq.2020.74.2.54.
Full textOverpeck. "Subversion, Desperation and Captivity: Pre-film Advertising in American Film Exhibition Since 1977." Film History 22, no. 2 (2010): 219. http://dx.doi.org/10.2979/fil.2010.22.2.219.
Full textZervigón, Andrés Mario. "The Peripatetic Viewer at Heartfield's Film und Foto Exhibition Room." October 150 (October 2014): 27–48. http://dx.doi.org/10.1162/octo_a_00199.
Full textШраер, Александр Викторович, and Анна Андреевна Сомова. "New and Traditional Professional Exhibitions in Cinema Tourism Services." ЖУРНАЛ ПРАВОВЫХ И ЭКОНОМИЧЕСКИХ ИССЛЕДОВАНИЙ, no. 4 (December 15, 2019): 263–67. http://dx.doi.org/10.26163/gief.2019.84.13.044.
Full textFischer, Andre. "New transmedia design for traditional film festivals." Revista GEMInIS 13, no. 3 (2022): 16–23. http://dx.doi.org/10.53450/2179-1465.rg.2022v13i3p16-23.
Full textSmith, Paul Julian. "Film Culture in Madrid." Film Quarterly 62, no. 4 (2009): 63–68. http://dx.doi.org/10.1525/fq.2009.62.4.63.
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