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1

Norlin, Margareta. Children's film in Sweden. Stockholm, Sweden: Swedish Institute, 1990.

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2

Björkegren, Dag. Filmens företag. Stockholm: Nerenius & Santérus, 1994.

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3

Jenny, Holland, Harris Jane, and Circles, eds. Women's film & video distribution catalogue. London: Circles, 1987.

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4

Organisation for Economic Co-operation and Development., ed. Competition policy and film distribution. Paris: OECD, 1996.

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5

Crisp, Virginia. Film Distribution in the Digital Age. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137406613.

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6

Bager-Sjögren, Lars. The distribution of wealth in Sweden, 1984-1986. [Göteborg, Sweden]: Gothenburg University School of Economics and Legal Science, 1991.

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7

Anders, Björklund. Unemployment and income distribution: Time-series evidence from Sweden. Stockholm: Industriens Utredningsinstitut, 1991.

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8

Krosnick, Howard. Distribution of artist-driven film and video. [Ottawa, Ont.]: Canada Council for the Arts, 2004.

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9

Fransson, Sven. Bryophyte vegetation on cliffs and screes in western Värmland, Sweden. Uppsala: Svenska växtgeografiska sällskapet, 2003.

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10

1957-, Kessler Frank, and Verhoeff Nanna, eds. Networks of entertainment: Early film distribution 1895-1915. Eastleigh: J. Libbey Pub., 2007.

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11

Frank, Kessler, and Verhoeff Nanna, eds. Networks of entertainment: Early film distribution 1895-1915. Eastleigh: John Libbey Pub., 2007.

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12

Emer, Rockett, ed. Film exhibition and distribution in Ireland, 1909-2010. Dublin: Four Courts Press, 2011.

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13

Proschwitz, Ted von. Zoogeographical studies on the land mollusca of the province of Dalsland (SW. Sweden). Göteborg: Kungl. Vetenskaps- och Vitterhets-Samhället, 1994.

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14

Olson, Mancur. How bright are the northern lights?: Some questions about Sweden. [Lund]: Institute of Economic Research, Lund University, 1990.

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15

Håkansson, Johan. Changing population distribution in Sweden: Long term trends and contemporary tendencies. Umeå: Kulturgeografiska institutionen, Umeå universitet, 2000.

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16

Cones, John W. The feature film distribution deal: A critical analysis of the single most important film industry agreement. Carbondale, IL: Southern Illinois University Press, 1997.

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17

Smits, Roderik. Gatekeeping in the Evolving Business of Independent Film Distribution. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16896-4.

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18

Wang, Shujen. Framing piracy: Globalization and film distribution in greater China. Lanham, MD: Rowman & Littlefield, 2003.

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19

Makris, C. Hollywood: Technological and cultural issues in international film distribution. Manchester: UMIST, 1995.

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20

Bengtsson, Tommy. Population ageing - a threat to the welfare state?: The case of Sweden. Heidelberg: Springer-Verlag, 2010.

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21

(Editor), Francesco Bono, and Maaret Koskinen (Editor), eds. Film In Sweden. Swenska Institute, 1997.

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22

Film distribution guide. Los Angeles, Calif: Lone Eagle Pub. Co., 1994.

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23

McClellan, Gail. Film Distribution Guide 1986-1992. Lone Eagle Pub Co, 1994.

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24

Short Film Distribution: Film Festivals, the Internet, and Self-Promotion. Mercury Learning & Information, 2011.

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25

Moore, Jason. Short Film Distribution: Film Festivals, the Internet, and Self-Promotion. Mercury Learning & Information, 2011.

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26

Short Film Distribution: Film Festivals, the Internet, and Self-Promotion. de Gruyter GmbH, Walter, 2011.

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27

Film distribution international: Rights and markets. [Shrub Oak, NY]: Baskerville Communications Corporation, 1995.

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28

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2017.

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29

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2012.

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30

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2012.

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31

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2012.

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32

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2012.

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33

Lange, Andre. Film Distribution Companies in Europe (Communication). Council of Europe, 2007.

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34

Parks, Stacey. Insider's Guide to Independent Film Distribution. Taylor & Francis Group, 2012.

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35

The Independent's Guide to Film Distribution. CreateSpace Independent Publishing Platform, 2014.

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36

American film distribution: The changing marketplace. Ann Arbor, Mich: UMI Research Press, 1987.

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37

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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38

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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39

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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40

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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41

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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42

Arnold, Sarah, and Mark de Valk. Film Handbook. Taylor & Francis Group, 2013.

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43

Sparrow, Andrew. Film and Television Distribution and the Internet. Routledge, 2016. http://dx.doi.org/10.4324/9781315582351.

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44

Parks, Stacey. The Insider's Guide to Independent Film Distribution. Routledge, 2012. http://dx.doi.org/10.4324/9780240817569.

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45

Parks, Stacey. The Insider's Guide to Independent Film Distribution. Routledge, 2012. http://dx.doi.org/10.4324/9780080478517.

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46

The Insider's Guide to Independent Film Distribution. Focal Press, 2007.

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47

Statistics, Australian Bureau of, ed. Film and video production and distribution: Australia. Australian Bureau of Statistics, 1998.

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48

The insider's guide to independent film distribution. 2nd ed. Waltham, MA: Elsevier/Focal Press, 2012.

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49

Film and Television Distribution and the Internet. Gower Pub Co, 2007.

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50

Film finance & distribution: A dictionary of terms. Los Angeles: Silman-James Press, 1992.

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