Relevant bibliographies by topics / Film distribution

Academic literature on the topic 'Film distribution'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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Journal articles on the topic "Film distribution"

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Zaytseva, E. G., O. V. Naumova, and A. K. Gutakovskii. "Conditions for the identical distribution of free carriers in thin films." Journal of Physics D: Applied Physics 55, no. 7 (November 3, 2021): 075101. http://dx.doi.org/10.1088/1361-6463/ac30fb.

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Abstract The condition of the same distribution of free carriers in thin films is necessary for comparing the mobility and analyzing the scattering mechanisms of carriers near semiconductor film/insulator interfaces. In thin film/insulator systems with different design parameters, it is difficult to ensure the same distribution of free carriers due to physical phenomenon such as the coupling effect. In this study, TCAD simulations of thin-film transistors, which have been used to monitor Si film properties, were applied to find parameters that allow tuning the potential distribution and, accordingly, the distribution of free carriers in films. It was found that such parameters are the film regime, the density of induced carriers, the gate voltage or threshold voltage of transistors. The conditions for the selection of parameters were found that ensure the same distribution of free carriers in thin-film structures for the cases of different thicknesses of films and the surrounding dielectrics. It was shown that the proposed approach can be used for a comparative analysis of the mobility in thin films and makes it possible to eliminate errors associated with different distributions of carriers in the films due to the coupling effect.
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Vande Winkel, Roel. "Film Distribution in Occupied Belgium (1940–1944)." TMG Journal for Media History 20, no. 1 (June 26, 2017): 46. http://dx.doi.org/10.18146/2213-7653.2017.280.

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The military successes achieved by the Wehrmacht in the first years of World War II, provided Nazi Germany with the opportunity to realise a long-dormant ambition of cultural hegemony. This article, focusing on film distribution in German-occupied Belgium (1940–1944), investigates the concrete steps that were taken to bring this new cultural order into practice and identifies the obstacles the German Propaganda Division (‘Propaganda-Abteilung Belgien’) encountered. Through various measures, the number of Belgian film distributors, and the number of films offered by them, were reduced. The market position of German film in general and of German film distributors Ufa and Tobis in particular, was fortified. Nevertheless, these measures did not lead to a complete German market monopoly. This would have been politically undesirable, but also turned out to be economically impossible. Towards the end of the war, the cultural, ideological, but also the undeniable economic mission to make German films as strong as possible in occupied Belgium, proved incompatible with the German war economy.
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Li, Zheng Min, Zhi Wei Chen, Min Tan, Ke Jing Xu, and Bing Jiang. "Determination of Particle Size Distribution of Nano-TiO2 Coating Film by AFM and Image Analysis." Advanced Materials Research 177 (December 2010): 22–24. http://dx.doi.org/10.4028/www.scientific.net/amr.177.22.

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Nano-TiO2 coating film is one of the efficient photocatalysts. The particle size distribution of TiO2 has important influence on photocatalytic activity. A new method to determine the particle size distribution of TiO2 nano-film coated on ceramic was developed, by which the images of film acquired by Atom force microscope (AFM) were processed, and TiO2 particles contacted with others were separated and detected. The particle size distributions of two TiO2 nano-films were determined.
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Cherkasova, N. "Peculiarities of Ukrainian Films Distribution at the Present Stage." Culture of Ukraine, no. 73 (September 23, 2021): 113–20. http://dx.doi.org/10.31516/2410-5325.073.16.

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The relevance is determined by the need to reconsider the attitude to the traditional system of film distribution in the new reality. Under conditions of quarantine, the film and the audience actively interact mainly outside of cinemas. Current distribution practices have changed significantly over the last year. Cinemas have almost lost movies and viewers, and filmmakers are trying to minimize the negative effects with new content delivery channels. It is important for various representatives of the film industry to quickly and effectively adapt to new conditions of film consumption. The methodology. We used the methods of analysis and synthesis in the study of certain characteristics of the domestic rental repertoire, rental conditions of national films, audience preferences. The comparison revealed the features of distribution at the present stage, new opportunities for the distribution of film products in the modern audiovisual space. The method of generalization is used in determining the relevance of study issues, the degree of its theoretical development, identifying positive and negative features in the film practice of Ukrainian distributors, trends in modern film distribution. The purpose of the article is to analyze and highlight the trends in the distribution of Ukrainian films. The results. Perspective channels of content distribution in the conditions of crisis of cinema rental are considered. It is proved that different types of television, online distribution segment in practice show interest in new Ukrainian cinema. It is established that Ukrainian film producers and distributors partially use modern mechanisms of distribution of national films. The topicality. It can be stated that the topic of distribution of national films in the current conditions of cinema crisis is insufficiently studied. There is a lack of study in this regard. We have made an attempt to analyze in detail the topical issues of the development of Ukrainian cinema, which have not received sufficient comprehensive coverage of modern domestic science. The practical significance. The gradual recovery of the film distribution industry and the film industry is associated with modern methods of delivering films to the audience. The analysis shows the need for further study in this direction. The materials of study can be used in the development of the distribution strategy of national films, in the preparation and practical activities of various representatives of the film industry.
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Sowiński, Emil. "Alternative distribution and its role in the promotion of films produced by the Irzykowski Film Studio between 1981–1984." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 32, no. 41 (January 5, 2023): 99–111. http://dx.doi.org/10.14746/i.2022.41.06.

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The Irzykowski Film Studio was founded in 1981 as an institution that allowed young filmmakers to start their careers directly after graduating from the Film School. The studio could produce medium-length and short feature films and documentaries as well as animation. Nevertheless, all these types of films, according to the statute confirmed by the minister, were not to be officially cinema distributed, since they were supposed to be treated as a film exercise, a kind of practice run. Finally, it turned out that the Irzykowski Film Studio productions were regarded as fully fledged films that could compete with films produced by Film Units (i.e., the professional organizational entities of the Polish film production system at the time) or short film studios. What is not without significance, most films (not to say: all) were politically controversial. Therefore, the leaders of the Studio decided to show films to the audience, but they could not do it officially by applying for referral to cinema distribution. In connection with this, they were shown at small film festivals, inner (unofficial) screenings, and illegally distributed on VHS tapes. By extension, the range of distribution was narrow, but, curiously enough, the films were attracting a lot of interest from film critics, audiences and... state authorities. The aim of this paper is to analyze the alternative distribution process that occurred at the Irzykowski Film Studio. What films were shown at festivals, at internal screenings, and which were illegally copied onto VHS tapes? Had all the films shown been censored? How did state censorship react to test screenings with the audience? How did the critics and audience perceive these films? Did the presence of films at festivals influence their cinema distribution? And finally: how did the promotion and festival distribution of these films affect the perception of the Irzykowski Film Studio among the state authorities?
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Han, Ya Ping, Shao Ze Wang, Qing Wen Wang, Jin Xin Wang, and Ming Hai Luo. "Theoretical and Experimental Analysis on Magnetron Sputtering Film Thickness Distribution." Advanced Materials Research 450-451 (January 2012): 334–37. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.334.

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Thickness uniformity of film influences the properties of deposit films greatly by using magnetron sputtering. A magnetron sputtering model is developed , film thickness distribution is got by theoretical deduction, and the data is analyzed by Matlab and Mathematica. The result shows that film thickness is the function of radius, and the uniformity is connected to time. The related experiment was conducted and corresponded with the theory.
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Taufiqurrohman, Muhammad, and Tri Murniati. "Distribution of Post-New Order Indonesian Non-Commercial Films: Case Studies of turah (2016) and prenjak (2016)." Culture and History 2, no. 1 (June 28, 2022): p1. http://dx.doi.org/10.30560/ch.v2n1p1.

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This article discusses the distribution of two post-New Order Indonesian non-commercial films, namely Turah and Prenjak. Eclectic methods employed in this research consist of (1) a textual-descriptive method to reveal the message of the films in correlation with its distribution aspect, and (2) an ethnographic method with in-depth interview technique to reveal how the distribution of the two films is carried out. This article shows that the distribution of Turah and Prenjak has several similarities as well as differences. Thematically, they talk about the lives of the poor, though they use different angles. In terms of distribution, both utilize film festivals as the main distribution media, both at national and international levels. Turah and Prenjak also achieved recognitions at various film festivals. The striking difference is in the choice of film distribution and screening road shows. Turah entered mainstream cinema and benefited from road shows while Prenjak did neither. This is mainly due to sensitive scenes in Prenjak showing vagina and penis which makes the film unable to be widely screened. It was distributed only for film festivals and limited screenings. Meanwhile, Turah, which does not display any scenes related to pornography, has the flexibility in its distribution. This shows that as part of circuit of culture, film distribution—as an act to circulate the film’s vision and ideology—is closely related to the process of production, consumption and also regulation.
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Tanki, Nobuyoshi, Toshizo Katsuda, Rumi Gotanda, Tatsuhiro Gotanda, Shinya Imai, Yasuyuki Kawaji, Atsushi Noguchi, Tadao Kuwano, Hideki Fujita, and Yoshihiro Takeda. "THE CONCEPT OF X-RAY CT DOSE EVALUATION METHOD USING RADIOCHROMIC FILM AND FILM-FOLDING PHANTOM." Radiation Protection Dosimetry 193, no. 2 (January 2021): 96–104. http://dx.doi.org/10.1093/rpd/ncab033.

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Abstract In this paper, we propose a novel radiochromic film (RCF)-based computed tomography (CT) dosimetry method, which is different from the method based on CT dose index. RCF dosimetry using Gafchromic QA2 films was performed using two lengths of film-folding phantoms. The phantom was exposed to X-ray CT through a single scan, while the RCF was sandwiched between the phantoms. We analysed the dose profile curve in two directions to investigate the dose distribution. We observed a difference in the dose distribution as the phantom size changed. Our results contradict with the results of previous studies such as Monte Carlo simulation or direct measurement. The ability to visually evaluate 2D dose distributions is an advantage of RCF dosimetry over other methods. This research investigated the ability of 2D X-ray CT dose evaluation using RCF and film-folding phantom.
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Ivanov, Oleg Valentinovich, Nadezhda Viktorovna Astakhova, and Danila Olegovich Ivanov. "Movie Distribution Categories in Russia: Sample of Statistical Analysis." Journal of Flm Arts and Film Studies 7, no. 1 (March 15, 2015): 112–27. http://dx.doi.org/10.17816/vgik71112-127.

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The article analyzes the statistical distribution dynamics of domestic film attendance within the territory of the Russian Federation covering a five-year period (from 2009 to 2013). The authors point out four distribution categories and six subcategories for films in accordance with their attendance at cinemas. Comprehensive analysis of the films grouped into each category allows to make conclusions concerning a progression of absolute measure of domestic film attendance and increase its relative share in the total amount of distribution.
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Park, Hwan Pil, Yoon Chung, Chong Seung Yoon, Sung Su Jo, and Young Ho Kim. "Comparison of Metal-Oxide Nanoparticle Formation in the Cu and Sn Thin Films by the Reaction with Polyimide." Materials Science Forum 449-452 (March 2004): 1237–40. http://dx.doi.org/10.4028/www.scientific.net/msf.449-452.1237.

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We developed a simple method of producing metal oxide nanoparticles by reacting a polyamic acid (PAA) with Cu or Sn metal films. Respective particle size, distribution, and morphology were characterized by transmission electron microscopy (TEM). The morphology of metal oxides dispersed in the polyimide is different in Cu and Sn metal films. The Cu2O particles were formed by the dissolution reaction between the polyamic acid and the Cu films. During curing, PAA dehydrates and converts to polyimide, accompanied by precipitation of Cu2O particles. The synthesized Cu2O particles were randomly dispersed within the polyimide. And their particle size was relatively uniform, having a narrow distribution. Mostly nanosize Cu2O particles were formed in the specimen made from 10 nm thick Cu film and the mixture of nanosize particles and Cu layers were observed in the 30 nm thick Cu film. On the other hands, the Sn film undergoes surface reaction with the polyamic acid. Therefore, the synthesized SnO2 particles existed only at the surface of the substrate. SnO2 particle size distribution was not uniform in the polyimide. Although particles were not distributed uniformly in the polyimide, they were confined in a monolayer. The different particle distributions were attributed to the reactivity difference of PAA with Cu and Sn films.
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Dissertations / Theses on the topic "Film distribution"

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Simonyan, Mesrop. "Rethinking Film Distribution." Digital Commons at Loyola Marymount University and Loyola Law School, 2012. https://digitalcommons.lmu.edu/etd/449.

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Ve´lez-Serna, Mari´a Antonia. "Film distribution in Scotland before 1918." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3605/.

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This thesis proposes an empirical approach to the history of film distribution and exhibition in Scotland before 1918. It deploys geo-database tools as a way to collect and analyse data from a range of archival and print sources, and to engage with historiographical questions about the emergence of cinema as an institution in a non-metropolitan context. The first part introduces the theoretical and methodological premises that underpin the project, situating it in relation to growing academic interest in early distribution and local film practices. A research method is outlined, involving the construction of a relational database documenting the places of film exhibition and the geographical variation in programming practices. This database, working alongside more detailed archival case studies, constitutes the foundation for broader discussions about the commercial, social and ideological roles of film and cinema. The analytical framework incorporates notions such as the commodity nature of film and the tension between different conceptions of the social role and position of cinema within Scottish communities. The emergence of institutional practices and structures in Scotland is thus described as occurring in a complex field of forces where two main polarities appear as prominent: Firstly, a tension between decentralised, local practices and the increasingly globalised operations of the film industry; and secondly, a shifting balance between regularisation and distinction, or the ordinary and the extraordinary. It is in terms of this fluid equilibrium that two overlapping moments in the history of the early Scottish film trade are described in the second and third parts of the thesis. Part II follows the creation and expansion of the Scottish market and popular demand for moving pictures, showing how different forms of film supply enabled the coexistence of various types of itinerant exhibition, and then of a gradual transition to fixed-site shows. It starts by exploring the continuities between film exhibition and existing cultural forms such as lantern lecturing and the music hall. It highlights the significant level of agency exercised by local exhibitors and renters within an open-market model that allowed the outright sale of films, and which also established a commercial interdependency between city-centre and peripheral exhibition. Part III argues that, once the market reached a relatively stable state with the regularisation of supply and the growing standardisation of the film product, the increasing concentration of capital and power in larger companies (both in the regional and the global scale) marked a shift in the balance of forces, away from unrestricted circulation and towards exclusivity. This is seen as a reformulation of the commodity status of film, associated with the emergence of feature programming. The consequences of the new textual and industrial trends for the Scottish distributors and exhibitors are considered, revealing geographical variation in their adoption, as well as incipient forms of resistance to the emerging institutional practices.
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AbouZeid, Perihan. "Online independent film distribution : what is missing?" Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/99049.

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Thesis: M.B.A., Massachusetts Institute of Technology, Sloan School of Management, 2015.
Title as it appears in MIT Commencement Exercises program, June 5, 2015: Online independent film distribution platforms: what is missing? Cataloged from PDF version of thesis.
Includes bibliographical references.
This thesis proposes a new model for online platforms for independent films. Today, platforms such as Netflix, iTunes, and YouTube are in the face of major industry challenges: more competitors are entering the market; consumers are demanding more diverse content and higher quality service; and cost of content acquisition keeps increasing. In addition, the independent film industry has a fragmented value chain, which makes it challenging for filmmakers to fund and distribute their films. By applying the platforms framework proposed by Prof. Annabelle Gawer, as well as the "coring and tipping" strategy outlined by Prof. Gawer and Prof. Cusumano, the analysis in this paper shows that a company can become a platform leader by integrating two sides of the value chain: distribution and funding. This strategy will incentivize filmmakers and distributors to use the platform instead of competitors; and it will solve the problem of industry fragmentation. This model can also give the platform access to new data on its consumers' preferences; and enable it to acquire films in its early stages at a lower cost.
by Perihan AbouZeid.
M.B.A.
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Nikdel, Elliott. "Online distribution and the relocation of specialised film." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/412010/.

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The recent advent of online film distribution has inspired a utopian vision of change and disruption. In particular, online distribution is believed to foster a new democratic dawn of content distribution, widening the range of choice and opening pathways to a plethora of cultural content. This is deemed to have a particularly enriching impact on the diversity of film culture by dragging specialised and niche films from the fringes of the market to the centre of cultural life. In light of these claims, this thesis considers whether online film distribution is the disruptive force that many promise. In particular, this thesis assesses whether online distribution widens public access to niche content and stimulates greater public engagement with a range of specialised film. As a means of exploring these issues, this thesis proposes an alternative approach to the study of online film distribution. Rather than subscribing to the notion of disruption, this thesis argues for a model of continuity. This is achieved by analysing the current changes in content delivery through a historical lens of study. Firstly, by surveying the important chapters in the history of film distribution and exhibition in Britain, this thesis identifies a number of patterns and practices which have served to limit public access to specialised film. Following this, we see how a number of these practices and trends resurface online albeit in slightly new and interesting ways. This is evident across the broader digital landscape, addressing issues such as the renewed influence of marketing and content visibility; the continued importance of theatrical exhibition; the profound ways in which traditions of specialised distribution and exhibition shape the online platform MUBI; and the reinforcement of social distinction in the context of illegal online filesharing. By examining these and other issues, this thesis challenges the utopian discourse by painting a more complex portrait of the digital landscape, one in which the future is profoundly tethered to the past.
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McKenna, Mark. "Rethinking the 'video nasties' : economics, marketing, and distribution." Thesis, University of Sunderland, 2017. http://eprints.staffs.ac.uk/5264/.

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There are two things that most people know about the ‘video nasties.’ The first is that prior to 1984 the video industry was completely unregulated and the absence of any regulation allowed a space for immoral and disreputable elements of the businesses to thrive. The second is that a series of public complaints about the advertising used to promote the ‘video nasties’ triggered a moral panic that led to introduction of the Video Recordings Act in 1984. Neither of these statements is entirely true, but both have allowed a popular history to persist that continues to hold the independent distributor directly accountable for the events that led to a scheme of government sanctioned censorship that continues to this day. Through exploring the marketing and distribution of the ‘video nasties’, this thesis will challenge this established history and will contextualise the ‘video nasties’ within the emerging landscape of the wider home video industry. Moving beyond the explicitly social readings that have dominated these histories and that have positioned them as an explicitly British concern, this study offers a reading that considers the ‘video nasties’ as part of, and not separate from, a broader global film industry and wider industrial practice. This will be accomplished over three sections. In the first section I will detail the established social history before reconsidering the accuracy of this narrative when it is considered alongside a previously neglected economic and technological history. This context will provide the foundation for the rest of the thesis, providing a basis that reconceptualises the ‘video nasties’ both historically and as part of wider film markets. In the second section I will return to the claims made against the promotional strategies of the early distributors and historicise this type of promotion, tracing a lineage to the ballyhoo of William Castle and the early promotions of P.T Barnum. This will provide context for a study that considers the marketing and branding of both the films and the companies that produced them, following the market through Video, DVD and Blu-ray. The final section documents the evolution of both the product and the marketplace, considering how theoretical constructs arising from film studies can help us understand the marketplace of the ‘video nasties’. The thesis is a revisionist history that reconsiders the birth of the independent video industry in the United Kingdom through the films and distributors that were marginalised and castigated.
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Lhuissier, Henri. "Nappes, trous, ligaments et gouttes." Phd thesis, Université de Provence - Aix-Marseille I, 2011. http://tel.archives-ouvertes.fr/tel-00600229.

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Ce manuscrit aborde le problème de l'atomisation des films liquides à travers diverses expériences portant sur leur formation, déstabilisation et fragmentation. Une première partie identifie et décrit deux mécanismes de désintégration à l'œuvre lors de la rétractation d'un film de savon. Lorsque le film se détache sur une frontière, le bord de Plateau est entrainé et son accélération explique la déstabilisation. Lorsque le perçage a lieu au centre, le battement du film résultant de l'interaction avec l'atmosphère au repos conduit à sa fragmentation. Une second étude explique le plissement singulier de certaines cloches liquides par un ressaut hydraulique à interfaces libres assurant la transition d'un écoulement super-critique vis-à-vis des ondes capillaires à un écoulement sub-critique. La courbure marquée associée à cette transition impose au liquide une accélération centripète susceptible de déstabiliser la cloche en aval. La formation des embruns par l'intermédiaire de l'éclatement des bulles de surface est abordée dans une troisième partie. La géométrie des bulles, le mécanisme de drainage de leurs films et les événements de perçage sont étudiés afin de rendre compte de l'épaisseur de la bulle au début de l'éclatement. La dynamique ultérieure de fragmentation est détaillée conduisant à une caractérisation du spray produit. Une dernière partie étudie l'atomisation effervescente sur une expérience modèle : une nappe liquide plane ensemencée en fines bulles d'air favorisant la nucléation de trous. Sur la base de mesures des taux de nucléation et croissance des trous, un modèle statistique du réseau de ligaments liquides formés par la réunion des bourrelets ceinturant les trous permet un description du spray issu de la fragmentation du réseau.
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Broome, Steven. "Liquid Distribution And Falling Film Wetting In Dairy Evaporators." Thesis, University of Canterbury. Department of Chemical and Process Engineering, 2005. http://hdl.handle.net/10092/4027.

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Niro designed and built five near-identical milk evaporators for Fonterra’s production site at Clandeboye and five at the Edendale site. Tubes in the Clandeboye evaporators often fouled excessively and occasionally blocked, requiring water blasting to clear them. Large amounts of undesirable foam from milk were observed in the second effect of some evaporators. This was known to be related to fouling and early shutdowns. The fouling increased the cleaning chemical and utility usage, and the evaporator downtime. The problems were believed to be related to the liquid distribution system at the top of the tubes. Evaporator liquid distribution has received relatively little research but it has been shown that the efficiency of evaporation reduces when there is poor wetting. Some estimates were available from previous work for the minimum flowrates required to obtain a complete falling film inside a tube. Many tasks were performed to assess the performance of the liquid distribution systems. The minimum wetting rates of three different milks were found in a model evaporator tube under isothermal, heat transfer and evaporation conditions at 60ºC. Numerous measurements of evaporators at Clandeboye were made to thoroughly analyse the evaporator performance. The overall heat transfer coefficients and wetting rates were calculated throughout the evaporators. Physical measurements were taken of the dimensions of the distribution systems in every evaporator. Many potential problems were found including warping, inconsistent hole sizes and fabrication faults. An analysis of the tube and distribution hole arrangements showed that every pass had some liquid misdistribution which was confirmed by a water trial. The evaporators were inspected before cleaning after 22 hours of whole milk production and after 5 hours of milk protein concentrate (MPC) production. There was considerable fouling at the bottom of some tubes that received low whole milk flows and large particles of MPC were blocking distribution plate holes. Observation and analysis showed that the foaming was likely to be caused by an upward flow of vapour from some passes which disrupted the downward flow of milk. As a result of this project there is sufficient confidence to justify modification of effects 2 and 4 of the evaporators. Sixteen tubes in effect 4 will be welded shut and the distribution systems in effects 2 and 4 will be redesigned to give a better liquid distribution. For effect 2, vertical tubes called ‘vapour risers’ should be installed to allow the vapour to flow upwards through the distribution plate without creating foam. The heights of the partitions dividing the effect 2 passes will be modified to encourage any foam in pass 1 to flow preferentially to pass 2. Installing a filter after the MPC direct steam injector will reduce the number of blocked distribution plate holes. Both modifications are expected to enable the evaporators to run continuously for 20 hours instead of 15 hours, giving up to 33% fewer cleans. The cleaning costs are approximately $700 and milk losses are approximately $200 per clean. The modifications should save up to $438,000, based on cleaning and water blasting in the 2003-2004 milk powder season. The design of future evaporator distribution systems must be improved to avoid retrofitting.
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Smits, Charles. "Gatekeepers and gatekeeping networks in the film distribution business." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/20159/.

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Cultural flow, the access producers have to markets and the range of films available to audiences are heavily circumscribed by gatekeeping arrangements that have developed between sales agents and distributors in the film distribution business. This thesis examines how sales agents and distributors operate in that business: the sort of roles they have taken on over time, their ability to regulate the circulation of and access to films, the way they exercise power over distribution, and how they operate as part of gatekeeping networks.
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Blomgren, Joel, and Tim Viklund. "Distribution i Nollywood -En Potentiell Framtid." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-72111.

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Nollywoods distribution is a complex phenomenon that is ever changing. With a competing market, the industry needs to constantly keep up with innovative distribution methods. As the VCD/DVD market fades away, newer distribution platforms rise. In this thesis we are going to analyze and discuss Nollywood's opportunities of growth. With empirical material from previous research and direct contact with professionals in the industry through interviews, we can establish how Nollywood is going to flourish.
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Elkington, Ruari B. "The education market for documentary film: Digital shifts in an age of content abundance." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/98494/4/Ruari_Elkington_Thesis.pdf.

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This research examines the education market for documentary film at a time of digitally mediated content abundance. How can an expanded acknowledgment of cineliteracy within the education market for screen content contribute to sustainability of the Australian documentary sector through improved distribution and educational outreach practices? Engaging with international case studies of film festivals, foundations and charities both in the UK and US allows for observations around best practice to be considered for a local context.
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Books on the topic "Film distribution"

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Crisp, Virginia. Film Distribution in the Digital Age. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137406613.

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American film distribution: The changing marketplace. Ann Arbor, Mich: UMI Research Press, 1987.

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The independent's guide to film distributors. Cambridge, MA: Independent Media Publications, 2009.

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The insider's guide to independent film distribution. 2nd ed. Waltham, MA: Elsevier/Focal Press, 2012.

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Krosnick, Howard. Distribution of artist-driven film and video. [Ottawa, Ont.]: Canada Council for the Arts, 2004.

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Film finance & distribution: A dictionary of terms. Los Angeles: Silman-James Press, 1992.

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Emer, Rockett, ed. Film exhibition and distribution in Ireland, 1909-2010. Dublin: Four Courts Press, 2011.

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Makris, C. Hollywood: Technological and cultural issues in international film distribution. Manchester: UMIST, 1995.

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Smits, Roderik. Gatekeeping in the Evolving Business of Independent Film Distribution. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16896-4.

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Wang, Shujen. Framing piracy: Globalization and film distribution in greater China. Lanham, MD: Rowman & Littlefield, 2003.

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Book chapters on the topic "Film distribution"

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Lim, Michael Kho. "Film Distribution in Film Studies." In Philippine Cinema and the Cultural Economy of Distribution, 9–38. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_2.

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Crisp, Virginia. "Formal Film Distribution." In Film Distribution in the Digital Age, 16–32. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137406613_2.

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Greenwald, Stephen R., Paula Landry, Michael Kalb, and Robert Garson. "Movie Distribution." In The Business of Film, 177–218. 3rd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003217480-6.

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Lacey, Nick. "Exhibition and Distribution." In Introduction to Film, 144–65. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46386-9_4.

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Predöhl, W., and Bernd Schroeter. "Die Control System of Film Thickness Distribution." In Film Processing, 58–72. München: Carl Hanser Verlag GmbH & Co. KG, 1999. http://dx.doi.org/10.3139/9783446401792.004.

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Southern, Alex. "Evaluation and Distribution." In The Ministry of Education Film Experiment, 159–80. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59230-9_7.

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Smits, Roderik. "Film Distribution: A Changing Business." In DVD, Blu-ray and Beyond, 115–34. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62758-8_7.

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Lim, Michael Kho. "Introduction: Film Distribution in Action." In Philippine Cinema and the Cultural Economy of Distribution, 1–8. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_1.

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Smits, Roderik. "The Film Sales Process at the European Film Market." In Gatekeeping in the Evolving Business of Independent Film Distribution, 57–77. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16896-4_3.

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Keddie, Joseph L., and Alexander F. Routh. "Surfactant Distribution in Latex Films." In Fundamentals of Latex Film Formation, 185–212. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-2845-7_6.

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Conference papers on the topic "Film distribution"

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Good, Ryan, and Billy Nollet. "Fluid Film Distribution Investigation for Liquid Film Cooling Application." In 53rd AIAA/SAE/ASEE Joint Propulsion Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2017. http://dx.doi.org/10.2514/6.2017-4920.

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Moctar, Alia. "American Film Titles In French Distribution." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.101.

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Shen, Yu, and Baocheng Yang. "Electric potential distribution of metal-metal junction." In Third International Conference on Thin Film Physics and Applications, edited by Shixun Zhou, Yongling Wang, Yi-Xin Chen, and Shuzheng Mao. SPIE, 1998. http://dx.doi.org/10.1117/12.300725.

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Poliscuk, Radek, Michal Vaverka, Martin Vrbka, Ivan Krupka, and Martin Hartl. "Pressure Distribution Within EHD Point Contacts Based on Measured Film Thickness." In ASME 2006 International Mechanical Engineering Congress and Exposition. ASMEDC, 2006. http://dx.doi.org/10.1115/imece2006-13546.

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Surface topography significantly influences the behavior of lubricated contacts between highly loaded machine elements. Most oil- or grease- lubricated machine elements such as gears, rolling bearings, cams and traction drives operate in mixed lubrication conditions and the lubricant film thickness is directly related to the main practical performance parameters such as function, wear, contact fatigue and scuffing. For determination wear and especially contact fatigue, the values and distribution of the pressure in rolling contact are required. The theoretical studies usually involve the numerical solution of pressure and film thickness in the contact, using some physical mathematical model built around the Reynolds equation to describe the flow and the theory of elastic deformation of semi-infinite bodies. Such calculations can be extremely time consuming, especially when lubricant films are very thin and/or contact load very high. This study is aimed at obtaining pressure distribution within lubricated contact from measured film thickness. Lubricant film thickness distribution within the whole concentrated contact is evaluated from chromatic interferograms by thin film colorimetric interferometry. Consequently, an elastic deformation is separated from the film thickness, geometry and mutual approach of the surfaces. Calculation of the pressure distribution is based on inverse elasticity theory. EHD lubricated contact with smooth surfaces of solids was first investigated. Calculated pressure, distributions were compared with data obtained from full numerical solution to check the accuracy. The approach was also applied to surfaces with dents and their influence on distribution of pressure in lubricant film.
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Broadway, David M., Michael D. Kriese, and Yuriy Y. Platonov. "Controlling thin film thickness distribution in two dimensions." In International Symposium on Optical Science and Technology, edited by Andreas K. Freund, Tetsuya Ishikawa, Ali M. Khounsary, Derrick C. Mancini, Alan G. Michette, and Sebastian Oestreich. SPIE, 2001. http://dx.doi.org/10.1117/12.411623.

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Palmer, D., and J. V. Peske. "Spatial distribution of overwrite interference on film disks." In International Conference on Magnetics. IEEE, 1990. http://dx.doi.org/10.1109/intmag.1990.734790.

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Choi, Hyeon Chang, Jun Hyub Park, and Yong Soo Park. "Development of a Program for Predicting Residual Stress Distribution in Multi-Stacked Film." In ASME 2001 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/imece2001/mems-23845.

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Abstract The mean stresses of the single and multi-stacked film are experimentally investigated. After stacking several layers on a wafer, we measure the curvature on the wafer. Followed by peeling each layer stacked, we measure the curvature on the wafer, again. Mean residual stresses are calculated from radiuses of the curvatures using the Stoney’s equation[1]. Microcantilever beams is constructed by removing substrate and the deflection at the end of a beam is measured. Finite element method for determining residual stress distribution in multi-stacked films with a multi-step doping process is studied for use in micromachining applications. We propose a finite element program for residual stress analysis (RESA) in multi-stacked polysilicon film. The distribution of residual stress field in multi-stacked films is predicted using RESA. And it is established for the prediction method determining the deflection in a cantilever beam using finite element method (FEM).
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Kolek, A., A. W. Stadler, Z. Zawiślak, Massimo Macucci, and Giovanni Basso. "Spatial Distribution Of Noise Sources In Thick-Film Resistors." In NOISE AND FLUCTUATIONS: 20th International Conference on Noice and Fluctuations (ICNF-2009). AIP, 2009. http://dx.doi.org/10.1063/1.3140419.

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Zhou, Run-Dong, Guang-Yu Sun, Bai-Peng Song, Y. Yamano, Bao-Hong Guo, and Guan-Jun Zhang. "Measurement of Surface Potential Distribution of Fluorinated Polyimide Film." In 2018 28th International Symposium on Discharges and Electrical Insulation in Vacuum (ISDEIV). IEEE, 2018. http://dx.doi.org/10.1109/deiv.2018.8537031.

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Wei, Qian, Feihu Zheng, and Yewen Zhang. "Measurement of Electric Field Distribution in Thin Polyimide Film." In 2022 IEEE 4th International Conference on Dielectrics (ICD). IEEE, 2022. http://dx.doi.org/10.1109/icd53806.2022.9863614.

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Reports on the topic "Film distribution"

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Whyatt, G. A., L. D. Anderson, and J. II Evans. Detailed design data package: 3.1a-Film cooler pressure drop data; Item 3.2a - SBS packing selection; Item 3.2b, 3.2c - Pressure drop data for SBS distribution plate; and Item 3.2e - SBS distribution plate and liquid risers. PHTD pilot-scale melter testing system cost account milesonte 1.2.2.04.15A. Office of Scientific and Technical Information (OSTI), March 1996. http://dx.doi.org/10.2172/212722.

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Ioannidis, J., and G. Maguire. Coherent File Distribution Protocol. RFC Editor, June 1991. http://dx.doi.org/10.17487/rfc1235.

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Didier, Tatiana, Ross Levine, and Sergio Schmukler. Capital Market Financing, Firm Growth, Firm Size Distribution. Cambridge, MA: National Bureau of Economic Research, July 2014. http://dx.doi.org/10.3386/w20336.

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Diewert, W. Erwin, and Ann Marie Smith. Productivity Measurement for a Distribution Firm. Cambridge, MA: National Bureau of Economic Research, July 1994. http://dx.doi.org/10.3386/w4812.

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Gourio, François, and Nicolas Roys. Size-Dependent Regulations, Firm Size Distribution, and Reallocation. Cambridge, MA: National Bureau of Economic Research, December 2012. http://dx.doi.org/10.3386/w18657.

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Chodorow-Reich, Gabriel, Olivier Darmouni, Stephan Luck, and Matthew Plosser. Bank Liquidity Provision Across the Firm Size Distribution. Cambridge, MA: National Bureau of Economic Research, October 2020. http://dx.doi.org/10.3386/w27945.

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Alviarez, Vanessa, and Ayhab Saad. Multinational Production and Intra-firm Trade. Inter-American Development Bank, November 2022. http://dx.doi.org/10.18235/0004566.

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Intra-firm trade, from parents to affiliates, has been combined with standard models of multinational production (MP) to deliver gravity-style predictions for foreign affiliates' sales. Nonetheless, the evidence shows that intra-firm trade is concentrated among a small set of large multinational firms. Using firm-level data from 35 countries, we document that only firms belonging to multinational corporations (MNCs) in the upper tail of the firms size distribution are significantly affected by the distance to their parents. We present a simple framework featuring MNCs selection into intra-firm trade and derive the analytical gravity equations that are consistent with the empirical findings.
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Garicano, Luis, Claire LeLarge, and John Van Reenen. Firm Size Distortions and the Productivity Distribution: Evidence from France. Cambridge, MA: National Bureau of Economic Research, February 2013. http://dx.doi.org/10.3386/w18841.

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Huneeus, Federico, Borja Larrain, Mauricio Larrain, and Mounu Prem. Ownership Networks and Earnings Inequality. Inter-American Development Bank, May 2022. http://dx.doi.org/10.18235/0004265.

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We use matched employer-employee data together with data on the ownership networks of Chilean firms to document a novel relationship between inequality in labor income and ownership structures. Exploiting transitions of firms in and out of networks, we show that network affiliation is associated with higher inequality along two dimensions. First, network firms pay higher average wages than stand-alone firms, increasing between-firm inequality. Second, the dispersion of wages within a network firm is higher than within a stand-alone firm, increasing within-firm inequality. The effects are driven by increases in the wages of top workers, and by the entry of new top workers. Our findings shed light on the relationship between ownership structures and the distribution of labor income in the economy.
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Russ, Katheryn, and Diego Valderrama. A Theory of Banks, Bonds, and the Distribution of Firm Size. Cambridge, MA: National Bureau of Economic Research, October 2009. http://dx.doi.org/10.3386/w15454.

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