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Books on the topic 'File Generator'

Author: Grafiati
Published: 28 June 2021
Last updated: 8 February 2022

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1

Chambers, Mike. Macromedia Generator and Flash demystified: The official guide to using Generator with Flash. Berkeley, CA: Peachpit Press, 2001.

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2

Smith, Donald R. SUBHUL, submarine pressure hull finite element model generator user's manual. Dartmouth, N.S: Defence Research Establishment Atlantic, 1992.

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3

Johnson, Yvonne. Enable menu generation. [Louisville, Ky: Key Publications, 1987.

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4

B, Vadhia Dinesh, ed. Fourth-generation languages under DOS and UNIX. Oxford: BSP Professional, 1987.

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5

Using SuperCalc: The next generation : a self-teaching guide. New York: J. Wiley, 1985.

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6

Computing with Vista for the older generation. London: Bernard Babani, 2007.

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7

Skipidarov, Sergey, and Mikhail Nikitin, eds. Thin Film and Flexible Thermoelectric Generators, Devices and Sensors. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45862-1.

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8

Williams, Edward. The effects of computer generated imagery on film. London: LCP, 1999.

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9

Gatenby, James. Windows 8 and RT for the older generation. London: Bernard Babani, 2013.

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10

Yan, Jacky Chun Kit. Statistical methods for film grain noise removal and generation. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1999.

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11

Cagin, Seth. Born to be wild: Hollywood and the sixties generation. 2nd ed. Boca Raton, FL: Coyote Books, 1994.

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12

Gatenby, James. Windows 8.1 & RT 8.1 for the older generation. London: Bernard Babani (Publishing) LTD, 2014.

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13

Wojtkowski, W. Gregory. Applications software programming with fourth-generation languages. Boston: Boyd & Fraser Pub. Co., 1990.

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14

Hamakawa, Yoshihiro. Thin-Film Solar Cells: Next Generation Photovoltaics and Its Applications. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004.

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15

Hise, James Van. Trek: The next generation. 3rd ed. Las Vegas, NV: Pioneer Books, 1994.

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16

The handbook of microturbine generators. Tulsa, Okla: Pennwell Corp., 2003.

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17

New American teenagers: The lost generation of youth in 1970s film. New York, NY: Continuum International Pub. Group Inc, 2012.

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18

Fossati, Giovanna, and Annie Oever, eds. Exposing the Film Apparatus. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462983168.

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Film archives have long been dedicated to preserving movies, and they've been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to generate productive new possibilities in research and education in the field.
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19

Sentā, Shōbō Daigakkō (Japan) Shōbō Kenkyū. Taiyōkō hatsuden shisutemu kasai to shōbō katsudō ni okeru anzen taisaku. Tōkyō-to Chōfu-shi: Shōbōchō Shōbō Kenkyū Sentā, 2014.

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20

Weil, Pascale. Tels pères, quels fils: La révolution silencieuse entre les baby-boomers et leurs enfants. Paris: Eyrolles, 2006.

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21

Memoirs from the Beijing Film Academy: the genesis of China's fifth generation. Durham: Duke University Press, 2002.

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22

Ni, Zhen. Memoirs from the Beijing Film Academy: the genesis of China's fifth generation. Durham, NC: Duke University Press, 2003.

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23

Instrument interfacing with Lotus: The next generation. Englewood Cliffs, N.J: Prentice Hall, 1993.

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24

Systems design in the fourth generation: Object-based development using dBASE. New York: Wiley, 1991.

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25

Systems design in the fourth generation: Object-based development using dBASE. New York: Wiley, 1991.

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26

Inc, ebrary, ed. Next generation Excel: Modeling in Excel for analysts and MBAs. Hoboken, N.J: Wiley, 2010.

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27

Rector, Brent. Introducing Microsoft WinFX: The application programming interface for the next generation of Microsoft Windows, code name "Longhorn". Redmond, Wash: Microsoft Press, 2004.

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28

Sandler, Corey. Star Trek, the next generation: Future's past. Indianapolis, Ind: Brady Pub., 1994.

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29

Afzal, M. N. The role of particle stiffness in asperity generation in uniaxially drawn PET film. Manchester: UMIST, 1995.

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30

Long, Edward R. Spectroscopic analysis of radiation-generated changes in tensile properties of a polyetherimide film. [Washington, D.C.]: National Aeronautics and Space Administration, Scientific and Technical Information Branch, 1985.

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31

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. Los Angeles: Two Thirteen Sixty-one., 1996.

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32

Chernikowski, Stephanie. Dream baby dream: Images from the blank generation : a documentary film in stills. Los Angeles: 2.13.61, 1996.

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33

Institute, American Film, ed. Conversations at the American Film Institute with the great moviemakers: The next generation. New York: Alfred A. Knopf, 2012.

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34

The (moving) pictures generation: The cinematic impulse in downtown New York art and film. New York, NY: Palgrave Macmillan, 2012.

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35

Fairfax, Daniel. The Red Years of Cahiers du cinéma (1968-1973). NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048543908.

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The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
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36

Rector, Brent. Introducing Microsoft WinFX: The application programming interface for the next generation of Microsoft Windows, code name "Longhorn". Redmond, Wash: Microsoft Press, 2004.

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37

Stallcup, James G. Stallcup's generator, transformer, and motor book: Based on the 1996 NEC, codes and standards : residential, commercial, and industrial. Fort Worth, Tex: Grayboy Pub., 1996.

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38

Mad to be saved: The Beats, the '50s, and film. Carbondale: Southern Illinois University Press, 1998.

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39

Next Generation Fire Suppression Technology Program (U.S.). Advanced technology for fire suppression in aircraft: The final report of the. Edited by Gann Richard G. 1944-, National Institute of Standards and Technology (U.S.), Building and Fire Research Laboratory (U.S.), and Next Generation Fire Suppression Technology Program (U.S.). Washington, D.C: National Institute of Standards and Technology, 2007.

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40

Lasica, J. D. Darknet: Hollywood's war against the digital generation. Hoboken, NJ: J. Wiley & Sons, 2005.

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41

Darknet: Hollywood's war against the digital generation. Hoboken, N.J: Wiley, 2005.

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42

Contemporary Italian filmmaking: Strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. Toronto: University of Toronto Press, 1995.

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43

(Firm), Macromedia, ed. Macromedia Generator 2 developer edition: Using Generator. 2nd ed. San Francisco, CA: Macromedia, 2000.

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44

Generator/Flash Web Development (With CD-ROM). New Riders Publishing, 2001.

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45

Recanati, François. Cognitive dynamics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198714217.003.0011.

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This chapter offers an elaboration and defense of the mental-file approach to singular thought. Mental files are supposed to account for both cognitive significance and coreference de jure. But these two roles generate conflicting constraints: files must be fine-grained to play the first role and coarse-grained to play the second role. To reconcile the constraints, we need to distinguish two sorts of file (static files and dynamic files), and two forms of coreference de jure (strong and weak). Dynamic files are sequences of file-stages united by the weak coreference de jure relation. It is at the synchronic level, that of file-stages, that the stronger coreference de jure is to be found. The resulting view is compared to that of Papineau, according to whom only dynamic files are needed, and to that of Ninan, according to whom there are proper dynamic files that exhibit strong coreference de jure.
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46

Oracle Designer Generation. McGraw-Hill Companies, 1999.

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47

Goldberg, Bernie. Your House File : A Goldmine for Lead Generation. Direct Marketing Publishers, 2000.

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48

Mikhaĭlovich, Aruti͡u︡ni͡a︡n Vladimir, and Erevani Petakan Hamalsaran. Nauchno-issledovatelʹskiĭ institut fiziki kondensirovannykh sred., eds. Teorii͡a︡ tonkoplenochnogo kvazivolnovodnogo usiliteli͡a︡-generatora. Erevan: Izd-vo Erevanskogo universiteta, 1988.

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49

Trager, Oliver. America's Children: New Generation, New Troubles (Editorials on File Book). Facts on File, 1991.

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50

Nikitin, Mikhail, and Sergey Skipidarov. Thin Film and Flexible Thermoelectric Generators, Devices and Sensors. Springer, 2020.

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