Dissertations / Theses: 'Fields of Research – 420000 Language and Culture – 420300 Cultural Studies'

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Mutu, Margaret. "Aspects of the structure of the Ùa Pou dialect of the Marquesan language." Thesis, University of Auckland, 1990. http://hdl.handle.net/2292/2086.

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This thesis is made up of three parts; the first is an outline and discussion of the various approaches taken in the description of Polynesian languages in the last 30 years. It provides background discussion of the model of description used in the rest of the thesis. The second deals with the phonology of the 'Ua Pou dialect, concentrating in particular on two areas; the phonetics of the glottal stop phoneme, and penultimate vowel extension. The latter is a feature which has received no mention in any literature to date but is the most noticeable suprasegmental phonetic difference between the Marquesan dialects and the other Eastern Polynesian languages. The last four chapters describe the structure of phrases in the 'Ua Pou dialect. The first two of these deals with the centripetal particles of the noun and verb phrase respectively, that is, the particles within phrases which modify the base of that phrase. Particles which relate phrases to other phrases, that is, the prepositions and ai, are dealt with separately in the last two chapters since their description requires some comments on the syntax of the language.
Thesis now published as a book. Margaret Mutu with Ben Teʻikitutoua (2002). Ùa Pou : aspects of a Marquesan dialect. Canberra, ACT: Research School of Pacific and Asian Studies. ISBN 0858835266.

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Turner, Marianne. "The function, design and distribution of New Zealand adzes." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/26.

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The main objective of this thesis was to understand the function, design and distribution of New Zealand adzes, aspects little studied in Polynesia as a whole. Methodology involved functional and manufacturing replication experiments and comparisons of these results with statistics derived from the analysis of almost 12,000 archaeological adzes. Methodology was guided by technological organization theory which states that technological strategies reflect human behaviours and that artefacts like adzes are physical manifestations of the strategies employed by people to overcome problems posed by environmental and resource conditions. Variability in adze morphology was discovered to be the outcome of ongoing technological adjustments to a range of conditions that were constrained by a set of functionally defined parameters. The nature of the raw material, both for the adzes themselves and to make them, had a major influence on adze technology and morphology within these functional parameters. Four basic functional adze types were identified fi-om distinct and consistent combinations of design attributes not previously recognized explicitly in previous adze typologies. It was found that design attributes previously considered significant like crosssection shape and butt reduction were more heavily influenced by raw material quality than functional specifications. It was also important to recognize that form and function changed over time with use, and because adzes were so valuable due to manufacturing costs, they were intensively curated. The majority of archaeological specimens studied for this thesis had seen major morphological and functional change. This dynamic was included ,in a typology based on 'adze state7 as findings suggested (1) that extending adze use-life and optimizing reworking potential was incorporated in initial design strategies, (2) that intensive curation may have played a major role in changes in adze morphology over time, and (3). that it had a major influence on distribution and discard patterns in the archaeological record. Having identified these influences on adze discard and distribution, two complex production and distribution networks were observed for the North Island based around Tahanga basalt and Nelson~Marlborough argillite. Each was complimentary to the other and involved other major and minor products and materials. Influential factors in the roles different settlements played in distribution included where people and raw materials were in relation to one another and the mode of transportation. The coastal location of early period settlements and important stone sources was an important aspect of these networks.

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Lima, Ieti. "Tafesilafa'i: exploring Samoan alcohol use and health within the framework of fa'asamoa." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/2171.

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This study seeks to establish how cultural change is transforming Samoan perceptions of alcohol and its role in social life by comparing understandings of, attitudes to, and patterns of alcohol use in successive generations of Samoans to establish how these are changing, and how trends in alcohol use might be expected to affect Samoan health status. It examines the complex relationships between alcohol and culture, and how such relationships interact to influence health. As well, it explores how Samoan culture, fa'asamoa, has changed since contact with Europeans, how, these changes have influenced Samoan people's perceptions and use of alcohol, and the role alcohol now plays in Samoan social life. Moreover, the thesis documents the social history of alcohol in Samoa since the nineteenth century, and explores the roles of some of the Europeans in shaping Samoan people's attitudes and behaviours towards alcohol and its use. Additionally, it examines the commercial and political economic interests of early European agencies in Samoa such as beachcombers, traders, colonial administrators, and missionaries which impacted on and influenced, to a considerable extent, Samoan people's drinking patterns. The study uses a qualitative methodological approach, utilizing qualitative interviewing as the main method of gathering data and various other methods to supplement the data. The sample population included Samoan men and women, of various religious denominations, drinkers and abstainers, born and raised in Samoa and in New Zealand. Unstructured interviews with thirty-nine participants, and eight key informants were conducted in Apia, Auckland, and Christchurch. The key informants included: a bishop of the Church of Latter Day Saints, the Samoan Police Commissioner, and the Secretary of the Samoan Liquor Authority who were interviewed in Apia; a pastor/lecturer of the Congregational Christian Church of American Samoa who was interviewed in Pago Pago, American Samoa; while two Samoan-born medical health professionals, a pastor of the Congregational Christian Church of Samoa, and one New Zealand-born woman researcher were interviewed in Auckland. The study found that alcohol and the drinking of it has secured a place in the social life of Samoans in the islands and in migrant communities such as those in Auckland, and to a lesser extent, Christchurch. It also found that while older women's and men's experiences and attitudes to alcohol differ significantly, particularly those born and raised in the islands, some similarities in the attitudes and practices of younger people towards alcohol, especially those born- and raised in New Zealand have emerged.

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Potts, Annie. "The Science/Fiction of Sex. A Feminist Deconstruction of the Vocabularies of Heterosex." Thesis, University of Auckland, 1999. http://hdl.handle.net/2292/2331.

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This research conducts a feminist poststructuralist examination of the vocabularies of heterosex: it investigates those terms, modes of talking, and meanings relating to sex which are associated with discourses such as scientific and popular sexology, medicine and psychiatry, public health, philosophy, and some feminist critique. The analysis of these various representations of heterosex involves the deconstruction of binaries such as presence/absence, mind/body, inside/outside and masculine/feminine, that are endemic to Western notions of sex. It is argued that such dualisms (re)produce and perpetuate differential power relations between men and women, and jeopardize the negotiation of mutually pleasurable and safer heterosex. Particular attention is paid to the ways in which sexological discourse deploys such dualisms as normal/abnormal, natural/unnatural, and healthy/unhealthy sex, and produces specifically gendered 'experiences' of sexual corporeality. The thesis examines a variety of written texts and excerpts from film and television; it also analyzes transcript material from individual and group interviews conducted by the researcher with heterosexual women and men, as well as sexual health and mental health professionals, in order to identify cultural pressures influencing participation in risky heterosexual behaviours, and also to identify alternative and safer pleasurable practices. Some of these alternative practices are suggested to rely on a radical reformulation of sexual relations which derives from the disruption of particular dualistic ways of understanding and enacting sex. The overall objective of the thesis is to deconstruct cultural imperatives of heterosex and promote the generation and acceptance of other modes of erotic pleasure. It is hoped that this research will be of use in the future planning and implementation of sex education and safer sex campaigns in Aotearoa/New Zealand which aim to be non-phallocentric and non-heterosexist, and which might recognize a feminist poststructuralist politics of sexual difference.
Note: Thesis now published. Potts, Annie (2002). The Science/Fiction of sex: feminist deconstruction and the vocabularies of heterosex. London & New York: Routledge. ISBN 04152567312. Whole document restricted, see Access Instructions file below for details of how to access the print copy.

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Middleton, Angela. "Te Puna : the archaeology and history of a New Zealand Mission Station, 1832-1874." Thesis, University of Auckland, 2005. http://hdl.handle.net/2292/2381.

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This thesis examines the archaeology and history of Te Puna, a Church Missionary Society (CMS) mission station in the Bay of Islands, New Zealand. Te Puna was first settled in 1832 following the closure of the nearby Oihi mission, which had been the first mission station and the first permanent European settlement in New Zealand. Te Puna, located alongside the imposing Rangihoua Pa, was the home of missionaries John and Hannah King and their children for some forty years. As well as being a mission station, Te Puna was also the site of the family’s subsistence farm. The research is concerned with the archaeological landscape of Te Puna, the relationship between Maori and European, the early organisation and economy of the CMS, the material culture of New Zealand’s first European settlers, and the beginnings of colonisation and the part that the missions played in this. Artefacts recovered from archaeological investigations at the site of the Te Puna mission house are connected with other items of missionary material culture held in collections in the Bay of Islands, including objects donated by the King family. The archaeological record is also integrated with documentary evidence, in particular the accounts of the CMS store, to produce a detailed picture of the daily life and economy of the Te Puna mission household. This integration of a range of sources is also extended to produce a broader view of the material culture and economy of missionary life in the Bay of Islands in the first half of the nineteenth century. The humble, austere artefacts that constitute the material culture of the Te Puna household reveal the actual processes of colonisation in daily life and everyday events, as well as the processes of the mission, such as schooling, the purchase of food and domestic labour, the purchase of land and building of houses, the stitching of fabric and ironing of garments. These practices predate, but also anticipate the grand historical dramas such as the signing of the Treaty of Waitangi, glorified but also critiqued as the defining moment of the relationship between Maori and Pakeha and of colonisation.
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Johnston, Patricia Maringi G. "He ao rereke : education policy and Maori under-achievement: Mechanisms of Power and Difference." Thesis, University of Auckland, 1998. http://hdl.handle.net/2292/2194.

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In acknowledging continual educational under-achievement of Maori children, this thesis investigates the relationship between education policy and Maori under-achievement. It argues that under-achievement is framed within boundaries of changing recognitions and realisations of power and difference: that conceptions of difference have influenced education policy and schooling practices for Maori. Theoretically, the thesis examines 'what counts as difference' and 'what differences count'. In recognising that unequal power relations between dominant and subordinate groups produce distinct views about difference, 'what counts as difference' encompasses the perspectives of dominant groups and 'what differences count', subordinate groups. The former view is developed to expand the basis for investigating 'Pakeha conceptions of difference', and the latter, 'Maori conceptions'. The thesis traces the interactions and relationships of 'difference' and 'power', and examines, historically, how they have contributed to and sustained Maori educational under-achievement. The contribution of these conceptions of difference to informing schooling practices is investigated through four sequential 'Classification Schemes' of Assimilation, Integration, Multiculturalism and Biculturalism. The thesis argues that Biculturalism is based on a positive view of Maori cultural differences, and examines the extent of Maori influence on four recent education policy making processes. The thesis also acknowledges a Maori focus on the importance of structural differences for addressing their needs. On the basis of those two different perspectives, the thesis develops the concepts 'Maori-friendly' and 'Maori-centred', to examine processes, and structures and the relative influence of Maori on mainstream policy forming processes. The thesis shows that Tomorrow's Schools, Education for the Twenty-First Century and the Maori Affairs Select Committee Inquiry encapsulate different degrees of both Maori-friendly and Maori-centred approaches, though arguing that ultimately, it is Pakeha conceptions of difference that inform and influence all the policy forming processes. However, the fourth policy process examined was originally a wholly Maori-centred initiative - Te Kohanga Reo. The thesis points to and traces the incorporation of Te Kohanga Reo into the mainstream education system and its consequences for Maori, and concludes that structural differences ensure continuing Pakeha control over Maori conceptions of difference and henceforth Maori educational under-achievement.

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Fox, Gwyn. "Hearts in the hearth: seventeenth-century women's sonnets of love and friendship in Spain and Portugal." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/2132.

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This study contributes to the growing body of knowledge about the realities of women's lives in the seventeenth-century Iberian peninsula, through a socio-historical interpretation of the poetic production of five women. One is Portuguese, Violante del Cielo, and four are Spaniards: Luisa de Carvajal y Mendoza, Leonor de la Cueva y Silva, Marcia Belisarda and Catalina Clara Ramírez de Guzmán. All are from the educated upper or noble classes and their lives span some one hundred and forty years, from 1566 to 1693. The thesis focuses particularly on their sonnets of love and friendship, both secular and religious. The sonnet was specifically chosen as the vehicle to study the ideas and concerns of literate, seventeenth-century women. As a difficult form of poetry requiring wit, artistry and education, sonnets enable a display of intellectual capabilities and offer opportunities for veiled criticism of contemporary systems of control. These women do not overtly rail against a system that offers them much in terms of social advancement and privilege. However, they do re-write our understanding of the Baroque by presenting their interests, pleasures and discontents from a feminine viewpoint. This detailed, contextual study of women's works, set against the philosophical, religious and moral treatises that governed their age, enables a wider interpretation of women's thought and intentions in the Iberian peninsula than may hitherto have been acknowledged, particularly in terms of relationships of affection within the family. Collectively, their individual works display a determination to demonstrate women's intelligence and moral strength. Furthermore, it becomes clear that women living within a system that utilised biological determinism as proof that they were incapable of reason, strive in their works to show that they are both capable of reason and determined to demonstrate it as undeniable fact.

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Edwards, Shane. "Titiro whakamuri kia marama ai te wao nei : whakapapa epistemologies and Maniapoto Maori cultural identities : a thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy, Massey University." Massey University, 2009. http://hdl.handle.net/10179/1252.

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The work I have presented here pulls together Maori epistemologies as evidenced in the whakapapa knowledge particularly of Ngati Maniapoto to see if and where connection lies with understandings of Maori cultural wellbeing. Whakapapa knowledge is the unbounded collection of theory, observation and experience as seen through Maori eyes. It is intricately connected by whakapapa, a tool for working with and extrapolating understanding and is the common thread that binds hapu, whanau and iwi (O’Regan, 2001). The aim is to investigate contemporary Maori realities with a strong interest in these traditions of wisdom and knowing. The rangahau presented here is of necessity both deconstructive and reconstructive. As a deconstructive project the rangahau seeks to place under the microscope of indigenous gaze the colonial theoretical, ethical, moral and political construction of Maori ways of knowing and being and the ontological orders of western paradigms and non-Maori worldview (Romero-Little, 2006). As a constructive project I am concerned with placing on the record and opening up sites for, but not defining, Maori epistemology as legitimate and ‘tika’ and at the same time putting forward ‘alternate epistemologies’ (Collins, 1991; Lopez, 1998; Smith, 1999; Marsden, 2003) that challenge certified knowledge and critically challenges dominant constructions of the truth as related to knowing. The implications of these explorations of epistemologies for Maori lives, opportunities and experience are also considered. This work argues for the maintenance of Maori cultural identities via whakapapa knowledge using connections to Maori ways of knowing. This includes examination of the effects of coming to terms with, of encountering, coming to terms with and engaging with Maori cultural practices, as well as, processes commonly referred to as ‘culture shock’ (Weaver, 1993) the psychological, emotional and physical responses to the phenomenon of identity reclamation and how these realities can be negotiated. What I found is that Maori knowledge systems are replete with elements that contribute positively to the maintenance of cultural identities and these identities are uniquely and distinctively contextually and culturally relevant. These systems have been and continue to be threatened by the impacts of colonisation and colonial ideologies. The work has found that elders and relevant contexts retain and provide a large volume of knowledge that when engaged with can provide useful insights into living within Maori paradigms that can enhance wellbeing in the present. Maori communities and whanau are under high levels of stress with the pressures of contemporary living and the dis-location from ancestral lands, and the living activities, knowledge sharing opportunities and learning practices they support. This work seeks to offer up solutions via the maintenance, enhancement and advancement of cultural identities as a way for mediating and removing some of the effects of the stresses. The implications are that the continued disconnection of Maori from unique cultural identities informed by whakapapa korero knowledge may serve to weaken important elements and connections to an individual’s and group’s cultural identity, including personal history, stories, land and people. The potential exists for further investigation of how crucial cultural connections that acknowledge contemporary realities and yet support the maintenance of cultural identities with strong and vibrant connections to whakapapa korero knowledge connections might be maintained, enhanced and advanced. Additionally, the work here opens up the space for and advocates for much deeper exploration of distinctive elements of a groups identity through contextually located knowledge in forms such as waiata, purakau, pakiwaitara, whakairo, rongoa, wairua and the many other knowledge forms of tea o Maori to further depths/heights not yet achieved to reclaim (k)new and subjugated knowledge forms. This potential is exciting but there are a range of risks involved (including appropriations of indigenous knowledge) that requires certain minimum standards of knowledge protection such as discerning which knowledge is suitable for public consumption and that which is not. This is most suitably done after receiving guidance from the knowledge holders as to what the appropriate forums for such knowledge might be and analysing risks for abuse, risks of misinterpretation and risks of unintended use that might cause whakama. The enquiry suggested above as being of benefit is of course a deeply personal exploration and ideas of what is appropriate for public consumption and what is not is something that must be explored at the time of enquiry. As in my work here I was asked to include some things and to exclude others as a result of views by the elders that the public consumption of some knowledge they contributed was inappropriate to be shared beyond our korero because it could be perceived in a number of ways, some helpful and some not, for the people concerned, or for different groups of people. The knowledge that has been shared here and that which has not has therefore been discerned.

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Simon, Judith A. "The place of schooling in Maori-Pakeha relations." Thesis, University of Auckland, 1990. http://hdl.handle.net/2292/2328.

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Recognizing the continual restructuring of Pakeha-Maori relations as dominance and subordination, this thesis sets out to gain an understanding, through a critique of ideology, of the place of schooling in the securing and maintenance of those relations. Theoretically, it draws mainly upon the concept of ideology as interpreted by Jorge Larrain but also upon Gramsci's concept of hegemony, the notion of social amnesia as presented by Jacoby and the concept of resistance as developed by Giroux. It also examines the historical development of the concepts of 'race' and 'culture' which are employed ideologically to rationalize educational policies concerning the Maori. Tracing the progression of policies and practices in Maori education from the 1830s to the present day, the research shows the schooling of the Maori to have contributed significantly to the securing of Pakeha economic and political dominance in the nineteenth century and to the maintenance of that dominance through much of the twentieth century. Of particular significance has been the control of Maori access to knowledge. With Maori resistance playing a considerable part in the shaping of these policies and practices, the school is recognized as one of the sites of Maori-Pakeha struggle. Widespread underachievement of Maori within education - revealed in 1960 by the Hunn Report - is recognized as an outcome of these processes. Taking account of policies in recent years directed at improving Maori educational achievement, the thesis examines fieldwork research conducted within Auckland primary and secondary schools, in order to understand the extent to which current policies and practices of schools contribute towards overcoming the asymmetry in social relations. Focussing upon teacher perceptions of Maori children and their needs, the way schools sort and classify their pupils, provisions for a Maori dimension in schooling, including 'taha Maori', and the place of history in social studies programmes, the research finds that the struggle still continues, with tensions surrounding the efforts of the minority of teachers and other educationists working within the education system towards Maori interests. While a significant number of teachers, particularly in primary schools seem concerned to implement the 'taha Maori' policy and other aspects of 'multicultural education', these efforts are not matched by a concern to address the problem of Maori educational under-achievement, with teachers either explaining away the problem or accepting it as a quasi-natural state of affairs. Over all the research shows that schools in general continue, in a variety of ways, to control and limit Maori access to knowledge-power and thereby help to maintain the asymmetry in Maori-Pakeha relations. Maori children who do succeed within the education system are seen to do so primarily because they and their families have learned to deal with the system. The multicultural policies of education as presented by the Department of Education are recognized as ideological responses to Maori resistance and challenges, creating an appearance of change and of commitment to Maori interests while, in essence, functioning to maintain the asymmetry in social relations.
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Davies, Faye Margarita. "Narratives of otherness: Masculinity and identity in contemporary Spanish literature for children and adolescents." Thesis, University of Auckland, 1998. http://wwwlib.umi.com/dissertations/fullcit/9841949.

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While members of any group of men may appear to be ordinary gendered examples of humanity, behind their physical similarities lie many socio-political and familial differences; thus it is only by knowing such men as individuals that their identities are revealed. Such is the aim of this thesis: to discover the 'real man' behind the statistics about sex-roles and the predominance of male characters in children's and adolescents' literature. From within a selection of Spanish texts a variety of male characters are analysed, focusing on six major roles: father, grandfather, imaginary friend, detective, outlaw or similar marginalised man, and foreign other, with particular attention paid to the Gypsy. All the chapters are linked by the Bakhtinian theory that dialogue with the other leads to the development of a character's or potential reader's sense of identity. The first chapter, concerning fatherhood, is related to a person's sense of intrinsic identity, given with their name and genetic heritage. The grandfather represents a similar sense of family continuity, as well as enabling the young reader to understand Spain's recent historical and rural past. An imaginary friend may symbolise an aspect of identity concerned with a child's ability to achieve a goal or to occupy a special place within the family. Detective stories are analogous to the young person's developing identity as a reader able to decipher the mysteries of texts, whilst marginalised men typify children themselves: persons who have neither status nor money, but who are able to indulge in carnivalistic behaviour which adults call 'play.' The development of one's sense of national identity is fomented through interaction with texts about foreigners who have contributed to Spain's growth as a nation from pre-historic times to the present. A brief critical evaluation of the role of women in detective fiction and as marginalised figures is offered by way of contrast in the appropriate chapters. The thesis concludes that, when analysed as individuals, many male characters demonstrate traits not traditionally considered masculine, and that it is necessary to look beyond mere representations of gender in judging the value of characters in literature for children and adolescents.
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Green, Valerie Joyce. "Tupulaga Tokelau in New Zealand (the Tokelau younger generation in New Zealand)." Thesis, University of Auckland, 1998. http://wwwlib.umi.com/dissertations/fullcit/9928380.

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Tokelauans initiated a contemporary migration from their relatively remote Pacific atolls to New Zealand around 1960 and this population movement was assisted by government resettlement schemes. The broad objectives of the ethnographic research contributing to this thesis were to study the historical context of this small-scale voluntary migration, the establishment and social organisation of culturally distinguished urban communities in North Island centres, and post-resettlement outcomes experienced by migrant and descent populations. Each of the two studies incorporated in the thesis is primarily concerned with tūpulaga ‘the younger generation’ in the New Zealand Tokelau population. One is community-based and focused on the social interactions of generation cohorts of tūpulaga and tupuna ‘elders’, the formal community associations and the national association of affiliated tūpulaga groups. The other is concerned with bunches of “detached” tūpulaga geographically scattered throughout the country, the people without voices when research includes only the migrants in urban enclaves. Background considerations include overviews of theoretical approaches to studying the population phenomenon of migration; relevant aspects of Tokelau history and the movement of Pacific peoples; New Zealand as the receiving country and continuously changing social context for Tokelau communities, and a conceptual framework derived from features of complex adaptive systems theories that was helpful in considering aspects of the contemporary migration and its outcomes. Tūpulaga leaders, through the association of affiliated groups known as the Mafutaga, revived the pre-eminent cultural principle maopoopo ‘gathered together and unified’, promoted a vision of ‘Tokelau ways in New Zealand’ and supported tūpulaga “becoming Tokelau in New Zealand” as residents of urban communities. Over a number of years, Mafutaga officials led the expansion of tūpulaga inter-community sports meetings into a four-day national gathering of Tokelauans now celebrated as an unequivocal expression of Tokelau culture in New Zealand, and guided the established urban communities through a transition from migrant to cultural communities without usurping the political roles of esteemed elders. The second study shows that intergenerational issues were pivotal or contributory in most tūpulaga decisions to “detach” from community networks and activities. “Detachment” is categorised as transient (a provisional, not necessarily long-term status), tacit (a restorative withdrawal, with subsequent reattachment) or diuternal (a considered choice and enduring status).
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Liev, Man Hau. "Adaptation of Cambodians in New Zealand : achievement, cultural identity and community development /." e-Thesis University of Auckland, 2008. http://hdl.handle.net/2292/3362.

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This thesis has two foci: how Cambodians with a refugee background manage their new life in Aotearoa/New Zealand, and how an identity as a Khmer Kiwi transnational community has developed. Analytic concepts— such as forced migration, cultural bereavement, adaptation, integration, diaspora, transnationalism, identification, and community of practice— are used to trace the trajectory of the contemporary way of life of Cambodians, their community development, and their cultural identity. The data gathered from mixedmethod research reveal the various opinions, strategies, coping mechanisms, and paths that Cambodian participants have adopted in order to adapt to life in New Zealand and still maintain their Khmer heritage. The majority of participants were proud of their personal achievements, and now have found normalcy in their new life. Individual struggles to engage and integrate with multicultural New Zealand society have required negotiation and protection of group interests, and inevitably some of these have resulted in conflicts and fragmentation within the Khmer community. Religious practice, organisation, and leadership became the main driving forces for asserting Khmer community identity. Collective memory was harnessed to deal with shared cultural bereavement, and the quest for belonging lent momentum to the community’s development and management of its identity. Khmer Theravada Buddhism has emerged as a means by which the majority of Cambodians can achieve their spiritual wellbeing, and has become a platform for various community identity developments within the New Zealand social and legal contexts. Gender roles and structures are a significant part of community development and of my analysis. This development of Khmer identity in New Zealand is a new strand of Khmer identity: Khmer heritage, transnational experience, and ‘Kiwi-ism’. Such transformation of identity reflects geo-political influences on integration in the form of belonging to and identifying with two or more groups. For example, the majority of participants proudly identified themselves as Khmer Kiwis. Their transnational lives have been enriched by their country of origin (Cambodia) and their country of residence (Aotearoa/New Zealand). Key words: Cambodian refugees, forced migration, adaptation, integration, transnationalism, Buddhism, Khmer identity, community development, and community of practice.

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O'Connor, Tony 1972. "Governing bodies: a Maori healing tradition in a bicultural state." Thesis, University of Auckland, 2008. http://hdl.handle.net/2292/2327.

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Biculturalism is a relationship in government between the British Crown and the indigenous [Māori] people of New Zealand. I show that this relationship permeated some Māori healing practitioners’ healing knowledge and perception. A key way in which this occurred was through the practitioners recognizing biological and social boundaries between Māori and Pākehā [New Zealanders of European descent]. A second was through the practitioners’ embodiment of connections with social groups including the nation, a history and present shared between Māori and Pākehā and an idealized pre-contact past. A fundamental principle of Te Oo Mai Reia was that for the practitioners to harness the power of the various forces that sustained life they had to be in touch with their whakapapa [genealogy] for it was through their ancestors that they could commune with the Ultimate Deity, Io, the source of the most potent of all forces of life. A further key principle was that spiritually inspired and traditional Māori culture heightened the wellbeing of Māori, not modern, Pākehā culture. Spiritual and ancient knowledge was supra-conscious and made knowable through an embodied awareness of self and other. To make my argument I draw on literature inspired by Foucault that shows how states govern by implementing their operations and securing their penetration into the citizenry by drawing and building upon pre-existing bodies of knowledge and relations of power. I also draw on literature that shows how the human body bears the effects of such practices of government. To this literature I integrate perception by showing how, in this Māori healing context, the government of the bicultural nation-state worked through the ways the practitioners made sense with the body (especially through feeling, seeing and touching).

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Li, Phoebe Hairong. "A Virtual Chinatown: the diasporic mediasphere of Chinese migrants in New Zealand." Thesis, University of Auckland, 2009. http://hdl.handle.net/2292/5561.

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This is a study of the social dynamics of the current Chinese migrant community in New Zealand through a critical analysis of the Auckland-based Chinese-language media. It combines two research fields, international migration studies and media studies, to conceptualise Chinese-language media as a specific type of alternative media in contemporary New Zealand. The Chinese population in New Zealand has rapidly increased through immigration since the passage of the 1987 Immigration Act; Chinese now comprise 3.4% of the New Zealand population, and a wide variety of Chinese-language media have accordingly thrived in New Zealand. In contrast to New Zealand mainstream media, these Chinese media serve the specific needs and interests of newly arrived and only minimally acculturated Chinese migrants. The research was conducted in three phases: quantitative and qualitative data were acquired from the content of Chinese-language media during the period of the 2005 New Zealand general election; qualitative data were obtained from focus groups and interviews with members of the Chinese audience subsequent to the election; qualitative data were generated from Chinese media personnel. The findings suggest that these Chinese-language media closely reflect and depict recent PRC Chinese migrants’ perceptions of New Zealand and aspirations towards their new life in the host country. Within the global context of the Chinese diaspora in historical and contemporary times, this research also introduces a new angle for exploring the socio-economic impacts of China as a rising superpower on New Zealand and the Pacific Rim.

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Wright-St, Clair Valerie A. "'Being aged' in the Everyday: uncovering the meaning through elders' stories." Thesis, University of Auckland, 2008. http://hdl.handle.net/2292/3080.

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It’s like the sun and the tide. The aim of this study was to understand the meaning of ‘being aged’ through the everyday experiences of those who are aged. Philosophically, this interpretive study was informed by hermeneutics and interpretive phenomenology. The writings of two twentieth-century philosophers, Hans-Georg Gadamer and Martin Heidegger, guided the study’s design and research methods. The phenomenon of interest is ‘being aged;’ a thing which is ordinarily taken-for-granted in the everyday. However, much is already spoken and empirically ‘known’ about the phenomenon by those who are not yet aged. Methodologically the study’s design sought to ‘put aside’ those voices and listen in closely to what elders themselves had to say about being in their everyday lives. Individual research conversations were conducted with fifteen participants; four Maori elders aged 71 to 93 and eleven non-Maori elders aged 80 to 97 years. All were living in private residences on Auckland’s North Shore and recruited by way of the general electoral roll. The conversations were focused on gathering the stories of particular everyday events as well as the person’s reflections on aging. Anecdotes drawn from the conversations formed the research text. Hermeneutics informed the interpretive engagement with this text. As a non-Maori researcher, cultural integrity of the text and the interpretations was enhanced through partnership with a Maori advisor. Dwelling hermeneutically with the anecdotal text was a way of listening to the spoken and unspoken words. Four overarching notions were illuminated and form the study’s findings. They are my interpretive descriptions of the ordinary ways of ‘being in the everyday,’ the experiences of ‘being with others’ in advanced age, the announcing of being aged in the uncomfortableness of ‘experiencing the unaccustomed’ and how ‘aging just is’ there in an everyday way. Reflecting phenomenologically on the findings, the meaning of being aged is in its ordinariness. My thesis is that being in the ordinary everyday in advanced age both conceals and reveals the phenomenon of being aged.

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16

Connor, D. Helene. "Writing ourselves 'home' : biographical texts : a method for contextualizing the lives of wahine Maori : locating the story of Betty Wark." Thesis, University of Auckland, 2006. http://hdl.handle.net/2292/53.

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This thesis consists of two sections. The intention of Section One, 'Biographical Texts: Theoretical Underpinning', is to explore and discuss the theoretical underpinnings of Maori feminism and Kaupapa Maori as they relate to biography as a research method into the lives of Maori women. Biography, as a literary genre is also examined with particular reference to feminist, women of colour and Maori biography. Section One is a wideranging section, encompassing a broad sweep of the literature in these areas. It both draws from existing literature and contributes to the discourse regarding Maori feminism, Maori biography and Maori research. It is relevant to but unconstrained by the content of Section Two. The intention of Section Two, 'Locating the Story of Betty Wark; A Biographical Narrative with Reflective Annotations', is to provide an example of the biographical method and what might constitute Maori biography. The subject of the biographical narrative, Betty Wark, was a Maori woman who was actively involved with community-based organisations from the 1950s until her death in May 2001. Several major themes which emerged from Betty's biographical history occur throughout her narrative and provide a framework in which her story is located. One of the most significant themes was the notion of 'home'; both literal and metaphorical. This theme is reflected in the title of the thesis, Writing Ourselves 'Home'.

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17

Stephenson, Maxine Sylvia. "Creating New Zealanders: Education and the formation of the state and the building of the nation." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/30.

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Educational activity preceded official British presence in New Zealand. The development of the New Zealand state from crown colony, to a system of relatively autonomous provincial councils, to a centralized administration took place within a period of four decades. Co-terminous with and essential to the state's progressive securing of its authority was the institutionalization of separate national systems of education for Maori and Pakeha. Whilst the ascendancy of the state and the securing of education as a central state concern proceeded ultimately with the sanction of the state and in accordance with its objectives it was not a straight forward process in a young nation which was born democratic, but was struggling to consolidate political and cultural unity. The various stages and the ultimate form that education in New Zealand took were closely linked to shifts in the nature and role of the state in its formative years, in the nature of its relationship with civil society, and in its official relationship with Maori. This provided the context and dynamic of the shift to state control as public schooling came to dominate over private or voluntary efforts, and as the particularism of isolated provincial settlements was replaced by a system designed to serve the nation as a whole. Positing conceptual links between the development of national education and the processes of state formation and nation building in a colonizing context, this thesis argues that the institutionally differentiated form that universal education took in New Zealand produced a site through which socially, culturally and ideologically determined conceptions of “normality” would be legitimated and become hegemonic. By nationalizing education to legitimate a culture of uniformity based on a specific set of norms, individual New Zealanders were differentially created according to class, gender and ethnicity, and to physical, intellectual, behavioural and sensory functioning.

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18

Cox, Noel Stanley Bertie. "The evolution of the New Zealand monarchy: The recognition of an autochthonous polity." Thesis, University of Auckland, 2001. http://wwwlib.umi.com/dissertations/fullcit/3002348.

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The aims of this thesis are to determine to what extent the Crown remains important as a source of legitimacy for the constitutional order and as a focus of sovereignty; how the Crown has developed as a distinct institution; and what the prospects are for the adoption of a republican form of government in New Zealand. The imperial Crown has evolved into the New Zealand Crown, yet the implications of this change are as yet only slowly being understood. Largely this is because that evolution came about as a result of gradual political development, as part of an extended process of independence, rather than by deliberate and conscious decision. The continuing evolution of political independence does not necessarily mean that New Zealand will become a republic in the short-to-medium term. This is for various reasons. The concept of the Crown has often been, in New Zealand, of greater importance than the person of the Sovereign, or that of the Governor-General. The existence of the Crown has also contributed to, rather than impeded, the independence of New Zealand, through the division of imperial prerogative powers. In particular, while the future constitutional status of the Treaty of Waitangi remains uncertain, the Crown appears to have acquired greater legitimacy through being a party to the Treaty. The expression of national identity does not necessarily require the removal of the Crown. The very physical absence of the Sovereign, and the all-pervading nature of the legal concept of the Crown, have also contributed to that institution's development as a truly national organ of government. The concept of the Crown has now, to a large extent, been separated from its historical, British, roots. This has been encouraged by conceptual confusion over the symbolism and identity of the Crown. But this merely illustrates the extent to which the Crown has become an autochthonous polity, grounded in our own unique settlement and evolution since 1840. Whether that conceptual strength is sufficient to counterbalance symbolic and other challenges in the twenty-first century remains uncertain. But it is certain that the Crown has had a profound affect upon the style and structure of government in New Zealand.

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19

Black, Taiarahia. "Kāore te aroha-- : te hua o te wānanga : a thesis presented for the degree of Doctor of Philosophy in Māori Studies at Massey University, Palmerston North, Aotearoa, New Zealand." Massey University, 2000. http://hdl.handle.net/10179/1117.

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Te Ora Ē noho anā nō i te koko ko Ōhiwa, kia whakarongo rua, Aku taringa ki te Tai o tuarā e o Kanawa, E āki ana mai ki uta r o Ōhakana. Ki te whānau a Tairongo, Kai Tāuwhare rā ko te kopua-o-te ururoa, Ko te kai rāria noa mai te raweketia e te ringaringa, Me whakarangi-pūkohu e au ki Tītītangi ao ki te Te Aitanga-ā-Wheturoa, Kia whītikiria taku hope ki te maurea whiritoi, Kia noho au ki Puhi-nui tonu ki Te Maungarongo a Te Rangiāniwaniwa, Ka mawhiti tonu rā taku haere ki ngā tihi tapu ki Maungapōhatu kia Taiturakina; Kia titiro iho au ki Ruatāhuna ki Manawarū ē ko Te Aitanga-ā-Tūhoe.... Ko te hua o te wānanga o a Tūhoe kōrero tuku iho hāngai ki ana waiata tawhito te pūtake o tēnei tuhinga roa kia auhi noa mai te wairua o ngā tūtakinga kōrero kia riro ko ēnei kōrero tuku iho hei matua hikihiki, whakataratara i te hinengaro, i te wairua, e mau ai tēnei o ngā whare whakairo kōrero o te hua o te wānanga a Tūhoe. Kia kaiaohia aua kōrero ki te ura mai o te motu ki runga i ngā pae maunga o Huiarau tau iho ki a tātau e pōkai kaha nei, e tau awhi nei ki runga i te mata o tēnei whenua ātaahua. Ka paenga rā ngā tau ka kitea, ka rangona tēnā pu kōrero, tēnā whare whakairo kōrero, whakairo waiata. Mea rawa ake kua whakangaro atu ki te tira e tauwhare mai rā. Hika rawa ake, kua mawhiti kē te haere ki te mākau nui o te iwi e tīraha mai rā, tē whakaaratia! Kia rangona, kia kitea noa e tātau te mata kōrero kia eke rā ki runga, taihoa rawa ēnei taonga e ngaro, taihoa rawa nei taonga e haukotia. Ka huri whakauta ki te hua o te wānanga, ko te waiata tawhito tēnā, ko te momo rerenga kōrero i hua mai ai i roto i ngā noho tahitanga a te tangata. He kupu ēnei hei whakaata i te hinengaro, wairua, te taiao, ngā rākau, te wai, te moana, ngā whetu, te whenua, ngā pakanga, te kawa o te marae, te noho tahitanga a ngā tūākana\tāina\tuāhine. Te reo o mātua, o kuia, koroua, ngā kaipupuri i te ahi kā roa o te wā kāinga. Inā hoki ko nga āhuatanga o te tangata tēnā tōna hanga, tōna whakatipu, ōna whakaaro, tōna ngākau, tōna wairua, me ngā momo hāhi i tipu ake ai te pono, ka titiro iho te tika i te rangi ka oti nei he waiata e tipuria ai te hua o te wānanga ki roto i a tātau katoa. Waihoki ko aua waiata nei te ahi whakakā roa o te ngākau,kei kona ōna timatatanga, engari kāore nei ōna whakamutunga. Ka pikitia ake te toi huarewa kia kite noa atu i te kaha o te whakaaro. Ko te wāhanga nui ia kia hapaina tēnei tuhinga roa, hei whakaoho, hei tuku, hei tātari i ngā whiriwhiringa kōrero ā-tuhi, ā-wāha kei roto i te whare kōrero o te whānau, hapū, iwi e timata ai, e mau ai te hua o te wānanga o te whaitua whenua. Tae atu ki ngā takahanga whakaewa ka oti nei he waiata tawhito hei kaiarataki ki ngā tihi maunga o te whakaaro. Ko te kapunga whakaaro ko te whātoro, i te tātari i te kupu, ki te whakamārama i te hua o te wānanga hei tumu whakarae kōhikohi mōhiotanga ki runga, ki raro ki ngā tai timu o te hua o te wānanga. I roto i tēnei tuhinga roa ka takea mai te wānanga i te kore, i te pō, i te ao mārama e tohea ai ngā kete e toru o te wānanga hei anga tohutohu, piki tūranga whakaakoranga ki hea mai nei! Mai i roto i aua kete ka nanahu te hinengaro kōkoi o tātau tīpuna mai anō i te ao Māori. Ko te ao mārama tēnā, ko te ao whenua tēnā, ko ngā pakanga tēnā, ko ngā tinihanga ēnā, ko te apakura, ko te hakamomori ka hua nei te wānanga. Nō reira he mahi, he kaupapa nui tā tēnei tuhinga roa ki te whakakao mai i ngā waiata e mohio ana tātau hei papa kōrero, hei wānanga mā te hunga kei te piki ake i ngā takutai moana o te whakaaro, o tēnei ao e wehi mai nei ki a tātau. Kāre e mihi kei te hopo te iwi, te hunga mau i ēnei waiata ki runga i o tātau marae kei ngaro memeha noa ēnei taonga a tātau. Ae! Kei te tika tā rātau hopo. Inā hoki kua riro kē te reo whakaarorangi i te oro o te waiata i ngā tai nenehawa, whakapōrearea e hukahuka mai nei. Ahakoa tēnei kei te whakaara ake ēnei waiata i runga tonu i te kaha o tēna, o tēna ki te whakaara. Kei te tahuri nui mai te hunga rangatahi, taiohi ki ēnei waiata koia tēnei te tūmatanui o tēnei tuhinga roa, hei tāhu whakaea mo te hinengaro, mo te ngākau o aua whakatipuranga e hiahia nei rātau ki ēnei taonga. Mā te karakia hei waere te whenua, mā te taki i ngā kōrero mo ngā atuā te whakataukī, te whakapepeha ka pupuke mai te hihiri o te mahara i ō tātau tipuna kōkoi e whakakitea nei tātau i ēnei rā ki aua tohu. Ka huia rnai aua pitopito kōrero katoa hei kākahu maeneene ki roto i te kupu o te waiata tawhito, kā mau. He whakaatu tēnei tuhinga roa kei te ora tēnei o ngā momo whare pupuri kōrero i te pū; i te more, te weu me ngā pātaka iringa kōrero o te ao ō Tūhoe ō neherā, tae noa mai ki ēnei rā. Kāti he wā anō i roto i taua ora ka tōia te whakaaro ō Tūhoe, ō te Māori e tauiwi hei tinihanga māna. Engari e kitea ai i roto i tēnei tuhinga roa, ko te toki hei kaupare atu i taua tinihanga ko te kōrero i tuarātia rā: 'Hokia ki o maunga kia purea koe e ngā hau o Tāwhirimātea' Koia tēnā te kaupapa o tēnei tuhinga roa he tātari i te hānuitanga, te taiwhakatū o taua kōrero: Hokia ki o maunga... Ma taua kōrero Hokia ki o maunga ... ka rangona te mātaotao o te hua o te wānanga o te pakanga o te whenua, o ngā pikikōtuku i tukitukia, kātahi ka kōrero ai ki roto i tā Tūhoe whakatau i ana whakaaro, e taea ai te ruruku ka puea ake. Koia tēnei ko te mana i roto i ngā whakatakotoranga kōrero e mau ai te kurataininihi, te kurataiwawana o te whakaaro. He hua wānanga tēnei e whakaatungia ai e te hinengaro ngā takahanga motuhake, me te hāngai o ā rātau kupu mo ngā whakaaro e tau nei ki tēnei Ao Hurihuri. Nā ngā mahi a ō tātau tīpuna, te para i te huarahi kia takahuritia ai ngā mahi kikino o te riri Pākehā i tū ake ai ngā poropiti o aua tau kikino i rnurua ai ngā whenua, i tukua ai te iwi ki raro. I tū ake ai rātau te hunga poropiti ki te rapu i te ora i te kaupapa tōrangapū mo ngā whenua i hahanitia. Mai i ēnei kaupapa ka hau te rongo o te waiata tawhito hei tūāpapa whakaohooho, whakanekeneke i a tātau katoa, ahakoa ko wai. Whā tekau katoa ngā waiata o tēnei tuhinga roa rnai i tēnā kokona o Tūhoe, rnai i tēnā kokona o Tūhoe e kawe ana i te hua wānanga hei whakaata, hei kōwhiri i te hunga i kaha i rnau tonu te ngangahau i ngā totohe kōrero, totohe tangata, totohe whenua. I kona ka hua te wānanga ka tohea te riri ka mau, i ea ai tētahi wāhi o te mamae. Koia tēnei ko te whakaatu i te kaha o te tohe i te pō, i te awatea. Ko te kawa o te marae te ātamira whakatāhu, tuku i aua hua wānanga i nei rā e rangona ai te kōrero ā-iwi, te hī o te mita o te reo waiata hei hokinga atu ki te nohoanga o te kupu. Ko tētahi anō kaupapa o tēnei tuhinga roa he whakahoki mai anō i te rnatapihi o Matariki, kia meinga ai ki te kairangi o te kawa o te marae, ka tau ki te whenua i maringi ai te toto. Ko ēnei hua wānanga te oro o te ngākau o Te Ūrewera, te whītiki o te kī mo te tuakiri mo tēnā whakatipuranga, rno tēnā whakatipuranga. Ae! Mā te hua wānanga a Tūhoe e whakaea te mamae e puta ai te pātai. Ko wai rā au? I ahu mai taku wānanga i whea? E ahu ana au ki whea? No te rā nei kua riro mā tēnei tuhinga roa e whakaatu ētahi o ngā hau kikino i whakawhiua kirunga i te iwi e te kāwanatanga i a ia e āki mai ana mo ngā rawa a te iwi, hei tuku he tangatakē. Nō reira i tikina ai te tauparapara a Te Kapo o te Rangi hei whakatauira i te takenga mai ongā kōrero mai i te koko ki Ōhiwa ki te pō, ki te pouri, ki te ao mārama. 'Hokia ki maunga' ko te tangata, ko te iwi, ko te hapū, ko te whānau te tīmatanga o te hua o te wānanga. Koia tēnei tētahi anō kaupapa o tēnei tuhinga roa, he āhuru i aua pukenga tautōhito kōrero kia mau te rangi, kia mau te hā, kia rangona te hua wānanga, oho ake ki te ao ka oti nei he waiata tawhito hei hoa haere whakamua. Ko te kōpae o te whare tēnā e tautokona ana hoki te ahu whakamuatanga o ngā mōrehu kōrero e arohatia nei e tātau. He huarahi atu tēnei hei āwhina, hei tohu i te kei o te waka ki ngā ngaru kokoti e pukepuke rnai nei. Ko te whakapae o tēnei tuhinga roa e titikaha ai ki te hinengaro o Tūhoe me mau ana momo kōrero ki ngā momo hangarau o tēnei ao hurihuri kā tika. Kua roa ēnei taonga e ārikarika ana hei whakarei i te kupu kōrero ki te hunga mate, ki te tira e tatari rnai rā i te waharoa o te marae ki te whakaeke. Kei roto i te wairua o tēnei mahi ka tukua āianei ēnei taonga kia kore ai tātau e taka ki roto i te korekore o te hinengaro, hei whakamahi mā te tamaiti o Tūhoe e hiki ake nei i ngā pae tata, i ngā pae tawhiti. Ko tēnei tuhinga roa te kura kimihia o te ura rnai o te motu i tua atu o Huiarau. Kia hau ai te rongo o a tāitau kōrero ki mua i a tātau hei homai i te aroha kia au ai te matatū tonu, ka maranga kei runga. Kia taria te roanga o te kōrero. Ae! Me hoki rā kā tika: Kā hoki nei au ki te mauri o taku waka a Mātaatua Ko Pūtauaki ki a Ngāti Awa Ko Tāwhiuau, ko Tangiharuru Ko te rae rā o Kohi ki a Awatope Ko Mānuka tūtahi ki Whakatāne, kia Apanui Ko te mauri haria mai nei hei whakaoho i taku moe Ē kō kō ia e ara ē!

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20

Fisher, David. "The socio-economic consequences of tourism in Levuka, Fiji." Lincoln University, 2000. http://hdl.handle.net/10182/1284.

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This thesis examines the proposition that the local population at a tourist destination copy the economic behaviour of tourists and learn to give economic value to the same objects and activities that are demonstrated by tourists. Levuka, the old capital of Fiji, served as the case study. It was found that decisions are based on the experiences and the cultural template of which those decisions are a part. There are many acculturating factors involved in the learning process as a subsistance-based economy becomes more monetised. The purchasing habits of tourists have little obvious effect. However, there is evidence that what is of value to tourists and what encourages them to visit the destination are not fully appreciated by many of the host population. Examples of these culturally dissimilar values are externalities such as the physical structures of the built environment and unquantifiable factors such as the ambience of the destination. It is argued that an understanding of the factors that have created cultural rules is necessary if a complete analysis of the effects of tourism is to be undertaken. This can be achieved by considering change as a process and tracing that process by examining the cultural history of the host community. Tourism should be seen as another aspect of change. The response to tourism will then be seen as a new challenge that will be met using the lessons previously learnt and incorporated into the cultural template.

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21

Segerberg, Anita Kristina. "Christina Stead: the American years." Thesis, University of Auckland, 1990. http://hdl.handle.net/2292/2046.

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CHRISTINA STEAD (1902-1983) is a major Australian woman writer, and this thesis explores one of the least known periods in her life and work, the years she spent in the United States (1937- 7946). During this time she wrote her two best known novels, The Man Who Loved Children and For Love Alone, both based on autobiographical material. This study explores contextual aspects of Stead's life and work in New York, drawing on a considerable amount of new material. (Chapters I and II) During this period Stead wrote partly out of a personal need to understand her own life situation, and psychological readings of three novels, The Man who Loved Children, For Love Alone and Letty Fox, seen as a 'father trilogy', are designed to open up new lines of enquiry into aspects of all of these novels. (Chapters III and IV) The thesis also discusses formal aspects of Stead's work, beginning with her own formulation of an esthetics of the novel, which occurred during a course she gave in New York in 1943 called Workshop in the Novel. (Chapter V) The relevance of this course for her own practice as a novelist is also explored, with particular reference to the two later American novels A Little TeA, A Little Chat and, The People with The Dogs. (Chapter VI) In Chapter VII an exploration of Stead's interest in the genre of the novella, focussing on the collection The Puzzleheaded Girl, continues the formal lines of enquiry opened up in the previous two chapters, and in the following chapter the same collection provides a starting point for a consideration of Stead's deep interest in the situation of women in modern society, especially the recurrent figure of the wanderer or female rebel. The last chapter concentrates on the literary self-portraits which appeared in Stead's American fiction after The Man who Loved Children and For Love Alone, and their curiously limited characterization is compared with the more vigorous portrait of her provided in one of the novels of her husband, William Blake. This thesis, then, argues that Stead's life fed her fiction, especially in her American period, and that her work was part of a broader personal quest. Understanding this quest is relevant to a discussion of her literary style, and to her personal use of autobiographical material in her fiction, and it illuminates aspects of the creative process itself. Stead's need to understand her own life not only shaped her fiction, it also provided it with the 'intelligent ferocity' she aimed for, and resulted in a major 'realist' writer.

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Kelly, Frances (Frances Jennifer). "In "that Borderland Between": The Ambivalence of A. S. Byatt’s Fiction." Thesis, University of Auckland, 2002. http://hdl.handle.net/2292/2059.

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This thesis explores the conceptualisation of subjectivity, the past and language in the work of one particular English novelist and critic, A. S. Byatt. In doing so, it examines significant points of overlap between Byatt's fiction and criticism, on the one hand, and, on the other, the discourses that have contributed to their formation. Whilst Byatt's work is inflected by recent critical examinations of the three concepts, this thesis is less concerned with how it reflects prevailing notions of subjectivity, the past and language, than with its participation in an ongoing examination of each. Although I do investigate the interplay between Byatt's fiction and criticism, my focus is on how this is played out in Byatt's fictional texts, in particular the novels. The Introduction offers a brief summary of other criticism on Byatt's work summarises the recent definitions of 'text' and broader discussions of postmodernism that have impacted on my approach to her fiction, and proposes a reading of these texts that accounts for their ambivalence. In Chapter One, I focus on the reconfiguration of subjectivity in Byatt's writing, particularly as it relates to textuality. Chapter Two explores the relationship between present and past in Byatt's fiction that is partly enacted through the texts' own engagement with past literatures, in particular nineteenth-century literature, and the related issues of historiography, linearity and memory that these texts investigate. Language, in particular Byatt's interest in its relation to 'things', is the focus of the third and final chapter of this thesis. Throughout each of the chapters is an exploration of Byatt's engagement or reexamination of a persistent 'thread of two' in Western discourse. Although each chapter focuses on one of the three concepts, each also explores the issues that arise from the conjunction of 'two things' in these fictions: text and subject, present and past, language and the world. Related to this is my consideration of how Byatt's fiction is characterised by a number of contradictory impetuses. Of particular interest is the ambivalence that arises from Byatt's partial engagement with recent critical theory - not only because it reflects larger cultural and discursive movements, but also because it contributes to a productive forging of new forms of fiction that combine an awareness of the concerns of literary and cultural criticism with a desire to evoke pleasure in the texts.

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Nola, Nina. "”My Two Countries Firmly Under My Feet”: Explorations of Multicultural Identity in the Fiction of Amelia Batistich and Yvonne du Fresne." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/2137.

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This thesis offers a detailed reading of the fiction of the Dalmatian New Zealand author Amelia Batistich and the Danish New Zealand author Yvonne du Fresne from the perspective of multicultural literary criticism. It draws strongly throughout on interviews and discussions with the authors themselves, and on their personal papers. The Introduction explores the term "multicultural literary criticism", examines its significant development in theory and practice in Australia (especially in the writings of Sneja Gunew), and discusses the challenging issues raised by its use in a bicultural context, in New Zealand. The body of the thesis is organised into two parallel sections, the first (of five chapters) on Batistich and the second (of four chapters) on du Fresne. Each section begins with an introduction to the writing life of the author concerned, with particular reference to the forces. Shaping her sense of identity as a New Zealander from an ethnic minority community. Subsequent chapters then discuss chronologically the development of the author’s work from short fiction and articles through to the later novels. Each author's struggle to find a fictional voice which expressed her identity as a hybrid New Zealander is highlighted. The role of editors and publishers in shaping the migrant voice of both authors is also explored, and the reception of both authors' works by critics often unwilling or unable to read for difference in a literary landscape dominated by the perception of New Zealand as socially homogeneous. The thesis argues - in an extended enquiry into the constructedness of identity - that both authors have struggled throughout their careers to find a place for both themselves and their characters in New Zealand literature. The bibliography contains a checklist of the published writings of both authors, primary and secondary material related to the field of ethnic minority writing, and a checklist of other migrant writings and creative multicultural works in New Zealand. “No matter how far fate has blown the frail tree of my life across foreign lands, its roots have always sucked nourishment from that little barren clod of soil from which it sprung." Ivan Meštrović (Dalmatian sculptor, 1883-1962.) “The earth is our mother, wherever we find ourselves." Amelia Batistich, The Olive and the Vine. “Today a gap had closed; I felt my two countries firmly under my feet. Both equal." Yvonne du Fresne, Motherland P.205 My Two Countries Here is the fern, the kauri sapling straight as a larch Young, like my county, strong. There is the olive, grey with dreams Crouched over the stony land - like a woman in childbirth. Both gave me life - the kauri and the olive. Here my father ate the bread of exile. There my grandfather ate the black bread of poverty- By the blue Adriatic But what matter now? My grandfather sleeps in his own earth- His bones have melded with his own soil- Alien, my father sleeps on Hillsborough Hill overlooking the Manukau. But here was his work- Here was his home. Amelia Batistich (1985)
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24

Lalor, Daphne E. (Daphne Elaine). "An Edition of the Book of Sovereign Medicines MS X3346." Thesis, University of Auckland, 1995. http://hdl.handle.net/2292/2281.

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This thesis is an edition of a manuscript of medical remedies, MS X3346 (now stored in the Alexander Turnbull Library in Wellington) which belongs to the Medical Historical Society of the Auckland branch of the Royal Australasian College of Physicians. The manuscript is one of five known copies of a compilation by a sixteenth century Benedictine monk, John of Feckenham, who became Abbot of Westminster during the reign of Mary Tudor. In the dedication to the manuscripts, which is almost identical in each, the Abbot states that 'This Book of Sovereign Medicines' Named for convenience throughout this edition, 'The Book of Sovereign Medicines' was collected by him for 'the poor who have not at all times the learned physicians at hand'. The scribal handwriting, and the names of various people in MS X3346, indicate that it was penned between 1665 and 1675, or about seventy-five years after Feckenham's death. Research into the life of the compiler was undertaken, as was an overview of the medical ideas of the period, together with a study of the popular genre of which the Abbot's work was an example. Also included in this thesis is a Provenance of the manuscript, a description of its state, a comparison of it with the other known copies, and the story of its donation to the Medical Historical Society. A transcript of the manuscript was prepared, maintaining the scribal spelling, punctuation and capitalization as accurately as possible. Following this, a modernized version was made, aiming at a readable text. The layout of the original manuscript and the transcript was maintained as far as possible, to facilitate keying of annotations and comments to the text. The Oxford English Dictionary was used as the standard for spelling and grammar, and an attempt was made to conform to the principles used by Stanley Wells and Gary Taylor in the compact edition of Shakespeare's Complete Works. A glossary was prepared defining herbs, ingredients, medical terms and so on. Annotations to the remedies indicate the same or similar examples in other works, especially in the Folger edition of 'This Booke of Sovereigne Medicines' (edited by E.R.Macgill in 1990). Also in the annotations are explanations of words and phrases specific to a remedy, and identification of many of the people mentioned in the work. Quotations from authors of the time of Chaucer to the modern day are included in the glossary and annotations to help define and illustrate medical terms and ingredients perhaps not familiar today. Early herbals were studied, especially those of William Turner and John Gerard. As Eleanour Sinclair Rohde (The Old English Herbals, p.98) has pointed out, Gerard was justly condemned by critics of his own time as well as modern ones for 'having used Dr Priest's translation of Dodoen's ⎂Pemptades⎁ without acknowledgement'. Nevertheless, this editor, like Rohde, has found such pleasure in Gerard’s delightful language, his descriptions of plants, with their habitats and their virtues, that many quotations from his Herball have been included. There is an index of authors and quotations, and also a general index to the contents of the modern version.

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Wakefield, Benita. "Haumanu taiao ihumanea: collaborative study with Te Tai O Marokura Kaitiaki Group : Tuakana Miriama Kahu, Teina Benita Wakefield." Lincoln University, 2008. http://hdl.handle.net/10182/1335.

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The health of the environment is integral to the health and wellbeing of the people. When the balance between Atua, whenua and tangata is disrupted, desecrated, disturbed or violated, it can have a detrimental impact on these relationships. This research study explored alternative indigenous paradigms for conceptualizing an environmental health framework that would improve the potency and health of all living things. A key question of the research study was to explore how Ngati Kuri sought to strengthen their relationship and connection with the natural world. The Hapu established Te Tai O Marokura health and social services as a vehicle to improve potency: healthy environments, healthy people. The specificity of Ngati Kuri experiences provided a broader context for researching and theorizing about restorative models that utilized traditional knowledge localized to a particular area. Another key question was to examine how Maori cultural values that were embedded within a worldview, could offer insights and constructs for new ways of being and thinking in the modern world. Kaupapa Maori philosophical positioning and theorizing informed the approaches and practices underpinning the study. The key aspects of the methodology were constructed around the tikanga principles of tinorangatiratanga, whakapapa and kaitiakitanga to provide a rationale for the collaboration formed with the Hapu. At the heart of the thesis is the validity given to the collective ownership of indigenous knowledge which challenges the fictional notion of a singular, temporally bound authorship. The thesis reflects the whakawhanaungatanga (reciprocal understanding) relationship between the Tuakana represented by Miriama Kahu and the Teina, Benita Wakefield working collaboratively with the Kaitiaki construct group formed to ensure that the use of indigenous knowledge and its transmission processes had honest transparency. The Tuakana was responsible for providing guidance, wisdom and mentoring to the Teina, the enrolled academic student responsible for producing the written thesis. These innovative collaborative Kaupapa Maori methods and practices in the study have tested the boundaries of conventional doctoral processes, breaking university academic regulations and challenging the western academy in the political nature of collective knowledge production and validity of indigenous knowledge. Qualitative and quantitative processes, approaches and methods were also utilized to inform the study and to ensure reflexivity of research practices. The key findings of the study were: • Improving potency requires a depth of intimacy and connection with all living things that involves a reciprocal understanding of the relationship between Atua, whenua and tangata. • Indigenous knowledge is localized to a spatial area and embedded within a worldview that validates and affirms cultural values and beliefs which continue to have relevance in more contemporary times. • The transformative nature of alternative indigenous paradigms must encompass the totality of creation, humanity and their genealogical and inter-generational linkages to all life. A major contribution of this PhD has been to create new knowledge, ways of thinking and meaning for restoring potency through the environmental health conceptual framework grounded in cultural and spiritual values. The specific focus on Ngati Kuri traditional knowledge authentic to the Hapu and their application, has significantly contributed towards constructing alternative indigenous approaches for meeting the challenges within the modern world.

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Abbott, Mick. "Designing wilderness as a phenomenological landscape: design-directed research within the context of the New Zealand conservation estate." Lincoln University, 2008. http://hdl.handle.net/10182/1026.

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This research operates at both the meeting of wilderness and landscape, and also landscape architecture and design-directed research. It applies a phenomenological understanding of landscape to the New Zealand conservation estate as a means to reconsider wilderness’ prevalent framing as an untouched ‘other’. It does this through enlisting the designerly imperative found within landscape architecture as the means by which to direct this research, and through landscopic investigations located in the artefacts of cooking, haptic qualities of walking, cartographies of wilderness and a phenomenological diagramming of landscape experience. The results of this layered programme of research are four-fold. First, it finds that a landscopic interpretation of wilderness, and its tangible manifestation in New Zealand’s conservation estate, has the potential to suggest a greater depth of dialogue in which both ecological and cultural diversity might productively flourish. Second, it finds that landscape architecture has significant potential to broaden both its relevance and types of productive outputs beyond its current intent to shape specific sites. It identifies that artefacts and representations – such as cookers, track markers and maps – can be creatively manipulated to design alternative formulations of landscape. Third, through self-critique the potency of a programme of design-directed inquiry is demonstrated. In this dissertation new knowledge is revealed that extends the formal, diagrammatic and conceptual dimensions of wilderness, New Zealand’s conservation estate, and a phenomenological expression of landscape. This research illustrates the potential for design-directed research methods to be more widely adopted in ways that extend landscape architecture’s value to multi-disciplinary research. Finally, it finds a pressing future direction for landscape architecture research is to further identify and develop techniques that diagram landscopic practice and performance with the same richness and detail that spatially derived descriptions currently offer. It is the considerable distance between the spoken and written poetics of phenomenology and the visual and diagrammatic articulation of these qualities that is identified as a problematic and also productive site for ongoing creative research.

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Carlyle, Diane P. (Diane Patricia). "Georges Bernanos, démolisseur d'impostures." Thesis, University of Auckland, 1987. http://hdl.handle.net/2292/2379.

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The thesis is divided into five parts. The first consists of a revue of the opinions of the critics on the work of Georges Bernanos, and then proceeds to define the aims of the thesis: (i) to combat the pernicious idea that we are dealing with a "Catholic Opus", one where the term "Catholic" would imply "idealistic" or "out of touch with reality", and to arrive at a different way of approaching the work; (ii) to lay bare the hidden unity of the work since the new interpretation we are seeking will derive from the relation of the parts to the whole; (iii) to show the radical nature of Bernanos's thought which lays bare the roots of the Discontents of our Civilisation and, by so doing, imparts a prophetic tone to his writings. In the second part Bernanos is placed within the context of his times and compared to other intellectuals, both Catholic and non-Catholic, in order to separate the "Catholic" from the "non-Catholic" elements in his work. Next, using the methods of Charles Mauron, we study the Youthful Works. In the third part, following the methods of Lucien Goldmann, we place the Novels in the context of Ecclesiastical Politics. In the fourth part we trace the transformation of the Novelist into the political pundit, then we go back to La Grande peur des bien-pensants to retrace the origins of his political thinking. Chapter twelve, "Birth of the Modem World", traces the development of capitalism in France and concomitant evolution of the value-system and ways of thinking. The fifth part contains the second half of the "Ecrits de Combat" entitled "The Modem World" which gives us Bernanos's view - a prophetic view - of the world we inhabit at present, Then the Conclusion.
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28

Pacey, H. A. "The benefits and barriers to GIS for Māori." Lincoln University, 2005. http://hdl.handle.net/10182/655.

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A Geographic Information System visually communicates both spatial and temporal analyses and has been available for at least twenty years in New Zealand. Using a Kaupapa Māori Research framework, this research investigates the benefits and barriers for Māori if they were to adopt GIS to assist their development outcomes. Internationally, indigenous peoples who have adopted GIS have reported they have derived significant cultural development benefits, including the preservation and continuity of traditional knowledge and culture. As Māori development continues to expand in an increasing array of corporate, scientific, management and cultural arenas, the level of intensity required to keep abreast of developments has also expanded. GIS has been used by some roopū to assist their contemporary Māori development opportunities; has been suggested as a cost effective method for spatial research for Waitangi Tribunal claims; has supported and facilitated complex textual and oral evidence, and has also been used to assist negotiation and empowerment at both central and local government level. While many successful uses are attributed to GIS projects, there are also precautionary calls made from practitioners regarding the obstacles they have encountered. Overall, whilst traditional knowledge and contemporary technology has been beneficially fused together, in some instances hidden or unforeseen consequences have impeded or imperilled seamless uptake of this new technology. Challenges to the establishment of a GIS range from the theoretical (mapping cultural heritage) to the practical (access to data) to the pragmatic (costs and resources). The multiple issues inherent in mapping cultural heritage, indigenous cartography and, in particular, the current lack of intellectual property rights protection measures, are also potential barriers to successful, long-term integration of GIS into the tribal development matrix. The key impediments to GIS establishment identified by surveyed roopū were lack of information and human resources, and prioritisation over more critical factors affecting tangata whenua. Respondents also indicated they would utilise GIS if the infrastructure was in place and the cost of establishment decreased. Given the large amount of resources to be invested into GIS, and the opportunity to establish safe practices to ensure continuity of the GIS, it is prudent to make informed decisions prior to investment. As an applied piece of Kaupapa Māori research, a tangible outcome in the form of an establishment Guide is presented. Written in a deliberately novice-friendly manner, the Guide traverses fundamental issues surrounding the establishment of a GIS including investment costs and establishment processes.

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Berends, J. W. "Escaping the rhetoric : a Mongolian perspective on participation in rural development projects : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Applied Science in International Rural Development at Lincoln University /." Diss., Lincoln University, 2009. http://hdl.handle.net/10182/1307.

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This thesis explores how stakeholders in Mongolian rural development projects interpret the concept of 'participation'. While previous research has provided an ethnographic snapshot of participation in rural development projects, none has yet focused on Mongolia – a post-socialist nation that receives significant amounts of foreign aid. To gain a holistic picture of 'participation', this study explores: how stakeholders understand participation; what stakeholders perceive and prioritise as the benefits of participation; and which factors motivate or inhibit participation. This study's methodology involved an inductive, qualitative approach with a multiple case study design. Three Mongolia rural development projects, each with objectives of poverty-reduction and participation, were selected from three different development organisations and interviews were conducted with different stakeholder groups: development organisation managers, field staff, and local people of the project sites (participants and non-participants). The results of this study revealed a dominant or 'Mongolian' understanding of 'participation' existed across the various stakeholders: 'Participation is local contributions of group labour and information for material benefits, within a top-down authoritarian structure (including local institutions)'. This understanding arose from development organisations' emphasis on efficiency and sustainable results and local people engaging with the project as a normative livelihood strategy. In this study, given the incidence and nature of rural poverty, stakeholders prioritised the tangible benefits of participation over the intangible and linked empowerment to tangible outcomes. Development staff prioritised the longer-term tangible benefits (food security and income), and to ensure their sustainability sub-benefits were provided sequentially, mental capital, then physical capital, with social capital built naturally through the project's formal and informal activities. In contrast, local people prioritised the manifest tangible benefits, which initially meant the physical capital gifted by the project, and then later the material outcomes of the new livelihoods. While development staff envisioned intangible benefits as important in their own right, for Mongolian participants they were a gateway to the project's tangible outputs. Four prominent intangible benefits emerged: knowledge/mental investment, 'power within', social connections, and involvement in groups – each uniquely valuable within the Mongolian context. The results also showed that the factors which shaped participation reflected the unique circumstances of rural Mongolia and each project's activities. Economic rationality appeared as the foundational incentive for participation, followed by social motivations that included: widespread, detailed, and positive information about the project; the perceived power, leadership, and organisational skills of the development organisation; a deep personal relationship between development staff and local people; and rurally-oriented seminars and workshops. The major barriers to 'Mongolian' participation included: a lack of opportunity or incentive to participate; the current situation of poverty and unemployment; Mongolia's governance structures, culture, and history; the geography of isolation; the development organisation‟s procedures; and the dynamics of project 'groups'. Moreover, the results indicated that projects which require higher levels of local participation, i.e. decision-making, may face more fundamental obstacles because of the cultural value placed upon top-down, authoritarian leadership and a prevailing mentality of dependence. Based on these results, this study concludes that interpretations of participation arise out of field-level realities, and thus the level of participation incorporated into development projects needs to reflect the local culture, context, and history.

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Battista, Jon Lois. "Me he korokoro kōmako = ’With the throat of a bellbird’ : a Māori aesthetic in Māori writing in English." Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/2233.

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The primary aim of this thesis Me he korokoro kōmako [‘With the throat of a bellbird’] is to demonstrate the existence of a distinctive Māori aesthetic in Māori literature written in English. Its introductory section, of three chapters, investigates the ways in which mainstream critical discourse in various ways appropriates Māori literature to its own Western-derived models of meaning and values, and proposes instead a definition of a Māori aesthetic grounded in the principle of whakapapa, whose whole cultural components for Māori literature include distinctive textual functions for myth, orality, acts of naming, other aspects of language, and symbolism. The concept of whakapapa also provides the organizing principle and methodology of the central chapters of the thesis, which are divided into two Parts – each of six chapters. These are framed by a Prologue and Epilogue, whose subject is the profound cultural symbolism of the waka in the work of a founding figure for Māori writing in English, Jacqueline Sturm, and in Star Waka, by a major later writer in English, Robert Sullivan. Part One devotes three chapters each to the adult fiction of one female writer, Patricia Grace (Potiki and Baby No-Eyes), and one male writer, Witi Ihimaera (The Matriarch). Part Two, following the principle of whakapapa, devotes six chapters to Māori literature for children. Its primary text is the major anthology of such writing – Te Ara O Te Hau: The Path of the Wind, Volume 4 of Te Ao Mārama, edited by Witi Ihimaera, with Haare Williams, Irihapeti Ramsden and D.S. Long. It grounds its reading of the volume’s many texts (literary and visual, in Māori and in English) in the many distinctive cultural behaviours and meanings attached to the figure of Māui. Each of the authors and texts has been chosen in order to study and exemplify a particular aspect of the Māori aesthetic defined in the Introduction, through close readings which draw strongly on the work of major Māori social historians, authors of iwi histories and genealogies, and interpreters of cultural meanings attaching to the natural worlds, and recent work on literary stylistics by Geoffrey Leech and others. It also draws on conversations with numerous Māori informants, including some of the authors discussed. The readings are designed to reveal the rich, culturally contextualised knowledges which Māori readers bring to the texts, and which their authors share and invoke through their deployment of the values and practices of whakapapa. While such representations and explorations of self offer new interpretive possibilities for Pākehā readers, they are also part of a global movement in which indigenous peoples engage in the politics of decolonisation from a position of strength, the stance of self-knowledge. E kore e hekeheke he kākano rangatira Our ancestors will never die for they live on in each of us.
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31

Paul, Mary. "Reading readings: some current critical debates about New Zealand literature and culture." Thesis, University of Auckland, 1995. http://hdl.handle.net/2292/1974.

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This thesis examines contemporary interpretations of a selection of important texts written by New Zealand women between 1910 and 1940, and also a film and film script written more recently (which are considered as re-readings of a novel by Mander). The thesis argues that, though reading or meaning-making is always an activity of construction there will, at any given moment, always be reasons for preferring one way of reading over another-a reading most appropriate to a situation or circumstances. This study is motivated by a desire to understand how literary criticism has changed in recent years, particularly under the influence of feminism, and how a reader today can make a choice among competing methods of interpretation. Comparisons are drawn between various possible readings of the texts in order to classify methods of reading, particularly nationalist and feminist reading strategies. The over-all tendency of the argument is to propose a more self-critical and self-conscious approach to reading, and to develop a materialist and historical approach which I see as particularly important to the New Zealand context in the 1990s.
Thesis is now published as a book. Paul M. (1999) Her Side of the Story: readings of Mander, Mansfield and Hyde. Dunedin: Otago University Press. http://www.otago.ac.nz/press/ for more information.

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32

Berardi-Wiltshire, Arianna. "Italian identity and heritage language motivation : five stories of heritage language learning in traditional foreign language courses in Wellington, New Zealand : a thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy in Linguistics and Second Language Teaching at Massey University, Palmerston North, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/1170.

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The study explores the motivational role of the personal constructions of Italian identity (Italianità) of five learners of Italian descent studying their heritage language by means of traditional foreign language courses in Wellington, New Zealand. By adopting a social constructivist perspective on both language learning and the motivational processes underlying it, and by applying such concepts as investment (Norton, 2000), ideal L2 self (Dörnyei, 2009) and language learning as identity reconstruction (Pavlenko & Lantolf, 2000), the study aims to further our understanding of heritage language learning motivation as a socially mediated process (Ushioda, 2003). Qualitative data was collected through waves of semi-structured interviews from five case-study participants over the course of several months of learning. Responses were used to map the influence that the participants’ constructions of their own Italianità exerted on three aspects of their language learning motivation: their reasons for learning the language, the decision to embark on the study of it, and the maintenance of their interest and learning efforts throughout the learning process. Detailed observations of learning sites, classes and materials, and interviews with teachers provided rich contextual data concerning key episodes identified by the students as relating to different aspects of motivation. The findings suggest that Italianità is heavily implicated in the initial stages of motivation, but that its influence is mediated by the learners’ personal constructions of a multitude of internal and external factors, through which they come to personalise and prioritise their own objectives and identity ambitions in ways that guide their motivational arousal, their decision to pursue the language and their creation and visualisation of learning goals. Italianità is also found to have an influence on the maintenance and shifts in the participants’ motivational states throughout their learning, supporting a socially mediated view of L2 motivation in which motivational fluctuations are explained as the result of the learners’ own processing of and reaction to elements of their context, including critical events inside and outside the classroom, exchanges with teachers, peers and speakers of Italian, and ongoing developments of opportunities and challenges for the achievement of the personal goals and identity ambitions driving their learning.

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McDonnell, Brian. "The Translation of New Zealand fiction into film." Thesis, University of Auckland, 1986. http://hdl.handle.net/2292/2010.

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This thesis explores the topic of literature-into-film adaptation by investigating the use of New Zealand fiction by film-makers in this country. It attempts this task primarily by examining eight case-studies of the adaptation process: five features designed for cinema release (Sleeping Dogs, A State of Siege, Sons for the Return Home, The Scarecrow and Other Halves), one feature-length television drama (the God Boy), and two thirty-minute television dramas (The Woman at the Store and Big Brother, Little Sister, from the series Winners and Losers). All eight had their first screenings in the ten-year period 1975-1985. For each of the case-studies, the following aspects are investigated: the original work of fiction, a practical history of the adaptation process (including interviews with people involved), and a study of changes made during the scripting and shooting stages. The films are analysed in detail, with a focus on visual and auditory style, in particular how these handle the themes, characterisation and style of the original works. Comparisons are made of the structures of the novels and the films. For each film, an especially close reading is offered of sample scenes (frequently the opening and closing scenes). The thesis is illustrated with still photographs – in effect, quotations from key moments – and these provide a focus to aspects of the discussion. Where individual adaptation problems existed in particular case-studies (for example, the challenge of the first-person narration of The God Boy), these are examined in detail. The interaction of both novels and films with the society around them is given emphasis, and the films are placed in their cultural and economic context - and in the context of general film history. For each film, the complex reception they gained from different groups (for example, reviewers, ethnic groups, gender groups, the authors of the original works) is discussed. All the aspects outlined above demonstrate the complexity of the responses made by New Zealand film-makers to the pressure and challenges of adaptation. They indicate the different answers they gave to the questions raised by the adaptation process in a new national cinema, and reveal their individual achievements.
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34

Holt, Jill. "Children's Writing in New Zealand Newspapers, 1930s and 1980s." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/2315.

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This thesis is an investigation of writing by New Zealand children in the Children's Pages of five New Zealand newspapers: the New Zealand Herald, Christchurch Press and Otago Daily Times in the 1930s and 1980s, the Dominion in the 1930s; and the Wellington Evening Post in the 1980s. Its purpose is to show how children reflected their world, interacted with editors, and interpreted the adult world in published writing, and to examine continuities and changes between the 1930s and 1980s. It seeks evidence of gender variations in writing. and explores the circumstances in which the social role of writing was established by young writers. It considers the ways in which children (especially girls) consciously and unconsciously used public writing to create a public place for themselves. It compares major themes chosen by children, their topic and genre preferences in writing, and the gender and age differences evident in these preferences. The thesis is organised into three Parts, with an Introduction discussing the scholarly background to the issues it explores, and its methodology. Part One contains two chapters examining the format and tone of each Children's Page. And the role and influence of their Editors. Part Two (also of two chapters) investigates the origins and motivations of the young contributors, with a special focus on the Otago Daily Times as a community newspaper. Part Three. of four chapters, explores the children's writing itself, in separate chapters on younger and older children, and a chapter on the most popular genre, poetry. The conclusion suggests further areas of research, and points to the implications of the findings of the thesis for social history in New Zealand and for classroom practice. The thesis contains a Bibliography and an Appendix with a selection of writings by Janet Frame and her family to the Otago Daily Times Children's Page in the 1930s.
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35

Charters, Areta Helen. "The second language acquisition of Mandarin nominal syntax." Thesis, University of Auckland, 2005. http://hdl.handle.net/2292/2405.

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This thesis establishes a natural acquisition order for 18 nominal structures in Mandarin SLA, and assesses the extent to which that order can be explained as a consequence of cognitive processing demands. The natural acquisition order is based on a longitudinal study of three adults learning Mandarin in a classroom environment in Auckland, New Zealand. Two representatives of an average emergence order are derived from the three individual orders: a ranking of mean emergence times (RMT) and a ranking of mean emergence ranks (RMR). Processing demands are calculated in three different ways: once on the basis of six developmental stages identified in Pienemann’s Processability Theory (Pienemann, 1998c), once on the basis of a detailed analysis of each nominal structure according to the generative grammar of LFG (Bresnan, 1982, 2001); and finally on the basis of the Minimalist Programme (Chomsky 1995; 1999; 2000). All rest upon a prior analysis of lexical feature structures and constituent structures evident in the learner’s output over the course of a year. The standard six-stage model of Processability Theory proves unable to differentiate between most nominal structures, because they fall within the single developmental category of so-called ‘phrasal’ structures. However, processing demands calculated on the basis either of LFG or of the MP prove to be highly correlated with both individual and average emergence orders. On the basis of these results, various generalisations are made about the relevance of different kinds of syntactic processes to the determination of emergence order. In particular, c-structural complexity and thematic structure are found to be factors most significantly associated with later emergence times. LFG and MP each provide interesting insights into different aspects of syntactic processing that impact on the acquisition of a second language; LFG throws light on the significance of the grammaticalisation of thematic structure; the MP throws light on the processes of lexical construction, and the interactions between this and constituent structure. Both indicate the significance of delays in feature valuation or unification as c-structural complexity increases.

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Kikuchi, Atsuko. "Translation and understanding: mental models as an interface in the process of translation." Thesis, University of Auckland, 1992. http://hdl.handle.net/2292/2312.

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This thesis discusses two characteristics of language which affect translation, using English and Japanese examples. However, the general points made in the thesis are not specific to these two languages. One characteristic of language is that it encodes particular perceptions of experience by its users. Word meaning is defined in this thesis in terms of the typical experience the language user associates with a word. Concepts for which there are no single lexical items are encoded by putting together words which the speaker thinks best characterise the concept. This particular characterisation of a concept may become established in the language community. If the members of a language community form a habit of characterising a concept in a particular way, it may become difficult to perceive the concept in any other way. In translation, this may lead the translator to impose characterizations established in her own language on the other language. However, such difficulties can be overcome because of the creative capacity of people everywhere to learn new ways to perceive the world. And language provides the mechanism to encode such novel perception. This is the other characteristic of language discussed in this thesis. We can use an existing word to encode a new kind of experience which we perceive as having some connection with the kind of experience associated with the word. Such novel application of a word can be understood because upon hearing the word, the typical experience associated with the word is evoked in the hearer's mind, and using her knowledge, the hearer constructs a mental model which she thinks best accounts for the combination of experiences evoked in her mind by the linguistic forms. Defining word meaning and sentence meaning in terms of mental images allows us to understand the process of translation: Upon hearing/reading the source language text, the translator constructs a mental model based on the text. She then bases her translation on this mental model, which becomes a rich source of information. Because the translator is not moving directly from one language to the other, no direct correspondences between the linguistic forms of the two languages need to be sought. This also explains why it is relatively easy to translate between two languages whose users share similar experiences and therefore can build similar mental models, even if the languages are typologically very different from each other.

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Redmond, Robert Stanley. "Female authors and their male detectives: the ideological contest in female-authored crime fiction : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University, Palmerston North, New Zealand." Massey University, 2008. http://hdl.handle.net/10179/1057.

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In the nineteen-eighties a host of female detectives appeared in crime fiction authored by women. Ostensibly these detectives challenged hegemonic norms, but the consensus of opinion was that their appropriation of male values and adherence to conventional generic closures colluded with a gender system of male privilege. Academic interest in the work of female authors featuring male detectives was limited. Yet it can be argued that these texts could have the potential to disrupt the hegemonic order through the introduction, whether deliberately, or inadvertently, of a female counterpoint to the hegemony. The hypothesis I am advancing claims that the reconfiguration of male detectives in works authored by women avoids the visible contradictions of gender and genre that are characteristic of works featuring female detectives. However, through their use of disruptive performatives, these works allow scope for challenging normal gender practices—without damage to the genre. This hypothesis is tested by applying the performative theories of Judith Butler to a close reading of selected crime novels. Influenced by the theories of Austin, Lacan and Althusser, Butler’s concept of performativity claims that hegemonic notions of gender are a fiction. This discussion also uses Wayne Booth’s concept of the implied author as a means of distinguishing the performative agency of the text from that of the characters. Agatha Christie, P.D. James, and Donna Leon, each with their male detective heroes, come from different generations. A Butlerian reading illustrates their potential for disrupting gender norms. Of the three, however, only Donna Leon avoids the return to hegemonic control that is a feature of the genre. Christie’s women who have agency are inevitably eliminated, while conformist women are rewarded. James’s lead female character is never fully at ease in her professional role. When thrust into a leadership she proves herself to be competent, but not ready or desirous of the senior position. Instead her role is to mediate the transition of her junior, a male, to that position. Donna Leon is different. The moral and emotional content of her narratives suggests an implied author committed to ideological change. Her characters simultaneously renounce and collude with illusions of patriarchal authority, and could lay claim to be models for Butler’s notion of performative resistance.

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Laurs, Deborah Elizabeth. ""Ungrown-up grown-ups" : the representation of adolescence in twentieth-century New Zealand young adult fiction : a dissertation presented in fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature at Massey University, Palmerston North, New Zealand." Massey University, 2004. http://hdl.handle.net/10179/1255.

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Behaviouralists consider adolescence a time for developing autonomy, which accords with Michel Foucault‘s power/knowledge dynamic that recognises individuals‘ assertion of independence as a crucial element within society. Surprisingly, however, twentieth-century New Zealand Young Adult (YA) fiction tends to disempower adolescents, by portraying an adultist version of them as immature and unprepared for adult responsibilities. By depicting events through characters‘ eyes, a focalising device that encourages reader identification with the narratorial point-of-view, authors such as Esther Glen, Isabel Maud Peacocke, Joyce West, Phillis Garrard, Tessa Duder, Lisa Vasil, Margaret Mahy, William Taylor, Kate de Goldi, Paula Boock, David Hill, Jane Westaway, and Bernard Beckett stress the importance of conforming to adult authority. Rites of passage are rarely attained; protagonists respect their elders, and juvenile delinquents either repent or are punished for their misguided behaviours. ―Normal‖ expectations are established by the portrayal of single parents who behave ―like teenagers‖: an unnatural role reversal that demands a return to traditional hegemonic roles. Adolescents must forgive adults‘ failings within a discourse that rarely forgives theirs. Depictions of child abuse, while deploring the deed, tend to emphasise victims‘ forbearance rather than admitting perpetrators‘ culpability. As Foucault points out, adolescent sexuality both fascinates and alarms adult society. Within the texts, sex is strictly an adult prerogative, reserved for reproduction within marriage, with adolescent intimacy sanctioned only between couples who conform to the middle-class ideal of monogamy. On the other hand, teenagers who indulge in casual sex are invariably given cause to regret. Such presentations operate vicariously to protect readers from harm, but also create an idealised, steadfast sense of adultness in the process.

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Wallace, Leonelle. "Tryst Tropique: Pacific Texts, Modern Sexualities." Thesis, University of Auckland, 1996. http://hdl.handle.net/2292/2279.

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Tryst Tropique questions some of the assumptions that have been made about the heterosexual trajectory described by European desire as it has informed literary, artistic and anthropological representation of the South Pacific. It reads a series of contact encounters and Pacific residencies for their unfolding of European sexual inscription and discovers their inevitable entanglement with problematics of homosexual definition. This thesis arcs between two readings wherein the sexual conduct of Polynesian men both requires and escapes European definition. The first, which settles on the documents of Cook's third voyage, uses British indifference to Hawaiian sodomitical desire to help measure a representational space from whence the European homosexual will emerge (Chapter Two). The next reading considers the erotics of male visibility legible across a number of Marquesan contact texts including Herman Melville's Typee (Chapter Three). Chapter Four discovers that the suspicion of sodomitical misconduct which clouded the career of William Yate, an early nineteenth-century New Zealand missionary, continues to involve twentieth-century commentators in the interpretative dynamics of sexual entrapment. Chapter Five turns to Gauguin's Tahitian writings and paintings to engage with the place of ambivalence in contemporary analyses of colonial discourse. Chapter Six extends the parameters of the thesis in terms of gender and of geography, taking up the controversy generated by Derek Freeman around the early Samoan fieldwork of Margaret Mead. It argues that in the example of Mead's career, we can observe the way in which female sexuality acts as the cipher by which culture multiplies and maintains ignorances and knowledges across the discursive field of sex in both cosmopolitan and primitive locations. The final chapter, which analyses a contemporary documentary representation of Samoan fa'afafine, finds the pertinence or applicability of European sexual description to Polynesian behaviour again at stake, though now we find that the liberal gesture of cultural relativism is co-optable to a homophobia already drilled and proficient in erecting a difference without to forestall a difference within. Reading against the grain of much postcolonial work on the South Pacific, Tryst Tropique finds that it is the male body-whether native or European-not the female, which provides the sexual vanishing point which structures many of these narratives. In each of these Pacific moments a privileged figuration occurs: the body which stands as a placemarker for erotic capacities-both indulged and forsworn-is indicatively male. These inscriptions of masculinity betray a certain amplifying anxiety; the discrepant sexual availabilities recorded in each text break with increasing urgency on the shore of heterosexual and homosexual definition. Even as these Pacific journal keepers, these writers and artists, map identity more and more ferociously onto the known grid of gender, it seems as if the horizon of sexual certainty further and further recedes.

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Stewart-Harawira, Makere. "Globalisation and the Return to Empire: an Indigenous Response = Te torino whakahaere, whakamuri." 2002. http://hdl.handle.net/2292/2360.

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Whole document restricted, see Access Instructions file below for details of how to access the print copy.
This thesis may be regarded as both a history of the present and a signifier for the future. Developed during a time of dramatic global upheavals and transformations, it is concerned with the political economy of world order and the ontologies of being upon which world order is predicated. As the framework for the world order of nation states, international law was the means whereby indigenous peoples within colonised territories reconstructed from sovereign nations to dependent populations. Undperpinning this body of law and the political formations of world order were sets of social and political ontologies which continue to be contested. These ontologies are frequently at variance with those of indigenous peoples and shape the arena within which the struggle for self-determination and the validation of indigenous knowledge, values and subjectivities is played out. Contextualised within the international political and juridical framework, the thesis utilises critical theoretical traditions to examine the participation of indigenous peoples in the construction of world order and new global formations. Positioned from a Maori perspective, the thesis also tracks the historical role of education in the development of world order and considers the role and form of Maori educational resistance. In engaging with these issues across macro and micro levels, the thesis identifies the international arena, the national state and forms of regionalism as sites for the reshaping of the global politico/economic order and the emergence of Empire. Allied to this are the reconstruction of hierarchies of knowledge and subjectivities within new Manichean divides. Key questions raised in the thesis concern the positioning of indigenous ontologies and epistemologies within the emergent global order, and the nature of resistance or response. Calls for a new ontology of world order are increasingly being articulated in response to the multiple and increasing crises of globalisation. This thesis argues that, far from irrelevant, traditional indigenous social, political and cosmological ontologies are profoundly important to the development of transformative alternative frameworks for global order.

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Hohepa, Margie Kahukura. "Hei tautoko i te reo : Maori language regeneration and whānau bookreading practices." 2000. http://hdl.handle.net/2292/517.

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I nga rua tekau ma rima tau nei ka puta ake ētahi kaupapa mātauranga hei whakaora i te reo tūturu o Aotearoa, i te reo Māori me ōna tikanga. Ka tirohia e tēnei tuhinga roa te kaupapa, arā, ma te kōrero Māori o te hunga tata ki ngā tamariki e ako ana i roto i te reo e puawai ai te kaupapa ako i te reo Māori. Ka tirohia te kaupapa nei, te ārohi i nga kōrero pukapuka-a-whānau hei tautoko i te reo. He huarahi te 'ao tuhi' i roto i nga mahi o ia rā hei whakawhānui i te whakaora i te reo, ki te pupuri hoki i nga tikanga Māori. Ka rangahautia e rua nga mahi e pā ana ki nga ritenga kōrero pukapuka-a-whānau o ngā tamariki nohinohi kātahi anō ka uru ki te kura kaupapa Māori. Ko te māramatanga i puta mai i ēnei rangahau, ma te hāngai tonu ki te kōrero tahi i nga pukapuka ki nga tamariki kua rima nga tau, e tupu ai te kōrero i te reo Māori i nga kāinga, e hāpai ai hoki nga kōkiritanga ki te whakaora, ki te whakawhānui i te reo i roto i nga kura me nga whānau. In the last quarter of the twentieth century a number of educational initiatives have emerged aimed at regenerating Māori, the indigenous language of Aotearoa-New Zealand. This thesis explores the premise that in order for such educational initiatives to be effective, those who have intimate contact with students in their personal domains of life also need to be interacting with them in the target language. It examines interactions in family literacy practices as a constitutive context for adult Māori language elaboration and acquisition processes. 'Literacy' is conceived as providing tools within sociocultural practices to amplify Māori language regeneration and cultural persistence. Across two separate studies the home literacy practices of ten families with new entrant children in a Māori medium sclooling initiative, kura kaupapa Māori, are examined. The results of the studies indicate that specific literacy-related strategies sited in bookreading with 5 year olds can increase the use of Māori language within homes, thereby increasing the effectiveness of Māori language regeneration programmes and initiatives across school and family settings.

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Shieff, Sarah. "Magpies: negotiations of centre and periphery in settings of New Zealand poems by New Zealand composers, 1896 to 1993." 1994. http://hdl.handle.net/2292/2413.

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The thesis will show that a distinctive New Zealand voice in the arts may be found not in an "essence", as has sometimes been suggested, but at chronologically specific intersections of discourses. Each of the six works I examine has been made in New Zealand and is a mixture of music and language. As generic hybrids, combinations of music and language make appropriate objects of study for a thesis that explores a specific local dialogue between the 'mixture' and the 'essence', the 'hybrid' and the 'authentic', the 'indigenous' and the 'exotic', the 'local' and the 'imported', the 'centre' and the 'periphery.' Like acquisitive magpies, New Zealand artists constantly collect and select their material. They sift, save, reject and synthesise, and in so doing they create new combinations out of old ingredients. One of the characteristics of New Zealand poetry is that it has often been combined with music. There have been many collaborations between poets and musicians since colonial times. These collaborative texts occupy a complex space between art forms, just as New Zealand artists negotiate between orientations, positioning themselves between different cultural traditions. In its own process of selection, the thesis selects six works for close analysis which represent not only different periods but also different forms of synthesis. Each work represents 'New Zealand', yet what this means in practice is different in each case.

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Robust, Te Tuhi. "Te kaitārei ara tāngata whenua mo te Whare Wānanga : ’Ēhara, he hara ranei?’ = Developing indigenous infrastructure in the University : 'Another era or another error?'." 2006. http://hdl.handle.net/2292/275.

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Abstract/ Whakarāpoto Take The specific aim of this study is to identify critical features of wānanga or the traditional Māori learning institution and how these might inform Māori education today in a University setting. It also examines the responsiveness of the tertiary institution in creating an indigenous infrastructure aimed at Māori educational participation. A number of ‘critical events’ relating to Māori educational development interventions in the 1980’s will be considered with the expectation that they will serve to inform the development of better educational outcomes for access, participation, recruitment, retention and the advancement of Māori in the conventional University setting. For the purpose of this study contemporary Māori academic sites, which include state funded wānanga, as well as other indigenous academic sites will be discussed, including the First Nations House of Learning at the University of British Columbia1. There is thus an international perspective in this study. Whare wānanga were a key institution in traditional Māori society and represented in all regions of Aotearoa/ New Zealand. The ability to travel and share each other’s knowledge attested or benchmarked by others was a key part of the maintenance of the tribal lore. Tōhunga were central to the entire process of controlling the knowledge and selecting to whom it was to be imparted. This raises a question of what a contemporary wānanga, as an intervention and an academic entity would look like at the University of Auckland and would it withstand international scrutiny? As a kaupapa Māori educational intervention, it is a theoretical test in the configurations of conscientization, resistance and transformative praxis. The inclusive approach in using existing material and people resources to maximize the impact of the intervention is to be discussed in this thesis. Specific case studies provide a means for checking the evidence for the processes and the predicted outcomes for kaupapa Māori theory. The recalling of events is central to both case studies. An event such as the rugby match that took place between both countries in 1927, discussed later in this thesis, combined with similar initiatives embarked upon by indigenous leaders from both tertiary communities to create a physical presence for First Nations and Māori, are identities at the core of the case studies. Cultural connection, and a style of operation that is inclusive, enact in part the values raised by Madeleine McIvor: respect, reciprocity, relevance and responsibility. The factors all converge to build this thesis into a series of conversations. The collaboration undertaken over long distances and periods of time has motivated the creation of this record of the stories of both institutions, that can be added to by others in the future. The markers of success for the University of Auckland include the arresting of the decline of Māori student enrolments alongside the growth of Māori participating in post-graduate study and research, therefore providing opportunity to contribute to the bank of knowledge in New Zealand society. While the regeneration of the language in New Zealand has been the driving force behind the wānanga development at the University of Auckland building further on the foundations of kohanga reo, kura kaupapa Māori, whare kura and wānanga, the development of Māori as with First Nations initiatives has been in the area of education. Tertiary institutions offer a context in which kaupapa Māori theory brings together common threads of communication for people. Whether this is through elements of struggle within societies or just survival, the main thing is that people need each other to develop and progress.

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Tamarua, Lavinia Tina. "Pathways to literacy and transitions to school : enabling incorporation and developing awareness of literacy." 2006. http://hdl.handle.net/2292/277.

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This study examines children’s development and incorporation of literacy expertise across multiple sites and the transitions to school by four Māori preschool children, their whānau (families) and their teachers in Aotearoa/New Zealand. This study is embedded in a Kaupapa Māori framework of understanding and explaining teaching and learning processes across multiple sites of learning for children whose practices reflect ways of being and acting Māori. Descriptions of teaching and learning processes are also explained utilising a co-constructivist theoretical framework. These descriptions and explanations focus on the psychological processes of learning and development that children, whānau and teachers’ engage in their practice. A two phase case study design was employed that examines the teaching and learning processes of literacy across multiple sites. The first phase provides qualitative data that describes and explains how the different sorts of literacy and language activities are coconstructed by whānau and children. The ways by which literacy activities are constructed are inherent in parents ideas about teaching and learning reflected out of their diverse pedagogical practices. The distinct pedagogical practices also highlight the multiple pathways to learning that children developed and experienced in becoming an expert. This study also reported the influence of early educational settings as alternative and multiple contexts by which learning is organised and constructed. The different contexts provided families with specific ideas and practices about the teaching and learning process. The second phase of the study provides descriptions of how children’s literacy expertise was incorporated into classroom literacy and language activities. This phase of the study examines how teachers provided opportunities by which children’s literacy expertise was incorporated into classroom activities. This study reported incidents where incorporation of children’s level of literacy expertise was enhanced while other children’s literacy expertise was discouraged in classroom activities. The significance of the reported differences of incorporation was provided from teacher’s ideas and beliefs about children’s literacy expertise upon entry to school. The study showed how teacher’s ideas reflected the way that they organised and constructed literacy activities. Teacher’s ideas also reflected their awareness of the diversity of children’s literacy expertise. The earlier phase of this study examined the multiple ways and multiple contexts by which children learn and develop literacy expertise. Incorporation of children’s literacy expertise into classroom activities was determined by the degree to which teachers made connections that resonated children’s expertise. This was also determined by teacher’s instructional practices in the context of the classroom environment. The implications of this study make important contributions to pedagogical practices for teachers in classroom environments. The descriptions and explanations reported in this study highlight the complexities of teaching and learning for children of diverse cultural and language communities.

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Hunter, Ian Murray. "The particle ai in New Zealand Māori." 2007. http://hdl.handle.net/2292/343.

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This study looked at the functions and uses of the problematic particle ai in New Zealand Māori. Ai is described primarily as a verbal particle. It appears in a number of seemingly disparate constructions, has no parallel in English, and there has never been a satisfactory explanation of all its uses. The data consists of a large corpus of sentences containing ai that were extracted from selected texts written by native speakers from as early as the 19th Century up until 2005. Sentences were also solicited from fluent speakers. Analysis of the data and discussions with native speakers led to the conclusion that ai exists as two distinct particles, which were labelled habitual ai, and anaphoric ai. Habitual ai is a verbal marker that confers habitual aspect on its verb. It was found that it is mainly used by speakers from the Eastern regions of the North Island. Anaphoric ai refers back to some element earlier in the discourse. It has two forms, labelled resumptive ai and resultative ai. Resumptive ai is an anaphoric pro-form that resumes a specific noun phrase in its clause. It was found to have a grammatical function. When resumptive ai was deleted from its clause consultants judged the results ill-formed. An example of a construction with resumptive ai is a sentence with an adverbial of reason located before the verb. Resultative ai locates its clause in prior discourse, making a causal link between its clause and the prior element. It was found to have a mainly lexical function. When resultative ai was deleted from its clause consultants judged that the meaning had altered and that the causal link was weakened or lost. An example of a construction with resultative ai is a purpose clause which follows an action that has been carried out for that specific purpose. This thesis provides a unified explanation for all uses of ai. It also accounts for previously unexplained appearances, by showing that one form of ai may occur in environments restricted to another. Its appearance in non-verbal phrases are accounted for, and observations have been made about changes in its use over time.

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Houkamau, Carla Anne. "Identity and socio-historical context : transformations and change among Māori women." 2006. http://hdl.handle.net/2292/404.

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ABSTRACT Several writers have argued that New Zealand’s colonial history has thwarted optimal identity development among Māori (Awatere, 1984; Lawson Te-Aho, 1998a; 1998b). In recent decades the view that Māori identity may be restored via enculturation has gained widespread acceptance (Broughton, 1993; Edwards, 1999). Recent research indicates, however, that many Māori perceive their identities in ways that differ from the enculturated ideal (Borrell, 2005; Te Hoe Nuku Roa, 1996; 1999). Relatively little is known of the diverse interpretations that comprise ‘alternative’ Māori identity forms. This thesis aims to contribute to current understandings of Māori identity by exploring identity change across three generations of Māori women. For the purposes of the research, identity was treated as ‘held’ within personal life-stories and transformations were investigated by comparing the life-stories of 35 Māori women from different age groups. Attention was given to the impact of three socio-historical processes on identity: the mass migration of Māori from rural to urban locations after the 1950s, the drive towards Māori assimilation which underpinned Government policy towards Māori until the late 1960s, and the Māori political and cultural renaissance which gathered momentum in New Zealand from the 1970s. Data analyses found participants born prior to urbanisation evaluated their Māori identities positively and this seemed to reflect their isolation from Pākehā and exposure to competent Māori role models during their formative years. Participants aged between 35 and 49 expressed disharmony and tension around their Māori identities which many attributed to their early exposure to negative evaluations of Māori people. ‘Post-renaissance’ Māori, aged between 18 and 35, reported prizing their cultural distinctiveness from a young age and affirmed Māori political, cultural and social equality despite what they perceived as enduring Pākehā prejudice. This interpretation appeared to reflect their early exposure to educational experiences which imparted a sense of cultural pride and a national news media which publicised Māori political activism. Women’s life-stories reveal distinct intergenerational differences, a multiplicity of interpretations of Māori identity not widely articulated in literature, and the need to expand current paradigms of Māori identity to incorporate the individuality of group members.

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Taumoefolau, Melenaite L. "Problems in Tongan Lexicography." 1998. http://hdl.handle.net/2292/475.

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This thesis is an attempt to address the major theoretical and practical problems in compiling a monolingual Tongan dictionary. The first question that is asked is: what can be learned from the lexicographical experiences of Pacific languages to date? Since the Pacific islands share a common history with regard to European contact, and since many Pacific languages are characterised by the same basic principles, many languages being of the same language family, Austronesian, it is expected that important issues pertaining to lexicography in a language like Tongan would be similar to those in related Pacific languages, and much will be learned from the experiences and achievements in lexicography of other Pacific languages. For this reason, chapter 1 looks at a brief history of lexicography in the Pacific islands, and chapter 2 reviews selected Pacific dictionaries with a view to identifying their merits and demerits. Chapter 3 then identifies the main functions envisaged for the monolingual Tongan dictionary in developing the Tongan language. These functions are responses to language needs that arise out of the sociolinguistic situation. Chapters 4 - 7 examine various aspects of the language that are relevant to dictionary making and try to determine appropriate ways of describing the language in the dictionary. Chapter 4 gives a description of the main aspects of the Tongan phonological system and suggests ways of improving the present orthography for use in the dictionary. Chapter 5 looks at Tongan morphology and suggests, with reference to the sociolinguistic process of conventionalisation, an answer to the question: what is a lexical item in Tongan? The principles governing the selection of lexical items for inclusion in the dictionary are given here. Chapter 6 looks at major aspects of Tongan syntax, namely parts of speech, transitivity, and possession, with a view to determining how they are to be used in dictionary entries. Chapter 7 looks at the way meaning and usage are to be represented in the dictionary. Chapter 8 addresses the question of organization and presentation of material in the dictionary. Principles of ordering headwords, homonyms, the senses of headwords, and the elements of an entry are discussed. Chapter 9 consists of sample entries for different word categories in Tongan. The entries, which are translated into English for assessment purposes, show the recommended ways of presenting different word types in Tongan.

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Matisoo-Smith, Lisa. "No hea te kiore : MtDNA variation in Rattus exulans : a model for human colonisation and contact in prehistoric Polynesia." 1996. http://hdl.handle.net/2292/597.

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Phylogenetic reconstruction, originally developed for biological systematics, is a tool which is increasingly being used for anthropological studies addressing the problems of population origins and settlement patterns. Given the nature of the phylogenetic model, it is expected that phylogenetic analyses only work well on populations that have stopped sharing biological information. This is particularly pertinent when looking at phylogenies of Pacific populations. This thesis presents a unique biological approach to the study of human settlement and population mobility in Polynesia, focusing on an animal that was transported through the Pacific by the ancestral Polynesians. I argue that analyses of genetic variation of the Polynesian rat (Ratus exulans) are appropriate for a phylogenetic model of human colonisation and mobility. DNA phylogenies derived from 132 mitochondria1 control region sequences of ratus exulans from East Polynesia are - presented. These results (1) identify a Southern Cook/Society Islands origin for all East Polynesian R. exulans populations, (2) indicate dual origins for Hawaiian R. exulans, and (3) indicate multiple origins for New Zealand Ratus exulans. These results are inconsistent with models of Pacific settlement involving substantial isolation following colonisation, and confirm the value of genetic studies of commensals for human prehistory.

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Felgate, Matthew Walter. "Reading Lapita in near Oceania : intertidal and shallow-water pottery scatters, Roviana Lagoon, New Georgia, Solomon Islands." 2003. http://hdl.handle.net/2292/997.

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Lapita is the name given by archaeologists to a material culture complex distributed from Papua New Guinea to Samoa about 3000 years ago, which marks major economic changes in Near Oceania and the first settlement by humans of Remote Oceania. Those parts of Solomon Islands that lie in Near Oceania, together with Bougainville, comprise a large gap in the recorded distribution of Lapita, which the current research seeks to explain. At Roviana Lagoon, centrally located in this gap, scatters of pottery, stone artefacts, and other stone items are found in shallow water in this sheltered, landlocked lagoon, initially thought to be late derivatives of Lapita. This research seeks method and theory to aid in the interpretation of this type of archaeological record. Intensive littoral survey discovered a wider chronological range of pottery styles than had previously been recorded, including materials attributable directly to the Lapita material culture complex. A study of vessel brokenness and completeness enabled sample evaluation, estimation of a parent population from which the sample derived, assessment of the state of preservation of the sample, and systematic choice of unit of quantification. Studies of wave exposure of collection sites and taphonomic evidence from sherds concluded that the cultural formation process of these sites was stilt house settlement (as found elsewhere in Near Oceania for Lapita) over deeper water than today. Falling relative sea levels and consequent increasing effects of swash-zone processes have resulted in high archaeological visibility and poor state of preservation at Roviana Lagoon. Analysis of ceramic and lithic variability and spatial analysis allowed the construction of a provisional chronology in need of further testing. Indications are that there is good potential to construct a robust, high-resolution ceramic chronology by focussing on carefully controlled surface collection from this sort of location, ceramic seriation and testing/calibration using direct dating by AMS radiocarbon and Thermoluminescence. Data on preservation and archaeological visibility of stilt house settlements along a sheltered emerging coastline allows preservation and visibility for this type of settlement to be modeled elsewhere. When such a model is applied to other areas of the Lapita gap, which are predominantly either less favourable for preservation or less favourable for archaeological visibility, the gap in the distribution of Lapita can be seen to be an area of low probability of detection by archaeologists, meaning there is currently no evidence for absence of settlement in the past, and good reason to think that Lapita was continuously distributed across Near Oceania as a network of stilt village settlement. This finding highlights the need for explicit models of probability of detection to discover or read the Lapita archaeological record. Keywords: pottery; Lapita; formation processes; surface archaeology; tidal archaeology; Oceania

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Hansen, Mei-Lin Te-Puea. "Aroha’s granddaughters: representations of Maaori women in Maaori drama and theatre 1980-2000." 2005. http://hdl.handle.net/2292/1420.

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This thesis explores representations of Maaori women characters in plays written by Maaori between 1980 and 2000, arguing that, as the level of self-determination in Maaori theatre has increased, these representations have become less stereotyped and more reflective of a range of Maaori women’s realities. The thesis suggests that waahine dramatists in particular represent contemporary Maaori cultural identity as flexible, diverse and changing. The Introduction gives reasons for the thesis' focus on Maaori women and outlines three major influences which have determined the approach to close-readings and analyses of waahine characters in the body of the thesis: an early Paakehaa representation of Maaori women, an increase of Maaori dramatists and the emergence of Maaori women's feminism. The thesis comprises a further six chapters. Chapter One contextualises the play analyses which appear in Chapters Four Five and Six by describing a Maaori theatre and drama whakapapa that stakes a significant and influential place for waahine theatre practitioners. Chapters Two and Three explore tino rangatiratanga/sel-determination and marae-concept theatre (respectively), arguing that between 1980 and 2000 these aspects of content and form have created theatrical conditions which facilitate Maaori women's representation. Chapters Four, Five and Six show that, as Maaori women such as Renee' Rena Owen, Riwia Brown, Roma Potiki and Briar Grace-Smith have become more active in the Maaori theatre whakapapa, contemporary representations of Maaori women have become more complex and diverse. A set of bibliographic appendices provides detailed lists of first productions of plays mentioned in the thesis. Throughout, the thesis maps the increased visibility and presence of Maaori women on the New Zealand stage, showing how in the years 1980-2000 the theatre has become a potent site for expression and exploration of Maaori cultural identity.

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Dissertations / Theses on the topic 'Fields of Research – 420000 Language and Culture – 420300 Cultural Studies'

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