Academic literature on the topic 'Fiction of a claim recognition'
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Journal articles on the topic "Fiction of a claim recognition"
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Pravinchandra, Shital. "‘More than biological’: Cherie Dimaline’s The Marrow Thieves as Indigenous countergenetic fiction." Medical Humanities 47, no. 2 (June 2021): 135–44. http://dx.doi.org/10.1136/medhum-2020-012103.
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This article reads Métis writer Cherie Dimaline’s novel The Marrow Thieves as one among a growing number of Indigenous countergenetic fictions. Dimaline targets two initiatives that reductively define indigeneity as residing in so-called Native American DNA: (1) direct-to-consumer genetic testing, through which an increasing number of people lay dubious claim to Indigenous ancestry, and (2) population genetics projects that seek urgently to sample Indigenous genetic diversity before Indigenous Peoples become too admixed and therefore extinct. Dimaline unabashedly incorporates the terminology of genetics into her novel, but I argue that she does so in order ultimately to underscore that genetics is ill-equipped to understand Indigenous ways of articulating kinship and belonging. The novel carefully articulates the full complexity of Indigenous self-recognition practices, urging us to wrestle with the importance of both the biological (DNA, blood and relation) and the ‘more than biological’ (story, memory, reciprocal ties of obligation and language) for Indigenous self-recognition and continuity. The novel shows that,to grasp Indigenous modes of self-recognition is to understand that Indigenous belonging exceeds any superficial sense of connection that a DNA test may produce and that, contrary to population geneticists’ claims, Indigenous Peoples are not vanishing but instead are actively engaged in everyday practices of survival. Finally, I point out that Dimaline—who identifies as Two-Spirit—does not idealise Indigenous communities and their ways of recognising their own; The Marrow Thieves also explicitly gestures to the ways in which Indigenous kinship-making practices themselves need to be rethought in order to be more inclusive of queer Indigenous Peoples.
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Oramus, Dominika. "“The Very Highest Level of Mythic Resonance.” Angela Carter and the Trope of Recognition." Humanities 9, no. 3 (July 16, 2020): 63. http://dx.doi.org/10.3390/h9030063.
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This essay aims at adding to the critical debate on Angela Carter and myths from a more technical perspective and discusses her keen interest in the “lo and behold” moment of recognition. I claim that for Carter myths “work” in literary texts by producing a sudden illumination. At that moment, an image reveals itself to be interposed from an older story that has, or used to have, some cultural importance. In order to describe this phenomenon, I am going to refer to Aristotle’s definition of recognition in his Poetics and essays of C.G. Jung, for whom myths are instances of revelation. To prove that Carter was very much interested in the technicalities of recognition, I analyse her non-fiction devoted to Edgar Allan Poe and Charlotte Brontë. Carter’s sample mythic reading of Jane Eyre (1847) and her plans to re-write the last chapter of this novel provide me with enough material to risk a hypothesis regarding how, in her opinion, myths might intertextually enrich the reading experience.
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Peters, Rebecca Anne. "When Your Motherboard Replaces the Pearly Gates: Black Mirror and the Technology of Today and Tomorrow." Comparative Cinema 8, no. 14 (May 22, 2020): 8–32. http://dx.doi.org/10.31009/cc.2020.v8.i14.02.
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This paper considers five episodes from Charlie Brooker’s dystopian science fiction anthology series, Black Mirror (2011–present). The episodes selected are those that—as argued in this text—depict the role of technology as replacing that of religion. To build this claim, they will be compared to one another, to the Christian biblical concepts they mirror, and to historical events related to theological debates within Christianity.Throughout the history of Western civilization, Christian belief has played an important role in shaping cultural ideologies. For that reason, it could be argued that Christian ideas continue to penetrate our cultural narratives today, despite declining self-recognition in the West as religious or spiritual. Concepts of the afterlife, omniscience, vengeance, ostracism and eternal suffering spring up in some of the least expectedplaces within popular culture today. This paper argues that Black Mirror depicts the materialization of these concepts through imagined worlds, thus signaling the modern-day specters of Christianity.
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Jobe, Alison. "Telling the Right Story at the Right Time: Women Seeking Asylum with Stories of Trafficking into the Sex Industry." Sociology 54, no. 5 (July 20, 2020): 936–52. http://dx.doi.org/10.1177/0038038520932019.
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Exploring the (re)emergence of human trafficking as a global social problem, this article presents an analysis of asylum determinations where claims for Asylum and/or Humanitarian Protection included accounts of trafficking to the UK. The article traces the emergence of trafficking as a credible claim for refugee status and argues that this recognition was time-specific and story-specific. Trafficking victims were identified by the UK Home Office where a claimant’s narrative mirrored the narrowly defined female ‘sex trafficking victim’ presented in campaigns and fictional depictions of human trafficking in the early 21st century. Through an exploration of the work that trafficking stories did in establishing an ‘ideal’ trafficking victim in asylum determinations, this article illustrates how social problems and legal judgments can be profoundly shaped by situated and strategic storytelling. These findings develop an understanding of the social construction of, and relationships between, social conditions and micro-meso-macro narratives of identity.
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Vanacker, Beatrijs. "The Gender of Pseudotranslation in the Works of Marie-Jeanne Riccoboni, Mme Beccari and Cornélie Wouters." Tusaaji: A Translation Review 6, no. 1 (December 4, 2018): 78–95. http://dx.doi.org/10.25071/1925-5624.40367.
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While authorship recognition was a challenge for all eighteenth-century aspiring writers regardless of their gender, the social position of women was such that public claims of authorship and ownership over a text were even less self-evident in the public sphere. As will be illustrated in this article, female writers especially made extensive use of transfer strategies (such as translation and pseudotranslation) to establish their authorship, thereby turning paratext and narrative into a dynamic maneuvering space. Considered from a gender perspective, the challenge for eighteenth-century female writers was to gradually “invent” themselves, or rather establish a voice of their own. Taking on a different (cultural) persona—even if only on a paratextual level—could provide them with a discursive “platform” from which they could negotiate their way into the literary field. In order to illustrate this gender-specific emancipatory quality of pseudotranslation, as established mainly in their paratexts, the present article proposes a comparative analysis of their forms and functions in the career and oeuvre of three eighteenth-century French women writers, Marie-Jeanne Riccoboni, Mme Beccari and Cornélie de Wouters, who all made extensive use of pseudo-English fiction.
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Buchanan, Ian. "Is a Schizoanalysis of Cinema Possible?" Cinémas 16, no. 2-3 (March 23, 2007): 116–45. http://dx.doi.org/10.7202/014618ar.
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Abstract Is a schizoanalysis of cinema possible? This question arises from the observation that there is no apparent continuity between Deleuze’s two-volume collaboration with Guattari, Anti-Oedipus and A Thousand Plateaus, and the books he wrote afterwards, Cinema 1 and Cinema 2. It is also prompted by the observation that Anti-Oedipus and A Thousand Plateaus seem to rely a great deal on cinema in order to develop and exemplify the many new concepts these books introduce. This paper highlights three such instances in their work. The fact is, Deleuze and Guattari claim that the core schizoanalytic concepts of the body without organs, the abstract machine and assemblage can account for “all things”; as such, these concepts must account for cinema too. It is the sheer expansiveness of these concepts that makes them attractive to cinema studies. Not only that, they promise a way of engaging with cinema that isn’t reliant on the fictions of identification, recognition and fantasy. In this sense we are permitted to assume that to some degree Cinema 1 and Cinema 2 are already schizoanalytic, albeit in ways we have yet to properly understand. The author makes a direct link between cinema and schizoanalysis by highlighting the significance of delirium to both. This paper argues that the royal road to a schizoanalysis of cinema is via delirium rather than dream or fantasy. It goes on to show how Deleuze and Guattari’s formalisation of delirium as a “regime of signs” can be used to inaugurate a new kind of semiology of cinema.
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Proudfit, Molly. "Sorting Fact from Fiction." American Biology Teacher 82, no. 8 (October 2020): 542–44. http://dx.doi.org/10.1525/abt.2020.82.8.542.
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The purpose of the proposed lesson is to help students develop media literacy skills, which are necessary across the curriculum and in students’ everyday lives. Students will do so by evaluating a provided conspiracy theory and, later, a pseudoscience claim (alternatively, students may supply either material). In order to thoroughly evaluate the claim, students will generate and answer media literacy questions, with instructor or peer support as needed. Once students have practiced using the media literacy questions to evaluate the conspiracy theory, they will progress to more challenging material, such as a pseudoscience claim about a fad diet. Finally, the instructor may choose to extend the lesson to allow students time to apply their media literacy skills to a curricular pseudoscience claim, perhaps regarding climate change or the efficacy of vaccines. To complete the lesson, students will reflect on the content of the claims, why the misinformation matters, and the process of evaluating the material to draw appropriate conclusions.
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Ruiz Carmona, Carlos. "The Fiction in Non-Fiction Film." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 17, no. 2 (July 1, 2019): 10–31. http://dx.doi.org/10.7195/ri14.v17i2.1238.
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Over the past few decades film theory, major scholars and acclaimed filmmakers have established that documentary just like fiction must resort to ambiguous and subjective rhetorical figures in order to represent the world. This has led some scholars to conclude that documentary as a term referring to itself as being non-fictional might be disregarding its inevitable fictional elements. This may imply that both documentary and fiction use the same strategies and obtain the same results when representing the world: ficitionalize reality.
If we accept this claim as true we need to ask whether terms such as fiction and non-fiction or documentary make sense when discussing representing reality. Does this mean that cinema can only fictionalize reality and therefore we should erradicate from this discussion tems such as non-fiction or documentary due to their associated “truth” claim?
Can we understand or discuss representing reality without referring to those terms? Can the term fiction exists in fact without refferring to the term non-fiction or documentary?
The questions that this paper intends to answer are:
What roles do documentary and fiction play in representing the historical world?
Are these terms necessary to comunicate and understand representing reality?
This paper has established that fiction and documentary are necessary terms that emerge in cinema narration as means to mirror human experience’s needs to organize, communicate and understand reality.
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Schatten, G. "Cloning Claim Is Science Fiction, Not Science." Science 299, no. 5605 (January 17, 2003): 344b—344. http://dx.doi.org/10.1126/science.299.5605.344b.
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Youngs, Tim. "“Why is that white man pointing that thing at me?” Representing the Maasai." History in Africa 26 (January 1999): 427–47. http://dx.doi.org/10.2307/3172149.
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The feminist anthropologist Henrietta Moore has noted that “the interpretation of ‘other cultures’ has often been likened in the anthropological literature to a process of translation.” If one accepts that interpretation and translation are closely linked (though there may be some subtle distinctions to be drawn between them), then the comparison described by Moore may be illustrated with statements from two of the most prominent of anthropological critics in recent years, Clifford Geertz and James Clifford. In his book The Interpretation of Cultures, first published in 1973, Geertz claimed that:anthropological writings are themselves interpretations, and second and third ones to boot. (By definition, only a “native” makes first order ones: it's his culture.) They are, thus, fictions, in the sense that they are “something made,” “something fashioned…”A few years later, in a now similarly influential commentary on figures of and challenges to authority in ethnography, James Clifford declared that “[e]thnography is the interpretation of cultures. Both statements reflect the growing conviction that anthropology is not the objective or even the authoritative science that it once claimed to be. In the essay that follows I want to sketch some of the problems of cultural interpretation and translation in anthropology and to discuss one fascinating attempt to find a responsible solution to the imbalance of power inherent in anthropological representation.Before I turn to this example, Melissa Llewelyn-Davies' film on the Maasai, Memories and Dreams, I need to outline the main arguments that have been made about the status of anthropology. These have focused on the discipline's complicity with colonialism, its male bias, and the ethnocentrism that underlies the claim of scientific objectivity. I shall take each of these points in turn and, though it is important to outline the arguments about, and proposals for, methods and forms of representation, I will consider them only in brief since they have been often discussed in detail elsewhere. Cumulatively, they have contributed to the recognition that “[c]ulture, and our views of ‘it,’ are produced historically, and are actively contested.”
Dissertations / Theses on the topic "Fiction of a claim recognition"
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Freedman, Joshua Meir. "Recognizing fact from fiction : a social critique of premature recognition in Libya." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/37215.
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Lassa Oppenheim tells us that states and governments become International Persons through recognition only, and exclusively. According to this legally constitutive doctrine, the recognition of governments operates in an intricate system between established states and recipient political entities. In these circumstances existing governments have the power to create international personality and, as a result, yield a high degree of influence and coercion over nascent recipient regimes. It is not surprising, therefore, that countries have repeatedly sought to withhold the recognition of certain governments, or prematurely recognize others, as a means of influencing a recipient regime’s survival or policies. These arguments and practices have been problematic, however, because they treat recognition solely as an act of political or legal coercion, which presumes that recipient regimes may value recognition more then their own contentious domestic or foreign policies. Moreover, viewing recognition solely as an act between states, between governments, and between political entities, obscures the fact that recognition may also be a “social act” whose consequences may extend far beyond a state’s governing apparatus, and into its civil society. Using France’s 2011 recognition of the Libyan rebels as a theoretical test case, this paper analyzes the impact of recognition beyond the legal and into the social realm. In this respect, recognition is treated not simply as a constitutive act of legal rights and duties, but additionally as a symbolic endorsement by one state towards the citizens of another, on the question of the legitimacy of their government. Beginning with a critique of legal recognition’s constitutive impact, and ending with an alternative view of recognition as a social phenomena, this paper asks two central questions: a) Under what circumstances can we expect external recognition to impact a population’s conception of legitimate governance, and b) under what conditions will this impact benefit the goals of the donor and recipient entities?
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Ekström-Sotto, Caroline. "Le roman historique contemporain est-il convaincant ? : Une analyse sur l'interaction entre la fiction et le factuel dans trois Prix Palatine." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43930.
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The focus of this study is to analyze in what way the historical novel can be convincing and if the interaction between fictional and factual narration within this genre influences the degree to which it can be convincing. The three novels chosen are Les Naufragés De L’Île Tromelin by Irène Frain, Les Enfants d’Alexandrie by Françoise Chandernagor and Bison by Patrick Grainville, for which all three authors received Le Grand Prix Palatine. In the introduction are presented the general characteristics of the genre as well as its capability of being convincing, outlining that there is a possibility for a fictional work to seem more convincing than a purely factual one. Also defined are differences between the contemporary and the classical historical novel. This is done in order to take into account in the analysis what might be learnt from the contemporary historical novel. The theoretical framework consists of the semantic definitions of fictional versus factual narration as presented by Jean-Marie Schaeffer, as well as theory of how the reader’s immersive experience enables ontological crossings. What the analysis is able to show is that all three novels include four types of truth claims, that the reader can be convinced of all four and that this conviction is connected to the context to which the reader associates the historical/literary character. The analysis also brings forth what can be thought of as the historiographical pact, a term analogous with Philippe Lejeune’s term ‘the autobiographical pact’, which establishes a referential link with history. What is in the end considered the most convincing literary device is the inclusion of factual markers referencing real-world sources. In all three novels, it is also possibly to identify truth claims concerning human nature.
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Jovtoulia, Irina. "The princess demands recognition, feminist aspects in the fiction of N. Kobryns'ka, O. Kobylians'ka and O. Zabuzhko." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60381.pdf.
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Baker, Lori Elizabeth. "Double the Novels, Half the Recognition: Mary Elizabeth Braddon's Contribution to the Evolution of the Victorian Novel." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2191.
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Why do we read what we read? Janice Radway examines works that were not popular in an author's time period, but now are affecting the construction of the canon. In her own words, Radway seeks to "establish [popular literature] as something other than a watered-down version of a more authentic high culture [and] to present the middlebrow positively as a culture with its own particular substance and intellectual coherence" (208). Mary Elizabeth Braddon's novels were considered "middlebrow" and were very popular in Victorian England. Along with this facet, her heroines were considered controversial because they were not portrayed as what would be labeled a "proper female" in Victorian society. The popularity of her novels, her heroines, along with facets of her personal life, keep her from being recognized as one of the foremost authors in the Victorian period.
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Béliard, Anne-Sophie. "La sériephilie en France. Processus de reconnaissance culturelle des séries et médiatisation des discours spécialisés depuis la fin des années 80." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030150.
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Cette thèse porte sur le développement d’un mouvement sériephile visant la reconnaissance culturelle des séries en France, depuis la fin des années 1980 jusqu’au début des années 2010. Elle propose, dans une approche de socio-histoire des médias, de saisir les logiques d’engagement des acteurs telles qu'elles apparaissent en entretien et à travers les principaux supports de valorisation des séries. Le croisement d’une étude compréhensive des carrières de ceux et celles qui initient des actions de promotion avec l’analyse du contenu de leurs discours permet de tracer la trajectoire du mouvement de défense des séries. Celui-ci s’organise autour de trois moments qui identifient trois « générations ». A la fin des années 1980, dans un contexte de mépris de la télévision, des amateurs de séries qui constituent la première génération entament des carrières de défenseurs qu’ils poursuivent dans les années 1990. On assiste alors à une répartition progressive des sériephiles entre un pôle professionnel et un pôle amateur qui se cristallise autour de l’émergence d’un domaine de presse spécialisé. Une deuxième génération émerge au cours de cette décennie, au travers notamment de collaborations avec la précédente et de nouvelles formes d'actions, qui défend les séries télévisées en lien avec l’idée de culture populaire. La montée, dans les années 2000, des commentaires « profanes » sur les séries et le déclin de la presse spécialisée caractérise le contexte dans lequel émerge une troisième génération. Ce moment voit une inversion des logiques d’engagement envers les séries, entre le « vivre pour » et le « vivre de », et le déplacement des hiérarchies culturelles non plus entre séries et cinéma mais au sein des séries elles-mêmesThe thesis deals with the "sériephile" mobilization, i.e. the movement for the recognition of series in the French media, from the 80s to the early 2010s. It aims at understanding the logics of action of the main protagonists through semi-structured interviews, while also paying careful attention to a variety of publishing mediums they used. Through a detailed analysis of the careers of those who promoted series and of what they say, we identified three "generations" that structured this mobilization.A first generation came out at the end of the 80s, they promoted series at a moment when TV was broadly stigmatized in France. Throughout the 90s, different mediums are tried out, leading to a gradual specialization between amateurs and professionals, in collaboration with new, younger series lovers. This second generation stood up for series in new ways and advocated the need for a defense of popular culture at large. In the 2000s, a third generation appears, that faces a proliferation of analyses on series through the Internet and the death of the specialized press. While previous generations "lived for" series before they "live on" it, it is now the other way around. At the same time, cultural hierarchies reappear, not between TV series and cinema anymore but within series themselves
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Barwich, Ann-Sophie. "Making sense of smell : classifications and model thinking in olfaction theory." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/13869.
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This thesis addresses key issues of scientific realism in the philosophy of biology and chemistry through investigation of an underexplored research domain: olfaction theory, or the science of smell. It also provides the first systematic overview of the development of olfactory practices and research into the molecular basis of odours across the 19th and 20th century. Historical and contemporary explanations and modelling techniques for understanding the material basis of odours are analysed with a specific focus on the entrenchment of technological process, research tradition and the definitions of materiality for understanding scientific advancement. The thesis seeks to make sense of the explanatory and problem solving strategies, different ways of reasoning and the construction of facts by drawing attention to the role and application of scientific representations in olfactory practices. Scientific representations such as models, classifications, maps, diagrams, lists etc. serve a variety of purposes that range from the stipulation of relevant properties and correlations of the research materials and the systematic formation of research questions, to the design of experiments that explore or test particular hypotheses. By examining a variety of modelling strategies in olfactory research, I elaborate on how I understand the relation between representations and the world and why this relation requires a pluralist perspective on scientific models, methods and practices. Through this work I will show how a plurality of representations does not pose a problem for realism about scientific entities and their theoretical contexts but, on the contrary, that this plurality serves as the most reliable grounding for a realistic interpretation of scientific representations of the world and the entities it contains. The thesis concludes that scientific judgement has to be understood through its disciplinary trajectory, and that scientific pluralism is a direct consequence of the historicity of scientific development.
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Brůha, Tomáš. "Uznání a vzdání se procesního nároku." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-446339.
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Recognition and waiver of a procedural claim Abstract The thesis deals with the institutes of recognition and waiver of a procedural claim, which are a specific way of ending of court proceedings based on a dispositional act of concerned procedural party. The purpose of the institutes of recognition and waiver of a procedural claim is, in particular, to speed up the proceedings and save costs to both the state and the parties, in a situation where there is no longer a factual dispute between the parties and yet the parties have an interest in authoritative acknowledgment of such situation, unlike, for example, the institute of withdrawal of the action, which does not constitute an obstacle of rei iudicatae. The first chapter contains a general theoretical background of the thesis, definitions of basic terms and differentiation from similar institutes such as the mentioned withdrawal of the lawsuit or a court settlement. The first chapter also compares the differences between material recognition and waiver and their consequences. The following second chapter then contains a historical review of the regulation of the recognition and waiver of procedural claims institutes on our territory. The review begins with the Civilian Procedure Code from 1895, then deals with the Civic Procedure Code from 1950 and the...
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Parker, Ben. "Unhappy Consciousness: Recognition and Reification in Victorian Fiction." Thesis, 2013. https://doi.org/10.7916/D8SQ8ZX4.
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Unhappy Consciousness is a study of recognition scenes in the Victorian novel and their relation to Marx's concept of commodity fetishism. Victorian recognition scenes often show a hero's self-discovery as a retrospective identification with things. When, for example, in Henry James's The Portrait of a Lady, Isabel Archer learns the truth about her marriage: "She saw, in the crude light of that revelation... the dry staring fact that she had been an applied handled hung-up tool, as senseless and convenient as mere shaped wood and iron." The retrospective discovery of identity in Victorian novels is often figured as a catastrophic falling-apart of a stable self that is also an economic object or instrument: a bank check, a debt, a forgery, an inheritance, or an accumulated principal. Recognition scenes cannot be considered in the light of a timeless "master plot" or the classical poetics of Aristotelian anagnorisis, but need to be interpreted in terms of historical forms of social misrecognition (such as Marx's analysis of fetishism). Unhappy Consciousness contends that, if we are going to talk about nineteenth century things, we will have to take into account the novelistic misrecognition of the self, insofar as the heroes misrecognize themselves in forms of commodity fetishism. The thing is so often the subject herself insofar as "barred," dispersed among retrospective or delayed object identifications. I respond to the historical contextualization in Victorian cultural studies of "commodity culture," insisting that the economic structure of the commodity is not only a topic for realist notation, but makes up the inner logic of the novel form. Unhappy Consciousness urges a return to questions of novel theory which were perhaps set aside during New Historicism, arguing for a particularly novelistic mode of "objectification" (the form of the hero's activity) seen in interaction with the historical mode of objectification found in the capitalist value-form. I advance this argument through studies of several canonical Victorian works. Chapter One looks at the tension in Charles Dickens's Little Dorrit between the ideological closure attained in the "family romance" plot of buried wills and restored parents, and the dead-end of interpretation and retrospection found in the plot of financial crisis and stock swindles. Chapter Two argues that, in Anthony Trollope's The Last Chronicle of Barset, the tautological nature of interest rate is not confined to the urban financial plot but is displaced and affectively diffused over the provincial mystery plot. Chapter Three is a study of the Sherlock Holmes stories by Sir Arthur Conan Doyle, in which I read the detective as an exaggerated portrait of the subjective effects of capitalist alienation, a monad whose only intervention in the world is to link predictive results with opaque processes, to "produce" recognition scenes (the solutions to each case) as a salable commodity. He is a machine for retrospection who has no personal past. In Chapter Four, I read Henry James's The Portrait of a Lady as a critique of the fetishizing of autonomous consciousness, using Marx's definition of fetishism as the misrecognition of a social form as the content of a thing. Isabel's mistake is to misconstrue the structure of the male gaze that constitutes her "freedom" as the inherent property of her individuality--until it is unmasked as a trap. As so often in the Victorian novel, fetishism is a mode of self-knowledge.
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"Recognition, resistance and empire in the frontier fiction of Jewett, Cather and Ferber." THE GEORGE WASHINGTON UNIVERSITY, 2008. http://pqdtopen.proquest.com/#viewpdf?dispub=3297129.
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Kilgore, Christopher David. "Ambiguous Recognition: Recursion, Cognitive Blending, and the Problem of Interpretation in Twenty-First-Century Fiction." 2010. http://trace.tennessee.edu/utk_graddiss/891.
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This dissertation uses theories of cognitive conceptual integration (as outlined by Gilles Fauconnier and Mark Turner) to propose a model of narrative reading that mediates between narratology and theories of reception. I use this model to demonstrate how new experimental narratives achieve a potent balance between a determinate and open story-form. Where the high postmodernists of the 1970s and 80s created ironic, undecidable story-worlds, the novels considered here allow readers to embrace seemingly opposite propositions without retreating into ironic suspension, trading the postmodernist “neither/nor” for a new “both/and.” This technique demands significant revision of both descriptions of radical experimentation in twenty-first-century novels, and of earlier narratological accounts of the distinction between story and discourse.
Each novel considered in this dissertation encourages its reader to recognize combined concepts in the course of the reading process. Shelley Jackson’s Half Life combines singular and plural identity, reimagining individualist subjectivity and the literary treatment of (dis)ability. Mark Z. Danielewski’s Only Revolutions combines objective and subjective temporality, offering a new perspective on American myth-making in the popular post-Kerouac road-novel tradition. Percival Everett’s Erasure combines reliable and unreliable narration to create a complex critique of the idea of an African American novel tradition. M.D. Coverley’s hypertext novel Califia involves the reader in all three of these discursive dimensions at once, updating the marginalized art of hypertext fiction by inviting the reader to see his or her role in navigating the text as both creative and determined—the epitome of open-and-closed form.
My analysis demonstrates how cognitive blending is a precise method for describing how a reader interprets complex narrative structures. I propose this blending-model as a new approach to contemporary experimental fiction from the perspective of the reader’s cognitive work, and show how it offers new readings of important contemporary fiction. I argue that twenty-first-century authors attempt simultaneously to construct “open” forms, and to address real socio-cultural concerns in the world; I also argue that a narratology founded on theories of cognitive processes is best-equipped to describe the operations of reading and understanding these complex narrative forms.
Books on the topic "Fiction of a claim recognition"
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Talbert, David E. Baggage claim. New York: Touchstone, 2005.
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Schulz, Mat. Claim. Sydney, NSW: Flamingo, 1996.
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Tucker's claim. Don Mills, Ont: HQN, 2011.
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McCarty, Sarah. Tucker's claim. Don Mills, Ont: Spice, 2009.
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McCarty, Sarah. Tucker's Claim. Toronto, Ontario: Spice, 2009.
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Michna, Tanya. Baggage Claim. New York: Penguin USA, Inc., 2009.
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Baggage claim. New York City: New American Library, 2009.
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Caldwell, Laura. Claim of innocence. Don Mills, Ont: Mira Books, 2011.
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Appelman, William H. Claim to fame. New York: Carroll & Graf, 1993.
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Ballas, Jack. Granger's claim. New York: Berkley Books, 1998.
Find full textBook chapters on the topic "Fiction of a claim recognition"
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Benjamin, Orly. "Unionized Claim for Skill Recognition." In Gendering Israel's Outsourcing, 91–113. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40727-2_4.
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Maia, Rousiley C. M., and Regiane L. O. Garcêz. "Recognition, Feelings of Injustice and Claim Justification: Deaf People’s Storytelling on the Internet." In Recognition and the Media, 123–47. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137310439_7.
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Ogunnaike, Ruth M., and Dong Si. "Prediction of Insurance Claim Severity Loss Using Regression Models." In Machine Learning and Data Mining in Pattern Recognition, 233–47. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62416-7_17.
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Grabham, Emily. "Transgender Temporalities and the UK Gender Recognition Act." In Sex, Gender and Time in Fiction and Culture, 154–69. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307087_9.
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Ingram, David. "What an Ethics of Discourse and Recognition Can Contribute to a Critical Theory of Refugee Claim Adjudication: Reclaiming Epistemic Justice for Gender-Based Asylum Seekers." In Migration, Recognition and Critical Theory, 19–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72732-1_2.
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Oosterom, Marjoke. "Are rural young people stuck in waithood?" In Youth and the rural economy in Africa: hard work and hazard, 141–54. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245011.0008.
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Abstract This chapter interrogates the increasingly popular notion of waithood, and particularly the idea that most young people are stuck permanently in waithood because they cannot enter the labour market. Based on empirical data gathered from young rural women and men in Uganda, Ethiopia and Nigeria, the meaning of farming and other economic activities in their lives, particularly in relation to social status, is presented. Other avenues for claim making on social recognition, status and respect are then analysed, with a focus on marriage, family life, and active citizenship. Throughout the chapter the gendered nature of the process of becoming a social adult is emphasized.
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Ferraro, Thomas J. "Had There Been a Papist." In Transgression and Redemption in American Fiction, 24–44. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0002.
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This opening chapter revisits Hawthorne’s foundational The Scarlet Letter to initiate a proto-Catholic mode of inquiry and to leverage a renegade Catholic sense of divinity already at work within the Protestant American reflexive imagination. It begins with the recognition that The Scarlet Letter is mandatory not only because the novel has been used as the primary scene of instruction, top to bottom, in what constitutes true, and truly American, religion—correct conviction, just action, clear conscience—but also because, countermanding that instruction, the novel makes the bodily experience of spirit—a felt consecration of sexuality, including its violence—the litmus test for religious matters, in anticipation of Robert Orsi and the new religious historians. This chapter initiates a three-part experiment in analytical counter-exegesis: it explores the Marian-Catholic force of Hester’s felt sexual consecration, radiant motherhood, and supernatural issue (her daughter Pearl); it re-identifies the origins of Hawthorne’s story of homosocial stalking (Chillingworth) and ratcheted-up guilt (Dimmesdale) in the ancient Mediterranean folk tales of wandering prelates, cuckolded husbands, and murderous vengeance; and it presses beyond the transcendentalist claims of Hawthornian symbolism (that letter “A” on Hester’s smock) to discover and effect his nascent practice of material sacramentality. Tutoring a shift in the reader’s relationship to the novel, the chapter instigates an alternative mode of anti-Puritan dissent than Emersonian proto-feminist individualism, while practicing stylized criticism as a Catholicizing of criticism—establishing not only content (text, archive, value) but form, including modes of evidence, channels of access, and strategies of address, for a Catholic criticism.
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Abell, Catharine. "Conclusion." In Fiction, 184–90. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198831525.003.0007.
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In this book, I have explored the implications of taking seriously the claim that fiction is an institution. Drawing on Guala’s account of institutions as systems of regulative rules that provide equilibrium solutions to coordination problems, I have argued that fiction institutions consist in systems of regulative rules that provide equilibrium solutions to coordination problems of communicating imaginings....
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Abell, Catharine. "Fictive Utterances." In Fiction, 53–87. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198831525.003.0003.
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This chapter examines the nature of fictive utterances and explains what determines their contents. It argues that fictive utterances are declarations. Although such a construal is, in principle, compatible with the claim that their contents are determined by authors’ intentions, it denies that their contents are determined by authors’ intentions to elicit imaginings. Instead, it argues that the rules of fiction institutions determine the contents of fictive utterances by purely conventional means. That is, they enable authors and audiences to coordinate on ways of communicating imaginings that would not be available without those rules. Finally, it identifies various forms those rules can take, such that the contents they assign to fictive utterances are sensitive to the contexts in which those utterances are made.
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Patten, Alan. "Democratic Secession from a Multinational State." In Equal Recognition. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691159379.003.0007.
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This chapter turns to the problem of self-government rights. To what extent do national minorities have a legitimate claim on some form of self-governing autonomy within a multinational state? When, if ever, does this claim—or its frustration—support a further claim to independent statehood? By drawing on the idea of equal recognition, the chapter develops a distinctive way of thinking about the justification of multinational federalism and other forms of autonomy for substate national groups. It explores this issue in the context of a further question that has been debated by normative political theorists in recent years—the moral status of secessionist claims. The two main views on this question have been the plebiscitary theory and the remedial rights only theory. The chapter charts a middle course between the democratic approach to secession, on the one hand, and the remedial approach, as formulated by Buchanan, on the other.
Conference papers on the topic "Fiction of a claim recognition"
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Burlamaqui, Leonardo, and Andy Dong. "Eye Gaze Experiment Into the Recognition of Intended Affordances." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67207.
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An eye-tracking experiment aimed at testing the claim that individuals understand how to use artifacts through the visual perception of their intended affordances was conducted. Sixty-one participants were asked to state the manner in which they would interact with an artifact after looking at their screen-based images for ten seconds with their gaze captured. The participants’ responses to perceived affordance were compared to their gaze data. Although individuals identified plausible affordances, a binary logistic regression analysis was inconclusive as to which eye-tracking variable is likely to entail a successful identification of the intended affordance. That said, there was a strong relationship between perception of the intended affordance and mention of either the artifact’s function or semantic category. The results suggest that affordances may not have a significant impact in the usability of products and interfaces. Extrapolating from the findings, we postulate that analogical priming may be a better explanation for the way individuals understand what to do with the artifact.
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Valentim, Pedro A., Fábio Barreto, and Débora C. Muchaluat-Saade. "Towards Affective TV with Facial Expression Recognition." In Life Improvement in Quality by Ubiquitous Experiences Workshop. Brazilian Computing Society, 2021. http://dx.doi.org/10.5753/lique.2021.15716.
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Facial recognition techniques, fantasized in fiction movie classics, have already become reality. Such technology opens up a wide range of possibilities for different kinds of systems. From the point of view of interactive applications, facial expression as input data may be more immediate and more trustworthy to the user’s sentiment than the click of a button. For interactive television, facial expression recognition could be used for bringing broadcasters and viewers closer, enabling TV content to be personalized by the user sentiment. In fact, not only facial expression recognition, but any interaction that enables affective computing. In this work, we call this concept Affective TV. In order to support it, this work proposes facial expression recognition for digital TV applications. Our proposal is implemented and evaluated in the Ginga-NCL middleware, a digital TV standard used in several Latin American countries.
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Xie, Da, Jiang Zhu, and Tomohisa Tanaka. "Graph-Based Feature Recognition and Combination Method for Automatic Process Planning System." In JSME 2020 Conference on Leading Edge Manufacturing/Materials and Processing. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/lemp2020-8516.
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Abstract Generating the Numerical Control (NC) tool path for machining a complex shaped component is highly dependent on the proficiency of a Computer-Aided Manufacturing (CAM) programmer in manufacturing field, although the CAM systems now are highly integrated. A Computer-Aided Process Planning (CAPP) system, which can automatically extract the manufacturing features from the Computer-Aided Design (CAD) model and generate the machining process planning, has been expected for a long time. In this research, a graph-based CAPP system was proposed. It mainly includes four modules, data conversion module, feature classification module, feature combination module and process planning module. The first two modules claim a graph-based feature recognition method, output the recognized manufacturing features which are classified into four classes and defined as specific types. The feature combination module generates different paths to combine manufacturing features from a goal model into raw material shape by four kinds of combination methods corresponding to the four classes. Finally, the process planning module will give a cost estimation of all those paths with the consideration of manufacturing resources and time cost. A relatively optimized machining method and machining sequence will be generated as the output of this proposed system.
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Miller, Alistair I., and Romney B. Duffey. "Near-Term Nuclear as the Nemesis of the Age of Pollution: Re-Engineering the Planet." In 12th International Conference on Nuclear Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/icone12-49289.
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The world’s carefree Age of Pollution is ending and energy technologies are scrambling for schemes that either capture their wastes or claim corresponding offsets with reductions elsewhere. Not before time. But the transition offers boundless opportunities for political and subsidies, fudges, and deceptions. Now is the time for nuclear fission, as the only technology already providing large-scale, pollution-free energy supplies, to claim proper recognition for its demonstrated pollution-free pedigree. Our industry knows that nuclear fission really is an intrinsically superior solution over those offered by the latter-day converts to sequestration and environmental cleanliness. Our singular strength is the availability of our technology. But we must inspire society with nuclear’s capacity to provide a comprehensive and affordable route to secure energy supplies with vigorous growth in its deployment, starting immediately. We must include hydrogen fuelling for vehicles to make our solution comprehensive. This paper outlines the economics. We could, however, so easily dissipate the advantage of nuclear’s availability. Programs to evolve advanced reactors should be a natural adjunct to a vigorous near-term program but it would be folly to compete for leadership in energy supply based on the promise of reactor designs that cannot be deployed until after 2020. What is needed is a transition strategy. Several countries with emerging economies are showing near-term leadership in commitment of new reactors but the developed world also needs much expanded deployment of nuclear. Without that, the transition to advanced designs after 2020 could be jeopardized.
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Soares, Elton F. de S., Carlos Alberto V. Campos, and Sidney Cunha De Lucena. "Real-Time Travel Mode Detection with Smartphone Sensing and Machine Learning." In XXXVIII Simpósio Brasileiro de Redes de Computadores e Sistemas Distribuídos. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/sbrc_estendido.2020.12404.
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The detection of the travel modes used and, the prediction of trip purposes, through smartphone sensors data have emerged as two research challenges in recent years. Both of these problems have been deeply investigated in isolation, while the problem of inferring mode and purpose at the same time and, more specifically, using the same preprocessing algorithm has been less explored. Also, few studies presented solutions that can execute the detection of user travel modes in real-time, and even fewer have presented the evaluation of these solutions in a realistic manner. Meanwhile, some of the previous studies claim that off-the-shelf activity recognition solutions, do not perform well in the travel mode detection task, although many of them do not present a quantitative evidence of their bad performance. Thus, in this work, we propose three techniques for real-time travel mode detection, using different combinations of smartphone sensors, and one technique for join travel mode detection and trip purpose prediction using a single preprocessing algorithm, in real-time. We empirically evaluated the proposed techniques and an off-the-shelf activity recognition solution using field tests and cross-validation experiments with private and public mobility datasets.