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1

SER, SHAWHONG. "SYMBOLIC FENG SHUI LOGO: A FENG SHUI APPROACH TO LOGO DESIGN IN THE GREATER CHINA REGION." International Journal of Creative Future and Heritage (TENIAT) 7, no. 2 (September 30, 2019): 16–36. http://dx.doi.org/10.47252/teniat.v7i2.199.

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Seni kuno Feng Shui mempunyai pelbagai tafsiran dan aplikasi pada zaman kontemporari. Dari Feng Shui untuk rumah, ruang awam sehingga Feng Shui untuk perniagaan, semuanya tertumpu untuk menghasilkan tenaga positif atau 'Qi' dan untuk menggalakkan sudut baik dalam semua aspek kehidupan. Dalam konteks kontemporari, khususnya dalam dunia perniagaan di wilayah besar China, Feng Shui digunakan untuk menggalakkan aliran yang baik di tempat kerja demi mengukuhkan kesejahteraan pekerja, juga untuk menggalakkan lebih banyak kejayaan dalam perniagaan. Walaupun aplikasi Feng Shui untuk perniagaan adalah yang paling terkenal, masih terdapat bidang yang melibatkan penggunaan Feng Shui, iaitu dalam reka bentuk logo perniagaan. Dari perspektif Feng Shui, logo perniagaan dengan ‘Qi’ yang tepat sangat penting untuk kejayaan dalam perniagaan. Mengenai reka bentuk logo Feng Shui, terdapat panduan utama seperti pemilihan warna, susunan bentuk dan perkaitan simbolik gambar yang didasari oleh prinsip-prinsip penting Feng Shui. Oleh itu, untuk menggabungkan elemen Feng Shui ke dalam reka bentuk logo merupakan sesuatu yang kompleks dan berperingkat. Dalam kajian ini, untuk menjawab minat ilmiah terhadap logo Feng Shui dalam perniagaan, pengkaji telah berusaha untuk menunjukkan beberapa aspek penting dari penerapan Feng Shui dalam logo perniagaan, iaitu "Logo Simbolik Feng Shui", dan akan membincangkan bagaimana konsep Feng Shui mempengaruhi dan mencerminkan reka bentuk dan nilai estetika logo Feng Shui di wilayah Besar China. Diharapkan kajian ini dapat memberikan pemahaman mengenai aplikasi kontemporari Feng Shui dalam dunia perniagaan, terutamanya pada logo perniagaan Feng Shui. The ancient art of Feng Shui has diverse interpretation and applications in the contemporary times, from Feng Shui for homes, Feng Shui for public spaces to Feng Shui for business, all focused on generating positive energy or ‘Qi' and promote the betterment in all aspects of life. In a contemporary context, particularly for the business world in Greater China region, Feng Shui is applied for good flow in the workspace in order to strengthen the well being of the co-workers, as well as to draw more business success. While these are the most well-known applications of Feng Shui for Business, there is another area where Feng Shui is highly involved, which is in the design of the business logo. From a Feng Shui perspective, auspicious business logo with right ‘Qi” is essential for business success. When it comes to Feng Shui logo design, there are major guidelines such as the selection of colors, an arrangement of shapes and images symbolic association that are based on important Feng Shui principles. Therefore, to integrate Feng Shui elements into a logo design can be a complex and lengthy subject. In this paper, to response on the research scholarly interest in Feng Shui for business logo, the researcher has made an attempt to point out some important aspects of Feng Shui’s application in business logo, which known as “Symbolic Feng Shui Logo”, and discuss how the concept of Feng Shui influence and reflect the design and aesthetic of Feng Shui logo design in the Greater China region. It is hoped that this paper will provide insights into an understanding of contemporary Feng Shui application in the business world, particularly on the Feng Shui business logo.
2

Yeon-Su, Park. "A Study On The Effect Of Feng Shui Interest On Feng Shui Recognition Of Location And Management Performance: With Small Businesses As Subject." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 4 (April 11, 2021): 145–53. http://dx.doi.org/10.17762/turcomat.v12i4.485.

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The purpose of this study is to derive the main factors of Feng Shui site recognition and the effect of the factors on the Management Performance of small business through the previous studies in order to investigate the relationship between Feng Shui interest and management performance for the sake of development of small businesses. In addition, the research is directed to the mediating effect of Feng Shui site recognition and adjusted mediating effect of entrepreneurship in the relationship between Feng Shui interest and management performance. First, the verification of the hypothesis, 'Feng Shui interest will have a positive influence on the Feng Shui site recognition', showed that Feng Shui interest had a positive influence on all the space placement, space shape, junction space, and topography. Second, the verification of the hypothesis, 'Feng Shui site recognition will have a positive effect on management performance', showed that Feng Shui site recognition had a positive effect on characteristics of Feng Shui site recognition such as space placement, junction space and topography, but not on space shape. Third, the verification of the hypothesis, 'Feng Shui site recognition will mediate the influence of Feng Shui interest has on management performance', showed that Feng Shui site recognition had a positive effect on characteristics of Feng Shui site recognition such as space placement, junction space and topography, but statistically not significant on space shape. Fourth, the verification of the hypothesis, 'innovation will control the mediating effect of Feng Shui site recognition in the path that Feng Shui interest affects management performance through Feng Shui site recognition', showed that innovation controlled the mediating effect. It is necessary not to confine the subject of research to small businesses, but to extend it to medium- or large-sized companies. In addition, it is necessary to research the impact of Feng Shui site recognition not only on the management field but also on other fields.
3

Wijaya, Angeline, Timoticin Kwanda, and Jani Rahardjo. "PENERAPAN PRINSIP FENG SHUI PADA KAPLING DAN BANGUNAN RUMAH DI PERUMAHAN SURABAYA." Dimensi Utama Teknik Sipil 5, no. 1 (February 1, 2018): 8–13. http://dx.doi.org/10.9744/duts.5.1.8-13.

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Feng shui adalah sebuah ilmu yang mempelajari bagaimana cara manusia untuk hidup selaras dengan alam dan lingkungan sekitar. Prinsip feng shui pada dasarnya sederhana, karena mengikuti pola yin yang atau keseimbangan. Sehingga dengan penerapan nilai-nilai feng shui yang baik pada rumah tinggal, maka akan memberikan kenyamanan bagi penghuni rumah dan memberikan nilai serta harga jual yang lebih tinggi. Perumusan masalah dari penelitian ini adalah untuk mengetahui seberapa dalam faktor feng shui yang dipertimbangkan oleh penghuni. Kemudian mencari adanya hubungan antara unsur feng shui yang dipercaya dengan penerapan terhadap penyelesaian masalah feng shui secara desain dan non-desain. Chi square digunakan untuk melihat apakah ada hubungan antara prinsip feng shui dengan aplikasinya. Hasil yang ditemukan menunjukkan bahwa faktor feng shui yang paling dipertimbangkan oleh penghuni rumah tinggal yang bermasalah menurut prinsip feng shui adalah faktor denah rumah. Dan didapatkan hasil yang menyatakan bahwa adanya hubungan antara kepercayaan terhadap faktor feng shui dengan penerapan pada faktor bentuk kapling, faktor benda di sekitar bangunan, faktor posisi rumah terhadap jalan, faktor bentuk bangunan, faktor denah rumah, dan faktor nomor rumah, cermin feng shui dan ba gua.
4

Melton, P. "Feng Shui." Minnesota review 2007, no. 69 (September 1, 2007): 7–8. http://dx.doi.org/10.1215/00265667-2007-69-7.

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5

Syariful Hadi and Hetyorini. "Penerapan Arsitektur Fengshui Pada Rumah Tinggal (Kasus: Kediaman Ir. Djoko Darmawan, MT)." SARGA: Journal of Architecture and Urbanism 16, no. 1 (January 30, 2022): 22–30. http://dx.doi.org/10.56444/sarga.v16i1.136.

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Feng Shui merupakan pengetahuan arsitektur dari China. Arsitektur Feng Shui adalah pengem-bangan dari budaya Tiongkok purba yang pada awalnya pengembangan dari illmu astronomi untuk mengetahui pengaruh musim dan cuaca yang membantu para petani dalam bercocok tanam dan para nelayan dalam mencari ikan. Dari waktu kewaktu ilmu astronomi purba ini mulai dekembangkan menjadi beberapa ilmu pengetahuan, diantaranya Astrologi, pengobatan dan Feng Shui diantaranya. Masyarakat Tiongkok percaya dalam mendesain rumah tinggal dengan menggunakan prinsip – prinsip Feng Shui akan menyatukan antara penghuni rumah, rumah, dan lingkungan sekitar rumah menjadi seimbang. Prinsip-prinsp Feng Shui yang digunakan dalam penelitian kali ini merupakan prinsip Wu Xing. Wu Xing merupakan penggambaran dari 5 unsur alam yaitu, Air, Kayu, Tanah, Logam dan Api . Salah satu rumah tinggal yang menggunakan prinsip-prinsip Feng Shui adalah rumah kediaman bapak Djoko darmawan. Penelitian ini bertujuan untuk mengetahui penerapan prinsip – prinsip Feng Shui pada sebuah rumah tinggal. Penelitian ini dilakukan dengan cara wawancara dan observasi langsung, kemudian menganalisa penerapan prinsip Feng Shui menurut studi pustaka yang ada.
6

Mariana, Dewi. "PENERAPAN FORMULA FENG SHUI DENGAN PERTIMBANGAN FORM DALAM BANGUNAN DAN LINGKUNGAN BINAAN." Jurnal Humaniora 27, no. 2 (January 9, 2016): 217. http://dx.doi.org/10.22146/jh.v27i2.8720.

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Feng Shui merupakan ilmu Tiongkok kuno yang digunakan sebagai salah satu pendekatan desain dan penataan lingkungan binaan hingga zaman ini. Namun, banyak pihak lupa, tidak sadar, atau bahkan tidak tahu bahwa Feng Shui juga mementingkan bentuk (form) dan bukan hanya penerapan formula atau perhitungan saja. Masalah muncul pada image praktisi Feng Shui yang negatif, yaitu bagi mayoritas arsitek, pelaksana bangunan dan sebagian pihak pemilik proyek, jika praktisi Feng Shui terlibat, desain akan berantakan, aneh, tidak enak dilihat, dan membuat bingung mereka semua. Makalah ini mendeskripsikan dan menganalisis empat pendekatan yang lazim diterapkan oleh praktisi Feng Shui yang pada praktiknya lebih banyak menekankan penerapan formula dan melupakan bentuk (form), padahal teori dasar Feng Shui menyatakan bahwa penerapannya menitikberatkan keserasian dengan lingkungan. Di sini juga ditunjukkan bahwa masing-masing pendekatan dapat ditengahi secara logis tanpa menyalahi aturan dasar Feng Shui itu sendiri. Hasil pembahasan memperlihatkan bahwa bentuk (form) dan penerapan formula dalam Feng Shui bukan merupakan hal yang saling terpisah, tetapi justru diperlukan diterapkan bersamaan untuk tujuan desain yang baik.
7

Liman ; Hartanto Budiyuwono, Craven Arden. "ANALYSIS OF CYCLE 8 PERIOD FLYING STAR FENG SHUI ON CYCLE 7 PERIOD RESIDENTIAL SPACE LAYOUT." Riset Arsitektur (RISA) 3, no. 02 (May 15, 2019): 188–204. http://dx.doi.org/10.26593/risa.v3i02.3279.188-204.

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Abstract- Flying Star Feng Shui is one of many Feng Shui forms using the compass method. Flying Star Feng Shuiuses Lo Shu Square with constantly changing number on each palace for every period, unlike traditional LoShu Square which has been used for thousands of years. The concept of Flying Star Feng Shui lies on the dynamicprinciple of time which changes the luck of a person. The objects on this study is a few houses in Bandung Citywhich are built in cycle 7 period (1984 – 2003).The methods used to analyze this study is qualitative descriptive, which the writer observe each of theobjects directly and analyze them using 2 reference books. David Twicken’s Flying Star - Feng Shui Made Easyand Vincent Koh’s Basic Science of Feng Shui.At the end of this study, the conclusion is Flying Star Feng Shui surely can influence the life of the peopleliving in the house. Some events in their life in cycle 8 can be foreseen by Flying Star Feng Shui, such asrobbery, lawsuits, and illness.Key Words: Flying Star Feng Shui, Houses, Events in the life of house users.
8

Lin, Chu-Chia, Chien-Liang Chen, and Ya-Chien Twu. "International Real Estate Review." International Real Estate Review 15, no. 3 (December 31, 2012): 325–46. http://dx.doi.org/10.53383/100160.

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Feng-shui is an old and traditional body of knowledge in Chinese society. Feng-shui has a significant influence on many aspects in daily life for most Chinese, including choosing locations for dwelling units, offices, burial sites, and so on. However, there have been few studies on the impact of feng-shui on housing prices. By applying a housing hedonic equation and a data set of 77,624 observations in Taiwan, we have attempted to estimate the impact of feng-shui on housing prices. We find that all six types of bad feng-shui have a significantly negative impact on housing prices. Moreover, by applying a quantile regression, we find that most of the bad feng-shui has a stronger negative impact on expensive dwelling units. Our findings confirm that people who buy expensive housing units care about feng-shui more than those who buy less expensive housing units.
9

Guo, Peiyan, Chenyang Ding, Zipeng Guo, Tingfeng Liu, and Taifeng Lyu. "Coupling CFD Simulation and Field Experiments in Summer to Prove Feng Shui Optimizes Courtyard Wind Environments: A Case Study of Prince Kung’s Mansion in Beijing." Buildings 12, no. 5 (May 9, 2022): 629. http://dx.doi.org/10.3390/buildings12050629.

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Feng shui in ancient China was harmonized with the natural environment. The layout of houses following feng shui is conducive to a comfortable wind environment. To explore the positive influence of feng shui on ventilation, this study takes Prince Kung’s Mansion, which has the characteristics of a feng shui layout, as the research object. In parallel, the study assumes a dissimilation layout that has lost the feng shui layout characteristics. Comparing the ventilation of courtyards in the summer for both the feng shui layout and the dissimilation layout through CFD simulation, the results were as follows: (1) the wind speed values in the summer, taken from 60 points in Prince Kung’s Mansion by way of CFD simulation and field experiments, were well coupled, which proves that PHOENICS is suitable for the courtyard wind environments simulation in this study. (2) The CFD simulation results show that the average wind speed and the comfortable wind speed zone ratio in the courtyards of the feng shui layout were higher than those of the dissimilation layout during the summer, and the courtyard wind speeds of the two layouts were linearly related. Therefore, the feng shui layout is more conducive to the comfort of courtyards’ wind environment than the dissimilation layout. (3) The front and rear wind pressure differences of the main houses in the feng shui layout can optimize the indoor ventilation better than those of dissimilation layout in the summer. (4) According to the evaluation criteria for the wind environment, the wind speed and wind pressure of the feng shui layout are superior to those of dissimilation layout in the summer. In summary, this study verifies that the layout of feng shui optimizes the courtyard wind environment in the summer, which embodies the ecological concept of the Chinese ancients in the layout of houses.
10

Jeon, Jong Han. "Feng Shui Landscape Management of the Capital Hanseong and the Journey of Feng Shui Discourse during the Joseon Dynasty Period." Association of Korean Cultural and Historical Geographers 34, no. 2 (August 30, 2022): 51–68. http://dx.doi.org/10.29349/jchg.2022.34.2.51.

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The Feng Shui of the Joseon Dynasty Period formed the basis of traditional geography used for spatial arrangement and landscape management of various landscapes and places including the location of Hanseong, the capital. From the early days of the Joseon Dynasty, Feng Shui was recognized as a major national academic field by government officials, and was one of the exam subjects of Gwageo (bureaucratic recruitment) system, and professional bureaucrats were appointed to government posts. Immediately after the Imjin War[壬 辰倭亂], King Seonjo mobilized the idea of Feng Shui as a theoretical basis to restore the main landscape elements of Hanseong destroyed by the war. However, after the late Joseon Dynasty, the idea of Feng Shui was criticized by many bureaucrats and Confucian scholars, and even the king added it. Even harsh criticism from some official historians followed the king for his excessive favoritism of Feng Shui. In particular, during the reigns of king Yeongjo and Jeongjo, critical opinions on Feng Shui arose greatly. After the late Joseon Dynasty, Feng Shui was greatly reduced to the level of Eumtaek[陰宅風水] in charge of the location or relocation of royal tombs. At the same time, unlike the early Joseon Dynasty Period, when the meaning of ‘geography=Feng Shui’ was strong, in the late Joseon period, ‘geography concept with a meaning different from that of Feng Shui’, like the usage examples in King Jeongjo’s ‘Geography Policy Questions[地理策問]’, certainly existed.
11

Yulianto, Auw Tammy, Simon Simon, and Tjiong Eric Cahyadi. "Theological Review of the Concept of Feng Shui According to Colossians 2:8." Evangelikal: Jurnal Teologi Injili dan Pembinaan Warga Jemaat 6, no. 2 (July 31, 2022): 124. http://dx.doi.org/10.46445/ejti.v6i2.526.

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Feng shui was a part of the cultural heritage of ancient Chinese society mainly used to design buildings and spaces according to the birth date or the basic elements of the owner or the person who occupied a building to achieve harmony and balance with the environment aimed to bring peace and prosperity. Feng shui practices had become a matter of debate among Christians. The question was whether feng shui practices such as calculations in building construction, determining the direction a tomb should face, or finding a date to start a business did not conflict with God's Word. From a non-theological point of view, feng shui was well accepted because it seemed reasonable. This article discussed feng shui from a theological perspective by referring to Colossians 2:8. In the research of this article, the researchers used a qualitative descriptive method with an exposition approach where data collection was obtained from literature studies and interviews. The results of the discussion on this topic showed that theologians concurred that feng shui did not correspond with God's Word, while the Bible interpreted feng shui as a false philosophy. The conclusion drawn was the rejection of feng shui practices by theologians and the Bible.
12

Blue, China. "Feng Shui Matrix." Leonardo 37, no. 4 (August 2004): 277–78. http://dx.doi.org/10.1162/0024094041724599.

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Chiou, S.-C., and R. Krishnamurti. "Unraveling feng-shui." Environment and Planning B: Planning and Design 24, no. 4 (1997): 549–72. http://dx.doi.org/10.1068/b240549.

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Marcella, Benedicta Sophie. "FENG SHUI PADA TATA LETAK MASSA BANGUNAN DI KELENTENG SAM POO KONG." Jurnal Arsitektur KOMPOSISI 10, no. 2 (May 1, 2017): 77. http://dx.doi.org/10.24002/jars.v10i2.1039.

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Abstract: “Klenteng” is an Indonesian term for place of worship for Chinese traditional faiths in Indonesia. Sam Poo Kong temple is a heritage building located in Semarang. Chinese temple building is part of the China building architecture, thus Chinese temple apply the feng shui principals, so that people get the fortune, peace, and prosperity from the perfect balance with nature. In this research, to be conducted a review of the use of feng shui principles contained in the layout of the building mass. The research question that arises is "How the application of feng shui to the layout of the building mass in the Sam Poo Kong temple?" This research aims to determine the influence of feng shui contained in the layout of the building mass Sam Poo Kong temple in Semarang. This research use structuralizes qualitative methodology. Analysis process was done by comparing the theory of feng shui with field observations. The building layout, planes, and the filler elements apply the principles of feng shui and it has a good meaning, leads to happiness and welfare in life. Cultural influence of Islam, Buddhist, Hindu, and Chinese cultures convey the meaning and message to the user of the building, all for good purpose in human life. Based on the analysis it can be concluded that the meaning of the layout of the building mass on the Sam Poo Kong temple in accordance with feng shui theory and it brings prosperity.Keywords: feng shui, Sam Poo Kong Temple, the layout of the building massAbstrak: Kelenteng atau Klenteng adalah sebutan untuk tempat ibadah penganut kepercayaan tradisional Tionghoa di Indonesia pada umumnya. Kelenteng Sam Poo Kong merupakan bangunan cagar budaya yang terdapat di kota Semarang. Bangunan kelenteng termasuk dalam bangunan Cina, sehingga dalam tatanan bentuk bangunannya masih mempergunakan kaidah feng shui. Konsep feng shui adalah seni hidup dalam keharmonisan dengan alam, sehingga seseorang mendapatkan keuntungan, ketenangan, dan kemakmuran dari keseimbangan yang sempurna dengan alam. Dalam penelitian ini, akan dilakukan peninjauan penggunaan kaidah feng shui yang terdapat pada tata letak massa bangunannya. Pertanyaan penelitian yang muncul adalah “Bagaimana penerapan fengshui pada tata letak massa bangunan di kawasan Kelenteng Sam Poo Kong?” Penelitian ini bertujuan untuk mengetahui pengaruh feng shui yang terdapat pada tata letak massa bangunan Kelenteng Sam Poo Kong di Semarang. Metodologi yang digunakan adalah strukturalis kualitatif. Proses analisis dilakukan dengan membandingkan teori feng shui dengan hasil observasi lapangan. Tata letak massa bangunan menerapkan kaidah feng shui serta memiliki makna yang baik, mengarahkan pada kebahagiaan serta keselamatan dalam kehidupan. Pengaruh budaya Islam, Buddha, Hindu, serta Kebudayaan Cina telah bercampur, menyampaikan makna serta pesan kepada pengguna bangunan, semua untuk tujuan kebaikan dalam hidup manusia. Berdasarkan hasil analisis maka dapat disimpulkan bahwa tata letak massa bangunan pada kawasan Kelenteng Sam Poo Kong sesuai dengan feng shui aliran bentuk dan mendatangkan kebaikan.Kata Kunci: feng shui, Kelenteng Sam Poo Kong, tata letak massa bangunan
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Nakama, Yuei, and Bixia Chen. "A Feng Shui landscape and Tree Planting with explanation based on Feng Shui Diaries: A case study of Mainland Okinawa, Japan." Worldviews: Global Religions, Culture, and Ecology 15, no. 2 (2011): 168–84. http://dx.doi.org/10.1163/156853511x577475.

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AbstractHigh mountains in back and facing the sea is an ideal Feng Shui village landscape in Okinawa. Such a location is perfect for semi-agricultural and semi-fishing production.When and how a Feng Shui village came into being is still a myth to the historians. The only complete records of Feng Shui village inspections of Inamine and its close neighbor, Makija hamlets, by Feng Shui masters from 1857 to 1888 exist there. These items of literature allow us to have a rough look at Feng Shui layout in then early-modern Ryukyu. On basis of Feng Shui diaries and remnant huge Fukugi trees, this study aims to clarify the settlement and the development process of Feng Shui village landscape in Okinawa.Tree planting has been highlighted in these Feng Shui diaries. Utakis, the local sacred places usually covered with lush forests, are the primary concern of village Feng Shui. Dense forests were required to be planted on the Feng Shui sites, a spot or an area of significance to the whole village Feng Shui. Tree planting around the houses, along the coastline, and even along rivers has effectively protected the village houses and paddy fields from strong winds. All remnant huge Fukugi trees older than 200 years were found in Muranaha, the hamlet center and also the oldest part of Inamine hamlet. About 14 big trees were standing in village Ho:go, among which 13 were on the coastline. Ho:go is a particular Feng Shui word in Okinawa, literally means embraced protection. Ho:go is also used to refer to forest belts that surround a house, a village or coastline. It is assumed that Ho:go might have been recommended by the central government around 1737-1750 in Okinawa. The biggest tree found in Inamine is estimated to be around 298 years old. From the remnant trees, a number of houses in Inamine might have existed early to 300 years ago. It might have been considered as an administrative hamlet by the central government around 1751, with the planting of village Ho:go. The oldest houses were first built in the center and, with the population increase, later spread to the surrounding areas.
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Keling, Gendro, and Mimi Savitri. "MENCARI NAGA DI PULAU DEWATA: KAJIAN FENG SHUI PADA BEBERAPA KELENTENG ABAD XIX." Forum Arkeologi 33, no. 2 (November 4, 2020): 131. http://dx.doi.org/10.24832/fa.v33i2.615.

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Feng shui is the concept of harmonizing nature and the environment which is the spiritual foundation of Chinese society for a building, including religious place (kelentengs). The concept of feng shui is also applied to kelentengs in Bali which were built around 19th century. This research aims to identify application of feng shui which reflected in its aspects and classify the types of kelentengs in Bali. The method of data collection by literature study, field observations and interviews. The data obtained then carried out for further processing and analysis. Research result shows that feng shui, fully and partially implemented in several aspects and there are also adaptations toward those aspects. Based on the type of classification, in Bali there are 3 (three) types of kelentengs called Taoist Kelentengs, General Kelentengs and Community Kelentengs. Feng shui adalah konsep harmonisasi alam dan lingkungan yang merupakan landasan spiritual masyarakat Tionghoa dalam mendirikan sebuah bangunan, termasuk sarana ibadah (kelenteng). Konsep feng shui juga diterapkan pada kelenteng-kelenteng di Bali yang dibangun sekitar abad ke-19 Masehi. Tujuan penelitian ini adalah untuk mengidentifikasi penerapan feng shui yang tercermin dalam aspek-aspeknya dan mengklasifikasikan jenis kelenteng yang ada di Bali. Metode pengumpulan data dilakukan dengan studi pustaka, observasi lapangan dan wawancara. Data-data yang diperoleh di lapangan ini kemudian dikumpulkan, serta dilakukan pengolahan dan analisis lebih lanjut. Hasil penelitian yang didapat dari lapangan yaitu adanya penerapan feng shui pada beberapa aspek, baik penerapan secara penuh maupun parsial dan adaptasi terhadap aspek feng shui tersebut. Berdasarkan jenis klasifikasinya, di Bali terdapat 3 (tiga) jenis kelenteng yaitu Kelenteng Tao, Kelenteng Umum dan Kelenteng Masyarakat.
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Kryžanowski, Špela. "A comparative analysis of selected recommendations of the feng shui school of form, Alexander et al.’s pattern language, and findings of environmental psychology." Urbani izziv 2, no. 30 (December 1, 2019): 124–34. http://dx.doi.org/10.5379/urbani-izziv-en-2019-30-02-006.

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Feng shui is a traditional Chinese art of creating a supportive living environment. Despite many research contributions on feng shui, very few verify (comparatively or experimentally) the actual effectiveness of feng shui recommendations. Even the architectural profession has never clearly denied its opinion on feng shui. This comparative analysis seeks to determine whether 118 selected feng shui school of form recommendations are consistent with the recommendations of Alexander et al.’s pattern language and with selected findings in environmental psychology. The results support this, showing that 34% of the recommendations (or forty recommendations out of 118 in total) are consistent with pattern language and that 45% (or fifty-three recommendations) are fully or partially consistent with the findings of environmental psychology. Altogether, more than half of the recommendations (57%, or sixty-seven recommendations) are consistent (indirectly confirmed) by one or the other knowledge system, which means that it is very likely that these recommendations will actually have the promised impact on users of physical space. Twenty-seven feng shui recommendations (or 23% out of the 118) are doubly consistent, of which most are related to the five-animals feng shui model, the importance of the presence of water and natural light in the living environment, and the importance of the main entrance. The bulk of the recommendations, which remain unaddressed, relate to the Chinese concept of living energy, or qi.
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Kryžanowski, Špela. "Impact of Feng Shui Bedrooms on Self-Assessed Sleep and Well-Being: A Randomized Double-Blind Field Research with Instrumental Biocommunication." South East European Journal of Architecture and Design 2021 (May 25, 2021): 1–8. http://dx.doi.org/10.3889/seejad.2021.10057.

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Chinese feng shui is well-researched in social sciences but under-researched regarding its impact on the well-being of users. The main problem is the isolation of feng shui effects. Participants (n=134) provided a photograph of their bedroom onto which feng shui recommendations were sent long distance (for 4 months), using an instrumental biocommunication device with a computer, white-noise diode and fengshui recommendations database. Three groups were formed, one acted as control (double-blind protocol). Data was collected through self- evaluating questionnaires (n=10) on the quality of sleep and well-being. Data were statistically evaluated with R environment using linear mixed models and the analyses of variables: feng shui support, stress, age and bedroom evaluation. Results for sleep show feng shui as the most statistically significant variable (p=<0.001). For each day the value increases by 0.003 on the Likert scale 1-5. In 120 days, it increases by 0.36. The impact is dynamic and in direct connection with the level of our living environment satisfaction, stress and age. For well-being most statistically significant are stress (p<0.001) and the interaction of feng shui and bedroom rating (p<0.001). Positive feng shui impact is highest for participants without stress and low satisfaction with the bedroom environment.
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Antika, Cicilia Rindi. "Pengambilan Keputusan Membeli Rumah Berdasarkan Belief dan Feng Shui." Jurnal Diversita 7, no. 2 (December 2, 2021): 188–200. http://dx.doi.org/10.31289/diversita.v7i2.4647.

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Etnis Tionghoa merupakan etnis yang menyebar pada hampir seluruh wilayah di dunia, termasuk Indonesia. Salah satu etnis yang masih memegang teguh budaya mereka adalah Etnis Tionghoa. Salah satu budaya yang sangat lekat pada masyarakat Tionghoa yaitu Feng Shui. Peneliti melihat bahwa budaya Feng Shui masih banyak diterapkan oleh orang Tionghoa, termasuk orang Tionghoa yang bertempat tinggal di kota Surabaya. Salah satu penerapan ilmu Feng Shui dalam kehidupan yang ada ditengah masyarakat Tionghoa adalah dalam pengambilan keputusan membeli rumah. Keputusan membeli rumah merupakan sebuah keputusan yang kompleks yang memerlukan banyak pertimbangan. Selain faktor budaya Feng Shui, berdasarkan penelitian terdahulu terdapat aspek psikologis yang berpengaruh pada keputusan membeli rumah yaitu belief. Belief diyakini menjadi suatu faktor yang ikut mempengaruhi seseorang dalam pengambilan keputusan membeli rumah. Kajian literatur ini ingin melihat bagaimana pengaruh belief dan Feng Shui pada pengambilan keputusan membeli rumah. Kajian ini difokuskan pada orang Tionghoa yang bertempat tinggal di kota Surabaya.
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Lutter, Lowell D. "Feng Shui or Not?" Foot & Ankle International 23, no. 11 (November 2002): 984–85. http://dx.doi.org/10.1177/107110070202301101.

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Su, Tong Fei, and Yuan Ping Liu. "The Influence and Application of Feng Shui in the Design of Interior Doors and Windows." Applied Mechanics and Materials 357-360 (August 2013): 209–12. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.209.

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Feng shui , Chinese traditional gardening theory and construction theory Constitute the three pillars of the ancient Chinese architecture theory. The influence of Feng shui in residential construction is great, the core content is the knowledge of choosing and dealing with the living environment for people. Therefore, the impact and the use of Feng shui in the design and the layout of interior doors and windows is the content which should be understand for every qualified architect.
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Kang, Hyun Mi. "Theological Reinterpretation of “Christology of Water” from Feng Shui." Feminist Theology 29, no. 3 (May 2021): 290–304. http://dx.doi.org/10.1177/09667350211000602.

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This article presents the “Christology of Water” from Feng Shui cosmology, which promotes liberating women and nature from the oppression perpetrated against them by contemporary Korean churches, which have sexism and eco-antipathy at their heart. The presentation of the “Christology of Water” from Feng Shui envisions a new eco-feminist theological solution to the critique of patriarchies and anthropocentricism alienating and suppressing women and nature. This “Christology of Water” developed from the metaphorical languages of Feng Shui suggests a contextual hermeneutic through reinterpretation from the eco-feminist perspective.
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Wen, Liang, Zhidong Li, and Xiumei Guo. "Exploring Chinese Feng Shui Culture for Achieving Sustainability." International Journal of Information Systems and Social Change 12, no. 3 (July 2021): 15–26. http://dx.doi.org/10.4018/ijissc.2021070102.

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This paper explores the origin, concept, and basic content of Chinese Feng Shui (geomancy) and makes a comparison with sustainable development principles to explore similarities and differences in philosophic thinking from environmental, social, and economic perspectives. It also attempts to acquire inspiration from Feng Shui for achieving ecological balance and harmony between humans and nature. The long history of the Chinese Feng Shui culture has important implications for extending the contemporary sustainable development theory, and this study argues that it can inform policy aimed at achieving sustainability in a more harmonious way.
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Wang, Chen, Wan Thing Hong, and Hamzah Abdul-Rahman. "Architectural Examination on Feng Shui Bedroom." Open House International 43, no. 2 (June 1, 2018): 40–48. http://dx.doi.org/10.1108/ohi-02-2018-b0007.

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Bedroom Feng Shui practices have been criticized as myth over the years but in fact having its scientific origin that is not purely superstitious. This paper aims to examine whether the architects' design practice for bedroom interior arrangement is concurring with the recommended bedroom Feng Shui practices. The study has successfully interviewed 16 architects from diverse backgrounds to avoid bias, seeking their design perspectives in bedroom interior configuration. Subsequently, the interviewees submitted sketches of ideal bedroom layout based on their expertise, with pre-set requirements. Data from semi-structured interviews were analyzed using mixed method approach. In agreement with our expectations, majority of the interviewees have matching thoughts that “bed arrangement” is the primary consideration in bedroom interior configuration. Most of the design outputs were highly attached to favorable Feng Shui conditions. The overall findings implied that bedroom Feng Shui is not merely superstitious but most components are practical design references for architects from diverse backgrounds.
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Choe and Han. "Applicability of Feng Shui Thoughts for Sustainable Space Planning and Evaluation in Korea Verified Using Three-Dimensional Digital Mapping and Simulations." Sustainability 11, no. 20 (October 10, 2019): 5578. http://dx.doi.org/10.3390/su11205578.

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The purpose of this study was to examine the applicability of feng shui ideas for sustainable space planning and evaluation in the Korean contemporary architecture system. This study compares theories of feng shui and ecological architecture, draws implications in terms of its practicability with an accreditation system, and explores the possibility of replacing elements from ecological architecture with those of feng shui. First, this study analyzed the terrain, climate, and environment by selecting target sites for planning a hanok, the traditional Korean residence, as a suitable location (called myeong-dang). Simulation assessments were then performed with three-dimensional (3D) mapping techniques to derive the scientific basis of the traditional concept considered in the selection of these spots. Our result from the analysis showed that the terrain element played protective roles for the climate of the region as an environmental control system. Therefore, it can be concluded that feng shui thoughts could be applied to a contemporary architecture system.
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SER, ShawHong. "Form Follows Culture: Symbolic Feng Shui Logo Design in the Greater China Region." Business Economic, Communication, and Social Sciences (BECOSS) Journal 2, no. 2 (May 31, 2020): 203–13. http://dx.doi.org/10.21512/becossjournal.v2i2.6386.

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The visual identity of a logo has always been one of the major means of expression of social values, and cultural preferences in a particular society. Hence, each area and region logo’s design aesthetic is a style characterized by a particular cultural influence that introduces its principles and canons. Accordingly, a logo is not just a representation of a company or business, in order to fully serve its purpose, the logo representation must illustrate what the company does as well as be able to echo with the social, cultural and geographical features of the targeted region. In this paper, to respond to the research scholarly interest in the cultural influences on design, the researcher has made an attempt to study the influence of Feng Shui on logo design in the Greater China region. Based on an in-depth visual-based survey on banks’ logo design in the Greater China region, the author identified in this paper one unique design characteristic, namely Symbolic Feng Shui logo design. The result showed that (1) there is substantial cultural values and preference for the logo with the influence and application of Feng Shui. (2) Logos based on concepts and forms (particularly ancient Chinese coins) found in Feng Shui were the most preferred visual representation used by banks in the Greater China region. (3) The Symbolic Feng Shui logo as a unique design language has developed into its distinctive style. It is hoped that this paper will provide insights into an understanding of the impact of traditional culture on modern design, particularly on Feng Shui culture-inspired logo design in the Greater China region.
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Yap, Jeffrey Boon Hui, and Kah Chuan Lum. "Feng Shui principles and the Malaysian housing market: what matters in property selection and pricing?" Property Management 38, no. 5 (June 24, 2020): 643–64. http://dx.doi.org/10.1108/pm-01-2020-0001.

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PurposeThis study aims to investigate Feng Shui elements that can influence housing selection and property pricing in the Malaysian housing market.Design/methodology/approachA structured questionnaire encompassing 26 Feng Shui elements, which were shortlisted based on relevant previous studies, was distributed to prospective homebuyers in the Klang Valley region. The elements were inferred and ranked according to frequency, significance and importance scores. Kruskal–Wallis ANOVA tests were used to assess the ratings provided by the different respondent groups, while Spearman's rank correlation tests were utilised to measure the degree of agreement or disagreement among each pair of the ethnic group.FindingsThe results obtained indicate the following as the five most influential elements: orientation, main entrance, street location, house number and living room. Despite a multiethnic and multicultural society in Malaysia, Spearman's rank correlation tests showed that there are no differences in the prioritisation of Feng Shui elements between three distinct ethnic groups (Malay, Chinese and Indian). However, the distribution scores are statistically different between the groups. Comparing income level with Feng Shui inclinations, the three most frequently considered elements across the three income groups consistently include orientation, main entrance and street location.Practical implicationsThe findings of this study are expected to provide guidance to property stakeholders (developers, real estate agencies, architects, local authorities) in their future development projects. For homebuyers, this study serves as a property Feng Shui checklist for home selection and investment.Originality/valueThis study explored the association of Feng Shui principles to housing selection and property pricing based on cultural and income factors. These findings provide useful insights for designing and positioning of residential properties in both primary and secondary housing markets in Malaysia and beyond.
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Cui, Jing, Yanrong Liu, Junlin Sun, Di Hu, and Handong He. "Study on Feng Shui (Geomantic) Suitability Evaluation of Mausoleums in Nanjing City Based on GIS." ISPRS International Journal of Geo-Information 10, no. 11 (November 8, 2021): 752. http://dx.doi.org/10.3390/ijgi10110752.

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Taking the mausoleums in the main urban area of Nanjing city as the study object, with the support of GIS technology, this paper extracts eight influencing factors (surface roughness, elevation, surface cutting depth, surface peaks, outfall, river system, slope, and aspect) corresponding to geomantic elements (“Long”, “Sha”, “Shui”, and “Xue”) in the geographical environments of mausoleums. The AHP is applied in the correlation weight method to calculate the weights of the eight influencing factors, while the information content method is applied in the grading method to calculate the numerical index of each factor. The feng shui (geomantic) suitability of the mausoleums in the main urban area of Nanjing is evaluated using the AHP-weighted information content method and by combining expert knowledge and experience with mathematical statistical techniques. According to the feng shui (geomantic) suitability evaluation results obtained for the mausoleums in the study area, the relatively low-suitability area accounts for 14.55% of the entire study area, the low-suitability area accounts for 25.40%, the suitable area accounts for 29.13%, the relatively high-suitability area accounts for 22.00%, and the high-suitability area accounts for 8.92%. Finally, through a sensitivity analysis of the model, a verification analysis applied using random mausoleums and a feng shui (geomantic) analysis of the Ming Xiaoling Mausoleum, the feng shui (geomantic) suitability evaluation results obtained for the mausoleums analyzed herein are found to be consistent with the actual distribution of the mausoleum sites. The research shows that the AHP-weighted information method based on GIS is suitable for evaluating the feng shui (geomantic) suitability of mausoleums.
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Matthews, Michael R. "Feng Shui in Science Programmes." Science & Education 30, no. 6 (October 6, 2021): 1319–32. http://dx.doi.org/10.1007/s11191-021-00281-4.

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Monica, Monica. "Feng Shui dalam Mendesain Logo." Humaniora 2, no. 1 (April 30, 2011): 132. http://dx.doi.org/10.21512/humaniora.v2i1.2965.

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A good logo is a reflection of a corporate identity, vision and mission, as well as a summary of the company's character. Feng shui is the ancient Chinese science of topography is believed to affect the success of making a good logo. According to Feng shui, every color, shape, letters, and numbers can affect the energy contained in the company logo. And these factors also have a grouping of the elements of each, a case of elements of earth, metal, fire, wood, and water. If the combination of the elements is wrong, it will create a destructive energy flowing so that hamper the pace of corporate fortunes. With the approach of the study and literature review, this article will explain how the relationship between the selection of colors, shapes, letters, and numbers in accordance with Feng Shui and may still have some artistic value.
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Lucas, Phillip Charles. "An Introduction to Feng Shui." Religion 40, no. 3 (July 2010): 216–18. http://dx.doi.org/10.1016/j.religion.2010.01.005.

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Samways, Michael J. "Bioempathy and Feng Shui Conservation." Environmental Conservation 16, no. 4 (1989): 357–60. http://dx.doi.org/10.1017/s0376892900009814.

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Lu, Xue Song, and Xin Sheng Zhen. "Fusion Study on Architecture Feng-Shui Theory and Ecological Architecture of Edong Ancestral Hall." Advanced Materials Research 671-674 (March 2013): 2198–202. http://dx.doi.org/10.4028/www.scientific.net/amr.671-674.2198.

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The development of ecological architectural theory in China and the revival of traditional feng-shui theory have become a huge driving force for the development of eco-building today. In this paper a comparative study of ancestral halls in east Hubei province is made from the perspective of building orientation, topography, building space and building materials and other elements related to both eco-building and feng-shui theory and a conclusion is reached that the essence of feng-shui theory is consistent to the ideology of contemporary ecological architectural theory, which the author hopes will provide some references and a scientific basis for the sustainable development of ecological buildings with Chinese characteristics in China.
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Watanabe, Yoshio. "Two kinds of feng-shui history in Japan: science and divination." Estudos Japoneses, no. 35 (March 7, 2015): 124–38. http://dx.doi.org/10.11606/issn.2447-7125.v0i35p124-138.

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In this paper, I don’tuse the word of “geomancy” but use “feng-shui”, as meaning a set of method and concept for an assessment for environmental impact against human life. Environmental impact assessment, connected with the feng-shui theory of later eras, first began with xiang-zhai (house and community observation), which appeared in the Zhou Period (770~256 BC.), Spring and Autumn/Warring States Periods(770~221 BC.) in China. Now I recognize the meanings of feng-shuiare indicated two kinds. One meaning is a kind of scientific thought through the ancient environmental impact assessment, and another meaning is a method of divination through judgments fortune-telling items. So I will mention about the Japanese history of feng-shuidivided into two kinds of histories. A number of scholars have pointed out the transmission of feng-shui knowledge to Japan, as recorded in the section of the Nihon Shoki (the Book of the ancient Japanese record) which reads: “In 601 AD, a buddhist monk named Kanroku arrived from Paekche (one of the country, ancient Korea) to Japan. As tribute, they brought books of astronomy and geography (same meaning of feng-shui)...”. After this record, terms synonymous with feng-shui can be sporadically seen in the records of ancient Japan. Continuing, in the Book of Ryo-no-gige (chapter of staff inst- ructions) of the 9th century in Japan, it states that 6 yin-yang practitioners of the yin-yang Bureau (Ministry of astronomical and geographical observations) “shall be in charge of divination sticks and souchi (feng-shui)”. Thus, one of the duties of the yin-yang practitioners was souchi. This was a form of divination and observation topography which was a predecessor of the feng-shui theory. Much later in time, we arrive at the Edo Period (1603~1868 AD.). In Wakan-sansai-zue, or Sino-Japanese encyclopaedia from this Period written by Terashima Ryoan, the compass (which developed later) was called a tokei-shin, and it is explained as “an instrument for determining directions and telling time”. According to Terashima Ryoan, it is a compass, like that used in Japan today for kasou (i.e. divining the fortune of a house from its directions and situation). The tokei-shin described by Terashima Ryoan was a “compass for sea navigation” developed further for sea navigation after the invention of the luo-pan (compass) in the Sung Period in China. This “compass for sea navigation” was a simplified version of the luo-pan for land divination (feng-shui), and until very recently, was used as a compass for small boats in Japan. After the luo-pan using a magnetic needle was invented, there is a history in China of using the luo-pan as a surveying instrument, i.e. as a successor of the previous tugui method based on sun shadow measurement. This was not a luo-pan notched with many graduations; rather, it was a luo-pan which attempted to measure accurate directions and angles by using only one type of graduation. This type of luo-pan was also used in Japan in the Edo Period called “banshin- raban”. In the Edo Period, there was active development of mines, and it was necessary to measure accurate bearings and angles for tasks like excavating mine tunnels. In the some of ancient Japanese written historical records, the synonymous words of “Chiri” (in Japanese), or “Dili” (in Chinese) could be recognized as the “geography” which has been used in ancient China. But we know two letters of “feng (wind) and shui (water)” that are widely used today all over the world. When it comes to the Edo period, the name “fuu-sui”, or “geography=Chiri” can be discovered at the time of feng-shui manual named “Kasou-sho”. A book of “Kasou-zukai or feng-shui illustration published in 1798 is commentary various divination ways in the name of “fuu-sui”. Since then, also in many other Edo periods, at the Kasou-sho manual, words and examples of “fuu-sui” are abundantly found, the knowledge of “fuu-sui” as a method of divination had been introduced to Japan. Currently, examples of I know the oldest word of “fuu-sui or feng-shui” in Japan is in a memorial document of “Engaku temple” in the Muromachi era. But I don’t know now that from Muromachi to Edo era, the term of “fuu-sui” has first used in Japan or not. Appeared in a “topography of Youshuu” in the Edo era and “Engaku temple document” in the Muromachi era, “fuu-sui or feng-shui” do not mean the knowledge of “geography” associated with land observations, but means a method how to judge right and wrong about their environmental conditions. We therefore, can recognize about the meaning of “Chiri” that there were two kinds or more of knowledge in Edo era. A Japanese geographer in Edo era named Nyoken Nishikawa wrote his book (1712). His book tells us an example of meaning of “Chiri”. Nyoken Nishikawa said that ranging from one of the house to the entire earth, “Chiri or geography” have various levels of meaning. “Fuu-sui” means “geographical conditions” themselves. There are good or bad conditions in “Chiri” itself, but not exist in human environmental judgments. “Geography” itself means environmental conditions, so there was no need to judge human environment good or bad. However, in the medieval period, Yin-yang diviner or fuu-sui master in Japan had broken out over wide area and using the name of “Chiri or geography”, explaining about the vicissitudes of descendant life, as a result of their adverse effects do not converge till now. At the time of Japan, there were many Yin-yang diviners preached weal or woe of human life for the common people. As the time passed, they were gradually increasing and Kasou-sho were also gradually increasing. Today in Japan and East Asia, we can take many books of feng-shui judgment and Kasou documents in our hand. These are filled with bothersome non-scientific judgment items. And because there are many different items in each feng-shui manuals, of course these books are fortune-telling books, but we can also find “some vestiges of scientific thought” in such feng-shui fortune-telling judgment items. European awareness about the declination was the end of 14th century, that is to say several hundred years later for China. Chinese direction finding methods and land surveying technology and knowledge, whose development was motivated by feng-shui divination and observation, subsequently spread to Europe (12th century) and Arabia (13th century). Therefore, today we must take another look at feng-shui research, on a global scale.
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Suliyati, Titiek. "TRADISI FENG SHUI PADA KELENTENG DI PECINAN SEMARANG." Sabda : Jurnal Kajian Kebudayaan 6, no. 1 (April 1, 2011): 75. http://dx.doi.org/10.14710/sabda.v6i1.13308.

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Chinese temples of kelenteng in Pecinan Semarang area resemble Chinese temples in Fujian and Guangdong provinces in Southern China. As the building to worship of Budha, Tao, and Confucius, kelenteng is built by applying “feng shui” principles as tradition in arranging space pattern. The application of “feng shui” in Chinese kelenteng constitutes the choice of location, site plan, the placement of God and Goddess statues and the usage of color in the ornamentation. Since its establishment until now the application of “feng shui” in Chinese kelenteng seems unchanged. As the asset of Semarang City, kelenteng is expected to remain eternal because kelenteng can show a characteristic identity or an image of Pecinan or China town complex; as well this complex can be tourism destination in Central Java.
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Prameswary, Nadia, Rina Fitriana, and Mugiyanti Mugiyanti. "Analisis Konsep Feng Shui Dan Rokuyo Pada Novel Jisatsu Yoteibi Karya Akiyoshi Rikako." IDEA : Jurnal Studi Jepang 4, no. 1 (April 30, 2022): 1–19. http://dx.doi.org/10.33751/idea.v4i1.5207.

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Penelitian ini bertujuan untuk mendeskripsikan struktur Intrinsik dalam Novel Jisatsu YoteiBi karya Akiyoshi Rikako. Unsur-unsur intrinsik yang dibahas adalah tokoh, penokohan serta Pemplotan. Mendeskripsikan Konsep Fengshui dan Rokuyo, serta Dampak Negatif dan Positif percaya Feng shui dan Rokuyo dalam tokoh Utama dalam Novel Jisatsu YoteiBi karya Akiyoshi Rikako. Penelitian ini menggunakan metode penelitian deskriptif yaitu, mengungkapkan dan menjelaskan data dengan memberi deskripsi pada objek dengan apa adanya. Skripsi ini menggunakan teknik kepustakaan, yaitu dengan membaca buku yang berhubungan dengan karya sastra, psikologi kepribadian, kamus serta internet. Hasil penelitian ini menunjukkan bahwa tokoh utama mempelajari Feng shui dan Rokuyo dari dengan apa yang Tokoh Utama lihat untuk dilakukan dalam kehidupan sehari-hari. Dengan mempercayai Feng shui dan Rokuyo Tokoh utama mendapatkan Dampak Positif Dan Negatif dalam kehidupan sehari-hari.
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Kisselyova, T. A., and A. Nurzhanova. "In search of a harmonious life with the help of Ancient feng shui philosophy." Bulletin of Kazakh Leading Academy of Architecture and Construction 79, no. 1 (March 30, 2021): 66–71. http://dx.doi.org/10.51488/1680-080x/2021.1-08.

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The article deals with problems and open questions concerning the organization of living space. Today, the problem of organizing personal spaces comes to the fore. The color strategy of feng shui, which has proven its content over time, can help turn it into an attractive, harmonious, comfortable place to stay in self-isolation. The article considers examples of color solutions for residential interiors according to the five elements of Feng Shui.
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Hechler, Roswitha. "Menschlichkeit, Ökologie und Feng Shui siegen." Call Center Profi 4, no. 4 (April 2001): 64–67. http://dx.doi.org/10.1007/bf03253800.

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Grobe, Ilka. "Von Vorschriften, Farben und Feng-Shui." physiopraxis 1, no. 04/05 (April 2003): 56–58. http://dx.doi.org/10.1055/s-0032-1308357.

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Die Einrichtung einer Physiotherapie-Praxis hat eine große Wirkung auf Stimmung und Wohlbefinden der Patienten. Für eine stimmige Atmosphäre in den Räumen können Sie Innenarchitekten, Ausstattungsfirmen oder Feng-Shui-Berater zu Rate ziehen. Ein Überblick über diese Möglichkeiten und über die Richtlinien, welche es einzuhalten gilt.
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Baumgartner, Susanne. "Feng Shui – Therapie für die Praxisräume." ergopraxis 2, no. 02 (February 2009): 36–38. http://dx.doi.org/10.1055/s-0030-1254436.

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Leslie, Mitch. "Genetic feng shui for cancer cells?" Journal of Cell Biology 180, no. 1 (January 14, 2008): 3. http://dx.doi.org/10.1083/jcb.1801iti3.

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Hwangbo, Alfred B. "A new millennium and feng shui." Journal of Architecture 4, no. 2 (January 1999): 191–98. http://dx.doi.org/10.1080/136023699373918.

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Ye, Yvaine. "How to do office Feng Shui." New Scientist 241, no. 3212 (January 2019): 36. http://dx.doi.org/10.1016/s0262-4079(19)30071-5.

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Baumgärtel, Tilman. "Asian Ghost Film vs. Western Horror Movie: Feng Shui." Plaridel 12, no. 2 (August 30, 2015): 1–13. http://dx.doi.org/10.52518/2015.12.2-01tbmgtl.

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In this essay I will examine the question to what extent the Philippine production Feng Shui (Roño, 2004) is a horror film according to the well-established (Western) definitions of the genre. This seems to be a pertinent question as many Filipino horror films are based on ghost stories and folklore from the archipelago, that are often a lived reality and believed in by many people in the Philippines. The fact that Feng Shui as well as other horror films from Southeast Asia are produced for an audience that actually believes in ghosts seems to me to be very relevant for the analysis of these films. I will argue that Feng Shui shares a good number of traits with other Asian ghost films, but that it also features “the return of the repressed” that according to the late film critic Robin Wood is one of the defining features of Western horror movies.
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Caesa Azuhra, Nindya, and Herman Wilianto. "KESESUAIAN ENERGI “QI” DARI MODIFIKASI BANGUNAN ALIH FUNGSI PADA MASJID AL IMTIZAJ, BANDUNG." Riset Arsitektur (RISA) 6, no. 02 (April 4, 2022): 151–66. http://dx.doi.org/10.26593/risa.v6i02.5727.151-166.

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Abstrak – Masjid Al-Imtizaj di Bandung memiliki desain bangunan berakulturasi Tionghoa-Islam. Dengan menggunakan bangunan lama dan dimodifikasi dapat merubah fungsi bangunan tersebut, demikianlah yang dilakukan oleh Masjid Al Imtizaj. Berubahnya fungsi bangunan maka terjadi perubahan unsur energi Qi yang menurut Feng Shui sangat penting demi kesejahteraan bagi bangunan maupun pengguna bangunan. Bagaimana modifikasi bangunan tersebut dapat menciptakan atau menghasilkan energi “Qi” yang sesuai untuk tempat ibadah berdasarkan Teori Feng Shui aliran bentuk dan aliran lima elemen? Penelitian ini bertujuan untuk mengetahui kesesuaian energi Qi yang dihasilkan dari modifikasi bangunan Al Imtizaj menurut Teori Feng shui untuk bangunan peribadatan. Serta memberikan manfaat agar bangunan masjid Al Imtizaj Bandung ini dapat dijadikan bangunan cagar budaya dengan pelestarian budaya. Metoda penelitian yang digunakan adalah deskriptif eksploratif dimana penelitian ini mendeskripsikan dan menilai objek yang didukung oleh data literatur yang ada. Kata-kata kunci: Fengshui, Energi Qi, Masjid, Arsitektur Islam, Masjid At Al Imtizaj Bandung
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Wijaya, Rizki Tanto, Suzy S. Azeharie, and Muhammad Adi Pribadi. "Fenomena Ciong Pada Budaya Penganut Konghucu." Koneksi 2, no. 2 (May 9, 2019): 540. http://dx.doi.org/10.24912/kn.v2i2.3934.

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Bagian etnis Tionghoa yang masih kental dengan unsur budaya ialah etnis Tionghoa penganut agama Konghucu. Feng Shui merupakan salah satu warisan budaya yang masih tetap eksis hingga saat ini. Pemanfaatan Feng Shui kian diterapkan oleh penganut Konghucu dalam menjalankan sektor kehidupan dalam hal memperoleh keharmonisan dan kemakmuran hidup. Dibalik kepercayaan penganut Konghucu terhadap Feng Shui, penganut Konghucu mengenal budaya Ciong yang niscaya dapat membawa mara bahaya dalam hidup. Budaya Ciong kerap ditakuti oleh penganut Konghucu. Tujuan penelitian ini adalah untuk mengetahui budaya Ciong pada penganut Konghucu. Teori yang digunakan dalam penelitian ini adalah teori komunikasi dan budaya. Metode penelitian yang digunakan adalah metode penelitian kualitatif fenomenologi secara deskriptif. Data yang akan dianalisis diperoleh dari hasil wawancara mendalam dengan tujuh narasumber. Kesimpulan dari penelitian ini adalah penganut Konghucu di Jakarta sejak dahulu telah meyakini bahwa Ciong merupakan unsur budaya yang diwariskan oleh nenek moyang. Ciong kerap dikaitkan dengan berbagai hal yang berbau mitos dan mistis.
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Chen, Bixia, Gengi Kurima, and Yuei Nakama. "The Ryukyu Islands Feng Shui Village Landscape." Worldviews: Global Religions, Culture, and Ecology 12, no. 1 (2008): 25–50. http://dx.doi.org/10.1163/156853508x276824.

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AbstractIn a typical Ryukyu "Feng Shui" village, a forest belt, known as village Ho:go, was planted to curve in the front and extend to the east and the west to embrace the village along with preserved forest on the rear hill. Lines of Fukugi trees (Garcinia subelliptica) were planted to embrace the houses. Compared to the more symbolic existence of Feng Shui trees in China and other regions in East Asia, tree planting on a large scale was used as a practical means to repair defective topography with little protection from the strict natural condition on Ryuku's flat islands. This study focuses on village layout, forest composition in the front forest belt, habitat embracing trees, and forest plantations on the back hill. Garcinia subelliptica and Calophyllum inophyllum are the predominant species in the upper storey in the forest belt. A large number of species are also found in the under storey vegetation in the preserved forest. Thus, a Ryukyu Feng Shui village landscape, which embodies a symbiosis of the nature and human intervention, provides an ideal village landscape pattern in the Ryukyu Islands.
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Chen, Xue Jie. "Modern Environmental Design of Feng-Shui Culture Ecological Analysis." Applied Mechanics and Materials 361-363 (August 2013): 519–24. http://dx.doi.org/10.4028/www.scientific.net/amm.361-363.519.

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Chinese geomancy Fengshui was the fundamental basis, norm and guiding ideology for site selection of environment, planning, design and building of a residence. Its effect scope showed a homology and similarity with the building goal and environment design. Long-term since, someone put feng shui as a kind of feudal superstition, and give the negate, others believe the praise highly of feng shui, vehemently. However feng shui as a kind of culture, historically have been enmities, which inevitably contains a some reasonable factors. Based on this, the author tries to from scientific point of view, make use of ecology theory to explore the Fengshui cultures scientific, hoping to reveal its rationality, and acquire the correct understanding of Fengshui culture. In this way, the paper attempts to establish an environment designparadigm with Chinese characteristics, which can guide the design of environmental art.This paper uses the ecological system theory in the residential Fengshui on to homestead,explores the external environment and reveals the existing in the residential Fengshui cultures scientific, thereby,we can correctly put forward reasonable views on the residential Fengshui culture.
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Zhuang, Xue Ying, and Richard T. Gorlett. "Forest and forest succession in Hong Kong, China." Journal of Tropical Ecology 13, no. 6 (November 1997): 857–66. http://dx.doi.org/10.1017/s0266467400011032.

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ABSTRACTHong Kong is on the northern margin of the Asian tropics. The original forest cover was cleared centuries ago but secondary forest has developed since 1945 at many sites protected from fire and cutting. There are also older forest patches maintained behind villages for reasons of ‘feng shui’, the Chinese system of geomancy. All plants >2 cm dbh were identified and measured in forty-four 400-m2 plots. Detrended correspondence analysis showed a floristic continuum, with the montane sites (>500 m) most distinct and some overlap between lowland post-1945 secondary forest and the feng shui woods. The 30–40 year-old secondary forest is dominated by Persea spp. Montane forest is similar but lacks several common lowland taxa of tropical genera and includes more subtropical taxa. The feng shui woods have the most complex structure and contain some tree species not found in other forest types. Their origin and history is obscure but we suggest that both planting and selective harvesting have had a role in their current species composition
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Jung, Tae Yeal, and Mun Su Park. "A Study on the Storytelling of Selected Cultural Properties: With the Focus on Feng Shui Storytelling, the Selected Cultural Properties of Seongnam City." Association of Korean Cultural and Historical Geographers 34, no. 3 (December 31, 2022): 139–59. http://dx.doi.org/10.29349/jchg.2022.34.3.139.

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Currently, Korea has entered the Organization for Economic Cooperation and Development (OECD). The leisure time of Koreans is close to that of people in developed countries. The stories of cultural commentators can be searched on the Internet. Storytelling with fragmentary content cannot provide good tourism services to tourists. As a result of this study, the general story alone cannot attract tourists. This study targeted representative cultural properties in Seongnam-si. As a tool for feng shui storytelling, 20 storytelling materials (tools) related to Yangtaek (housing) feng shui were presented. In addition, 30 materials were presented in relation to Eumtaek (Grave) Fengshui. In the selected cultural commentary, the storytelling tool(material) presented in this study can provide more useful information to cultural tourists. In the case of Eumtaek(Grave) Cultural Heritage, various storytelling of historical figures with traditional geographical content such as feng shui increases tourism income and contributes to the local economy by attracting local tourists. To this end, local government support and efforts for storytelling by cultural commentators are needed.

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