Academic literature on the topic 'Feminist wave'

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Journal articles on the topic "Feminist wave"

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Snyder-Hall, R. Claire. "Third-Wave Feminism and the Defense of “Choice”." Perspectives on Politics 8, no. 1 (March 2010): 255–61. http://dx.doi.org/10.1017/s1537592709992842.

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How should feminist theorists respond when women who claim to be feminists make “choices” that seemingly prop up patriarchy, like posing for Playboy, eroticizing male dominance, or advocating wifely submission? This article argues that the conflict between the quest for gender equality and the desire for sexual pleasure has long been a challenge for feminism. In fact, the second-wave of the American feminist movement split over issues related to sexuality. Feminists found themselves on opposite sides of a series of contentious debates about issues such as pornography, sex work, and heterosexuality, with one side seeing evidence of gender oppression and the other opportunities for sexual pleasure and empowerment. Since the mid-1990s, however, a third wave of feminism has developed that seeks to reunite the ideals of gender equality and sexual freedom. Inclusive, pluralistic, and non-judgmental, third-wave feminism respects the right of women to decide for themselves how to negotiate the often contradictory desires for both gender equality and sexual pleasure. While this approach is sometimes caricatured as uncritically endorsing whatever a woman chooses to do as feminist, this essay argues that third-wave feminism actually exhibits not a thoughtless endorsement of “choice,” but rather a deep respect for pluralism and self-determination.
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Zenovich, Jennifer A., and Shane T. Moreman. "Third Wave Feminist Analysis of a Second Wave Feminist's Art." Departures in Critical Qualitative Research 4, no. 1 (2015): 57–80. http://dx.doi.org/10.1525/dcqr.2015.4.1.57.

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A third wave feminist approach to feminist oral history, this research essay blends both the visual and the oral as text. We critique a feminist artist's art along with her words so that her representation can be seen and heard. Focusing on three art pieces, we analyze the artist's body to conceptualize agentic ways to understand the meanings of feminist art and feminist oral history. We offer a third wave feminist approach to feminist oral history as method so that feminists can consider adaptive means for recording oral histories and challenging dominant symbolic order.
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Nehere, Kalpana. "The Feminist Views: A Review." Feminist Research 1, no. 1 (June 2016): 3–20. http://dx.doi.org/10.21523/gcj2.16010101.

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The first wave of feminism emphasised on women’s emancipation and equality, whereas the second wave focused on female oppressions and struggled for their liberation. The third wave stressed the individual empowerment. 1) The Marxist feminism confined to united struggle for women’s rights. 2) The socialist feminism exposed the gender aspects of welfare state. 3) The liberal feminists struggled for the empowerment and public participation of women, 4)The individual feminism aimed at personal abilities of woman, 5) The career feminism inspired women to free in the ‘World of Men’, 6) The global feminism insisted the boundary breaking activities for women’s empowerment and reorder the rules, 7) The radical feminists bounded to entire change in social structure for equality, 8) The lesbian feminists denied the need of men for existence of women, 9) The black feminists struggled for equality within the races and Dalit within castes, 10) The womanism supported the self-identity and -respect, 11) The cultural feminists and literature explained the cultural roots of discriminations and exploitations of women, 12) The eco-feminists focused on environmental aspects and resources related to women. However, 13) The existentialists are conscious about interdependence. The feministic analyses are active, challenging and important for social welfare.
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Lamus Canavate, Doris. "De la subversión a la inclusión: mi contribución al "silencio roto"." La Manzana de la Discordia 6, no. 1 (March 17, 2016): 47. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v6i1.1508.

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Resumen: En el presente artículo se reconstruyen yanalizan tres décadas de movilización feminista de lo quese ha llamado el feminismo de la Segunda Ola. Se destacanprocesos nacionales y regionales del movimiento social demujeres, y se reconstruyen historias de mujeres partícipesde su propia voz, o citando escritos y documentos producidospor las organizaciones integrantes en los procesosde movilización.Palabras clave: Movimiento social de mujeres, feminismode la Segunda Ola, discurso feminista, género, historia, Colombia.From Subversion to Inclusion: My Contribution to“Breaking the Silence”Abstract: The present article reconstructs and examinesthree decades of feminist protest of what has been calledSecond Wave feminism, highlighting global, nationaland regional processes of the women’s social movement, and reconstructing women’s stories in their own voices,or quoting from letters and documents produced by organizationsinvolved in the mobilization process.Key words: Women’s social movement, second wavefeminism, feminist speech, gender, history, Colombia.
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Dahlerup, Drude. "Ambivalenser och strategiska val. Om problem kring begreppen särart och jämlikhet i kvinnorörelsen och i feministisk teori." Tidskrift för genusvetenskap 22, no. 1 (June 16, 2022): 17–40. http://dx.doi.org/10.55870/tgv.v22i1.4318.

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Although previous research about the old feminist movement has deconstructed the equality versus difference dichotomy as false, recent Swedish research applies the same dichotomy, arguing that the demise of second wave feminism in Sweden was due to a swing from "equality feminism" "difference feminism". Based on her own extensive research on feminism in the 1960-80's, Dahlerup argues that cultural feminism of that period, including such phenomena as all women bands, films and women's literature, rather should be interpreted as a gigantic search for new feminist identities. Studies of old as well as newer feminist movements show that it has been possible for feminists to argue for equality (the political dimension) without agreeing or even clarifying for themselves the troublesome question of sameness or difference between the sexes (the onthological dimension). This article rejects the new dichotomy of biological essentialism versus constructivism, partly as a consequence of feminist theory's own rejection of the distinction between sex and gender. The article states that all feminisms see women's position as socially constructed, although in varying degrees; and that even "difference feminism" includes some protest against patriarchal biologism. In general, feminism is full of ambivalence and strategic choices rather than dichotomous thinking. The author also modifies the pendulumtheory of historical swings between feminism of sameness and feminism of difference. The article ends with recommendations for feminist movement research: A synchronous perspective is necessary, even in diachronous analyses. Further, dichotomous analytical concepts should be replaced by idealtypes which allow for differences in degree. Finally, it should be considered an empirical question, whether, when and on what issues women in history have constituted a group.
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Schaal, Michèle. "From actions to words: FEMEN’s fourth-wave manifestos." French Cultural Studies 31, no. 4 (October 22, 2020): 329–41. http://dx.doi.org/10.1177/0957155820961650.

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Since its creation in 2008 in Ukraine, FEMEN has fascinated mainstream audiences and scholars alike. Yet few studies have dealt with FEMEN’s writings in French. While the lack of translations may partially explain this critical gap, the overall dismissal of FEMEN and its impact on contemporary feminisms participates in the historic marginalisation of women’s contributions to the arts, the sciences, or society at large. Recognising the organisation’s problematic standpoints, this article demonstrates how, going from action to words, FEMEN’s collective book publications, Manifeste FEMEN and Rébellion, contribute to, and complicate, contemporary feminist thought and debates. Inscribing themselves in the feminist manifesto tradition, both books articulate a fourth-wave feminist standpoint, and through FEMEN’s assessment of their actions, the organisation unveils Western democracies’ tartufferies regarding secularism and equal rights. FEMEN’s manifestos also generate a reflection on the (im)possibility of a universal, global approach to feminism, namely, due to their Islamophobic stances.
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Escaja, Tina. "MATERNIDADES DISIDENTES Y PARADIGMAS FEMINISTAS EMANCIPADORES: DE LA RESISTENCIA AL DESTRUCTIVISM/O DE UNA CAÍDA (EN) LIBRE." ConSecuencias 3, no. 1 (November 19, 2022): 71–85. http://dx.doi.org/10.6017/cs.v3i1.15933.

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Dissident motherhood-s appear directly or indirectly in many of my literary and digital productions, always from the perspective of resistance to the patriarchal paradigm. Somehow, these works illustrate a certain evolution in theoretical approaches, from Adrienne Rich's distinction between “motherhood” (institutional, patriarchal, oppressive) and “mothering” (potential empowerment of the mother), to more recent activist and feminist theories, including questionings from an intersectional and decolonial feminism that also reflects on allegedly emancipatory principles of neoliberal base by the third wave of feminism. The poems and projects 13 lunas 13 (2011), and Caída libre (2004), not only resist and redefine the patriarchal paradigm and its Judeo-Christian misogynist-based approach, but also propose a new emancipatory feminist paradigm, a paradigm taken to oppositional resistance as a feminist counter-narrative with the instigation of the Destructivist/a movement in 2014. Finally, the “Feminist Manifesto in Times of Coronoavirus” (2020), intends to bring dissident maternities to a space of eco-Queer, inclusionist, empowerment. Resumen: El tema de la maternidad-maternidades disidentes aparece abordado de forma soslayada o directa en varias de mis publicaciones tanto literarias como digitales, siempre desde la perspectiva de resistencia al paradigma patriarcal. De algún modo, dichas obras ilustran cierta evolución en planteamientos teóricos, desde la diferenciación de Adrienne Rich entre motherhood (institucional, patriarcal, opresor) y mothering (potencial empoderamiento de la madre), a propuestas activistas y feministas en el nuevo milenio, pasando por cuestionamientos desde un feminismo interseccional y descolonial que también reflexiona sobre principios presuntamente emancipadores de base neoliberal auspiciados por la tercera ola del feminismo. El poemario y proyecto 13 lunas 13 (2011), y Caída libre (2004), no sólo resisten y redefinen el paradigma patriarcal y su planteamiento de base misógina judeocristiana, sino que proponen un nuevo paradigma emancipador desde el feminismo, paradigma llevado a nivel de resistencia oposicional a modo de contra-narrativa feminista con la instigación del movimiento Destructivist/a (2014). El “Feminist Manifesto in Times of Coronoavirus” (2020), pretende, por último, llevar el postulado de las maternidades disidentes a un espacio de empoderamiento inclusivo y eco-Queer.
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Alfonso, Rita, and Jo Trigilio. "Surfing the Third Wave: A Dialogue Between Two Third Wave Feminists." Hypatia 12, no. 3 (1997): 7–16. http://dx.doi.org/10.1111/j.1527-2001.1997.tb00002.x.

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As third wave feminist philosophers attending graduate schools in different parts of the country, we decided to use our e-mail discussion as the format for presenting our thinking on the subject of third wave feminism. Our analogue takes us through the subjects of postmodernism, the relationship between theory and practice, the generation gap, and the power relations associated with feminist philosophy as an established part of the academy.
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Sen, Tithi, and Kaushik Das. "Salient Features of Feminist Literary Criticism." Shanlax International Journal of English 10, no. 1 (December 1, 2021): 20–24. http://dx.doi.org/10.34293/english.v10i1.4199.

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Feminist literary criticism as criticism schools is marked by gender, widespread gender awareness, and feminine consciousness is its elementary characteristics. This study introduces the different phases of Feminism through various insidious social and cultural mores. The main objective of this study to Criticism the Salient Features of Feminist Literary. The main content of this paper is divided into three aspects, the first, second, and third wave of feminism from the 19th century to date. Methodology Employed based on qualitative research. The secondary sources of this study are taken from various books, articles, diaries, proposals, official records, archives, Govt. Gazetteers, Manuals and sites, and so on.
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Wonders, Bec. "Mapping second wave feminist periodicals: Networks of conflict and counterpublics, 1970–1990." Art Libraries Journal 45, no. 3 (July 2020): 106–13. http://dx.doi.org/10.1017/alj.2020.16.

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The second wave of feminism saw a surge in women's publishing that resulted in a women-controlled communications infrastructure within feminist periodicals. As a result of women actively contributing to the ‘letters to the editor’ pages, second wave periodicals offer rich source material for tracing the development of feminist theory. Indicative of an invested and participatory counterpublic of readers, second wave periodicals also reveal the internal disagreements and debates which feminists were grappling with during the 1970s and 1980s. Spare rib, Trouble & strife, Revolutionary/radical feminist newsletter and Outwrite were feminist periodicals that all published coverage of the 1982 Lebanese war, and discussed the subsequent implications of anti-Zionism and anti-Semitism. Conflict over how correctly to cover the disagreements, both editorially and ideologically, dominated the correspondence pages of these periodicals. However, mediating conflict was uniquely suited to the medium of a periodical, as it allowed for less outspoken women to see themselves as contributors and add to a plurality of opinion. The visual mapping of these debates by means of Social Network Analysis highlights how the circulation of feminist periodicals enabled communication in the form of a webbed network of debate. The periodical format, and in particular the letters pages, offered a much-needed forum for criticism and disagreement to play out, and in turn the advancement of feminist discourse. As historical source material, they tell the story of a complex and diverse movement, unsettling the notion of a neat chronology of distinct decades of feminist history.
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Dissertations / Theses on the topic "Feminist wave"

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Briggs, Alison. "[Nietzsche the third-wave feminist /." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/700.

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Protic, Serena. "The impact of fourth wave feminism: Using social media as a feminist resource." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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There is little doubt that the Internet, and especially social media, has revolutionised our lives, transforming the way in which we communicate (Liveperson 2017), read the news (Pew Research Center 2016), shop and conduct business (Deloitte 2015), work (Zetterstrom 2012) and even find love (Pew Research Center 2015). The Internet has had an impact on feminism as well, revolutionising the way feminists participate in political and cultural activism and contributing to the creation of a fourth feminist wave. Thanks to the Internet, virtually anybody who has access to it can become an activist and fight for the movement from the comfort of their home, whether by contributing to the creation of an online archive, signing petitions, supporting boycott movements or sharing their experiences on a blog (Cochrane 2013). But what is the real impact of the Internet on the way activists operate? Will it replace grassroots activism with time, or is it contributing to the development of new strategies, which will cooperate with existing methods, in an effort to collectively change the culture we are living in? This study suggests the unfolding of a new, fourth feminist wave, analyses the contribution of the Internet to fourth wave feminism and explores the potential of online activism as a tool to combat misogyny.
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Katona, Leah Andrea. "The Use of Violence as Feminist Rhetoric: Third-Wave Feminism in Tarantino's Kill Bill Films." CSUSB ScholarWorks, 2008. https://scholarworks.lib.csusb.edu/etd-project/2759.

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For the purpose of this thesis, the main focus of the feminist rhetorical criticism method was specifically linked to gender-related power inequities. This method was especially appropriate for the analysis of how film violence is used as a feminist rhetorical strategy in the Kill Bill films. This thesis is more closely aligned with challenging rhetorical standards as it sought to identify feminist counter positions of rhetoric in film violence.
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Llewellyn, Dawn Louise. "Women's spiritual reading as a third wave feminist practice." Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547942.

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VanNewkirk, Robbin Hillary. "Third Wave Feminist History and the Politics of Being Visible and Being Real." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/wsi_theses/1.

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This project works to illuminate some of the main theoretical claims that writers of the third wave make in order to understand these claims as rhetorical devices used to make themselves visible and real. Being visible is a common theme in third wave texts and realness is a site that is both contested and embraced. Being Visible and being real work together to situate third wave actors in a U.S. feminist continuum that is sprinkled with contradiction and ambiguity. This thesis will examine the contextual development of third wave feminism, and then using examples of realness and visibility in the three third wave anthologies, Being Real, Third Wave Agenda, and Catching a Wave, this thesis will interrogate at the rhetorical significance of those themes.
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Fibbe, Leigh Ann. "Personal theorizing: a strategic approach to third wave feminist theory." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382549735.

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Bly, Elizabeth Ann. "Generation X and the Invention of a Third Feminist Wave." Cleveland, Ohio : Case Western Reserve University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1259803398.

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Thesis (Ph. D.)--Case Western Reserve University, 2010.
Title from PDF (viewed 2009-12-30). Department of History. Includes abstract. Includes bibliographical references and appendices. Available online via the OhioLINK ETD Center.
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Wallenberg, Louise. "Upsetting the male : feminist interventions in the new queer wave /." Online version, 2002. http://bibpurl.oclc.org/web/32833.

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Janowick, Tara. "Feminist discourse across the waves : a rhetorical criticism of first, second and third wave women's discourse /." Available to subscribers only, 2008. http://proquest.umi.com/pqdweb?did=1559850881&sid=10&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Sofia, Björklund Viktoria. "Constructed Gender Roles in City of Glass : A Third Wave Feminist Approach." Thesis, Högskolan Dalarna, Engelska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-23188.

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Books on the topic "Feminist wave"

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J, Nicholson Linda, ed. Second wave feminism reader: Feminist theoretical writings. New York, N.Y: Routledge, 1996.

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Radical feminism: Feminist activism in movement. Houndsmills, Basingstoke Hampshire: Palgrave Macmillan, 2015.

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Chamberlain, Prudence. The Feminist Fourth Wave. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53682-8.

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Becoming a feminist: The social origins of "first wave" feminism. Brighton, Sussex: Wheatsheaf Books, 1986.

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Banks, Olive. Becoming a feminist: The social origins of "first wave" feminism. Athens: University of Georgia Press, 1987.

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Banks, Olive. Becoming a feminist: The social origins of " First Wave" feminism. Brighton: Harvester Wheatsheaf, 1990.

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Judith, Evans. Feminist theory today: An introduction to second-wave feminism. London: Sage Publications, 1995.

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1963-, Kinser Amber E., ed. Mothering in the third wave. Toronto: Demeter Press, 2008.

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Ungrateful daughters: Third wave feminist writings. Newcastle upon Tyne, UK: Cambridge Scholars, 2010.

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Banks, Olive. Becoming a feminist: The social origins of "first wave" feminism. Brighton: Wheatsheaf, 1986.

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Book chapters on the topic "Feminist wave"

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Howie, Gillian, and Ashley Tauchert. "Feminist Dissonance." In Third Wave Feminism, 46–58. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593664_4.

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Howie, Gillian, and Ashley Tauchert. "Feminist Dissonance: The Logic of Late Feminism." In Third Wave Feminism, 37–48. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230523173_4.

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Chamberlain, Prudence. "Feminist Futurities." In The Feminist Fourth Wave, 155–83. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53682-8_6.

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Moore, Niamh. "Imagining Feminist Futures." In Third Wave Feminism, 125–41. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593664_10.

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Spencer, Jane. "Afterword: Feminist Waves." In Third Wave Feminism, 298–303. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593664_23.

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Tong, Rosemarie, and Tina Fernandes Botts. "Third-Wave and Queer Feminisms." In Feminist Thought, 261–76. Fifth edition. | Boulder, CO : Westview Press, [2017]: Routledge, 2018. http://dx.doi.org/10.4324/9780429495243-11.

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Evans, Elizabeth. "Feminist Inclusivity." In The Politics of Third Wave Feminisms, 87–110. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137295279_5.

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Chamberlain, Prudence. "The Wave Narrative." In The Feminist Fourth Wave, 21–44. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53682-8_2.

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Mishra, Nishtha. "The third-wave women questions." In The Feminist Shaw, 138–55. London: Routledge India, 2021. http://dx.doi.org/10.4324/9780429280443-9.

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Chamberlain, Prudence. "Why Fourth Wave Now?" In The Feminist Fourth Wave, 107–54. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53682-8_5.

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Conference papers on the topic "Feminist wave"

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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
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Vevere, Velga. "FEMINIST AUTOTHANATOGRAPHIES: ALICE JAMES AND SIMONE DE BEAUVOIR." In NORDSCI International Conference Proceedings. Saima Consult Ltd, 2019. http://dx.doi.org/10.32008/nordsci2019/b1/v2/34.

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Feminist autobiography is a genre with long-standing literary and philosophical tradition, still some aspects, like, autobiography as “death writing” have come to scholarly attention as of relatively recent. The conceptual framework hinged on the concepts of “tanatography” (defined as an account of a person’s death) and “autotanatography” (defined as an account of one’s own death) makes it possible to take a fresh look into feminist writings from 19th and 20th centuries (Alice James and Simone de Beauvoir). Among the questions for the critical reflection we can mention the following ones: issues of memory and forgetting, of death of the significant other, of aging, of suicide, of literary death (ending the writing career path). Autothanatography is self-death-writing, instead of self-life-writing, even if death is an experience that cannot be had for oneself. The current article takes a look into the auto-death-writing of two women writers: Alice James (1848-1892) – a sister of William and Henry James and Simone de Beauvoir (1908-1986). Although both women’s lives are set almost a century apart and none of them define herself as a feminist writer, their memoirs are written from the vantage point of imminent death. In the first case (James’s) we can speak of her posthumously published diaries, especially their second part written after she was diagnosed with breast cancer. Whereas in the latter (Beauvoir’s) case the autothanatological vibe is felt throughout the whole series of her memoirs (“Memoirs of a dutiful daughter”, “The prime of life”, “Force of circumstance”, “A very easy death”), but especially in the oeuvre “All is said and done” – the writing in anticipation of one’s death. The aspect that is common to both writers is that their memoirs exhibit the strategy of recollection, of re-reading their life events anew in the wake of the end (physical and/or authorial).
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Setianto, Angelica L., and Maria V. Win. "The Application of Girl Power Through Third-Wave Feminism in Birds of Prey." In International Joint Conference on Arts and Humanities (IJCAH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.100.

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Reports on the topic "Feminist wave"

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McElvain, Jean, Monica Sklar, and Madeline Harpham. Dior to disco: Second wave feminism and fashion. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-329.

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