Relevant bibliographies by topics / Feminist traits

Academic literature on the topic 'Feminist traits'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Feminist traits"

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Mahmood, Ambreen, and Masroor Sibtain. "Exploring Feminism and Marital Relations in “The Optimist” by Bina Shah: A Transitivity Analysis." Global Language Review V, no. IV (December 30, 2020): 113–22. http://dx.doi.org/10.31703/glr.2020(v-iv).12.

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The current research paper tries to explore feminism and marital relations in an English short story by Bina Shah in a Pakistani context. Halliday's Trnsitivity System (2004) as textual analysis supported to identify the feminine and feminist traits in English fiction. The high frequency of material process (66) out of 200 clauses presented Raheela as a feminist, whereas the Relational process (56) reflected her feminine traits. The participants of the processes and circumstances made the institution of marriage clear; the desire and choice for marriage, sending marriage proposal and accepting proposal were all by the groom, his parents and bride's parents, but the bride had no right to express her choice and is generally supposed to follow her parents. Marital relation was built without the compatibility of the participants of marriage. The research helped to identify the writer's reflection of feminism and unfolded Asian culture with respect to marriage.
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Koenig, Fredrick. "Sex Attribution to Hypothetical Persons Described by an Adjective Trait List: A Replication." Perceptual and Motor Skills 81, no. 3 (December 1995): 723–30. http://dx.doi.org/10.2466/pms.1995.81.3.723.

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This paper is a replication of the author's 1969 study, “Sex Attribution to Hypothetical Persons Described by Adjective Trait Lists.” In both studies the trait lists were made up of four masculine traits, four feminine traits, four neutral traits, and four traits which were half masculine and half feminine. In the 1969 study most of the figures described, 81%, were male. In the intervening years, the feminist movement, emphasis on changing sexist elements in language, and similar social phenomena influenced the author to hypothesize that female figures would be more highly represented in a replication. In the repetition of the study 25 years later, 53% of the responses were of female figures, 26% were male figures, and 21% were either male or female.
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Li, Jianhua. "Evaluating the Intersectionality of Women Liberation Movements." Learning & Education 9, no. 2 (November 10, 2020): 124. http://dx.doi.org/10.18282/l-e.v9i2.1423.

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The paper focuses on how women’s liberation movements overlook women from minority race groups. The rise of feminism, for example, ignores the unique challenges faced by queer women and women of color. Additionally, women liberation movements do not highlight the plight of women from minority race groups, who are thought of as less feminine. For instance, feminist movements do not highlight the discrimination against black women, who tend to be assertive and confident, traits associated with masculinity. Moreover, women’s suffrage protests were subjects of criticism for segregating women based on race. The paper criticizes the women’s liberation movements take on intersectionality of race, strengthening the need to revisit their primal objectives, particularly feminist campaigns that ought to address plights for vulnerable women in society.
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Jackson, J. Kasi. "Science Studies Perspectives on Animal Behavior Research: Toward a Deeper Understanding of Gendered Impacts." Hypatia 29, no. 4 (2014): 738–54. http://dx.doi.org/10.1111/hypa.12091.

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This case study examines differences between how the animal‐behavior‐research fields of ethology and sociobiology account for female ornamental traits. I address three questions: 1) Why were female traits noted in early animal‐behavior writings but not systematically studied like male traits? 2) Why did ethology attend to female signals before sexual‐selection studies did? 3) And why didn't sexual‐selection researchers cite the earlier ethological literature when they began studying female traits? To answer these questions, I turn to feminist and other science‐studies scholars and philosophers of science. My main framework is provided by Bruno Latour, whose model I position within relevant feminist critique (Latour 1999). This approach provides an interactive account of how scientific knowledge develops. I argue that this embedded approach provides a more compelling reading of the relationship between gender and science than does focusing on androcentric biases. My overall aim is to counter arguments by some feminist biologists that feminist tools should emphasize the correction and removal of biases, and to address their fears that more rigorous critiques would lead to relativism or otherwise remove science as a tool for feminist use.
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Bataineh, Adnan. "Analysis of Personal Traits in 16 Omani English Language School Textbooks." International Journal of Linguistics, Literature and Translation 5, no. 8 (August 3, 2022): 39–50. http://dx.doi.org/10.32996/ijllt.2022.5.8.5.

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This paper aims to analyze 16 English language school textbooks used in the Omani government schools. Quantitative and qualitative content analyses are used to investigate personality traits found in the textbooks. The analysis included all personal traits implied by images and texts in the textbooks. According to Hawkins’s (2007) classification of personal traits, personal traits are examined: traditional and feminist gender traits. The study results have indicated that there is a balanced representation of males and females in terms of personal traits. The study has also shown that the majority of masculine personal traits are stereotypical. Females were portrayed in different situations that conveyed masculine and feminine traits. Males were portrayed as risk-takers, self-reliant, nurturing, adventurous, decisive, competitive, and aggressive. Females were portrayed in a variety of personal traits such as nurturing, understanding, affectionate, risk-taker, self-reliant, competitive, aggressive, adventurous, and decisive.
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Snyder, Rita, and Lynn Hasbrouck. "Feminist Identity, Gender Traits, and Symptoms of Disturbed Eating Among College Women." Psychology of Women Quarterly 20, no. 4 (December 1996): 593–98. http://dx.doi.org/10.1111/j.1471-6402.1996.tb00324.x.

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This study explored relationships among feminist identity, gender traits, and symptoms of disturbed eating. Seventy-one college women completed the following: weight-related questions, Feminist Identity Development Scale, Personal Attributes Questionnaire, Figure Rating Scale, and Eating Disorders Inventory. Identification with feminist values negatively correlated with body dissatisfaction, bulimic symptoms, and feelings of ineffectiveness. Identification with stereotypical masculine traits was inversely related to perfectionist tendencies and feelings of ineffectiveness, but was unrelated to body concerns. These results suggest factors promoting body dissatisfaction and disturbed eating may have less impact on college women identifying with feminist values, such as commitment to nonsexist roles and personal empowerment.
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Mikkola, Mari. "Gender Concepts and Intuitions." Canadian Journal of Philosophy 39, no. 4 (December 2009): 559–83. http://dx.doi.org/10.1353/cjp.0.0060.

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This paper has two goals: it takes issue with a revisionary analysis of the concept woman and it defends certain linguistic intuitions about the use of the term ‘woman’. A number of contemporary feminists have been concerned with how to best define the concept woman: how best to cash out under which conditions someone counts as a woman. This concern strikes non-feminist philosophers and ordinary language users as surprising since (ordinarily) cashing out the said conditions doesn't appear to be problematic: aren't women simply human females? Most feminists disagree. They standardly understand woman as a gender concept and gender ascriptions are taken to depend on some social traits (like one's social role or position). These are distinct from sex ascriptions that are thought to depend on anatomical traits (like chromosomes and genitalia).
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Koolwal, Priti. "Feminism in Shashi Deshpande's That Long Silence and Anita Desai's Cry, the Peacock: A Comparative Study." SMART MOVES JOURNAL IJELLH 9, no. 5 (May 28, 2021): 154–60. http://dx.doi.org/10.24113/ijellh.v9i5.11055.

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Feminism is a rapidly developing critical ideology of great promise. In the words of M.K. Bhatnagar, "Feminism in the Indian context is a by product of western liberalism in general and feminist thoughts in particular". With the social and cultural change in post independence India, women find themselves standing at the cross-roads. On one hand it is the consciousness of a changed time and on the other, the socio-cultural modes and values that have given them defined role towards themselves, have led to the fragmentation of the very psyche of these women. Caught between two worlds, they need to define themselves, their place in society and their relationship with surroundings. Anita Desai and Shashi Deshpande have constantly sought to come to grips with these problems of Indian womanhood and vividly and realistically portrayed the 'women question' and 'feministic traits' in their novels. If comparative study is the study of literature across national, political and linguistic boundaries, feminism is the comparative work across boundaries of gender and culture. The main concern of this paper is to present a comparative study of the note of feminism in the best words of both these feministic writers, i.e. Anita Desai's Cry, The Peacock and Shashi Deshpande's That Long Silence.
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Persson, Sofia, and Thomas J. Hostler. "When Men Who Dislike Feminists Feel Proud: Can Self-Affirmation and Perspective-Taking Increase Men’s Empathy Toward Feminists?" Psychology of Women Quarterly 45, no. 3 (May 28, 2021): 372–86. http://dx.doi.org/10.1177/03616843211017472.

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Abuse against women’s rights activists is a serious concern, but there is a lack of research into strategies on how to reduce this. Past research has identified self-affirmation (i.e., thinking about one’s valued traits) and perspective-taking as promising strategies to reduce minority target backlash. Through one pilot study ( n = 98), and one two-part experimental study ( n = 202), we tested the effect of perspective-taking and self-affirmation on empathy toward feminism among men. Fictional Facebook profiles were manipulated to encourage perspective-taking, perspective-taking with self-affirmation, or were neutral in content. Participants then rated feelings toward individual feminists as well as feelings (in the context of perspective-taking emotions) toward abuse faced by feminists more generally. Results indicated that perspective-taking combined with self-affirmation promoted empathetic feelings (as represented by perspective-taking emotions) toward feminists experiencing abuse. The impact on empathy was particularly strong among men with high initial prejudice toward feminists. These results suggest that self-affirmation could potentially reduce online abuse of feminists through an increase in empathetic feelings. This research has broader implications for male engagement within feminism, and we recommend that educators and male allies of feminism promote positive, affirming roles for men (e.g., as fathers), as this may encourage empathy toward feminist issues. Policy makers could consider this strategy in the context of promoting policies such as shared parental leave. Online slides for instructors who want to use this article for teaching are available on PWQ's website at http://journals.sagepub.com/doi/suppl/10.1177/03616843211017472
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Uddin, Md Abu Saleh Nizam. "Feminism and Its Impact on the Literature of Love." Language Circle: Journal of Language and Literature 16, no. 2 (April 26, 2022): 364–76. http://dx.doi.org/10.15294/lc.v16i2.33108.

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Writers, readers and critics of literature have long been engaged with the appreciation of Feminist characters and Feminist themes in literary texts. But analyzing Feminism itself, to know about its impact on the literature of love is also an area to be explored. When Feminism is studied, we find in it traits opposing the love of mankind, which increases misery for women and others resulting in the decrease and even disappearance of the literature of love, a priceless possession of human beings. Thus, this paper aims at exploring how Feminism is antagonistic to the love of mankind by being prone to exclusionist and utilitarian politics, hostile to men and children, catalytic to separation in family, and indifferent towards rape and illegal men-women physical relationship eventually contributing to the increase of human misery reflected by and resulting in the gradual extinction of the literature of love. In this research thematic analysis was followed applying Bowen Family Systems Theory, Reader-Response Theory and Theory of Phenomenology. The finding of the research may ignite the search of a love-based, family-centric and holistic approach to ensure a misery-free happy life to women which will be reflected in the rejuvenation of the literature of love.
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Dissertations / Theses on the topic "Feminist traits"

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Cunningham, Stephanie J. "An Investigation of the Relationship between Feminist Traits and Personal Empowerment for Young Women." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1345938471.

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Lindburg, Emily R. "Feminist Stereotypes: Communal vs. Agentic." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/398.

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This study examined relationships between facial appearance, gender-linked traits, and feminist stereotypes. Naïve college students rated traits based on facial appearance of female CEO's whose companies appeared in the Forbes 1000 list. The photos of each female CEO (n=35) were randomly combined with two descriptive identifiers; an occupation (n=9) and an interest area (n=9), including 'feminist'. Participants then rated the head shots of the CEO's on a 7 point Likert scale of communal (expected feminine) traits like attractiveness, warmth, compassion and cooperativeness, and on agentic (expected masculine) traits like ambition, leadership ability and intelligence. If college students hold negative stereotypes of feminists, feminist identified women are expected to be rated lower on levels of attractiveness, warmth, compassion and cooperativeness, but higher in leadership ability, ambition, and intelligence. Results demonstrated that participants did not hold negative stereotypes of feminists as they rated them similarly to environmentalists, progressives, and liberals. Results demonstrated that participants held negative stereotypes about conservatives and republicans.
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Yusof, Rohana. "Socio-cultural traits and entrepreneurship among Malay rural businesswomen in Malaysia : an analysis through a feminist perspective." Thesis, Lancaster University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442718.

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Fish, Tamara Lynn. "Feminist traces : women and feminism in college composition and communication, 1963-1992 /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Thompson, Kenny, Loyd Lee Glenn, and Daren Vertein. "Comparison of Masculine and Feminine Traits in a National Sample of Male and Female Nursing Students." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/7518.

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The stereotype that male nurses are less masculine has existed for generations and spans all age groups. Several studies have investigated masculinity and femininity in nurses using the Bem Sex-Role Inventory, but the results are conflicting and inconclusive. Therefore, a nationwide survey was conducted across the United States that examined the sex-role identity of individuals who chose nursing as a career path. Twenty-eight males and 81 females from 37 states completed the survey. The males and females in the study both had higher mean scores on masculinity and femininity scales when compared with previous studies. The greatest percentage of participants were classified as androgynous, as opposed to masculine, feminine, or undifferentiated, with half of the males and nearly half of the females falling into this category. © The Author(s) 2011.
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RODRIGUES, CARLA. "TRACES OF THE FEMININE: ETHICS AND POLITICS IN JACQUES DERRIDA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17394@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Este trabalho se propõe a refletir sobre a maneira como o filósofo Jacques Derrida pensa o feminino e faz articulações entre o pensamento do feminino e a maneira como ele pensa a ética e a política. Estão em debate temas caros ao pensamento da desconstrução, como o questionamento da metafísica da presença e sua respectiva garantia de sentido; a suspensão, entre aspas, de todos os conceitos filosóficos, o tratamento do sexual, do identitário e do ontológico e suas relações com o tema da diferença; além das proposições do feminino como estrutura radical de acolhimento. Através de tais tematizações, o autor recoloca em novos termos tanto a ética, renomeada de hospitalidade incondicional, quanto a política, que passa a ser chamada de responsabilidade infinita.
This work intends to reflect on how the philosopher Jacques Derrida thinks the feminine and makes links between the thoughts of the feminine and the way he thinks ethics and politics. Are in discussion topics important to deconstruction, as the questioning of the metaphysics of presence; the suspension in quotation marks, of all philosophical concepts, the treatment of sexual, the identity and ontological and its relationship to the theme of difference, beyond the propositions of the feminine as otherness. Through such discussions, the author brings back in terms of both new ethics, renamed unconditional hospitality, as the policy, which shall be called the infinite responsibility.
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Farias, Filho José Gomes de. "LIDERANÇA FEMININA NA ADMINISTRAÇÃO PÚBLICA: ESTUDO DE CASO NA UEPB." Universidade Estadual da Paraíba, 2007. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2084.

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Made available in DSpace on 2015-09-25T12:22:58Z (GMT). No. of bitstreams: 1 JoseGomesDeFariasFilho.pdf: 1538333 bytes, checksum: 50a8e5139bd84975ad24ae7904329e1f (MD5) Previous issue date: 2007-11-30
The current globalized reality requires that private or public organizations have leadership as influence process so that leaders can use their actions to develop a team with the same interests and shared goals. Regarding this trend, the present research aims to investigate the role of female leadership at Universidade Estadual da Paraíba UEPB, Campus I in Campina Grande, PB besides analyzing its sociodemographic profile, identifying its personality traits and characteristics, as well as detecting the leadership styles exerted by the women sho have management positions. To conduct this study, it was necessary to use personality traits and characteristics that, according to Maximiano (2004), correspond to impulse and achievement motivation, power motivation, selconfidenc, honesty, integrity and openness. As for the leadership styles, the research used Dubrin s view (1998) which relates to autocratica and participating style, and entire freedom, and Jesuino s (2001) which adds the caring and visionary styles. A questionnaire was used to collect data. It consisted of 45 closed questions and an open one for suggestions. The methodology applied into the study was based on descriptive and exploratory surveys with quantitative approach. According to the subjects surveyed, the results showed that the female managers at the Universidade Estadual da Paraíba tend to develop perception, selfconfidence and participating leaderschip style. Indeed, these managers are expected to ponder and enhance the of leading.
Na atual conjuntura globalizada as organizações Pública ou Privada , precisam da liderança como um processo de influência pelo qual os líderes com suas ações facilitam o movimento de uma equipe de pessoas rumo a metas comuns ou compartilhadas. Neste contexto a presente pesquisa tem como objetivo geral averiguar a atuação da liderança feminina na Universidade Estadual da Paraíba Campus I Campina Grande PB, e como objetivos específicos traçar o perfil sociodemográfico, identificar as caracteristicas e os traços da personalidade e conhecer quais são os estilos de liderança exercidos pelas mulheres que ocupam cargos de chefia. Utilizou-se para direcionar tal estudo, as características e traços da personalidade que segundo Maximiano (2004) correspondem a: Impulso e motivação de realização ; Motivação de poder"; Autoconfiança ; e Honestidade, integridade e abertura ; e quanto aos estilos de liderança, optou-se por Dubrin (1998), que destaca: Estilo autocrático ; Participativo ; Liberdade total ; e por (Jesuíno 2001), que acrescenta: os estilos Carismático e Visionário . Para coleta de dados o instrumento adotado foi um questionário, elaborado com 45 perguntas fechadas e uma aberta para sugestões. Quanto à metodologia a mesma foi baseada em pesquisas do tipo descritiva e exploratória com abordagem quantitativa. Os resultados mostram que na Universidade Estadual da Paraíba, conforme o universo pesquisado as mulheres gestoras têm tendência de percepção, autoconfiança e estilo liderança participativo. Espera-se que as gestoras reflitam e melhorem cada vez mais a arte de liderar.
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Panichelli, Meg Rose. "The Intersections of Good Intentions, Criminality, and Anti-Carceral Feminist Logic: a Qualitative Study that Explores Sex Trades Content in Social Work Education." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4512.

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This study uses anti-carceral feminist logic to explore the cultural meanings, criminal implications, and neoliberal influence that shape the landscape of social work education about the sex trades in the United States and transnationally. "What are social work instructors teaching students about the sex trades in coursework?" is the question that directs the study, which uses a feminist qualitative methodology inclusive of intersectional feminist epistemology as well as direct content analysis. To answer this question, I analyzed 20 social work course syllabi from sex trade related courses across the contiguous United States and interviewed 20 social work instructors from 14 different states. Study findings show that course content represents people in the sex trades primarily as victimized cisgender women and girls with a significant focus on sex trafficking, especially within the Global South. While there is some course content that portrays sex trade workers as having complex and autonomous experiences, this material is limited to courses that have "sex" or "sexuality" in the title (i.e. "sex trafficking" or "sexuality and social work" courses). Furthermore, course content that represents the intersectional experiences and impact of systemic violence encountered by trans women of color and LGBTQ+ people is underrepresented in the sample--confined to two course syllabi and visibly absent from remaining syllabi. The sample indicates the prevalence of carceral approaches to the sex trades with an unexamined and racially-biased emphasis upon rescue and/or incarceration. This project provides significant implications for social work education about the necessity of an anti-carceral feminist, intersectional, and consequently, an anti-oppressive approach to teaching about the sex trades.
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Odenmo, Emma. "Empowerment of the Oppressed in Margaret Atwood’s Surfacing and Louise Erdrich’s Tracks : A Comparative Study of Feminism and Postcolonialism." Thesis, Mid Sweden University, Department of Humanities, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11221.

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A comparative essay to show links between empowerment in feminism and postcolonialism by comparing the development of the protagonist in Margaret Atwood's Surfacing to the development of Pauline in Louise Erdrich's Tracks.

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Doré, Pascale. "Les traces d'un trauma ou le feminin insoutenable dans l'ecriture de marguerite yourcenar." Paris 7, 1998. http://www.theses.fr/1998PA070038.

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Le travail propose une lecture analytique, d'inspiration freudienne, des ecrits de marguerite yourcenar, en prenant pour axe principal la notion de feminin, et en visant conjointement a demeler quelques-uns des ressorts inconscients qui ont preside a l'ecriture. La premiere partie s'articule autour du deni dont la mere est l'objet : representation de la mere et de la mort maternelle survenue a la naissance de l'enfant, liens avec le glacage des affects, deplacement sur la figure animale, mise a jour d'une structure fantasmatique recurrente. La seconde partie est consacree a la representation clivee du feminin. Elle met en evidence une topologie singuliere propre aux figures feminines, celle d'un espace de l'entre-deux morts ou le sado-masochisme et l'abject voisinent avec le sublime en temoignant d'un deuil maternel non accompli. La troisieme partie interroge la fonction structurante de l'ecriture, ses conditions operantes, comme ses limites. Elle s'attache a suivre la recherche d'une enonciation ideale, quete d'un modele masculin, accroche symbolique qui permet une identification imaginaire et en meme temps une nomination de l'insoutenable. Elle en degage les paradoxes, analyse l'enjeu attache au respect de la loi symbolique et surprend les sourds echos de sa remise en cause, trace de l'abime melancolique
This study, based upon marguerite yourcenar's writings, is a psychoanalytic reading, in a freudian way, focused on the notion of the feminine and on the unconscious factors which presided over the writing. The first part points out the denial abouth the mother who died at the child's birth. The mother's and mother's death's representations, the link with the affects' "freezing", the displacement on the animal figure, the presence of a recurrent phantasmatic structure are described. The second part deals with the splitting of the feminine's representation. It points out a specific topology related to feminine figures, a "between-two-deaths' space", where the sado-masochism and the abject cohabit with the sublime, giving evidence to a non-achieved mother's mourning. The third part questions the structuring function of the writing, its operating conditions and its limits. The search of an ideal enunciation is analysed as the quest of a masculine model, whose works as a symbolic grip which gives access to an imaginary identification and a nomination of the unbearable. The paradox of this quest are pointed out, especially the meaning of the attention given to the respect of the symbolic law and the tenuous echos of its questioning, traces of the melancholic abyss
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Books on the topic "Feminist traits"

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Brady, Ann P., Elizabeth A. Flynn, and Patricia J. Sotirin. Feminist rhetorical resilience. Logan, Utah: Utah State University Press, 2012.

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1937-, Michael Colette Verger, ed. Les Tracts féministes au XVIIIe siècle. Genève: Slatkine, 1986.

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Guangting, Du. Divine traces of the Daoist sisterhood: "Records of the assembled transcendents of the fortified walled city". Magdalna, NM: Three Pines Press, 2006.

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Guangting, Du. Divine traces of the Daoist sisterhood: "Records of the assembled transcendents of the fortified walled city". Magdalna, NM: Three Pines Press, 2006.

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G, Bucher Douglas, Wheeler W. Richard, Tomlan Mary Raddant, Albany Institute of History and Art., and Fred L. Emerson Gallery, eds. A Neat plain modern stile: Philip Hooker and his contemporaries, 1796-1836. Clinton, N.Y: Trustees of Hamilton College, 1993.

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Khigir, Boris. Polnai︠a︡ ėnt︠s︡iklopedii︠a︡ imen: Zhenskie imena. Moskva: Izd-vo "AST", 2004.

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1932-, Barkin Elaine, Hamessley Lydia, and Boretz Benjamin, eds. Audible traces: Gender, identity, and music. Zürich: Carciofoli, 1999.

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Destrucción, re-construcción y efecto Shiva: Una apuesta feminina en El Salado, Montes de María. Bogotá, Colombia: Universidad de los Andes, Facultad de Ciencias Sociales, Departamento de Antropología, CESO, 2010.

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Colin, Madeleine. Traces d'une vie dans la mouvance du siècle. [Paris]: M. Colin, 1991.

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Slap on a little lipstick-- you'll be fine. Minneapolis: Tristan Pub., 2005.

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Book chapters on the topic "Feminist traits"

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Wallace, Caroline. "Fragmented Traces. . ." In Feminist Visual Activism and the Body, 226–40. New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429298615-16.

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Rosenberg, Tiina. "It Happened to #Metoo: Queer Feminist Critique of Cisgender White Feminism." In The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance, 223–42. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69555-2_13.

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Çağatay, Selin, Mia Liinason, and Olga Sasunkevich. "Introduction." In Feminist and LGBTI+ Activism across Russia, Scandinavia and Turkey, 1–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84451-6_1.

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AbstractPresenting the research context of the book, this chapter familiarizes the reader with the conceptual, methodological, and ethical discussions and concerns that are present throughout the book. After a brief overview of gender and sexual politics in Russia, Turkey, and the Scandinavian countries, it introduces the book’s multi-scalar transnational methodology—an innovative approach to the study of transnationalizing feminist and LGBTI+ activisms that traces convergences and contrasts between seemingly disparate places and connectivities below and beyond the national scale. The chapter offers descriptions of the ethnographic fieldwork conducted in Russia, Turkey, and the Scandinavian countries, as well as a discussion of how contested terms such as feminism, LGBTI+ , queer, activism, NGOs, West–East, North–South are navigated in the book.
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Fantone, Laura. "Traces and Visions of In-Betweenness." In Local Invisibility, Postcolonial Feminisms, 63–92. New York: Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-50670-2_3.

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Kostadinova, Tonka. "Feminist Knowledge Production in Europe on Diplomacy and International Negotiation." In Feminist IR in Europe, 133–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91999-3_8.

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AbstractThis chapter traces the development of feminist scholarship in Europe on diplomacy and international negotiation. Sensitive to variations between different national contexts, this chapter suggests that the state frames the broader socio-political environment, which incentivizes or discourages the creation of feminist knowledge. This chapter also provides important insights on prevailing silences and limitations of existing research. By outlining both the thematic and the geographical discrepancies in feminist knowledge production on diplomacy across Europe, this chapter calls attention to the systematic disregard of gender as a category of analysis in many European countries and offers useful avenues for further research.
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Johnson, Clare. "Traces of Feminist Art: Temporal Complexity in the Work of Eleanor Antin and Elizabeth Manchester." In Femininity, Time and Feminist Art, 36–55. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137318091_3.

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D’Urso, Sandra, Tiina Rosenberg, and Anna Renée Winget. "Introduction: Queer and Trans Feminist Performance." In The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance, 1–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69555-2_1.

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D’Urso, Sandra, Tiina Rosenberg, and Anna Renée Winget. "Conclusion: Towards Queer and Trans Feminist Solidarity." In The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance, 505–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69555-2_30.

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"Feminist Ethics." In Philosophising Experiences and Vision of the Female Body, Mind, and Soul, 76–89. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4090-9.ch005.

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This chapter argues that feminists accuse traditional approaches to ethics of showing less concern for women's as opposed to men's issues and interests. They view as trivial the moral issues that arise in the private world, the realm in which women do housework and take care of children, the infirm, and the elderly. Traditional approaches imply that, in general, women are not as morally mature as men. The approaches overrate culturally masculine traits and underrate culturally feminine traits. They favour male ways of moral reasoning that emphasize rules, rights, universality, and impartiality over female ways of moral reasoning that emphasize relationships, responsibilities, particularity, and partiality. Care-focused and status-focused feminist approaches to ethics do not impose a single normative standard on women. Rather, they offer to women multiple ways to understand the ways in which gender, race, and class affect their moral decisions.
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Pabón-Colón, Jessica Nydia. "Performing Feminist Masculinity in a Postfeminist Era." In Graffiti Grrlz, 41–72. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479806157.003.0002.

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This chapter engages an ongoing conversation within Hip Hop Studies in regards to masculinity. Instead of asking what Hip Hop masculinity does to girls and women, whereby they become victims of masculine gender performance, this chapter asks what graff grrlz do with masculine gender performance. Examining the self-presentation, aesthetics of, and approach to graffiti art by graffiti writers Are2 (USA), Miss17 (USA), Motel7 (South Africa), Jerk LA (USA), EGR (Canada), and Ivey (Australia), the chapter proposes “feminist masculinity” to name performances of masculine gender characteristics that empower rather than subjugate. Rather than reproducing oppressive toxic masculinity at the center of Hip Hop’s discourse of “realness,” upholding hegemonic liberal feminism, or accepting a politically sterilized postfeminism, these grrlz fashion the traits of masculinity to demand equity on behalf of their graffiti grrl community.
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Conference papers on the topic "Feminist traits"

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Montesinos lapuente, Angela. "Los movimientos feministas periféricos como herramienta de cambio social. Una aproximación a los feminismos no occidentales en la práctica artística." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. València: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10511.

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Como es sabido, los procesos capitalistas y neoliberales, son herencia y resultado de una larga tradición colonialista de la Vieja Europa que ha derivado a un ente colonizador denominado Occidente civilizado y civilizador, en términos territoriales, hasta difuminarse en simplemente núcleos de poder económico. Así, la globalización heredera de la llamada “universalidad” del yo occidental ha dejado de lado e invisibilizado al otro, esto es, a los territorios colonizados, vistos como salvajes o primitivos. Estos, se han dejado de lado por carecer de los avances socio-tecnológicos del “primer mundo”, países “democráticos”, “bajo soberanía popular”, pero, como es sabido, articulados en torno al capital y sus normas. En el siglo XXI estamos asistiendo a la aparición de diferentes movimientos y grupos, que a través de luchas y reivindicaciones concretas intentan modificar y en ocasiones directamente acabar con este estado neoliberal. De esta forma, resistencias como el movimiento feminista actúan por la igualdad, pero a su vez actúan como representación de diferentes maneras de hacer, diversos modelos de gestión que se deben extrapolar a otros niveles más generales de gobierno, participación y lucha. No obstante, aún así, el movimiento feminista que prevalece es un aparato occidentalizado, pero ¿qué sucede en territorios de la periferia respecto a los núcleos de poder económico? Aparentemente, estamos asistiendo a un apertura de escucha, así por ejemplo, los movimientos feministas en países de Latinoamérica o la India ya no solo quedan bloqueadas en su propio territorio si no que se expanden o se deben expandir a otros países, a otros grupos como ejemplos de proyectos alternativos a los más tradicionales u occidentales. En este texto intentaremos aproximarnos a los movimientos feministas periféricos y cómo estos pueden dar luz, nuevos puntos de vista y nuevas maneras de hacer a los movimientos occidentales. No sólo en la lucha por la igualdad sino también en como la lucha por la tierra y su utilización como forma de vida pueden influenciar en procesos respecto a la lucha sobre el cambio climático, maneras de comercio e intercambios. Refiriendo a través de la figura del subalterno tanto luchas feministas como resistencias sociales de clase. La transversalidad imperante de los medios sociales y culturales actuales, llevan en ocasiones a difuminar la frontera entre el arte y lo puramente sociológico, convirtiendo la propia propuesta artística en una de las herramientas de resistencia más combativas.
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Delamorclaz Ruiz, Carolina Francisca. "Evolución del rol de las mujeres en la animación televisiva." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5771.

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Equidad, independencia económica o libertad sexual son algunos conceptos asociados a las problemáticas de la mujer. Conocedores de esta realidad, la animación ha ido configurando nuevos arquetipos femeninos en un intento por que ellas tengan la misma relevancia que los personajes masculinos. Por su parte, se ofrece una reflexión que permita entender hasta qué punto se han plasmado las distintas problemáticas de género y sexualidad en el ámbito de la animación televisiva. Para ello, se tiene en cuenta la inestimable contribución de diversos estudios de género y sexualidad (Judith Butler, Nancy Fraser o Susan Faludi). El motivo para esta elección es que han sido éstas las que han ofrecido la visión más transversal sobre feminismo. También, que todas ellas están ubicadas en un contexto histórico específico (desde la década de 1960 hasta hoy). El fin es, en este caso, descubrir si se ha visibilizado y normalizado a las mujeres y qué casos han sido los más efectivos. Por ejemplo, cuánto se ha evolucionado desde Los Picapiedra (que representó durante un largo espacio de tiempo a la madre ama de casa de clase media y caucásica) hasta series actuales como Steven Universe u Hora de aventuras y su lucha contra la censura para visibilizar el LGBTI. De las muchas problemáticas que pueden ser tratadas, la investigación se ciñe a dos grandes bloques: la economía feminista y el LGBTI. La intención es buscar los elementos que permitan visibilizar y empoderar a las minorías y repensar los roles del género. A través de un análisis de los personajes femeninos, se identifican arquetipos y estereotipos. Con ello, se pretende entender la evolución de la mujer a través de la animación y comprobar hasta qué punto se han actualizado los roles femeninos y qué series son más transgresoras.http://dx.doi.org/10.4995/ANIAV.2017.5771
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Bubnovskaya, Olesya, and Vitalina Leonidova. "Cognitive factor of psychological safety: gender aspect." In Safety psychology and psychological safety: problems of interaction between theorists and practitioners. «Publishing company «World of science», LLC, 2020. http://dx.doi.org/10.15862/53mnnpk20-08.

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The relevance of the problem posed in the article is determined by the role of psychological safety in the development of the individual against the background of the growth of securitization in modern society, the need to detect factors affecting it. The purpose of the study is to establish the nature of the relationship between cognitive variables and psychological safety of the individual, considering the gender. According to the hypothesis of the study, gender characteristics of the individual, determining the cognitive component of the individual's attitude to himself and to the world, affect psychological safety. The sample of the study included university students of Vladivostok (n=300, 60 – men, 240 – women, the average age is 19 years). Used methods: “Psychological safety of educational environment” (PSEE)” (Baeva I.A.), “Kiselev’s thermometer” (“gradusnik sostoi͡aniĭ”), (Kiselev Yu.Ya.), “Bem Sex-Role Inventory (BSRI)” (Bem S.), “World assumptions scale” (Yanov-Bulman R.) in the adaptation by Padun M. A., Kotelnikova A.V. with comparative, correlation, regression and factor analysis in the Python. The results show significant correlations between gender and basic beliefs of the individual (p≤0,001), safety of the educational environment, components of psychological safety (p≤0,001); stable influence of masculinity and femininity on the attitude of the individual to the world and to himself, on the components and characteristics of safety (determination coefficients – 0,5-0,6). Based on the study of data on psychological safety and basic beliefs of students, considering their gender traits, conclusions are made about the influence of gender on the cognitive component of safety. In general, gender characteristics and beliefs of an individual are important for psychological safety, although a strict determination was not identified in the study and requires further study. The influence of gender on beliefs about peace and safety is more pronounced in the feminine type than in the masculine type. The sense of safety of a person with feminine traits is largely due to her trust in others, faith in a good and fair world, and with masculine traits – the belief in her ability to control events.
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Ramírez Rivera, Jessica Beatriz. "Laboratorios ciudadanos feministas: Alternativas digitales para la integración de la perspectiva de género en museos mexicanos." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15556.

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Los laboratorios ciudadanos son espacios que posibilitan el diálogo entre diversos agentes, aportan metodologías y mecanismos para desarrollar prototipos para resolver problemáticas. A través de ellos, el museo puede transformarse en un lugar de encuentro, tomar el papel de mediador, facilitador de ideas y puente entre la ciudadanía y las instituciones. En esta comunicación se abordará el caso específico del proyecto “Construyamos una nueva mirada: Narrativas Visuales Feministas en Museos”, el cual formó parte del Laboratorio de Reinvención Participativa en Museos. Con el desarrollo de este laboratorio se logró la creación de una caja de herramientas que propone el diálogo entre los públicos y el museo desde la perspectiva de género, en la creación de propuestas híbridas que, interactúan tanto en el ciberespacio como en el espacio de exhibición.
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Oppenheim, Ilit, Yisrael Parmet, and Tal Oron-Gilad. "Can Driver Behavior be traced to Gender Role, Sex and Age?" In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002477.

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Traffic violations are deliberate deviations from safe driving rules associated with enhanced risks for crash involvement, impacted by traits and demographics. Violations tend to decrease with age, males and young drivers tend to make more violations. But some studies reported the opposite or no sex differences. We argue that part of this ambiguity can be attributed to gender role (Undifferentiated, Feminine, Masculine, and Androgynous). Previously, we showed that for a group of 527 adult drivers (mean age 29), gender role was a better predictor of violation tendency than sex. Now we extend this study by using a larger sample in three age categories (≤20, 21-54, and 55-65). We aim to examine whether gender role contributes to explaining violations. We distributed a web-based survey containing self-reports of traffic violations (DBQ; Reason et al., 1990), the Bem Sex-Role Inventory (BSRI; Bem, 1974), and demographics. In total we collected 1039 questionnaires, 485 females and 554 males. We used a K-Means cluster analysis to define the gender role groups and came up with 5 meaningful clusters (Undifferentiated, Feminine, Masculine, Androgynous, and Mid). The mid group is new, and indicative of possible preconception in gender roles of the Bem inventory. We then conducted a three-way interaction model on violations. Gender role, age and sex predicted respondents' violation tendency, and their three-way interaction was statistically significant. The masculine young males had the highest predicted DBQ violation scores. Scores decreased with age except for the older masculine males. Furthermore, androgynous elderly males had the lowest scores. Our results show that there is value to include gender role in analysis of violations, and that this factor contributes over age and sex alone. Including gender role yielded better predictors of driver behavior than sex alone. The effect of gender role on drivers' self-reported violation tendency is an exciting and intriguing finding which indicates the need to further examine gender role effects in driving.
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Campos Gil, Isabel. "El lenguaje y los movimientos de ocupación. Un recorrido por las nociones dominantes del lenguaje en relación con la ocupación como movimiento contra-cultural en la hegemonía occidental." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4892.

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El lenguaje ha sido estudiado por cada época o civilización a través de lo constitutivo de lo social, de la encarnación de la norma. Desde la época cristiana hasta las nociones dominantes del estructuralismo lingüístico y sobre las reglas del juego en el orden simbólico. A través del estudio de la perfomatividad, se introduce un planteamiento que parte de una serie desvíos de las estrategias de los movimientos sociales de ocupación para la transformación de los códigos del lenguaje en una relación transfeminista. Desde una mirada pos-crítica de la producción de subjetividades políticas y su constitución en los sujetos, se plantea el lenguaje como una tecnología de identidades de género y en su relación con el orden social hegemónico. Hacia una lectura posestructuralista, estableciendo alegorías sobre la estrategia del ajedrez en la lingüística (desde las metáforas fílmicas y literarias) y plantea el tablero de ajedrez como espacio cuya propiedad se encuentra en la figura paterna y en la que gobierna un régimen tanatopolítico, abandonado por las luchas cotidianas. Presenta reflexiones poniendo el tablero de ajedrez como espacio entre lo habitado y lo deshabitado, entre la presencia y la ausencia, entre lo abandonado y las reglas. Entendido como sistema binario por su representación, basada en la organización de dos tonalidades antagónicas y presentado los sujetos del juego en oposición que se puede ver como resultado de espejo. A través del análisis del juego, cuya presencia de las mujeres como sujetos históricos, además, ha estado anulada, presenta la dicotomía del pensamiento posmodernista y las estructuras que lo sustentan. Con el objeto y el sujeto puesto en el análisis de estudio, se realiza una mirada que constituye un recorrido por los movimientos sociales de ocupación en cuanto al modelo de pensamiento dominante, poniendo en jaque las nociones de signo de Saussure interpeladas y desequilibradas por la teoría del discurso feminista. Estableciendo en el lenguaje, a su vez, lugares de resistencia política.http://dx.doi.org/10.4995/ANIAV.2017.4892
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Albero Verdú, Sofía, and Fernando Fernández Torres. "Momeht Fanzine. La muerte, el amor y la diversidad a través de la creación artística colectiva." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9540.

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El propósito de esta comunicación es analizar los aspectos estéticos, sociales y políticos de Momeht, un fanzine colectivo creado por componentes de la asociación cultural Engafat, bajo los preceptos de la expresión artística precaria, libre y crítica que caracteriza a este tipo de publicaciones.A través de un análisis visual se abordan las contribuciones de un total de 22 autores y autoras. Los resultados del análisis de estas obras arrojan luz sobre cómo se articulan e interaccionan distintas voces críticas actuales al reflexionar sobre la muerte, la diversidad y el amor. Desde una mirada estética, este fanzine materializa un discurso artístico rico, polivocal y complejo compuesto por elementos dispares como el debate conceptual, la metáfora, la ironía, la sátira, el humor y la crítica, etc. A través de procesos de creación e investigación de estructura variable, las personas que intervienen beben de fuentes dispares: desde ensayos académicos, pasando por textos y otras manifestaciones de movimientos sociales, hasta la cultura rock y punk de los 60 y 70. Desde un punto de vista social y político, se detecta que pese a su breve trayectoria, Momeht ha supuesto la creación de un lugar común para desarrollar la creación artística y la cultura crítica por parte de un nutrido grupo de especialistas en arte, feminismo, diseño, música e ilustración. Todos ellos y ellas actualmente desarrollan sus carreras en contextos profesionales diversos, ligados a las artes visuales y en conexión a la pequeña localidad industrial de Ibi, en Alicante.Las conclusiones apuntan a la apertura de un camino de expresión libre y crítica a través de Momeht, la reivindicación de los Derechos Humanos, así como la creación y posibilidad de ampliación de redes personales y profesionales en el contexto artístico actual dentro y fuera de la provincia de Alicante.
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Mañas García, Alejandro. "Poderosa." In II Congreso Internacional Estéticas Híbridas de la Imagen en Movimiento: Identidad y Patrimonio. Valencia: Universitat Politàcnica de València, 2021. http://dx.doi.org/10.4995/eshid2021.2021.13206.

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Poderosa (2020), es una videocreación donde se quiere visibilizar a las mujeres empoderadas. La obra tiene como referente a Juana de Arco, que en este caso ha sido contemporanizada, protagonizada por una de las mujeres intelectuales e investigadoras sobre feminismo de la comunidad valenciana, Irene Ballester Buigues (Doctora en Historia del Arte y Miembro del Consell Valencia de Cultura de la Generalitat Valencia). La obra hace referencia a la línea de investigación que estoy realizando en la actualidad, donde recojo a las mujeres que a lo largo de la historia han luchado contra la misoginia y que han sido olvidadas por la historia, historia del arte, las universidades y que hoy son inspiradoras para muchas mujeres del siglo XXI. La videcreación se dispone en formato vertical, aludiendo a un cuadro vivo que podría estar instalado en cualquier hornacina. Su escenografía y performance, se narra a través movimientos ralentizados, donde la actora principal tiene en sus manos los objetos que representan a la mujer investigada: Juana de Arco. Estos elementos son la bandera y por otro lado, la espada de mujer guerrera vestida de color rojo. La espada es levantado mostrando el poder, mientras su mirada sigue este elemento hasta llegar al éxtasis, mientras una música mantra acompaña toda la videocreación.
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Elias, Larissa, and Maria Luisa Garrido. "La concepción de “moda-escultura” en el vestuario de Rei Kawakubo para la coreografía “Scenario” (1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.g186.

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“La ‘moda-escultura’ de Rei Kawakubo” es un proyecto de maestría en curso, desarrollado en el Programa de Posgrado en Diseño Visual de la Universidad Federal de Río de Janeiro. La investigación se centra en el estudio del vestuario (y su relación con los movimientos y la espacialidad) creado por la diseñadora de moda japonesa Rei Kawakubo para el espectáculo de danza “Scenario” (1997), de la bailarina y coreógrafa estadounidense Merce Cunningham (1919-2009). El vestuario fue adaptado de la colección primavera-verano “El cuerpo se encuentra con el vestido, el vestido se encuentra con el cuerpo”, diseñado por Rei y lanzado por su marca Comme des Garçons en 1997. Rei Kawakubo es conocida como una de las diseñadoras de moda conceptualista más importantes de la actualidad. Visionaria, vanguardista y atemporal son algunos de los adjetivos que se le atribuyen. Su trabajo también es denominado antimoda. A través de una serie de deconstrucciones visuales, sus creaciones abordan, directa o indirectamente, temas como el feminismo y la identidad de género. La colección “El cuerpo se encuentra con el vestido, el vestido se encuentra con el cuerpo” y los trajes de “Scenario” invierten en una estética que explora posibilidades inusuales de relaciones entre cuerpo y vestido; una estética que pretende deformar las formas. En la obra aparecen ideas que problematizan los contornos y movimientos convencionales del cuerpo: volúmenes desproporcionados, desalineaciones de siluetas, inversiones de perspectiva, asimetrías, automatismos, desdibujamiento de fronteras entre cuerpo y vestido, el vestido como objeto. En este campo nace la sugerencia de la noción de “moda-escultura”. Una noción que se pretende formular a partir de la obra y para la comprensión de la obra. Se propone, en este sentido, una aproximación a la concepción de escultura trabajada por Deleuze y Guattari en el ensayo “Percepción, afecto y concepto”, con el concepto de “über-marionette” de Gordon Craig y el concepto de “grotesco”, basado en las consideraciones de Mikhail Bakhtin. El vestuario del espectáculo de danza “Scenario” —objeto de este estudio, en el que se pueden observar ejemplarmente los aspectos destacados— es una fuerte expresión de la idea de “moda-escultura”. En esta comunicación se presentarán fragmentos de la sección final de la muestra. En ellos se puede apreciar que la alineación de los bailarines en parejas o tríos reconfigura en el espacio el volumen compuesto por cuerpo y vestido. La ropa creada por Kawakubo para la colección proponía el rediseño del cuerpo. Esta propuesta se radicaliza en la coreografía: con el movimiento del body-dress ambientado en el espacio se intensifican las distorsiones y ambigüedades. Se introduce la teatralidad y se forman dramáticas composiciones escultóricas. Con el juego teatral también se evidencia la función objeto de la prenda.
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Cruz Fuerte, Almudena. "El valor discursivo del vestuario y su plasticidad concomitante en la filmografía de Ulrike Ottiger: Ticket of No Return." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8987.

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La presente propuesta de comunicación gira entorno al indumento como generador de polisemias en la obra de Ulrike Ottinger. A través del vestuario de su obra Ticket of No Return (1979)queremos defender la siguiente hipótesis: la relevancia del vestido como elemento analítico y constructor en las plasticidades contemporáneas. La extensa filmografía de esta cineasta feminista y experimental así lo ejemplifica y da fiel muestra de cómo la vestimenta aporta un lenguaje capaz de simbolizar la metonimia del discurso audiovisual. En Ticket of No Return Ottinger transita, como lo volverá a hacer en otras de sus obras, por la idea del estado capitalista (como entelequia controladora-paternalista), por el culto al alcohol (como la embriaguez narcótica implícita en la sociedad de consumo) y por la noción del viaje (como el origen de la procesión). Y estos tres pilares se construyen ampliamente gracias al vestuario ideado y confeccionado por Tabea Blumenshein, protagonista a su vez de la cinta y que da vida a She, una alcohólica transeúnte del Berlín proto-neoliberal. La suntuosa artificialidad del vestuario de Blumenshein contrapone la silueta onto-capistalista que Dior acuñara en la década de los 50 como New Look, decálogo del sometimiento femenino a unas formas patriarcales y moralizantes, frente a un mordaz decadentismo propulsado por el exceso y la autodestrucción de una advenediza época de sensacionalistas, moralistas, depravad@s y ególatras desquiciad@s. En conclusión, Ticket of No Returnsupone un excelente ejemplo para despejar la [n] propuesta por el congreso, es decir, para visibilizar la capacidad semiótica del traje, su locuacidad visual y su capacidad constructora. Con ello pretendemos dignificar al vestuario, integrándolo en el discurso crítico, académico y artístico, revindicando a su vez su lugar en las producciones audiovisuales, las artes escénicas y el arte performativo.
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Reports on the topic "Feminist traits"

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Panichelli, Meg. The Intersections of Good Intentions, Criminality, and Anti-Carceral Feminist Logic: A Qualitative Study that Explores Sex Trades Content in Social Work Education. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6396.

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Chrispin, Thyeres Teixeira Bueno, Claudia Cristina Takano Novoa, and Marair Gracio Ferreira Sartori. Dilatadores vaginais produzidos por impressora 3d para uso em Ginecologia. Universidade Federal de São Paulo., 2022. http://dx.doi.org/10.34024/agits20220002.

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A agenesia vaginal é uma malformação congênita do trato reprodutivo das mulheres causada por uma anomalia na formação dos ductos paramesonéfricos (Müller), que são responsáveis por originar os órgãos genitais internos no sexo feminino. Os dilatadores vaginais têm como objetivo promover a dilatação e conscientização da musculatura do assoalho pélvico em mulheres com alguma disfunção nesta área por meio de tratamento de caráter progressivo. Particularmente entre mulheres com agenesia vaginal, a criação de dilatadores vaginais personalizados à sua própria anatomia, com auxílio de impressão 3D, pode ser uma excelente alternativa terapêutica.
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3

Robledo, Marcos. La nueva izquierda allendista como mayoría política del estallido social chileno. Fundación Carolina, January 2022. http://dx.doi.org/10.33960/ac_01.2022.

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Abstract:
La elección de Gabriel Boric como presidente de Chile el 19 de diciembre de 2021 envuelve al menos tres significados que dan cuenta de un nuevo ciclo en la política chilena, que también aportan claves de interés para la comunidad latinoamericana e internacional. Primero, después del proceso constituyente, supone un gran momento de reconstrucción de la legitimidad de la política chilena, pero este es llevado a cabo por una nueva generación. Segundo, a diferencia de los 30 años previos de la coalición de centroizquierda que gobernó Chile tras la dictadura, Boric ha triunfado encabezando la primera conquista del gobierno por una coalición de izquierdas desde la elección de Salvador Allende en 1970, retomando con mucha fuerza la tradición allendista de construcción de una izquierda democrática, pero recreándola con una nueva caja de herramientas conceptual y paradigmática observada con interés en América Latina y el mundo. Tercero, la elección pondrá en marcha la búsqueda de un desarrollo distinto al promovido hasta ahora en Chile, basado en una propuesta paradigmática no solo posneoliberal, sino eventualmente posextractivista, emprendedora y sostenible, pero también feminista e intercultural. En definitiva, una propuesta que intenta deconstruir la colonialidad sobre la que se sustenta el Estado en Chile desde su independencia.
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