Relevant bibliographies by topics / Feminist literary criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Feminist literary criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Feminist literary criticism"

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Du Plessis, J. W., and D. H. Steenberg. "Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa." Literator 12, no. 3 (May 6, 1991): 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.

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Feminists feel that in literary criticism not enough consideration is given to feminism as an ideology in the production of texts. According to them, existing literary criticism is strongly man-centred. This is especially true of the practice of South African literary criticism. Although feminism does not have at its disposal a formulated feminist literary criticism, a great deal of research has been done in this direction abroad. This is especially the case in Europe and America. Feminist literary critics apply themselves to the representation of the woman in works by male authors and an analysis of feminine experience in the production of texts by women. This article is an exploration of the Anglo-American and French approaches in feminist literary criticism. An attempt is made to formulate the aims of a possible South African feminist literary criticism in order that not only the general norms, but also the feminist codes in the production of a text, speak towards the final interpretation of a work.
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N. A. Dhivya. "FEMINIST LITERARY CRITICISM." WORLD WOMEN STUDIES JOURNAL 1, no. 1 (July 1, 2016): 1–13. http://dx.doi.org/10.46291/wwsj.v1i1.1.

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Feminist literary criticism arose thirty years ago, and became widespread in Western Europe and the United States. Today, there is practically no large American university where there would be no courses on female / feminist literature and criticism, as well as gender aspects of literary work. In this study the general concept of criticism over literature by feminism outlined.
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Sen, Tithi, and Kaushik Das. "Salient Features of Feminist Literary Criticism." Shanlax International Journal of English 10, no. 1 (December 1, 2021): 20–24. http://dx.doi.org/10.34293/english.v10i1.4199.

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Feminist literary criticism as criticism schools is marked by gender, widespread gender awareness, and feminine consciousness is its elementary characteristics. This study introduces the different phases of Feminism through various insidious social and cultural mores. The main objective of this study to Criticism the Salient Features of Feminist Literary. The main content of this paper is divided into three aspects, the first, second, and third wave of feminism from the 19th century to date. Methodology Employed based on qualitative research. The secondary sources of this study are taken from various books, articles, diaries, proposals, official records, archives, Govt. Gazetteers, Manuals and sites, and so on.
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Nugraha, Dipa. "PENDEKATAN SOSIOLOGI FEMINIS DALAM KAJIAN SASTRA." UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra 16, no. 2 (December 1, 2020): 341. http://dx.doi.org/10.26499/und.v16i2.2807.

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Abstract: Sociology of literature is widely used in Indonesian literary criticism since its introduction in 1978 by Sapardi Djoko Damono. However, there is a doubt in recent Indonesian literary criticism to accept feminist literary criticism in some way as part of sociology of literature whilst it is already that feminism deals with social construct and patriarchy practice in society. This article aims to show that sociology of literature in the form of feminist sociology and feminist literary criticism are not contradictory as one claims. This is a systematic literature review. The method of collecting data is extensive close reading on sociology of literature, feminist sociology, and feminist literary criticism. Based on the extensive close reading, there are at least five models can be used in feminist sociologal approach: through reading agenda, using anachronistic reading, on the marketing strategy and endorsement, on the situation of the readers’ activity, and based on writer’s situation and consciousness. This article shows that feminist sociological approach in literature and feminist literary criticism are not in conflict as the two come from feminism.
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Fitzgerald, Jennifer, Elaine Showalter, Moira Monteith, Mary Eagleton, Maggie Humm, and Toril Moi. "Feminist Literary Criticism." Irish Review (1986-), no. 2 (1987): 100. http://dx.doi.org/10.2307/29735289.

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Fazli, Bilal Ahmad. "Methodology of Literary Criticism Based on the Theory of Feminism." Randwick International of Education and Linguistics Science Journal 4, no. 1 (March 31, 2023): 142–48. http://dx.doi.org/10.47175/rielsj.v4i1.630.

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Feminism is an organized movement to defend women's rights, whose roots go back to the Periods of European Enlightenment (Renaissance). Throughout its long history, this movement wanted to overthrow the patriarchal system and eliminate the rule of gender discrimination. Feminism officially began its activity at the end of the 18th century and has gone through a period full of ups and downs since then. The three important waves of this movement are considered to be one of its most important activities, whose basic goals are "preserving the right to vote for women, and emphasizing protest against gender, social and economic differences and inequalities." After the feminism movement, feminist criticism emerged followed the reflection of women's voices and their experiences in literature and started its activities from the second half of the 20th century. The works of famous writers such as “Virginia Woolf” and “Simon de Boir” are eminent examples of this movement. In this article, we have reviewed the methods that can be used to study literary works from the perspective of feminist criticism, as well as the things that a literary critic can do to write a good and interesting critique of a work based on the theory of feminism. The result showcased that Critics who take a feminist approach in criticizing literary texts do not deny the existence of differences between male and female characters in the works. It may be said that the view that women are different from men basically corresponds to patriarchal ideology, but it must be said that the third wave feminists do not deny the existence of a difference between men and women, and in their opinion, the difference between women and men can even be seen in the readiness or potential ability of women to establish interpersonal communication and recognize it as a symbol of compassion, empathy and kindness. In addition, we have also stated that it can be a good guide in the field of writing feminist criticism on literary and artistic works.
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Nugraha, Dipa, and Suyitno Suyitno. "REPRESENTATION OF ISLAMIC FEMINISM IN ABIDAH EL KHALIEQY’S NOVELS." LITERA 18, no. 3 (November 26, 2019): 465–84. http://dx.doi.org/10.21831/ltr.v18i3.27012.

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The Indonesian literary tradition during the reform period was marked by the rise of female writers who raised the issue of feminism. Within the framework of locality and contextuality, the feminism movement echoed by female writers comes in diverse expressions. This study aims to describe the reference figures and issues of Islamic feminism that are represented in novels by Abidah El Khalieqy. This research uses a feminist literary criticism approach. The data sources of the research are three novels by Abidah El Khalieqiy, namely Perempuan Berkalung Sorban, Geni Jora, and Mataraisa. The technique used to gather feminist voices in the three novels is a close reading. The analysis was conducted using a descriptive qualitative method. The results of the study are as follows. First, Islamic feminist figures who were referred to by the feminism movement were Fatima Mernisi and Riffat Hassan. Fatima Mernisi is known as a misogonic hadith critic, while Riffat Hassan uses the hermeneutic principle in the interpretation of the Quran. Second, the issues of feminism represented are: the lives of women in the pesantren tradition, the position of women in the family, the view of normal sexual relations and relationships, and the interpretation of the hadiths and verses of the Qur'an relating to women. Islamic feminism voiced by Abidah El Khalieqy brings its own color compared to the Western feminism movement which refers to the concept of ecriture feminine. Keywords: Islamic Feminism, ecriture feminine, Indonesian literary history, politics of difference, intersectionality REPRESENTASI FEMINISME ISLAM DALAM NOVEL-NOVEL KARYA ABIDAH EL KHALIEQY AbstrakTradisi sastra Indonesia masa reformasi ditandai maraknya penulis perempuan yang mengangkat permasalahan feminisme. Dalam bingkai lokalitas dan kontekstualitas, gerakan feminisme yang digaungkan para penulis perempuan hadir dalam ekspresi yang beragam. Penelitian ini bertujuan mendeskripsikan tokoh rujukan dan persoalan feminisme Islam yang direpresentasikan dalam novel-novel karya Abidah El Khalieqy. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah tiga novel karya Abidah El Khalieqiy, yaitu Perempuan Berkalung Sorban, Geni Jora, dan Mataraisa. Teknik yang dipakai untuk mengumpulkan suara-suara feminisme di dalam ketiga novel adalah pembacaan cermat (close reading). Analisis dilakukan dengan metode deskriptif kualitatif. Hasil penelitian sebagai berikut. Pertama, tokoh feminis Islam yang menjadi rujukan gerakan feminisme adalah Fatima Mernisi dan Riffat Hassan. Fatima Mernisi dikenal dengan kritik hadist misogonis, sedangkan Riffat Hassan dengan prinsip hermeneutika dalam tafsir Alquran. Kedua, persoalan feminisme yang direpresentasikan adalah: kehidupan perempuan dalam tradisi pesantren, kedudukan perempuan dalam keluarga, pandangan terhadap relasi dan hubungan seksual yang normal, dan tafsir terhadap hadist dan ayat Al-quran berkaitan dengan perempuan. Feminisme Islam yang disuarakan Abidah El Khalieqy membawa warna tersendiri dibandingkan dengan gerakan feminisme Barat yang merujuk pada konsep ecriture feminine. Kata kunci: feminisme Islam, ecriture feminine, sejarah sastra Indonesia, politik perbedaan, interseksionalitas.
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HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando." Arab World English Journal For Translation and Literary Studies 4, no. 4 (October 15, 2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to write literary criticism. Therefore, how do Gaskell and Woolf implement metafiction in their stories? Accordingly, this work aims at shedding light on Wives and Daughters by Gaskell and Orlando by Woolf to tackle metafiction from a feminist perspective. Examples from both novels about intertextuality, narration, and other aspects, that are part of metafiction, will be provided to illustrate how and where metafiction is used.
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Wittmann, Livia Käthe. "What is feminist literary criticism?" Neohelicon 22, no. 1 (March 1995): 104–21. http://dx.doi.org/10.1007/bf02093291.

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Kitch, Sally L. "Feminist Literary Criticism as Irony." Rocky Mountain Review 41, no. 1-2 (1987): 7–19. http://dx.doi.org/10.1353/rmr.1987.0040.

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Dissertations / Theses on the topic "Feminist literary criticism"

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MacKeen, Alison. "From discovery to creation : feminist literary criticism's aesthetic turn." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59590.

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This thesis challenges the way feminist literary criticism has been represented as a field polarized between American and French positions. As an alternative to the American/French distinction, I propose one between feminist criticism oriented to research and feminist criticism oriented to aesthetics. In keeping with this alternative distinction, I relocate the shift in feminist criticism within American feminism. The "aesthetic turn" inaugurated by American "gynocriticism" is itself identified in relation to a more general philosophical shift from discovery to creation. While the relativistic and voluntaristic tendencies which distinguish the latter pole are exemplified by French feminism, I argue that they are anticipated by American feminism's "aesthetic turn." Finally, this thesis not only relocates and redefines the shift in feminist literary criticism, but provides arguments in favour of a research-oriented feminist criticism.
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Mayes-Elma, Ruthann Elizabeth. "A Feminist Literary Criticism Approach to Representations of Women's Agency in Harry Potter." Oxford, Ohio : Miami University, 2003. http://www.ohiolink.edu/etd/view.cgi?miami1060025232.

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Potts, Tracey. "Can the Imperialist read? : race and feminist literary theory." Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/63653/.

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Since the mid 1980's it has been unthinkable for white feminist literary critics to neglect race in their theoretical work. Strong challenges from black feminists have been effective in placing race high on the critical agenda. No longer is the kind of exclusivity that marked early (white) feminist literary theory possible. However, despite the evident commitment to addressing the race question in their work, the black feminist challenge has been greeted with a considerable degree of anxiety by white feminist critics. I suggest that the main source of anxiety is a failure to square the pressing need to 'include' race on the feminist agenda with doubts about straying into what is perceived to be black feminist territory. In other words, white feminist critics have yet to resolve their relation to the black feminist project. This anxiety has meant that a concern over the notion of exclusion has given way to that of appropriation. This has tended to place the white feminist reader in the paralysing position where there seems little available ground between the twin poles of exclusion and appropriation. Typical questions that have arisen out of this dichotomy are: should white feminists teach black women's writing? Should white feminist critics produce critical readings of texts authored by black women? Can white women readers read black women's writings without imposing onto them their own critical agendas? Is a non-appropriative reading relation possible? How should white feminists deal with the fact of their own race privilege and what bearing does this privilege have upon the readings they, potentially, might produce? This project examines some of the ways in which white feminists have attempted to address their relation to the race question in feminist literary criticism. Over the space of six chapters I focus on a number of specific reading strategies offered as positive critical interventions. My main contention is the impossibility of a guaranteed anti-imperialist theory or reading position. I also argue for the necessity of asking the question: whether the imperialist can read, as a complement to that of whether 'the subaltern can speak'. Chapter 1 questions the white feminist ambition of arriving at the truth of the black text as a means of decolonising the text. Through an examination of the Rodney King events some of the perils of appeals to pure seeing are highlighted. Chapter 2 explores the implications of white feminist abstention from the race debates. Chapter 3 looks at the issue of identification as a basis for reading. Chapter 4 questions the identifications that inhere in applying theory to a text. Chapter 5 challenges the use of contextualisation as a source of textual limits. Chapter 6 examines the limits of self-reflexivity as an anti-imperialist method.
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Rose, Patricia Elizabeth. "The Role of medieval and matristic romance literature in spiritual feminism /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16284.pdf.

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Mayes-Elma, Ruthann. "A Feminist literary criticism approach to representations of women's agency in Harry Potter." Oxford, Ohio : Miami University, 2003. http://www.ohiolink.edu/etd/view.cgi?miami1060025232.

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Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2003.
Title from first page of PDF document. Document formatted into pages; contains vii, 147 p. Includes bibliographical references (p. 125-141).
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Brennan, Zoe. "Representations of older women in contemporary literature." Thesis, University of the West of England, Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271040.

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This study argues that novels by contemporary women writers, such as Doris Lessing, May Sarton, Barbara Pym and Jenny Diski, through their representation of older female protagonists, create alternative discourses of ageing to those that dominate Western society. By placing these figures at the centre of their narratives, the texts counteract the silence and pejorative stereotyping that routinely surrounds the lives of the aged. The technique of studying literary representations of women is not new; in fact, it is a trusted part of feminist methodology. However, one of the assertions of this dissertation is that it is rarely used to investigate texts about the senescent, reflecting feminism's failure to include the older women in their theories. Part one of the dissertation examines such issues in depth, setting out the theoretical orientation of the study. It considers popular representations and paradigms of ageing, as well as considering the power of normalising discourse and dynamics of representation. Part two uses this material to analyse the strategies that British and North American authors have employed, since the 1960's, to challenge common stereotypes of older women. The first three chapters focus on novels that portray protagonists who display emotions, not usually associated with the old, which are revealed in relation to different aspects of ageing: anger and frustration (dependency); passion and desire (sexuality); and contentment (daily life). Chapter 7, 'The Wise and Archetypal Older Woman', shifts its attention away from more realist texts to study characters who emerge from the covers of ratiocinative fiction. It argues that conventional critiques of the genre often negate its more polemical elements, which is a result of their failure to use an age- and gender-aware approach and a problem that generally greets intelligent novels about female senescence. This thesis sees itself as part of a movement that aims to create a space in which older female characters' voices can be heard and recognised. It contends that the authors treated here produce visions of ageing that are not solely concerned with stagnation and decline. They represent a varied and compelling group of protagonists and, in doing so, illustrate that older women are worthy of literary, social and feminist interest.
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Lucas, Caroline. "Writing for women : a study of woman as a reader in Elizabethan romance." Thesis, University of Exeter, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328713.

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Dunn, Angela Frances. "The continental drift : Anglo-American and French theories of tradition and feminism." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63972.

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Sireci, Fioravanti. "Literary criticism as feminist argument in Mary Wollstonecraft's 'A Vindication of the Rights of Woman'." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/29366.

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Mary Wollstonecraft’s A Vindication of the Rights of Woman makes its feminist argument primarily through literary criticism. Recent scholarship has generally considered the literary critical dimension of Rights of Woman as a minor component of Wollstonecraft’s explicit political argument and cultural critique. This thesis locates and analyses three literary critiques in Rights of Woman in order to illustrate the specificity of Wollstonecraft’s methods. Wollstonecraft’s critique of Milton utilises a practice of quotation and commentary, and interrogates his prominent role in literary and political canons. Her critique of Rousseau’s Emile is highly instructive because she both attacks its content and attempts to undercut the modes by which this paradigmatic statement of the submissive domestic female had become ‘a prevailing opinion of a sexual character’. Wollstonecraft’s critique of John Gregory, the author of the influential conduct book A Legacy to His Daughters, claims that this work perpetuates Rousseau’s repressive norms, even without the conscious knowledge of its apparently capable author. In doing so, Wollstonecraft theorizes the existence of a self-reproducing ‘male’ literary tradition, one which comprises a broad range of texts, whether by ‘great’ writers or less gifted men, a notion which challenges benevolent images of a purist canon of aesthetic value. In the development of her criticism, Wollstonecraft draws from two contemporary critical traditions. The first is that of the bluestocking women, whose public mastery of literary knowledge gives them the status to promulgate social agendas. The second is the literary periodical, which stands at the very centre of print culture in the eighteenth century. A specific analysis of the literary critical dimension of Rights of Woman illuminates new aspects of the organisation and rhetoric of this key work.
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Liladhar, Janine. "Third wave feminist analysis : an approach to the exploration of discourses of femininity." Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20746/.

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This thesis suggests that whilst feminist theory has been, and remains, a significant political influence which has contributed to wholesale legislative and social changes, the climate in which this theory circulates is now markedly different from that of the 1960s, when Second Wave Feminism began. Consequently, a new form of feminist theory is developing, which attempts to respond to an increasingly more complex situation, without losing sight of the many important elements of the earlier work. This thesis is situated within this movement and I term the approach it takes Third Wave Feminist Analysis. Third Wave Feminism seeks to challenge sexism and to explore notions of femininity as they are manifested in texts, looking for both the restrictions these seek to impose on women and for the potential these offer for liberatory ways of behaving and being. As this reference to texts might suggest, Third Wave Feminist Analysis is primarily a form of literary criticism. However, it does not only draw on work from that discipline. Instead, it employs ideas and approaches used by feminists working in other fields, in order to formulate a more comprehensive analysis than was generally found in earlier feminist literary criticism. Moreover, the thesis is not limited to an exploration of only literary texts but also explores other cultural forms. This diversity is important because constructions of knowledge and subjectivity are enabled by all types of representations. Thus, interdisciplinarity moves analysis on from a straightforward identification of the Tacts' of literary cultures to an exploration of cultural identities, a step which is assisted by Third Wave Feminist Analysis's insistence on the importance of extra-textual features, including the analyst's own background knowledge of the society in which the texts being explored are produced and interpreted. The object of this emphasis on the cultural and the societal is a more equitable world; in other words, I am claiming that Third Wave Feminist Analysis aids feminist praxis. As part of this attempt, Third Wave Feminist Analysis attempts to interrogate the ways in which femininity is defined in the case studies explored. In this thesis three texts in circulation in the 1990s are examined: Jane Smiley's A Thousand Acres (1992); The Rector's Wife by Joanna Trollope (1991); and the TV Soap Opera archetype, the Soap Queen. As part of this examination, femininity is understood as one of a number of inter-connecting discourses which not only reflect but shape gender. Thus, discourses disseminate social and institutionalised values and also create them, influencing people's behaviours and attitudes, although individuals do have the potential to resist or challenge this influence. A recurrent discursive theme in the three case studies explored here is the association of femininity with the 'private' or domestic realm of home and family. In many ways, this association is rooted in an outdated notion of femininity; the Victorian concept of the feminine domestic ideal. To this extent, this thesis argues that its case studies are implicated in the promulgation of anachronistic discourses. However, all three texts also subvert this ideal in a number of ways and the ways in which this subversion occurs are also explored.
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Books on the topic "Feminist literary criticism"

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Mary, Eagleton, ed. Feminist literary criticism. London: Longman, 1991.

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Singh, Java. Feminist Literary and Cultural Criticism. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1426-3.

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Katie, Wales, and English Association, eds. Feminist linguistics in literary criticism. Cambridge [England]: D.S. Brewer, 1994.

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Maggie, Humm. Feminist criticism: Women as contemporary critics. Brighton, Sussex: Harvester Press, 1986.

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Maggie, Humm. Feminist criticism: Women as contemporary critics. New York: St. Martin's Press, 1986.

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Plain, Gill, and Susan Sellers, eds. A History of Feminist Literary Criticism. Cambridge: Cambridge University Press, 2007. http://dx.doi.org/10.1017/cbo9781139167314.

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1943-, Greene Gayle, and Kahn Coppélia, eds. Making a difference: Feminist literary criticism. London: Routledge, 1991.

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Gill, Plain, and Sellers Susan, eds. A history of feminist literary criticism. Cambridge: Cambridge University Press, 2007.

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1943-, Greene Gayle, and Kahn Coppélia, eds. Making a difference: Feminist literary criticism. London: Methuen, 1985.

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1943-, Greene Gayle, and Kahn Coppélia, eds. Making a difference: Feminist literary criticism. London: Methuen, 1985.

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Book chapters on the topic "Feminist literary criticism"

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Newton, K. M. "Feminist Criticism." In Twentieth-Century Literary Theory, 263–77. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_18.

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Slethaug, Gordon E. "French feminist criticism. See feminist criticism, French." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 64–69. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-020.

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Schellenberg, Elizabeth. "Quebec feminist criticism: see Feminist criticism, Quebec." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 170–74. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-043.

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Gelfand, Elissa. "Feminist criticism, French." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 44–50. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-016.

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Walker, Victoria. "Feminist criticism, Quebec." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 50–52. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-017.

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Lee, Alvin A. "Anglo-American feminist criticism: see Feminist criticism, Anglo- American." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 3–5. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-003.

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Walker, Victoria. "Feminist criticism: see Feminist criticism, Anglo-American, French, Quebec." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 39–41. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-013.

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Singh, J. "The Literary Vector." In Feminist Literary and Cultural Criticism, 71–106. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1426-3_4.

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Singh, J. "The Psychological Vector." In Feminist Literary and Cultural Criticism, 49–70. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1426-3_3.

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Singh, J. "Sumukhi Suresh’s Satirical Comedy." In Feminist Literary and Cultural Criticism, 213–40. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1426-3_9.

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Conference papers on the topic "Feminist literary criticism"

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Zhang, Tingting. "Research on Ecological Feminist Literary Criticism." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.255.

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Man, Zhihui. "Research on American Feminist Literary Criticism." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.256.

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Guo, Rongqiong. "Brief Analysis of Feminist Literary Criticism." In Proceedings of the 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/erss-18.2019.91.

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Zhang, Tingting. "Influence of Western Feminist Literary Criticism on Chinese Feminine Writing." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.254.

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Zhang, Tingting. "Research Literature Review on Western Feminist Literary Criticism." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.219.

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Pan, Haiou. "Westward Ecological Feminist Literary Criticism and Its Enlightenment." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icesame-18.2018.49.

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Zhang, Tingting. "Main Schools and Its Viewpoint on Western Feminist Literary Criticism." In 2015 3rd International Conference on Education, Management, Arts, Economics and Social Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemaess-15.2016.222.

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Sumartini, Sumartini, and Dyah Prabaningrum. "The Mighty Women in Serial Story Entitled Lastri by Tien Kumalasari: A Study of Feminist Literary Criticism." In 6th International Conference on Science, Education and Technology (ISET 2020). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211125.055.

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