Dissertations / Theses on the topic 'Feminist art criticism'
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Garber, Elizabeth Jessie. "Feminist polyphony : a conceptual understanding of feminist art criticism in the 1980s /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487671640055385.
Full textd'Esterre, Elaine, and mikewood@deakin edu au. "Feminist poetics: Symbolism in an emblematic journey reflecting self and vision." Deakin University. School of Literary and Communication Studies, 1999. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.123532.
Full textSchoenwandt, Jeanne Marie. "Toward a feminist 'third space' : photographic 'sites' of cultural transformation." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37725.
Full textEnsor, Ronda L. "Romaine Brooks embracing diversity /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04192008-104844/.
Full textTitle from file title page. Maria Gindhart, committee chair; Susan Richmond, Akela Reason, committee members. Electronic text (82 p. : ill. (chiefly col.)) : digital, PDF file. Description based on contents viewed July 14, 2008. Includes bibliographical references (p. 78-82).
Lane, Kathryn. "Representaciones de Figuras Feministas en la Muestra Despierta!" Scholarship @ Claremont, 2008. http://scholarship.claremont.edu/pitzer_theses/6.
Full textRhoades, Melinda Justine. "Addressing the computing gender gap a case study using feminist pedagogy and visual culture art education /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1217107478.
Full textLindner, Stacie M. "Janine Antoni finding a room of her own /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-12012006-133229/.
Full textTitle from title screen. Susan Richmond, committee chair; Nancy Floyd, Maria P. Gindhart, committee members. Electronic text (127 p. : iil. (mostly col.)) : digital, PDF file. Description based on contents viewed June 20, 2007. Includes bibliographical references (p. 121-127).
Tvardovskas, Luana Saturnino 1983. "Figurações feministas na arte contemporanea : Marcia X., Fernanda Magalhaes e Rosangela Renno." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278878.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Focalizando as poéticas visuais das artistas Márcia X., Fernanda Magalhães e Rosângela Rennó, essa pesquisa aborda as relações estabelecidas entre a produção artística contemporânea e a crítica cultural feminista. Evidencia a permanência do ¿dispositivo da sexualidade¿ na contemporaneidade, na perspectiva aberta por Foucault, ao que procura contrapor as formas da resistência feminista encontradas em instalações, performances e objetos artisticamente construídos a partir de um olhar diferenciado, que visam provocar e polemizar com as verdades instituídas, em especial em relação ao corpo feminino, à sexualidade e à subjetividade
Abstract: This research explores the interconnections between artistic production and feminist cultural criticism, focusing on Brazilian artists Marcia X., Fernanda Magalhães and Rosângela Rennó¿s works of art. It shows the continuity of ¿the dispositif of sexuality¿ in contemporary world, considered through Foucault¿s concepts, and it points at the feminist forms of resistance as they appear in installations, performances and artistic objects construed by a diferenciated regard, that aims at polemizing with natural truths as they are imposed in relation to female body, sexuality and subjectivity
Mestrado
Historia Cultural
Mestre em História
Kyser, Tiffany S. "Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2192.
Full textTitle from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Peggy Zeglin Brand, Ronda C. Henry. Includes vitae. Includes bibliographical references (leaves 79-83).
Tvardovskas, Luana Saturnino 1983. "Dramatização dos corpos : arte contemporânea de mulheres no Brasil e na Argentina." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280015.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esta tese aborda a poética visual de artistas brasileiras e argentinas, cujas obras de arte empreendem um discurso critico a violência material e simbólica de gênero, por meio de imagens do corpo. São focalizadas, a partir de uma perspectiva feminista, as artistas contemporâneas brasileiras Ana Miguel, Rosana Paulino e Cristina Salgado, e também as argentinas Silvia Gai, Claudia Contreras e Nicola Costantino que se utiliza de transfigurações, dramatizações e manipulações sobre imagens corporais como manobras transgressivas e de resistência. O trabalho será norteado teórica e metodologicamente pelos estudos feministas e pelo "pensamento da diferença", sobretudo por Michel Foucault e Gilles Deleuze
Abstract: This research approaches the visual poetics of Brazilian and Argentinian artists whose artworks undertake a critical discourse of violence of gender (material and symbolic) through images of the body. From a feminist perspective, we focus on the Brazilian contemporary artists Ana Miguel, Rosana Paulino and Cristina Salgado and also the Argentinian Silvia Gai, Claudia Contreras and Nicola Costantino. Their work deals with transfigurations, dramatizations and manipulations on body's images as transgressive maneuvers of resistance. The methodology of this work will be guided by the Feminist studies and by the Difference theory, especially by Michel Foucault and Gilles Deleuze
Doutorado
Historia Cultural
Doutora em História
Saraogi, Avantika. "The Bollywood Item Number: From Mujra to Modern Day Ramifications." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/215.
Full textGaier, Samantha. "Interior Decoration as Fine Art: Rachel Feinstein and The Sorbet Room, 2001." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.
Full textNajar, Daronkolae Esmaeil. "Pam Gems: Rethinking Her Life and the Impact of Her Plays on British Stage." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523487108676837.
Full textFrechette, Mariel. "Danger in Deviance: Colonial Imagery and the Power of Indigenous Female Sexuality in New Spain." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/210.
Full textCochrane, Peter. "The Wild Beasts." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5917.
Full textRocha, Eva. "Antithetical Commentaries on X, Y and the Disruption of Being." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4278.
Full textLauritis, Beth Anne. "Lucy Lippard and the provisional exhibition intersections of conceptual art and feminism, 1970-1980 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1925733141&sid=11&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textRamos, Isabella. "Walking in The City: Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1037.
Full textTrizoli, Talita. "Trajetórias de Regina Vater: Por uma crítica feminista da arte brasileira." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-08112011-133126/.
Full textThe dissertation presented here seeks to chart the artistic production of the Brazilian artist Regina Vater, since her formation during the period of 60`s in Rio de Janeiro until the mid-90´s, when she already set residence in the U.S.. Vater is contemporary of a fertile plastic production in the country, taking part in both figurative assumptions of 60´s, until the conceptualism of 70´s, thus leading to the following decades in an artistic votive environmentalism that is perpetuated to this day. In this course, was placed emphasis on the relationship between artistic production and Brazilian feminist movement, seeking to establish theorists and critics links with the principal feminist issues and practices in vogue and the artistic avant-garde and conceptual.
Erasmus, Shirley. "Challenging Biblical boundaries: Jeanette Winterson’s postmodern feminist subversion of Biblical discourse in Oranges are not the only fruit (1985) and Boating for beginners (1985)." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/59121.
Full textWainwright, Britny L. "Floral Resistance." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492431415778475.
Full textLawrence, Anne. "Feminist Design Methodology: Considering the Case of Maria Kipp." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc5538/.
Full textSpencer, Sandra L. "Pre-Feminist Indicators in Margaret Oliphant's Early Responses to the Woman Question." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278209/.
Full textMostert, Linda Ann. "Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1371.
Full textDaščioras, Sigitas. "Skaitmeninės tapybos darbų ciklas "Žvilgsnis į priekį, žingsnis atgal"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_083315-48135.
Full textHuman flesh for many it seems very normal and physically. In a society noted that only they are capable of different academic disciplines to engage in some physical exploration. The body exists as physiological, anatomical, ethnological, religious and aesthetic. The paper analyzes the woman as object tracking developments in the traditional arts, cinema and video art. The main problem arising from the woman observed an object of art concepts: how to conceptualise the actual mechanism of sight of viewers and viewing pleasure, other than an identification with the object of male gaze. The work deals with women in the art of image change and a new approach to women, as assessed in an art object. Gender-operative system, which is imperative sergsti heterosexuality, a simple viewing situation inversion takes place (the man has become the object of observation, the woman does not become automatically monitor the subject). Therefore, to structural changes in the image of gender representation, had to consider the most heterosexual imperative. Digital portrait painting series "Looking forward, step backward and watching a visible attempt to reverse and transform a woman into an object of the benchmark estimator.
Tanner, Jane Hinkle. "Sharing the Light: Feminine Power in Tudor and Stuart Comedy." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Full textAlcalá, García Inmaculada. "La voz oculta de María Campo Alange. La escritora en la espera." Doctoral thesis, Universitat Jaume I, 2017. http://hdl.handle.net/10803/404189.
Full textHöljö, Nikolina. "Att kliva utanför ramen : Nakenhet, feminism och kritik av tre performanceverk från 1960- och 70-talet." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-357940.
Full textVujanovic, Dragana. "En kvinnas mansbilder : kontextualiseringar av Maria Fribergs konst." Thesis, Södertörn University College, The School of Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1577.
Full textThe aim of this essay is to debate the narrow contextualization of the works of Swedish artist Maria Friberg, in which she is interpreted as a female, feminist artist engaged in masculinity studies. Art reviews and exhibition catalogues regarding a great part of Friberg’s work have formed the core body of information in this study, selecting the more recent works entitled Still lives (2003- ) as the main focus. These show a change in Friberg’s artistic expression.
Subjects concerning group belonging, identity and existential questions have always been present in Maria Friberg’s art, but they are more clearly expressed in her latest works. Art critics have acknowledged the change of motifs in Still lives as a negative development and have expressed disappointment in the absence of Friberg’s renown portrayals of men in business suits. This attire and the gendered motif man have ascribed Friberg to an agenda surrounding masculinity and feminism, leaving little room for other interpretations.
The subordinate aim of the study is to suggest alternative readings of Friberg’s art in general and of the Still lives-series in particular. The great majority of art critics are accentuating Friberg’s interest in men, overlooking reasons for her supposed fascination of them. This creates a need for further examination of the depths of Friberg’s photographs. Hence, the last chapter presents a theory of the artists’ use of men as carriers of non-gender related meanings in which the human being is a small part of the impressive machinery composed of nature, culture and the industrialised world which absolutely devours humans.
Collins, Margo. "Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Full textCain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.
Full textHestetun, Øyunn. "A prison-house of myth? symptomal readings in Virgin land, The madwoman in the Attic, and The political unconscious /." Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb35577879j.
Full textRutledge, Mary E. (Mary Elizabeth). "The Monomythic Journey of the Feminine Hero in the Novels of Anita Brookner." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278679/.
Full textGanoe, Kristy L. "Mindful Movement as a Cure for Colonialism." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367936488.
Full textRheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.
Full textGomez, Clemente Jr. "Manhood in Spain: Feminine Perspectives of Masculinity in the Seventeenth Century." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849616/.
Full textAnderson, Elizabeth Joan, and n/a. ""Lest we lose our Eden" : Jessie Kesson and the question of gender." University of Otago. Department of English, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060906.095909.
Full textWeeda-Zuidersma, Jeannette. "Keeping mum : representations of motherhood in contemporary Australian literature - a fictocritical exploration." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0054.
Full textKalkwarf, Tracy Lin. "Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2571/.
Full textBarbero, Reviejo Trinidad. "Margarita Nelken (Madrid 1894, México D.F.1968). Compromiso político, social y estético." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/295840.
Full textMargarita Nelken painter. Defense of working women. Female workers unions. Creating the cigarette unions. Clashes between chaconeras and yellow. Debates in the Madrid Ateneo. Difference feminism "Around us" Performance at the Casa del Pueblo Madrid. Commissioned by several Spanish intellectuals to bring aid to the German people after the Great War. Writer of the novel "sand trap" social novel regarding women. Novella and stories whose purpose was chrematistic. German translations including Frank Kafka's Metamorphosis at the request of García Morente for the Revista de Occidente. Newspaper articles in Spanish and American Illustration. Sphere. White and Black. Hermes. Mondays of Impartial Study of female figures sque left track and dealing in Spanish Writers: Rebeca Isabel Correa. Olive Sabuco. Teresa of Avila. Carolina Coronado. Conference in Madrid's Ateneo Art with projected images exposed through glass plates positive. In its long history of art criticism in Spain articles. Julio Antonio. El Greco. Darius Regoyos. Matthew Inurria. Henry Le Sidanier.- sculpture (Rodin. Meunier, Mestrovic) -Engraved Kathe Kollwitz and Angelina Beloff. Valentin and Ramon Zubiaurre. Francisco de Goya. Women's Suffrage. Deputy for Badajoz in three terms of the Second Republic. Exile to former USSR (1935). Labor support and propaganda at the siege of Madrid (1936-1939). Exile to Mexico. Expulsion from the Communist Party. Elegy for Magda. Santiago de Paul Nelken, hero of the Red Army. In exile mexican surrealist painters work. Mexican painters. Spanish avant-garde painters. Unpublished text Presence and evocations of the leading figures of the cultural and political world . Benito Perez Galdos. Don Miguel de Unamuno. Pau Casals. José Gutiérrez Solana. Screenplays in Mexico. Adapter of plays .. Poem on the death of García Lorca. Lan Adomian composer of poems by Miguel Hernández. Document declassified Venona project at key in which Nelken notifies the death of his son Santiago de Paul. Document declassified Venona project at key in which Nelken notifies the death of his son Santiago de Paul. Travel to Europe in postwar Europe. Items of Mexico Today. Rapporteur Cali Colombia Exclusive Interview with representative the State of Israel in Paris Jarblum Marcos (1948). Two decades writing on Diorama of Culture, supplement Excelsior. The affair Jusep Campalans Torres.
Balic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.
Full textBassas, Assumpta. "La trayectoria de tres artistas en el pasaje del conceptualismo en Cataluña: Silvia Gubern, Àngels Ribé y Eulàlia." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/387112.
Full textThis research builds and discusses the artistic career of Silvia Gubern, Àngels Ribé and Eulàlia (Grau), mainly in the stage called "conceptual practices" from documentary sources and introducing the voice of the artists and biographic facts. These three monographs also incorporate critical reception and evaluation of the press and the art critics. The author points out the importance of reading those careers taking into account the perspective of the Italian and Spanish feminism of sexual difference. Beyond the "neutral" interpretive framework that has been used to classify them as conceptual artists in the modernist history of catalan avantgarde art, this thesis lays the foundation for reading women genealogies of creativity oriented by the female sexuation of knowledge and to explore women's freedom in history. Thus, conceptualism would not be a single framework to assess their contribution to the history of art. It is defined as a living moment in a much longer and complex creative itinerary, a stage in which many issues intersect, focusing on some core aspects such as sexual politics in the history of women in the 60s and 70s in Catalonia (Spain).
Erickson, Stacy M. "Animals-as-Trope in the Selected Fiction of Zora Neale Hurston, Alice Walker, and Toni Morrison." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2227/.
Full textLeonte, Eva. "Enacting the Silence of Subaltern Women : Julie Otsuka and the Japanese Picture Brides." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144396.
Full textPerret, Arnaud. "Mariama Bâ: un féminisme né à l'intersection de deux cultures." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5350/.
Full textGontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.
Full textGoetz, Sarah. "How To Do It Yourself." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492691222599367.
Full textÖhrner, Annika. "Barbro Östlihn och New York : Konstens rum och möjligheter." Doctoral thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-111260.
Full textNeelsen, Sarah. "Les essais d'Elfriede Jelinek. Genre. Relation. Singularité." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030130.
Full textThis thesis discusses the work of the Austrian writer Elfriede Jelinek (Nobel Prize for Literature 2004) from its margins, from a corpus of “short texts” written from the beginning of her career beside her novels and plays. As occasional prose, these essays are grounded in a specific aesthetic paradigm, which this dissertation seeks to define by examining their original conditions of publication. This method brings to light that these are commissioned works, released on very different media formats than a book (journals, flyers, programs and the internet), which have their own mode of reception due to their volatility in space and time. The corpus is presented against the backdrop of Jelinek’s main work and its major turning-points. It is also set in the context of Austria’s post-1945 literature according to the author’s personal and professional network in order to reintegrate Jelinek in her generation. Three chapters are then dedicated to a detailed analysis of the texts. This thesis highlights the slow genesis of their main theme, the possibility of a feminine work of art. Then it studies three characteristics of their style - hollowing, paradox and liquidity. Lastly, it deals with the relation to the reader, conceived as jamming and interference, both allowing, at least for a time, to prolong the text’s meaning, as it otherwise tends to become more and more obscure. Relation and singularity are key notions of this thesis, considered as the main aesthetic and political issues of its corpus, being also part of the essayistic tradition, discussed through some canonical definitions (Lukács, Adorno, Barthes, Marielle Macé, Georg Stanitzek)
Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.
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