Relevant bibliographies by topics / Feminism – Nigeria

Academic literature on the topic 'Feminism – Nigeria'

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Published: 10 December 2022
Last updated: 30 July 2024

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Journal articles on the topic "Feminism – Nigeria"

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Uma, Abdullahi Dahiru, and Baba Musa Y. M. "The History of Women's Writing." Tasambo Journal of Language, Literature, and Culture 2, no. 01 (May 15, 2023): 40–53. http://dx.doi.org/10.36349/tjllc.2023.v02i01.006.

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The concept feminism encompasses to an intense awareness of feminine identity and concerns, which has become a significant theme in literature since its rise and development. Despite its controversial nature, this essay offers a comprehensive understanding of feminist literature, including various types such as liberal feminism, radical feminism, Marxist feminism, socialist feminism, cultural feminism, black/African feminism, womanism, African womanism and satanism, and mothers. Women writers have contributed aesthetically and intellectually to the progress and development of society, rejecting the notion of inferiority and highlighting their capabilities. The struggle for equal treatment and identity is a recurring theme in feminist literature. The developing force of the women's liberation movement led to an evaluation of texts from a new perspective, shifting interest to women characters and theorists. In Nigeria, particularly the Northern part, women are traditionally restricted from voicing their opinions, and their decisions are made by male-dominating figures. This paper traces the origin of women's writing worldwide, in Africa and Nigeria; using the theoretical frameworks and text analysis to derive data and suggestions on how women writers can improve their literary status in Nigeria, especially the Northern Nigeria.
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Akinbobola, Yemisi. "Defining African Feminism(s) While #BeingFemaleinNigeria." African Diaspora 12, no. 1-2 (June 28, 2020): 64–88. http://dx.doi.org/10.1163/18725465-bja10009.

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Abstract In 2015, a reading group in Abuja, Nigeria, started the hashtag #BeingFemaleinNigeria, which received widespread attention. Within the confines of 140 characters, Nigerian women and men shared stories of gender inequality, sexism and misogyny in the country. Using feminist critical discourse analysis, this article unpacks the tweets under the #BeingFemaleinNigeria hashtag, and teases out what they tell us about gender inequality in Nigeria, and the ambitions for emancipation. This article takes the stance that African feminism(s) exist, that empirical study of lived experiences of African women should define it, and not perspectives that reject and argue that feminism comes from the other. Therefore, this empirical research contributes to scholarship that seeks to define the characteristics of African feminism(s), particularly as the field is criticised for being over-theorised.
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Nwafor, Nkiruka Jane. "Engaging women’s social concerns through the twenty-first century feminist art projects of three Nigerian women artists." UJAH: Unizik Journal of Arts and Humanities 23, no. 1 (August 31, 2022): 134–60. http://dx.doi.org/10.4314/ujah.v23i1.5.

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In this paper, I review the histories of feminism and African feminism to highlight their influence on the evolving nature of women’s art practices in the West and Africa respectively. Women Artists in the West had begun deploying feminist rhetoric in their art at the onset of second-wave feminism of the 1960s. On the other hand, women in Africa began using their art to engender intellectual discourses on African feminist concerns as recently as the mid-1990s. Using the works of three Nigerian women artists, Ayobola Kekere-Ekun, Lucy Azubuike, and Fati Abubakar, I, therefore, explore how their themes challenge critical issues that affect women in Nigeria’s twenty-first-century contemporary realities. These artists are also from different geopolitical areas (west, east, and north respectively) in Nigeria. In analyzing their art, I also argue that their art may offer possibilities in affirming the relevance of African feminist art.
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Amaefula, Rowland Chukwuemeka. "African Feminisms: Paradigms, Problems and Prospects." Feminismo/s, no. 37 (January 21, 2021): 289. http://dx.doi.org/10.14198/fem.2021.37.12.

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African feminisms comprise the differing brands of equalist theories and efforts geared towards enhancing the condition of woman. However, the meaning and application of the word ‘feminism’ poses several problems for African women writers and critics many of whom distance themselves from the movement. Their indifference stems from the anti-men/anti-religion status accorded feminism in recent times. Thus, several women writers have sought to re-theorize feminism in a manner that fittingly captures their socio-cultural beliefs, leading to multiple feminisms in African literature. This study critically analyzes the mainstream theories of feminisms in Africa with a view to unravelling the contradictions inherent in the ongoing efforts at conceptualizing African feminisms. The paper further argues for workable ways of practicing African feminisms to serve practical benefits for African man and woman, and to also function as an appropriate tool for assessing works by literary writers in Nigeria in particular and Africa in general.
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Oyewole, Oriola O. "Two Peas in a Pod: Constructing Gender Within the Feminist Discourse." Commonwealth Law Review Journal 08 (2022): 437–66. http://dx.doi.org/10.55662/clrj.2022.808.

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Over the years, the concept of feminism has witnessed an expansion. Set against this background, this paper critically explores feminism in Africa, especially Nigeria. In addition, it examines the distinction between the western perception of feminism and African perspectives on feminism by highlighting the marked differences between the contexts. The paper argues that the progress of feminism in Nigeria is piecemeal because of cultural barriers and strict adherence to native laws and customs. Furthermore, the paper appraises the proliferation of different thoughts on feminism, findings reveal that the concept of feminism has been overstretched beyond its meaning. This study uses a qualitative research method to investigate the development of feminism.
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Dibie, Robert. "Feminism and family abuse in Nigeria." New Global Development 16, no. 1 (January 2000): 36–46. http://dx.doi.org/10.1080/17486830008415781.

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Endong, Floribert Patrick C. "The Female Media Producer as an Advocate of Women’s Empowerment in Nigeria: The Cross River State Experience." Gender Studies 15, no. 1 (December 1, 2016): 167–82. http://dx.doi.org/10.1515/genst-2017-0011.

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Abstract This paper presents an investigation into Nigerian female journalists’ definition of their role vis-à-vis the two concepts of women’s empowerment/emancipation and feminism. It examines the level to which the country’s media and social environment are conducive to feminist journalistic expression. The paper argues that although a good number of female media producers in the country, demonstrate a strong adherence to feminism and women’s empowerment/emancipation, they are hindered from fully materialising their orientation. These hindering factors include, among others, patriarchal socio-professional fixations, weak female representation at decision-making levels in the media, and limited financial resources to create gender sensitive programmes.
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Dagunduro, Adebukola, and Adebimpe Adenugba. "Failure to Meet up to Expectation: Examining Women’s Activist Groups in the Post-Colonial Period in Nigeria." Open Cultural Studies 4, no. 1 (May 4, 2020): 23–35. http://dx.doi.org/10.1515/culture-2020-0003.

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AbstractWomen’s activism within various ethnic groups in Nigeria dates back to the pre-colonial era, with notable heroic leaders, like Moremi of Ife, Amina of Zaria, Emotan of Benin, Funmilayo Kuti, Margaret Ekpo and many others. The participation of Nigerian women in the Beijing Conference of 1995 led to a stronger voice for women in the political landscape. Several women’s rights groups have sprung up in the country over the years. Notable among them are the Federation of Nigerian Women’s Societies (FNWS), Women in Nigeria (WIN), Kudirat Initiative for Democracy (KIND) and Female in Nigeria (FIN). However, majority have failed to actualize significant political, social or economic growth. This paper examines the challenges and factors leading to their inability to live up to people’s expectations. Guided by patriarchy and liberal feminism theories, this paper utilizes both historical and descriptive methods to examine these factors. The paper argues that a lack of solidarity among women’s groups, financial constraints, unfavourable political and social practices led to the inability of women’s groups in Nigeria to live up to the envisaged expectations. The paper concludes that, for women’s activist groups to survive in Nigeria, a quiet but significant social revolution is necessary among women. Government should also formulate and implement policies that will empower women politically, economically and socially.
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Akokuwebe, Monica Ewomazino, L. Amusan, and G. Odularu. "Women development in agriculture as agency for fostering innovative agricultural financing in Nigeria." African Journal of Food, Agriculture, Nutrition and Development 21, no. 07 (September 2, 2021): 18279–99. http://dx.doi.org/10.18697/ajfand.102.19345.

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The significant contribution of women in agricultural development cannot be over-emphasised. Women farmers are commonly side-lined and their efforts under-valued in conventional agricultural and economic evaluations despite the substantial impact they have made in the sector. Globally, women’s contributions to the agricultural sector have been appraised as the world’s major producers and organisers of food crops where half of the world’s foods have been grown by them. In Africa, Nigeria included, women dominate and play major roles in producing subsistence crops and livestock. Their contribution to agriculture is estimated to be 65% in Nigeria. However, their contributions are undermined largely because women are often economically marginalised. Though women are food producers for most of the households in rural areas, their marginalisation has been historical. Factors hindering women from accessing agricultural financing include patriarchy, an unfavourable land tenure system that deprives women of access to collateral security in accessing bank loans and the vagueness of women’s limited self-agency. Anchored in patriarchal and liberal feminism theories, this study examines how Nigerian women are marginalised in selected spheres of agrarian livelihoods in the south-eastern parts of Nigeria. South-East Nigerian women farmers participate fully in all key stages of farming activities such as production, processing and marketing of food crops. The Igbo men cultivate mainly cash crops. Similarly, in the Northern parts of Nigeria, women are only allowed to participate in certain stages of cash crop growing but they are fully allowed to engage in subsistence farming as they are relegated to home front activities. Patriarchy limits women's access and control over land resources in all forms. Patriarchal and liberal feminism denoted that the actions and ideas of male farmers dominant over those of women has prevented female farmers the autonomy and freedom to become rational beings. This paper recommends mainstreaming of gender in the design, implementation and monitoring of agricultural policies and programmes for inclusive financing for food security and sustainable development.
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Nwachukwu, Charles, and Onyebuchi Udochukwu Joel. "Jadesola Osiberu’s Isoken: A Filmic Postulation for Feminism." Studies in Media and Communication 7, no. 1 (May 29, 2019): 49. http://dx.doi.org/10.11114/smc.v7i1.4306.

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While other media of mass communication such as Television, Radio and Print have to contend, largely, with the expectations of informing, educating and entertaining, film ascends over all these to find a niche in “expressing”. Film, therefore, can set out for the singular purpose of expression. This study intends to analytically expose those indicators and determinants of feminism locked in within the film content of Isoken, a 2017 Nollywood movie produced and directed by Jadesola Osiberu. These components should lend evidence to the central argument in this paper that this particular film displays a strong tendency towards feminist sentiments.The Feminism Theory is, aptly, adopted to buttress the standpoint here. A theoretical study, it utilizes the qualitative research approach, relying on personal analysis and interpretation of the film. It found that a good number of elements exist within the film content to suggest that ISOKEN leans sufficiently towards feminism. These include Isoken's defiance of communal and family values, the predominantly female cast as well as the brazen usurpation of certain privileged roles that the Nigeria society had hitherto reserved for men, amongst others.The study concludes that both the scriptwriter and the director have succeeded in focusing on the female gender and putting forward female related issues. Wittingly or unwittingly, they have also ended up producing a film that is clearly within the sphere of feminism. Thus, this paper has added to the activity level in that particular aspect of knowledge, whilst also increasing available stock.
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Dissertations / Theses on the topic "Feminism – Nigeria"

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Taylor, Colleen A. "One SIze Fits All Feminism? Domestic Women's Rights Activists' Struggle to be Heard." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1398079498.

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Abiona, Oladoyin Olubukola. "What I Do When I Dance: Foregrounding Female Agency in the Dance Culture in Nigeria." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1621977769335732.

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Okiriguo, Wendy. "Discourse Analysis of Nigerian Feminism." Thesis, Southern Illinois University at Edwardsville, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10128866.

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This study interprets the public perceptions of feminism and gender equality in Nigeria as reflected in the media. In recent times, the issue of gender equality has been subject to numerous debates in Nigeria. My interest in this issue stems from the increased awareness of feminism and a growing feminist movement in the country. This thesis details the popular opinions on feminism found on Nigerian blogs, online newspaper columns, social media and the likes. The purpose of this research was to (1) analyze feminism as a discourse in the Nigerian society (2) identify the existing gender issues (3) contribute to the growing body of transnational feminism. The findings reveal the dynamic interplay of gender and culture. The main discourses are centered on the relevance/irrelevance of feminism and the advocacy for the girl child rights. These findings have implications for the larger discourse regarding the correlation between culture and gender equality. Furthermore, findings indicate that issues concerning gender inequality is mostly linked with the cultural expectations of the particular society.

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Mohammed, Esosa. "Resilience of Nigerian Widows in the Face of Harmful Widowhood Practices in Southwest Nigeria: An Interdisciplinary Analysis." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3508.

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Widows in Nigeria endure adverse and traumatic practices that affect their health, well-being, and rights as women. After decades of struggle and resistance against persistent widowhood practices, this study sought to portray in Nigerian widows, hidden strengths, resilience, and agency rather than their vulnerability and powerlessness. Analysis of secondary scholarship, interviews, and survey questionnaires reveal that some Nigerian widows are able to cope even as they navigate through the challenges and trauma of demeaning and stressful practices. The results also demonstrate that the ability to cope and thrive under stress and adversity links not only to an individual’s personal growth and well-being, but also to their ability to develop agency and empower themselves. This study has implications for female empowerment and sociocultural change. Additionally, the results suggest a need for future research and interventions that further develop the concept of resilience in Nigerian widows.
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Oloruntoba, Albert Olatunde. "The Negotiation of Gender and Patriarchy in Selected Nigerian and South African Plays." Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/81371.

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Of all human identity categories such as race, religion, culture, class and gender that a person might belong to, race and gender are arguably two of the most contentious in the world. This study takes gender as its main focus, exploring how gender, gender oppression, patriarchy and resistance are negotiated in selected dramatic literary works emanating from Africa’s two literary giants, Nigeria and South Africa. It thus aims to bring two distinct literary traditions into dialogue with one another in order to clarify our understanding of how gender is articulated and inscribed across different contexts. Selected works from Nigeria include Aetu (2006), Little Drops (2011), Abobaku (2015) all by a single playwright, Ahmed Yerima, who has been described as one of the most outspoken feminist playwrights in the country. Other plays from South African context include So What’s New? (1993) by Fatima Dike, Weemen (1996) by Mthali Thulani, Flight from the Mahabarath (1998) by Muthal Naidoo and At Her Feet by Nadia Davids (2006). Of particular interest in this study is the question of how these plays explore the specific forms of gender discrimination which arise in the context of religious, traditional and cultural practices such as domestic violence against women, child marriage, wife inheritance, polygamy and property-sharing after the death of a husband or father. These texts, all written from a feminist perspective, foreground different understandings of what a woman and a mother is in the African context. They also offer differing articulations of gender-based resistance. The study employs an eclectic blend of western and African feminist/womanist frameworks in order to decipher how these plays comment, and reflect, on the issue of gender inequality. In so doing, the aim is to bring these distinct theoretical and ideological traditions into dialogue with one another. A further aim is to assess to what extent these plays draw on, or are aligned with, various strands of western and African feminist theorizing whilst also offering an understanding of literary texts as sites of theory-making in their own right. The study further explores the echoes, conjunctions, entanglements and disparities that are revealed by bringing these texts from different contexts into dialogue with one another. In this process, the chapter also explores the extent to which these plays can be aligned with the often polarized discourses of western and African feminist theories, thus contributing to a broader understanding of gender, gendered societies and gender-based oppression in African contexts. Finally, this study seeks to arrive at a new theoretical feminist framework for reading these texts: what I have called ‘Consequentialist feminism’ is an approach which seeks to transcend the binaries between western and African feminist theorizing by focusing on the consequences of women’s choices in particular contexts of engagement and response.
Thesis (DLitt (English))--University of Pretoria, 2019.
English
DLitt (English)
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De, La Cruz-Guzman Marlene. "Of Masquerading and Weaving Tales of Empowerment: Gender, Composite Consciousness, and Culture-Specificity in the Early Novels of Sefi Atta and Laila Lalami." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417002139.

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Nwokocha, Sandra Chinyeaka. "Feminism in twenty-first-century Nigerian novels by women." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7310/.

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Scholarship on twenty-first century Nigerian female-authored novels has long been dominated by womanist readings, regardless of the fact that these modern narratives represent feminism in strong terms. The readings often subsume subversive femininity within non-aggressive liberation, resulting in an insufficient narrative of the intricacies of the novels of the period. This thesis challenges such representations by proposing subversion as the hallmark of twenty- first century Nigerian female-authored novels through a textual analysis of Chimamanda Ngozi Adichie’s Purple Hibiscus and Half of a Yellow Sun, Sefi Atta’s Everything Good Will Come and Kaine Agary’s Yellow Yellow. Through a gynocentric approach, the analysis of the novels foregrounds a feminist view of domination, resistance and solidarity, espousing the premise that the contemporary heroines are understandably rebellious in asserting female agency. The thesis draws three fundamental conclusions: that the feminist paradigm is useful to the comprehension of the nuances of twenty-first century Nigerian female-authored novels, that dissidence is a remarkable feature of contemporary texts, and that this revolutionary tendency contrasts with the conservative attitudes of the previous epoch.
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Carwile, Christey. "Sweet mothers : feminine forms of power in Nigeria /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1483331861&sid=3&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Thesis (Ph. D.)--Southern Illinois University Carbondale, 2007.
"Department of Anthropology." Keywords: Igbo, Gender, Ethnography, Feminist anthropology, Mothers, Feminine, Power, Nigeria Includes bibliographical references (p. 186-187). Also available online.
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Onwunta, Ijeoma Esther. "Gender stereotyping in church and community : a Nigerian feminine perspective." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1254.

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Thesis (DTh (Practical Theology and Missiology))--University of Stellenbosch, 2009.
In the Nigerian church and society negative gender stereotyping is pronounced in every aspect of human activities. The basic premise of this study therefore is that the Nigerian church and society need to deal with these negative gender stereotypes which breed gender insensitivity and injustice. Those cultural, political and economic structures, those proverbs and myths that have hitherto hindered women from attaining their full potential have to give way to a new mind-set and a change in attitude in both men and women in order to bring the much needed transformation and gender partnership in Nigeria. The study in surveying the landscape highlights some important issues that women have to struggle with. Among other things, the low female literacy rate is one of the greatest hindrances women have today. This is due to the institutionalised structures and culturally created lenses that make some people still perceive men as more superior than women and therefore regard the education of women as a waste of resources. Although men are always perceived to be the better and more superior specie, this study does not advocate for gender bending. What is important is people being who God has made them to be and working with others as partners for a better human society. Women’s involvement in development is based on the theological premise that true development must have a holistic approach which more than building infrastructures, deals with the development of humans. A holistic approach to development implies a transformational development that is different from the status quo which is overshadowed by men’s voices and experiences. Women’s voices, experiences and potentials have to play a major role in this approach. The need to listen to women was further stressed by Powers (2003: viii) when he said: Unless we listen, any action we may take in this area, no matter how well intentioned, is likely to bypass the real concerns of women and to confirm female condescension and reinforce male dominance. Listening, in a spirit of partnership and equality, is the most practical response we can make and is the foundation for our mutual partnership to reform unjust structures.
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Lipper, Joanna Helene. "Making 'The Supreme Price' : the theory and practice of a feminist documentary film in Nigeria." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/20250/.

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This dissertation is presented in two related components. The first part is The Supreme Price, an award-winning, feature-length documentary film that I directed and produced about women and the pro-democracy movement in Nigeria. In 1993, Nigerians elected M.K.O. Abiola as president in a historic vote that promised to end years of military dictatorship. Shortly after the election, there was a military coup. General Sani Abacha seized power and had Abiola arrested and jailed. While Abiola was in prison, his wife, Kudirat Abiola, took over leadership of the pro-democracy movement. She was assassinated by agents of the military junta in 1996. M.K.O Abiola died in prison two years later under mysterious circumstances. The film interweaves past and present as this story is told through the eyes of their daughter, Hafsat Abiola, who was about to graduate from Harvard when her mother was murdered. Determined not to let her parents’ democratic ideals die with them, Hafsat returns to Nigeria after years in exile and is at the forefront of a progressive movement to empower women and dismantle the patriarchal structure of Nigerian society. The second part of my dissertation consists of written critical reflections on the theoretical, technical, artistic and pedagogical aspects of my feminist filmmaking practice, grounded in my historical research on the political culture in Nigeria. Taking an interdisciplinary, pluralist approach within a theoretical framework of transnational feminism, I incorporated analysis of both Western and African perspectives. I used biography, trauma studies, political science, geographical, economic and foreign policy analysis, extensive audio-visual archival research and photographs to provide a detailed historical backdrop and theoretical context for understanding the life and legacy of Yoruba, Muslim human rights activist, Kudirat Abiola. I explore her and her daughter’s usage of media platforms to amplify their voices across borders, strategically creating archived, historical multimedia records of their opposition to the military regime in Nigeria. Through discussion of my in-depth work with archival footage, and through describing the distribution, impact and outreach of the film, I aim to show how The Supreme Price functions to represent and preserve a key aspect of women’s history in Nigeria, filling a void in the Nigerian educational system where history as an academic subject has been eliminated from most primary and secondary school curriculums. In my roles as director, producer and cinematographer, my documentary filmmaking practice was itself an act of transnational, multicultural solidarity, collaboration and synthesis resulting in a final film that is a hybrid artefact – simultaneously feminist and African. This dissertation illuminates how The Supreme Price has broken new ground in Nigeria where Nollywood has been the dominant framework for film productions and the genre of independently-made, transnational, feminist, political, historical documentaries directed by women and focused on women’s lives and legacies is nascent.
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Books on the topic "Feminism – Nigeria"

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Jibrin, Ibrahim, Salihu Amina, and Women in Nigeria (Organization), eds. Feminism or male feminism?: The lives and times of Women in Nigeria (WIN). Kano: Centre for Research and Documentation, 2007.

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Elsbeth, Robson, Women in Nigeria (Organization), and Women in Nigeria Conference (10th : 1992 : Zaria, Nigeria), eds. Women in Nigeria: The first ten years. [Nigeria]: WIN, 1993.

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Ezeigbo, T. Akachi. Gender issues in Nigeria: A feminine perspective. Lagos, Nigeria: Vista Books, 1996.

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Daramy, ʼNike. Legacy--: Attributes of female leadership in Nigeria. [Silverspring [sic] MD, U.S.A: King Solomon's Publishers, 1993.

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Ochayi, Okpeh Okpeh, and Sha Dung Pam, eds. Gender, power and politics in Nigeria. Makurdi, Nigeria: Aboki Publishers, 2007.

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Ochayi, Okpeh Okpeh, and Sha Dung Pam, eds. Gender, power and politics in Nigeria. Makurdi, Nigeria: Aboki Publishers, 2007.

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Mama, Amina. Feminism and the state in Nigeria: The national machinery for women. Accra North, Ghana: Third World Network-Africa, 2000.

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Ojewusi, Sola. Speaking for Nigerian women: (a history of the National Council of Women's Societies, Nigeria). Abuja, Nigeria: All State Publishing and Printing Co., 1996.

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Ogundipe-Leslie, Molara. Re-creating ourselves: African women & critical transformations. Trenton, N.J: Africa World Press, 1994.

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Hélie, Anissa. Feminism in the Muslim World Leadership Institutes: 1998 & 1999 reports : Istanbul, Turkey, September 14-26, 1998 : Lagos, Nigeria, October 25-November 5, 1999. New Brunswick, NJ, USA: Center for Women's Global Leadership, Rutgers, the State University of New Jersey, 2000.

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Book chapters on the topic "Feminism – Nigeria"

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Madunagu, Bene E. "The Nigerian Feminist Movement: Lessons from Women in Nigeria (WIN)." In African Women, 155–65. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114326_11.

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Soetan, Funmi. "Feminist Civil Society Organizations and Democratization in Nigeria." In Contesting the Nigerian State, 157–72. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137324535_6.

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Salami-Agunloye, Irene Isoken. "Reflections on My Literary Performance Theatre: A Manifesto for Nigerian Women." In Staging International Feminisms, 194–202. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287693_20.

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Omotoso, Sharon Adetutu. "Acada-Activism and Feminist Political Communication in Nigeria." In Women's Political Communication in Africa, 155–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42827-3_10.

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Olu-Osayomi, Olusegun. "Feminist Imagery and Masculine Energy in Ama Ata Aidoo’s Anowa." In Gender and Leadership in Nigeria and Ghana, 65–77. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38514-8_5.

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Kezie-Nwoha, Helen. "Religion, Feminist Peace, and Security in Nigeria and Uganda." In The Palgrave Handbook of Religion, Peacebuilding, and Development in Africa, 643–59. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-36829-5_36.

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Abolade, Irenitemi, EwaJesu Okewumi, and Demilade Kayode. "Feminism and Cultural Changes in Nigeria’s Family Norms." In The Palgrave Handbook of Global Social Change, 1–21. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-87624-1_81-1.

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Olaore, Augusta Y., Oluwatobiloba Bello, and Oluwafikayomi O. Banjo. "The impact of Patriarchy on premarital relationships in Nigeria." In The Routledge International Handbook of Feminisms in Social Work, 189–202. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003317371-19.

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Nwokoro, Chioma Vivienne. "Feminist Approach to Social Service Delivery By Aid Organizations in Rural Nigeria." In Global Encyclopedia of Public Administration, Public Policy, and Governance, 1–7. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-31816-5_3514-1.

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Nwokoro, Chioma Vivienne. "Feminist Approach to Social Service Delivery by Aid Organizations in Rural Nigeria." In Global Encyclopedia of Public Administration, Public Policy, and Governance, 4765–72. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-66252-3_3514.

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Conference papers on the topic "Feminism – Nigeria"

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Miriam Akinpelu, Oluwafunmilayo. "On Gendered Visual Culture: Inquiring into the Current Status of Gender Relations in Contemporary Nigeria through an Analysis of the Reception to a Feminist-oriented #EndSARS logo." In 6th International Conference on New Findings on Humanities and Social Sciences. Acavent, 2021. http://dx.doi.org/10.33422/6th.hsconf.2021.08.134.

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