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Journal articles on the topic 'Feminism – Italy'

Author: Grafiati

Published: 10 March 2023

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1

WILCOX, CLYDE. "The Causes and Consequences of Feminist Consciousness among Western European Women." Comparative Political Studies 23, no. 4 (January 1991): 519–45. http://dx.doi.org/10.1177/0010414091023004005.

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Using data from the 1983 Euro-Barometer survey, this article examines the extent, determinants, and consequences of feminist consciousness among Western European women. The results indicate a surprising degree of feminist consciousness in Western Europe, with more than a third of women classified as feminists. The extent of feminism varies across countries, with nearly half of women in France and Italy but only a quarter of women in Britain classified as feminists. Age, education, religiosity, and ideology are the strongest predictors of feminism, although there is meaningful cross-national variation in the determinants of feminism. Finally, feminist consciousness is associated with more liberal positions on most political issues, particularly those that involve sympathy for the disadvantaged, and with the willingness to consider supporting a leftist party.

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2

WOOD, S. "Feminism and Theory in Italy." Year's Work in Critical and Cultural Theory 2, no. 1 (January 1, 1992): 257–64. http://dx.doi.org/10.1093/ywcct/2.1.257.

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3

Avanza, Martina. "Using a Feminist Paradigm (Intersectionality) to Study Conservative Women: The Case of Pro-life Activists in Italy." Politics & Gender 16, no. 2 (June 7, 2019): 552–80. http://dx.doi.org/10.1017/s1743923x18001034.

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AbstractThis article builds on ethnographic research concerning the Italian pro-life movement and argues for the use of intersectionality theory in studying conservative women. The article suggests, first, that understanding conservative movements necessitates linking their political claims to the social identities of their activists, as would be the case for any other social movement (e.g., feminism). These social identities are as complex and intersectional as any other: a white, upper-class pro-life activist is no less intersectional than a black feminist from a poor background. Concomitantly, there is no unique feminism, but rather a plurality of feminisms, a diversity that intersectionality facilitates the identification of. The same is true for pro-life movements, but scholars tend to use the singular form to talk about conservatism; in this article, I explore the use of the plural to show that pro-life women do not constitute a monolithic group. On the contrary, these women are diverse in terms of their reproductive stories, their working status, and their class, race, and sexual practices, and this diversity translates into different ways of being pro-life. Second, recognizing this complexity does not suggest a natural link between feminism and conservatism. Alternatively, I suggest that a better understanding of conservative women can only be reached if they are studied on their own terms.

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4

Fantone, Laura. "Precarious Changes: Gender and Generational Politics in Contemporary Italy." Feminist Review 87, no. 1 (September 2007): 5–20. http://dx.doi.org/10.1057/palgrave.fr.9400357.

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The issue of a generational exchange in Italian feminism has been crucial over the last decade. Current struggles over precariousness have revived issues previously raised by feminists of the 1970s, recalling how old forms of instability and precarious employment are still present in Italy. This essay starts from the assumption that precariousness is a constitutive aspect of many young Italian women's lives, young Italian feminist scholars have been discussing the effects of such precarity on their generation. This article analyses the literature produced by political groups of young scholars interested in gender and feminism connected to debates on labour and power in contemporary Italy. One of the most successful strategies that younger feminists have used to gain visibility has involved entering current debates on precariousness, thus forcing a connection with the larger Italian labour movement. In doing so, this new wave of feminism has destabilized the universalism assumed by the 1970s generation. By pointing to a necessary generational change, younger feminists have been able to mark their own specificity and point to exploitative power dynamics within feminist groups, as well as in the family and in the workplace without being dismissed. In such a layered context, many young feminists argue that precariousness is a life condition, not just the effect of job market flexibility and not solely negative. The literature produced by young feminists addresses the current strategies engineered to make ‘their’ precarious life more sustainable. This essay analyses such strategies in the light of contemporary Italian politics. The main conclusion is that younger Italian women's experience requires new strategies and tools for struggle, considering that the visibility of women as political subjects is still quite minimal. Female precariousness can be seen as a fruitful starting point for a dialogue across differences, addressing gender and reproduction, immigration, work and social welfare at the same time.

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5

Gibson, Mary, and Lucia Chiavola Birnbaum. "Liberazione della donna: Feminism in Italy." American Historical Review 95, no. 4 (October 1990): 1243. http://dx.doi.org/10.2307/2163623.

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6

Holub, Renate, and Lucia Chiavola Birnbaum. "Liberazione della donna: Feminism in Italy." Italica 65, no. 4 (1988): 346. http://dx.doi.org/10.2307/479012.

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7

SUZUKI, Keiju. "State Feminism in Italy: Development and Limitations." Annuals of Japanese Political Science Association 61, no. 2 (2010): 2_86–2_105. http://dx.doi.org/10.7218/nenpouseijigaku.61.2_86.

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8

Rossi, C. "Furniture, Feminism and the Feminine: Women Designers in Post-war Italy, 1945 to 1970." Journal of Design History 22, no. 3 (August 10, 2009): 243–57. http://dx.doi.org/10.1093/jdh/epp022.

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9

Lissner, Will. "How-and Why-Feminism Waxed and Waned in Italy." American Journal of Economics and Sociology 47, no. 4 (October 1988): 440. http://dx.doi.org/10.1111/j.1536-7150.1988.tb02067.x.

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10

Wu, Shuangnan. "Reader Response to Feminism in Elizabeth Gilbert‘s Eat, Pray, Love." International Journal of Languages, Literature and Linguistics 7, no. 2 (June 2021): 81–85. http://dx.doi.org/10.18178/ijlll.2021.7.2.291.

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This study is about reader response to feminism in Eat, Pray, Love: One Woman’s Search for Everything Across Italy, India and Indonesia by Elizabeth Gilbert (2006). The topic is analysed under the guidance of reader-response theory proposed by Louise Rosenblatt. The objectives of this study are twofold: first, to collect related readers’ response to feminism on the Goodreads website, one of the biggest and most famous book review websites worldwide; secondly, to discuss readers’ underpinning views towards feminism and their expectation for women in the 21st century. This paper seizes on qualitative research. The primary data of this study is gleaned from the Goodreads website. Other sources of data include literary works, book rating websites and news reports. The conclusion is that feminism is deemed as self-indulgence or a kind of self-discovery by different readers and such fact reflects, to some extent, what people expect for women in the 21st century.

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11

Corna, Luisa Lorenza. "Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi, Francesco Ventrella and Giovanna Zapperi (eds) (2020)." Philosophy of Photography 12, no. 1 (October 1, 2021): 167–70. http://dx.doi.org/10.1386/pop_00053_5.

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Review of: Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi, Francesco Ventrella and Giovanna Zapperi (eds) (2020) London: Bloomsbury Publishing, 296 pp., ISBN 978-1-78453-732-6, h/bk, £95.00

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12

Rudan, Paola, ∫connessioni Precarie, and Non Una di Meno Roma. "The Strike that Made a Difference." Critical Times 1, no. 1 (April 1, 2018): 241–62. http://dx.doi.org/10.1215/26410478-1.1.241.

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Abstract Commenting on three activist documents on the global women's strike published by the Italian network Non Una di Meno and by the collective ∫connessioni precarie, this text reads the March 8 strike in Italy as part of a transnational process that was both deepened and accelerated by the use of the strike as a feminist practice. The March 8 strike was a political and social strike. It made a difference because it allowed feminism to go beyond the borders of the “woman question,” to become both a mass political practice and a means by which to question the whole neoliberal order at the very moment in which patriarchal violence had begun to be recognized as fundamental to it.

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13

Bracke, Maud Anne. "Labour, Gender and Deindustrialisation: Women Workers at Fiat (Italy, 1970s–1980s)." Contemporary European History 28, no. 4 (October 31, 2019): 484–99. http://dx.doi.org/10.1017/s0960777319000298.

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AbstractThe article presents an in-depth analysis of the struggle for gender equality in hiring, as well as campaigns for parental leave and demands for improved work conditions, by female workers in manufacturing industry in 1970s–80s Italy. The case study is focused on Fiat in Turin, a highly significant site given its economic role in Italy and Europe, and its history of social conflict and radical workforce. Against the backdrop of dramatic changes in gender relations since the 1960s, ongoing industrial unrest since 1968 and the introduction of new gender-equality legislation, fatefully coinciding with the onset of deindustrialisation and the rise of unemployment in manufacturing, trade union feminism presented an original and, viewed in hindsight, highly significant agenda. The events in Fiat demonstrate the extent to which new demands and ideas regarding the value of women's work became acceptable in the workers’ movement and in society at large, but also reveal the obstacles which the feminist politics of work encountered, and the persistence of gender-based prejudice in understandings of the value of work in all its forms. The analysis is based on archive material, press and original interviews.

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14

Martinelli, Phylis Cancilla. "Review: Liberazione della Donna. Feminism in Italy by Lucia Chiavola Birnbaum." Explorations in Ethnic Studies ESS-8, no. 1 (August 1, 1988): 5. http://dx.doi.org/10.1525/ess.1988.8.1.5.

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15

Dominijanni, Ida. "Rethinking the Change: Italian Feminism Between Crisis and Critique of Politics." Cultural Studies Review 11, no. 2 (October 11, 2013): 25–35. http://dx.doi.org/10.5130/csr.v11i2.3636.

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I think of the kinds of questions that I’ve heard female researchers and students ask of Italian feminism in Sydney, Melbourne and Auckland. I think of a certain ease of dialogue between men and feminists that is less suspicious than what we’re used to in Italy. There is an openness to the other and to otherness, which might derive from Australia being a multicultural society. The relativisation of Europe, and even more so of Italy, happens spontaneously when looked at from Australia with Asia in between. All this adds up to an ‘Australian Effect’ that has profoundly changed me and that in turn changes my way of talking about the ‘Italian Effect’. I am therefore writing from within a relationship to this context that already marks me, questions me and dislocates me, and my intention is to yield not so much a thought as a practice of thought, born and bred in close proximity to a political practice.

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16

McGlazer, Ramsey. "Special Section: Transnational Feminist Strikes and Solidarities." Critical Times 1, no. 1 (April 1, 2018): 146–48. http://dx.doi.org/10.1215/26410478-1.1.146.

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Abstract This special section gathers activist texts and theoretical reflections on the International Women's Strike of March 8, 2017. Contributors from Turkey, Argentina, Poland, and Italy consider the strike's implications and effects, emphasizing the ways in which it both indexes and advances, both speaks to and spurs, a radical re-politicization of feminism. Texts by Rita Segato and Françoise Vergès provide critical frameworks for understanding this process. All of the texts collected here—essays, dispatches, chronicles, manifestos, and an interview—indicate the urgency and the promise of a feminism that refuses racism, capitalist exploitation, environmental depredation, and state violence.

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17

Leng, Kirsten. "Frontiers of Feminism: Movements and influences in Québec and Italy, 1960–80." Social History 47, no. 2 (April 3, 2022): 234–36. http://dx.doi.org/10.1080/03071022.2022.2045757.

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18

Formato, Federica. "Feminism, violence and representation in modern Italy “We are witnesses, not victims”." Journal of Modern Italian Studies 27, no. 1 (October 11, 2021): 159–61. http://dx.doi.org/10.1080/1354571x.2021.1983264.

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19

Beckwith, Karen. "Feminism and leftist politics in Italy: The case of UDI‐PCI relations." West European Politics 8, no. 4 (October 1985): 19–37. http://dx.doi.org/10.1080/01402388508424552.

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20

Baroni, Walter Stefano. "Paradoxes of the self: the autobiographical construction of the subject in the Italian Communist Party and in Italian neo-feminism." Modern Italy 23, no. 1 (January 22, 2018): 69–84. http://dx.doi.org/10.1017/mit.2017.68.

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This article compares the autobiographical practices used by the Partito Comunista Italiano (PCI) in the aftermath of the Second World War with those developed by Italian neo-feminism from the late 1960s onwards. The former involved a repeated injunction for activists to write about and express themselves upon joining the party, in what amounted to self-criticism. The latter, meanwhile, took shape as a result of self-consciousness exercises practised by feminist groups in various cities across Italy. The terms of comparison of this article aim to describe what changed and what remained the same in the technologies used to produce the political self within the Italian Left in the twentieth century, beginning from its split in the 1960s. In this context, the paper reveals that the communist and feminist experiences were supported by the same discursive mechanism, which hinged on a paradoxical enunciation of the self. Communist activists and feminists thus faced the same difficulty in political self-expression, which was resolved in two different ways, both equally unsatisfactory. In conclusion, examining the communist autobiographical injunction allows a radical critical reappraisal of the idea that the use of the first person and the political affirmation of subjectivity are determining features exclusively bound to the feminist experience.

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21

Bracke, Maud Anne. "Feminism, the state, and the centrality of reproduction: abortion struggles in 1970s Italy." Social History 42, no. 4 (September 28, 2017): 524–46. http://dx.doi.org/10.1080/03071022.2017.1368234.

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22

Hajek, Andrea. "Women and the Reinvention of the Political: feminism in Italy, 1968–1983MAUD BRACKE." Women's History Review 24, no. 5 (May 12, 2015): 838–40. http://dx.doi.org/10.1080/09612025.2015.1039352.

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23

Merrill, Heather. "Space agents: anti‐racist feminism and the politics of scale in Turin, Italy." Gender, Place & Culture 11, no. 2 (June 2004): 189–204. http://dx.doi.org/10.1080/0966369042000218446.

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24

Natale, Anna Lucia. "Radio programming by and for women in Italy in the 1970s: The case of Noi, voi, loro donna." Journal of Italian Cinema & Media Studies 11, no. 2 (March 1, 2023): 369–85. http://dx.doi.org/10.1386/jicms_00184_1.

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This article explores the medium of radio as a vehicle for female empowerment from a cultural-historical perspective. It focuses on programmes by and for women on Italian public radio in the 1970s, at the height of second-wave feminism. In keeping with a constructionist approach that enhances the innovative potential of media, and recognizing radio as a source for women’s history, the article aims to identify the ways and goals by which radio speaks about women and addresses women. Following a case study methodology that focuses on the programme Noi, voi, loro donna (‘We, you, they woman’) (1978–82, Radio Tre), the article highlights the radio’s commitment for women’s rights: it offered a space for women-led discussion on women’s issues; it spread knowledge, reflections and analyses about gender inequalities and feminism; and thereby it provided women with the cognitive tools to acquire self-awareness, become familiar with new ideas and behaviours and redefine their identities.

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25

Chironi, Daniela. "Generations in the Feminist and LGBT Movements in Italy: The Case ofNon Una Di Meno." American Behavioral Scientist 63, no. 10 (March 6, 2019): 1469–96. http://dx.doi.org/10.1177/0002764219831745.

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The article analyses the participation of young people in emerging social movements, focusing on the experience of the Italian Non Una Di Meno (NUDM) movement combatting male violence against women. Challenging scholarly assumptions of growing youth apathy in democracies, the analysis reveals high levels of participation on the part of the younger population engaged in gender-related struggles. Hit by both conservative and austerity policies associated with the economic and political crisis, feminist and LGBTQI (lesbian, gay, bisexual, transgender, queer, and intersexual) Millennials reacted by increasing their involvement in contentious politics. In the protest arena, they have crossed paths with older generations, activating processes of exchange, but also intergenerational tensions. Based on original qualitative data from ten semi-structured interviews with movement activists in Florence and Bologna, this piece of research sheds light on the role of young people in the birth and evolution of NUDM, and the relationship between different generations of activists within this movement. More specifically, it explains continuities and discontinuities between veterans and younger activists’ sources of theoretical inspirations, organizational models and mobilization resources, strategic priorities and action repertoires. Millennials embrace intersectional feminism and queer theory; opt for grassroots, horizontal organizing; adopt a conflictual attitude towards the state, and dialogical, introspective dynamics within the movement. Intergenerational disagreements especially relate to sex work, and surrogate motherhood.

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26

Cossutta, Carlotta. "Maternal relations, feminism and surrogate motherhood in the Italian context." Modern Italy 23, no. 2 (April 23, 2018): 215–26. http://dx.doi.org/10.1017/mit.2018.7.

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This article examines the surrogacy debate that has developed within contemporary feminist and LGBT movements in Italy, following the approval of the law on civil unions at the beginning of 2016. This debate has been marked by a deep fracture between those who see in surrogate motherhood a chance to imagine new forms of social bonds and those who consider that women’s wombs and newborn children can never be the object of an economic ‘exchange’. I will first analyse the most controversial positions held by some feminists who have participated in the debate, which revolve around the centrality of the maternal figure. Then I will outline a brief history of the social construction of pregnancy, linking it to changes in the marketplace and the birth of biopolitics. Finally, with the help of Angela Putino’s philosophical thought I will advance a potentially different feminist approach to the issue of surrogate motherhood.

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27

Zambelli, Laura. "Feminism and BDSM: empirical findings and theoretical debates in the US, UK and Italy." Journal of the International Network for Sexual Ethics & Politics 4, no. 2 (March 27, 2018): 37–57. http://dx.doi.org/10.3224/insep.v4i2.05.

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28

Ammaturo, Francesca Romana. "Framing and shaming: LGBT activism, feminism and the construction of ‘gestational surrogacy’ in Italy." Social Movement Studies 19, no. 4 (December 30, 2019): 447–63. http://dx.doi.org/10.1080/14742837.2019.1708308.

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29

Pojmann, Wendy. "Maud Anne Bracke.Women and the Reinvention of the Political: Feminism in Italy, 1968–1983." American Historical Review 120, no. 4 (October 2015): 1563.1–1563. http://dx.doi.org/10.1093/ahr/120.4.1563.

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30

Fantino, Ana Maria. "Wendy Pojmann, Immigrant Women and Feminism in Italy (Research in Migration and Ethnic Relations)." Journal of International Migration and Integration / Revue de l'integration et de la migration internationale 9, no. 1 (March 2008): 117–18. http://dx.doi.org/10.1007/s12134-007-0042-8.

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31

Casero, Cristina, and Federica Muzzarelli. "Feminism and Italian Photography: Notes on the Inheritance of New Generations from the 1970s." Journal of Asia-Pacific Pop Culture 6, no. 2 (November 2021): 262–94. http://dx.doi.org/10.5325/jasiapacipopcult.6.2.0262.

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Abstract Following the current perspectives offered by international gender and feminist studies, this article aims to analyze the history of Italian photography, focusing on the period from the 1970s up to today, investigating the sources from a different viewpoint, and starting from new questions which identify the contribution of events and authors to feminist photography in Italy. The article also aims to respond to the many still open questions regarding the space of visibility of women in Italian photography. And in particular: How does the new generation of Italian women photographers relate to the Italian feminist heritage? Is it possible to trace a shared poetics in their work that characterizes their belonging to a common theoretical and practical dimension that can be defined as feminist? Or do they reject cultural labels and heritages from which they feel alienated?

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Berghaus, Günter. "Fulvia Giuliani: Portrait of a Futurist Actress." New Theatre Quarterly 10, no. 38 (May 1994): 117–21. http://dx.doi.org/10.1017/s0266464x00000282.

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Despite the importance of Italian Futurism to the modernist movement in Europe during the early inter-war period, it has suffered a bad press – initially because of its association with the emergent fascist movement, and more recently because of the feminist concern with apparently misogynistic elements in the writing of the acknowledged leader of the movement, F. T. Marinetti. However, Günter Berghaus argues that this is to ignore not only the roots of Marinetti's own anti-feminism – in contempt for the very aspects of subservient womanhood now condemned by feminists themselves – but also the support that Futurism enjoyed from a number of women artists in Italy at the time. Certainly, the early career of the actress Fulvia Giuliani affirms both her strong endorsement for and participation in the movement, and her contempt for women who passively accepted the roles assigned to them by the patriarchy. Günter Berghaus, who teaches in the Drama Department of the University of Bristol, here outlines Giuliani's role in the Futurist movement and documents it from previously unpublished sources.

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33

Starensier, Adela La Barre. "Lucia Chiavola Birnbaum, Black Madonnas: Feminism, Religion, and Politics in Italy. Northeastern University Press, 1993." Medieval Feminist Newsletter 18 (September 1994): 27–28. http://dx.doi.org/10.17077/1054-1004.1444.

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34

Dawes, Helena. "The Catholic Church and the Woman Question: Catholic Feminism in Italy in the Early 1900s." Catholic Historical Review 97, no. 3 (2011): 484–526. http://dx.doi.org/10.1353/cat.2011.0089.

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35

Passerini, Luisa. "A Memory for Women’s History: Problems of Method and Interpretation." Social Science History 16, no. 4 (1992): 669–92. http://dx.doi.org/10.1017/s0145553200016692.

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This essay describes an oral history project that accompanied the establishment of an archive on the history of recent feminism in the region of Emilia-Romagna, Italy. The archive, which contains both written and oral historical sources, is now in existence at the library of the Bologna’s Women’s Center, the Centro di Documentazione delle Donne. Raffaella Lamberti (1989) has explained why it was politically important for the Women’s Center to establish such an archive. It should be noted that the Centro di Documentazione, since it was officially proposed in March 1982, has been a totally independent institution, although it draws financial and administrative support from the Regional Administration of Emilia-Romagna.

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36

Polli, Chiara, and Carlo Berti. "Framing right-wing populist satire: The case-study of Ghisberto’s cartoons in Italy." Punctum. International Journal of Semiotics 06, no. 02 (March 1, 2021): 29–55. http://dx.doi.org/10.18680/hss.2020.0020.

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Abstract Over the last few years, right-wing populism has increased its popularity and political weight, successfully merging with Euro-scepticism, nationalism, xenophobia, religious symbolism, and aggressive forms of conservatism (e.g., anti-feminism, homophobia, and, in general, patriarchal politics). Several studies have focused on the communication strategies of contemporary populism, examining the latter’s use of traditional and new media. So far, however, little attention has been paid to the role and language of right-wing populist satire. Our study draws on the ideational approach to populism to explore how right-wing populism is expressed in satirical cartoons. This approach perceives populism as a thin-centered ideology, based on a Manichean division between ‘good people’ and ‘evil elites,’ which regularly combines with other ideological components (e.g., nationalism, Euroscepticism, xenophobia). Our analysis focuses on the Italian cartoonist Ghisberto, known for his provocative and frequently controversial work. We examine a sample of Ghisberto’s vignettes using multimodal analysis tools and Greimas’s notion of isotopy. The aim is to investigate how right-wing populist satire constructs its different targets (the EU, left-wingers, migrants, NGOs, women, etc.) and how populist ideology exploits cartoons’ communicative resources and power.

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Kontopodis, Michalis, and Vincenzo Matera. "Doing Memory, Doing Identity: Politics of the Everyday in Contemporary Global Communities." Outlines. Critical Practice Studies 12, no. 2 (August 30, 2010): 1–14. http://dx.doi.org/10.7146/ocps.v12i2.2776.

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The special issue Doing Memory, Doing Identity: Politics of the Everyday in Contemporary Global Communities draws on anthropological theory, performance studies, feminism, post-colonial studies and other theoretical traditions for an insightful examination of the everyday practices of doing memory. A series of ethnographies and qualitative studies from locations as diverse as Italy, Norway, Greece, France, Brazil and China complement profound theoretical analyses to investigate the multiple links between individual and collective pasts, futures and identities, especially focusing on emotions, embodiment, the senses, difference and power relations. Taking a critical stance in regard to current social-scientific and socio-political debates, this special issue reflects on the political and ethical aspects of day-to-day memory practices and examines issues related to identity, imagination and otherness.

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Farinosi, Manuela, and Leopoldina Fortunati. "Knitting Feminist Politics: Exploring a Yarn-Bombing Performance in a Postdisaster City." Journal of Communication Inquiry 42, no. 2 (January 18, 2018): 138–65. http://dx.doi.org/10.1177/0196859917753419.

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The aim of this article is to explore urban knitting as a worldwide social movement, rather than solely a kind of “inoffensive urban graffiti” made with knitted fabric. Building on the available literature and original research, the article argues that this movement weaves together elements from craftivism, domesticity, handicraft, art, and feminism. It then explores a specific urban knitting initiative, called “Mettiamoci una pezza” (“Let’s patch it”), carried out in L’Aquila, Italy, 3 years after the earthquake that devastated the city in 2009. To analyze the sociopolitical aspects of this initiative, a series of qualitative research studies was conducted over time, to which were added semistructured interviews with the initiative’s local organizers. The findings show that the initiative in L’Aquila clearly exhibits the five original features of the urban knitting movement that emerge from the literature as being characteristic of this movement.

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Bonfiglioli, Chiara. "lo schermo del potere. femminismo e regime della visibilità [the screen of power. feminism and visuality in contemporary Italy]." Feminist Review 109, no. 1 (February 2015): e14-e16. http://dx.doi.org/10.1057/fr.2014.49.

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40

Shpall, Sam. "Female Freedom and The Neapolitan Novels (Part 1)." Hypatia 36, no. 4 (2021): 676–701. http://dx.doi.org/10.1017/hyp.2021.53.

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AbstractThis essay begins to develop a philosophical interpretation of Elena Ferrante's L'amica geniale, a work of fiction that is known in English as The Neapolitan Novels. My ultimate aim is to explore the work's ambitious moral psychology, and particularly its subtle conceptualization of women's path to freedom. I begin by reconstructing some of the main ideas of Italian difference feminism as they are expressed in the texts of the Milan Women's Bookstore Collective—texts that are controversial milestones of Italian social theory, yet are relatively unknown outside of Italy. I then show how these ideas provide a useful frame of reference for interpreters of Ferrante's novel. This discussion sets up a more extended analysis (in part 2 of this essay) of the special status of Lila Cerullo, her strange condition of smarginatura (“dissolving boundaries”), and the import of her puzzling earthquake speech.

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Marchetti, Sabrina. "Book Review: Wendy Pojmann, Immigrant Women and Feminism in Italy. Aldershot: Ashgate, 2006. 208 pp. ISBN 0—7546— 4674—2, £50.00 (hbk)." Feminist Theory 11, no. 3 (December 2010): 338–39. http://dx.doi.org/10.1177/14647001100110030105.

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Vollendorf, Lisa. "Sarah Gwyneth Ross . The Birth of Feminism: Woman as Intellect in Renaissance Italy and England . Cambridge, Mass. : Harvard University Press . 2009 . Pp. 405. $49.95." American Historical Review 116, no. 2 (April 2011): 509–10. http://dx.doi.org/10.1086/ahr.116.2.509.

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Burns, Jennifer. "Immigrant women and feminism in Italy, by Wendy Pojmann, Aldershot/Burlington, VT, Ashgate Press, 2006, 188 pp., £50 (hardcover), ISBN 0-7546-4674-2." Modern Italy 13, no. 1 (February 2008): 88–90. http://dx.doi.org/10.1017/s1353294400010553.

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Worthen, Meredith G. F., Vittorio Lingiardi, and Chiara Caristo. "The Roles of Politics, Feminism, and Religion in Attitudes Toward LGBT Individuals: A Cross-Cultural Study of College Students in the USA, Italy, and Spain." Sexuality Research and Social Policy 14, no. 3 (June 29, 2016): 241–58. http://dx.doi.org/10.1007/s13178-016-0244-y.

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Santini, Federica. "Feminism, Violence, and Representation in Modern Italy, by Giovanna Parmigiani, Bloomington IN, Indiana University Press, 2019, pp. 214, $40.00 (paperback), ISBN 978-0-253-04338-2." Modern Italy 25, no. 4 (July 29, 2020): 498–99. http://dx.doi.org/10.1017/mit.2020.33.

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D. Harris, Dr Rachelle. "Shakespeare’s Othello: The Esteemed, Reviled, Shunned, and Integrated?" IJOHMN (International Journal online of Humanities) 3, no. 5 (October 25, 2017): 14. http://dx.doi.org/10.24113/ijohmn.v3i5.36.

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In Shakespearean literature, one can find themes that challenge the Elizabethan conventional way of thinking and life, and the tragedy of Othello is no exception. In a dramatic presentation, Shakespeare challenges the way in which Black people are seen in Elizabethan society by placing a Moor in the context of Venice, Italy who is both hated and respected in his place in a racist society. There is no doubt that there is racism in Elizabethan society. According to Eldred Jones, during the era in which Othello is composed, Queen Elizabeth enacts legislation that calls for all Black people to leave the country (Jones, 1994). Racism is not the core theme of the dramatic piece; however, the existence of racism is illustrated and expressed via Shakespeare’s artistic medium. Just as feminism, greed, jealousy, hubris, and varying other matters dealing with the human spirit do not seepage Shakespeare’s consideration, nor do race matters. Furthermore, just as he dramatizes human issues, he dramatizes race matters. There are fictional elements in Othello that are intertwined with nonfictional matters of human behavior and racial unrest. In the middle of racial unrest, Shakespeare composes a theatrical production with a Black character who is esteemed, reviled, shunned, and integrated into such a society, capturing the complicated nature of communal racism itself. Keywords: Shakespeare, Othello, Integration, Racism Section 1.0

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Barton, Anna. "Byron, Barrett Browning and the Organization of Light." Romanticism 22, no. 3 (October 2016): 289–98. http://dx.doi.org/10.3366/rom.2016.0290.

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Feminist readings of Casa Guidi Windows frequently invoke Canto IV of Childe Harold's Pilgrimage as a significant intertext for Barrett Browning, identifying in Barrett's Italy a direct retort to Byron's representation of the Italian nation as a languishing female body, which returns to it the potential agency inherent in the republican body politic. But Barrett's Italy not only challenges Byron's account of Italy as the feminine victim of masculine history, it also negotiates the obliterating glare of Byronic light. Responding to recent interpretations of the poem's windows as apertures that compromise the division between public masculine and private feminine space, this article explores the ways Casa Guidi, both the poem and the home that it describes, represent a liberal architectonics that is as concerned with resisting as it is with celebrating the subliming forces of indifferent nature and international politics. One of the ways in which that resistance is performed is via the poet's negotiation of Italian light, natural, divine and artistic, a negotiation through which Barrett describes a post-Romantic feminine poetics that realigns poetic form and the domestic, and suggests both as spaces through which light may break.

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Mainardi, Arianna. "Mediated friendship: Online and offline alliances in girls’ everyday lives in Italy." Oñati Socio-Legal Series 10, no. 1S (December 28, 2020): 100S—115S. http://dx.doi.org/10.35295/osls.iisl/0000-0000-0000-1085.

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This article engages with the current debate on feminisms and digital media by looking at the tension between individualism and collective action. Drawing on an empirical research project involving girls, carried out in Italy and focusing on female processes of subjectivation in a postfeminist new media context, it will discuss constraints and opportunities shaped by the everyday use of social media. The article places itself in the latest trend of cyberfeminist studies, by analysing friendship relationships developed among girls in and through digital media. It also looks at how the mediated nature of social network sites offers room for the building of alliances among girls, and how this challenges online and offline gender norms. In doing so, the article reflects on the way female relationships change and are reworked in digital culture, thus giving a new meaning to the feminist concept of sisterhood.

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Tambor, Molly. "Women and the Reinvention of the Political. Feminism in Italy, 1968–1983, by Maud Anne Bracke, New York and London, Routledge, 2014, 256 pp., $145.00 (hardback), ISBN 978-0-415-73402-8." Modern Italy 22, no. 1 (September 22, 2016): 96–98. http://dx.doi.org/10.1017/mit.2016.38.

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Rabil, Albert. "Sarah G. Ross. The Birth of Feminism: Woman as Intellect in Renaissance Italy and England. Cambridge, MA: Harvard University Press, 2009. ix + 405 pp. index. bibl. $49.95. ISBN: 978–0–674–03454–9." Renaissance Quarterly 63, no. 1 (2010): 193–94. http://dx.doi.org/10.1086/652544.

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