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Books on the topic 'Feminism and music'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Min, Ŭn-gi. Ŭmak kwa p'eminijŭm: Music and feminism. Sŏul T'ŭkpyŏlsi: Ŭmak Segye, 2000.

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2

C, Cook Susan, and Tsou Judy S, eds. Cecilia reclaimed: Feminist perspectives on gender and music. Urbana: University of Illinois Press, 1994.

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3

Elisabeth. From the middle of an apocalypse. Mt. Airy, MD: The author, 1995.

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4

López, Pilar Ramos. Feminismo y música: Introducción crítica. Madrid: Narcea, 2003.

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5

Marcia, Herndon, Ziegler Susanne, and ICTM Study Group on Music and Gender., eds. Music, gender, and culture. Wilhelmshaven: F. Noetzel, 1990.

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6

Marcus, Sara. Girls to the front: The true story of the Riot grrrl revolution. New York: HarperPerennial, 2010.

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7

Suárez, Laura Viñuela. La perspectiva de género y la música popular: Dos nuevos retos para la musicología. Oviedo: Ediciones KRK, 2003.

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8

Hochschule für Musik und Theater (Hamburg, Germany), ed. Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004-2006 an der Hochschule für Musik und Theater Hamburg. Hamburg: Von Bockel, 2007.

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9

Morris, Bonnie J. Eden built by Eves: The culture of women's music festivals. Los Angeles, Calif: Alyson Books, 1999.

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10

Railton, Diane. Music video and the politics of representation. Edinburgh: Edinburgh University Press, 2011.

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11

Macarthur, Sally. Towards a twenty-first-century feminist politics of music. Farnham, Surrey, England: Ashgate, 2010.

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12

Robin, Roberts. Ladies first: Women in music videos. Jackson: University Press of Mississippi, 1996.

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13

Lamb, Roberta Kay. Including women composers in music curricula: Development of creative strategies for the general music class, grades 5-8. [New York: s.n.], 1987.

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14

Masmano, Rosa Iniesta. Mujer versus música: Itinerancias, incertidumbres y lunas. Valencia: Rivera Editores, 2011.

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15

Eva, Rieger, and Forschungszentrum Musik und Gender, eds. Gender studies in der Musikwissenschaft--quo vadis?: Festschrift für Eva Rieger zum 70. Geburtstag. Hildesheim: Olms, 2010.

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16

Pak, Chun-u. Norae hanŭn p'eminijŭm: Nina Simon put'ŏ Piyonse kkaji p'eminijŭm kwa yŏndae hanŭn p'ap myujik. Kyŏnggi-do P'aju-si: Han'gilsa, 2019.

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17

Evelyn, McDonnell, and Powers Ann 1964-, eds. Rock She Wrote: Women Write About Rock, Pop, and Rap. New York, USA: Delta, 1995.

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18

Laura, Judith. She lives!: The return of our Great Mother : myths, rituals, meditations & music. Freedom, Calif: Crossing Press, 1989.

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19

Green, Lucy. Music, gender, education. Cambridge: Cambridge University Press, 1997.

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20

Davis, Angela Y. Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York, NY: Vintage, 1999.

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21

Hymn Society of Great Britain and Ireland, ed. Revealing hidden wisdom: Women finding a voice in hymnody. England]: The Hymn Society of Great Britain and Ireland, 2010.

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22

Gibson, Lorna. Beyond Jerusalem: Music in the Women's Institute, 1919-1969. Aldershot, Hants, England: Ashgate, 2007.

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23

Jornadas sobre María Lejárraga (3rd 2005 Logroño, Spain). María Martínez Sierra: Feminismo y música : III Jornadas sobre María Lejárraga, Logroño, 24-27 octubre y 14-17 de noviembre de 2005. Edited by Aguilera Sastre Juan. Logroño: Instituto de Estudios Riojanos, 2008.

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24

Juan, Aguilera Sastre, ed. María Martínez Sierra: Feminismo y música : III Jornadas sobre María Lejárraga, Logroño, 24-27 octubre y 14-17 de noviembre de 2005. Logroño: Instituto de Estudios Riojanos, 2008.

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25

Music & Feminism. Twayne Pub, 2000.

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26

Resilience & melancholy: Pop music, feminism, neoliberalism. Winchester, UK: Zero Books, 2015.

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27

Macarthur, Sally. Feminist Aesthetics in Music:. Greenwood Press, 2001.

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28

MacArthur, Sally. Feminist Aesthetics in Music. ABC-CLIO, LLC, 2001.

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29

Disruptive Divas: Feminism, Identity and Popular Music. Routledge, 2013.

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30

Lafrance, Melisse, and Lori Burns. Disruptive Divas: Feminism, Identity and Popular Music. Taylor & Francis Group, 2013.

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31

Lafrance, Melisse, and Lori Burns. Disruptive Divas: Feminism, Identity and Popular Music. Routledge, 2001.

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32

Lafrance, Melisse, and Lori Burns. Disruptive Divas: Feminism, Identity and Popular Music. Taylor & Francis Group, 2013.

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33

Lafrance, Melisse, and Lori Burns. Disruptive Divas: Feminism, Identity and Popular Music. Taylor & Francis Group, 2013.

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34

Lafrance, Melisse, and Lori Burns. Disruptive Divas: Feminism, Identity and Popular Music. Taylor & Francis Group, 2013.

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35

Macarthur, Sally. Feminist Aesthetics in Music. ABC-CLIO, LLC, 2001.

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36

Women in Music. Routledge, 2012.

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37

Werner, Ann. Feminism and Gender Politics in Mediated Popular Music. Bloomsbury Publishing Plc, 2022.

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38

Werner, Ann. Feminism and Gender Politics in Mediated Popular Music. Bloomsbury Publishing Plc, 2022.

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39

Musics and feminisms. Sydney, N.S.W: Australian Music Centre, 1999.

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40

Harrison, Cheryl Lee. RIOT! Music from the Girl Revolution. Lulu Press, Inc., 2009.

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41

Mcclary, Susan. Feminine Endings: Music, Gender, and Sexuality. University of Minnesota Press, 2002.

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42

Martin, Kameelah L., and Kinitra D. Brooks. Lemonade Reader: Beyoncé, Black Feminism and Spirituality. Taylor & Francis Group, 2019.

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43

Lemonade Reader: Beyoncé, Black Feminism and Spirituality. Taylor & Francis Group, 2019.

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44

Beyonce Effect: Essays on Sexuality, Race and Feminism. McFarland & Company, Incorporated Publishers, 2016.

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45

Trier-Bieniek, Adrienne. Beyonce Effect: Essays on Sexuality, Race and Feminism. McFarland & Company, Incorporated Publishers, 2016.

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46

Koskoff, Ellen, and Suzanne Cusick. Feminist Ethnomusicology: Writings on Music and Gender. University of Illinois Press, 2014.

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47

Girls to the front: The true story of the Riot grrrl revolution. New York: HarperPerennial, 2010.

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48

Disruptive Divas: Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture). Routledge, 2001.

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49

Disruptive Divas: Feminism, Identity and Popular Music (Studies in Contemporary Music and Culture). Routledge, 2001.

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50

Epstein, Heidi. Melting the Venusberg: A Feminist Theology of Music. Continuum International Publishing Group, 2004.

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