Log in

Relevant bibliographies by topics / Feminism and art Australia

Academic literature on the topic 'Feminism and art Australia'

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Feminism and art Australia.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Feminism and art Australia"

1

Hurst, Cameron. "Doing Feminism: Women’s Art and Feminist Criticism in Australia." Australian and New Zealand Journal of Art 22, no. 2 (July 3, 2022): 218–23. http://dx.doi.org/10.1080/14434318.2022.2143761.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Genovese, Ann. "Unravelling Identities: Performance and Criticism in Australian Feminisms." Feminist Review 52, no. 1 (March 1996): 135–53. http://dx.doi.org/10.1057/fr.1996.12.

Full text

Abstract:

The following article is an exploration of the non-linear and non-unified identities that make up Australian feminism. The main premise is that the divergent strands of rational and romantic thought, central to the project of liberalism, are inherent in the characterization of Australian feminisms. As a result, there have always been tensions between feminists, centred around politics of self-identification. These tensions continue to exist, but to be articulated in different ways in different decades as a result of the ever changing relationships between feminist, state and media/public discourses. These ideas are explored through comparing two key moments in our recent past in which differences between feminisms were declared. These two events – the Mary Daly visit to Australia to promote Gyn/Ecology in 1981, and the debate engendered by Helen Garner's The First Stone in 1995 – are taken to be performative metaphors through which the continuities and discontinuities of the nature of Australian feminisms can be subjectively explored.

APA, Harvard, Vancouver, ISO, and other styles

3

Murdolo, Adele. "Warmth and Unity with all Women?" Feminist Review 52, no. 1 (March 1996): 69–86. http://dx.doi.org/10.1057/fr.1996.8.

Full text

Abstract:

In this paper I discuss the four Women and Labour conferences which were held in Australian capital cities over the seven years between 1978 and 1984. I explore the ways in which the history of Australian feminist activism during this period could be written, questioning in particular the claim that the Women and Labour conferences have been central to the history of Australian feminism. I discuss the ways in which a historical sense could be established, using writings about the conferences as historical ‘evidence’, that race and ethnic divisions between women had not been important to the ‘women's movement’ until 1984. In other words, I challenge the construction of this conference as a turning point – not only in the feminist politicization of immigrant and Aboriginal women, but also in the politicization of all feminists about race and ethnic divisions. More broadly, I am interested in how a history would be written if it aimed to get to the ‘truth’ about racism and about the feminist activism of immigrant women. How would the apparent lack of written ‘evidence’ – at least until 1984 – of immigrant women's feminist activism, and of the awareness of Australian feminists about issues of racism, be written into this history? In addition, I suggest that it is important to the writing of feminist history in Australia that published documentation has been mostly produced by anglo women, and is thus partial and mediated by the lived, embodied experiences of anglo women. Finally, my intention is to interrogate commonly understood narratives about Australian feminist history, to challenge their seamlessness, and to suggest the importance of recognizing the tension within feminist discourses between difference as benign diversity and difference as disruption.

APA, Harvard, Vancouver, ISO, and other styles

4

VARNEY, DENISE. "Identity Politics in Australian Context." Theatre Research International 37, no. 1 (January 26, 2012): 71–73. http://dx.doi.org/10.1017/s0307883311000794.

Full text

Abstract:

Identity mobilises feminist politics in Australia and shapes discursive and theatrical practices. Energised by the affirmative politics of hope, celebration and unity, Australian feminism is also motivated by injustice, prejudice and loss, particularly among Indigenous women and minorities. During the 1970s, when feminist theatre opened up creative spaces on the margins of Australian theatre, women identified with each other on the basis of an unproblematized gender identity, a commitment to socialist collectivism and theatre as a mode of self-representation. The emphasis on shared experience, collectivism and gender unity gave way in the 1980s to a more nuanced critical awareness of inequalities and divisions among women based on sexuality, class, race and ethnicity. My discussion spans broadly the period from the 1970s to the present and concludes with some commentary on recent twists and turns in identity politics.

APA, Harvard, Vancouver, ISO, and other styles

5

Ho, Christina. "Diversifying Feminism: Migrant Women’s Activism in Australia." Signs: Journal of Women in Culture and Society 33, no. 4 (June 2008): 777–84. http://dx.doi.org/10.1086/528742.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Curthoys, Ann. "Adventures of Feminism: Simone de Beauvoir's Autobiographies, Women's Liberation, and Self-Fashioning." Feminist Review 64, no. 1 (April 2000): 3–18. http://dx.doi.org/10.1080/014177800338927.

Full text

Abstract:

While The Second Sex is usually taken as Simone de Beauvoir's major theoretical contribution to feminism, in the 1960s and 1970s it was very often through her autobiographies – especially Memoirs of a Dutiful Daughter, The Prime of Life, and Force of Circumstance, along with novels such as She Came to Stay and The Mandarins – that her feminist ideas were most thoroughly absorbed. The autobiographies became nothing less than a guide for the fashioning of a new kind of feminine self. Where The Second Sex had intimated that a significant aspect of human liberation lay in women not losing their identity or their sense of self in those of men, it was the autobiographies which suggested and demonstrated in great detail how this might be done. In them, the rejection of conventional marriage and children was no mere slogan, but the foundation of what seemed to young female readers to be a fascinating and challenging life. In this paper, I reflect on de Beauvoir and her historical and contemporary relevance: first through reminiscence and re-reading of the autobiographies themselves; then with an historical examination of how they were read, taking Sydney, Australia, as my example; and finally by offering some reflections on subsequent feminist critique.

APA, Harvard, Vancouver, ISO, and other styles

7

Paisley, Fiona. "Citizens of their World: Australian Feminism and Indigenous Rights in the International Context, 1920s and 1930s." Feminist Review 58, no. 1 (February 1998): 66–84. http://dx.doi.org/10.1080/014177898339596.

Full text

Abstract:

Inter-war Australia saw the emergence of a feminist campaign for indigenous rights. Led by women activists who were members of various key Australian women's organizations affiliated with the British Commonwealth League, this campaign proposed a revitalized White Australia as a progressive force towards improving ‘world’ race relations. Drawing upon League of Nations conventions and the increasing role for the Dominions within the British Commonwealth, these women claimed to speak on behalf of Australian Aborigines in asserting their right to reparation as a usurped people and the need to overhaul government policy. Opposing inter-war policies of biological assimilation, they argued for a humane national Aboriginal policy including citizenship and rights in the person. Where white men had failed in their duty towards indigenous peoples, world women might bring about a new era of civilized relations between the races.

APA, Harvard, Vancouver, ISO, and other styles

8

Kenway, Jane, Sue Willis, Jill Blackmore, and Leonie Rennie. "Are boys victims of feminism in schools? Some answers from Australia." International Journal of Inclusive Education 1, no. 1 (January 1997): 19–35. http://dx.doi.org/10.1080/1360311970010103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Goh, Talisha. "FROM THE OTHER SIDE: FEMINIST AESTHETICS IN AUSTRALIAN MUSICOLOGY." Tempo 74, no. 292 (March 6, 2020): 21–29. http://dx.doi.org/10.1017/s0040298219001141.

Full text

Abstract:

AbstractThe rise of new musicology and feminist music criticism in the 1980s prompted a rethinking of gender in Australian art music spheres and resulted in over a decade of advocacy on behalf of women music makers. Local musicological publications began to cover feminist concerns from the late 1980s, with a focus on composing women. Catalysed by the proliferation of feminist musicology internationally in the 1990s, a series of women's music festivals were held around Australia from 1991–2001 and accompanied by conferences, symposia and special-issue publications. Aesthetic concerns were at the forefront of this debate as women musicologists and practitioners were divided on the existence of a gendered aesthetic and the implications this might have. This article examines the major feminist aesthetic contributions and debates at the time and how these considerations have impacted music-making practices, with particular reference to women composers of new music.

APA, Harvard, Vancouver, ISO, and other styles

10

Pini, Barbara, and Sally Shortall. "Gender Equality in Agriculture: Examining State Intervention in Australia and Northern Ireland." Social Policy and Society 5, no. 2 (April 2006): 199–206. http://dx.doi.org/10.1017/s1474746405002885.

Full text

Abstract:

This paper is concerned with the extent to which the state offers potential for furthering farm women's status and rights. Using case studies of Australia and Northern Ireland, it examines the extent to which the state has intervened to address gender inequality in the agricultural sector. These two locations provide a particularly rich scope for analysis because while Australia has a long history of state feminism and an extensive legislative framework for pursing gender equity, this is not the case with Northern Ireland. At the same time, the restructuring of the state in Northern Ireland, following on from the Belfast Agreement of 1998 and the Northern Ireland Act of 1998, has generated new opportunities for state intervention regarding gender equality. Moreover, while gender is now for the first time being placed on the state agenda in Northern Ireland, gender reform is being wound back in Australia, as equity discourses are subsumed by the hegemonic discourses of neo-liberalism.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Feminism and art Australia"

1

Huntley, Rebecca. ""Sex on the Hustings" : labor and the construction of 'the woman voter' in two federal elections (1983, 1993)." Connect to full text, 2003. http://setis.library.usyd.edu.au/adt/public_html/adt-NU/public/adt-NU20040209.113517/index.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Rups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College, and School of Social Ecology and Lifelong Learning. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.

Full text

Abstract:

The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the subjective, embodied and historically contextualised, with particular focus on body and nature. Additional concepts of place, holding and letting go are introduced. Particular performance-rituals are introduced under the overall heading 'the spiralling journey of exorcism and ecstacy'. They include earlier work, as well as work performed specifically for this thesis, Centre of the Storm. The study re-situates 'ritual' as a subjective, embodied and contextualised performed event. It challenges ritual discourse to incorporate 'spirit', and feminist spirituality to incorporate the material world, through 'place', 'family', and the ritual actions of 'holding' and 'letting go'.
Doctor of Philosophy (PhD)

APA, Harvard, Vancouver, ISO, and other styles

3

Wilson, Erica Christine, and n/a. "A 'Journey Of Her Own'?: The Impact Of Constraints On Women's Solo Travel." Griffith University. Department of Tourism, Leisure, Hotel and Sport Management, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050209.110742.

Full text

Abstract:

Women are increasingly active in the participation and consumption of travel, and are now recognised as a growing force within the tourism industry. This trend is linked to changing social and political circumstances for Western women around the world. Within Australia specifically, women's opportunities for education and for earning equitable incomes through employment have improved. Furthermore, traditional ideologies of the family have shifted, so that social expectations of marriage and the production of children do not yield as much power as they once did. As a result of these shifts, women living in contemporary Australia have a wider range of resources and opportunities with which to access an ever-increasing array of leisure/travel choices. It appears that one of the many ways in which women have been exercising their relatively recent financial and social autonomy is through independent travel. The solo woman traveller represents a growing market segment, with research showing that increasing numbers of females are choosing to travel alone, without the assistance or company of partners, husbands or packaged tour groups. However, little empirical research has explored the touristic experiences of solo women travellers, or examined the constraints and challenges they may face when journeying alone. 'Constraints' have been described variously as factors which hinder one's ability to participate in desired leisure activities, to spend more time in those activities, or to attain anticipated levels of satisfaction and benefit. While the investigation of constraints has contributed to the leisure studies discipline for a number of decades, the exploration of their influence on tourist behaviour and the tourist experience has been virtually overlooked. Research has shown that despite the choices and opportunities women have today, the freedom they have to consume those choices, and to access satisfying leisure and travel experiences, may be constrained by their social and gendered location as females. Although theorisations of constraint have remained largely in the field of leisure studies, it is argued and demonstrated in this thesis that there is potential in extending constraints theory to the inquiry of the tourist experience. Grounded in theoretical frameworks offered by gender studies, feminist geography, sociology and leisure, this qualitative study set out to explore the impact of constraints on women's solo travel experiences. Forty in-depth interviews were held with Australian women who had travelled solo at some stage of their adult lives. Adopting an interpretive and feminist-influenced research paradigm, it was important to allow the women to speak of their lives, constraints and experiences in their own voices and on their own terms. In line with qualitative methodologies, it is these women's words which form the data for this study. Based on a 'grounded' approach to data analysis, the results reveal that constraints do exist and exert influence on these women's lives and travel experiences in a myriad of ways. Four inter-linking categories of constraint were identified, namely socio-cultural, personal, practical and spatial. Further definition of these categories evolved, depending on where the women were situated in their stage of the solo travel experience (that is, pre-travel or during-travel). The results of this study show that there are identifiable and very real constraints facing solo women travellers. These constraints could stem from the contexts of their home environments, or from the socio-cultural structures of the destinations through which they travelled. However, these constraints were not immutable, insurmountable or even necessarily consciously recognised by many of the women interviewed. In fact, it became increasingly evident that women were findings ways and means to 'negotiate' their constraints, challenges and limitations. Three dominant negotiation responses to constraint could be identified; the women could choose to seek access to solo travel when faced with pre-travel constraints: they could withdraw from solo travel because of those same constraints, or they could decide to continue their journeys as a result of their in-situ constraints. Evidence of women negotiating suggests that constraints are not insurmountable barriers, and confirms that constraints do not necessarily foreclose access to travel. Furthermore, a focus on negotiation re-positions women as active agents in determining the course of their lives and the enjoyment of their solo travel experiences, rather than as passive acceptors of circumstance and constraint. Linking with the concept of negotiation, solo travel was also shown to be a site of resistance, freedom and empowerment for these forty women. Through solo travel, it was apparent that the women could transgress the structures and roles which influenced and governed their lives. This thesis shows that, through solo travel, the women interviewed found an autonomous and self-determining 'journey of their own'. At the same time, the extent to which this really was a journey of their own was questioned and revealed to be problematic under a feminist/gendered lens. Thus a more appropriate concept of women's solo travel is that it is a 'relative escape'. That is, their journeys, escapes and experiences were always situated relative to the societal expectations and perceptions of home; relative to the gendered perceptions and ideologies of the destination, and relative to the limited spatial freedoms as a result of a socially constructed geography of fear.

APA, Harvard, Vancouver, ISO, and other styles

4

Brankovich, Jasmina. "Burning down the house? : feminism, politics and women's policy in Western Australia, 1972-1998." University of Western Australia. School of Humanities, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0122.

Full text

Abstract:

This thesis examines the constraints and options inherent in placing feminist demands on the state, the limits of such interventions, and the subjective, intimate understandings of feminism among agents who have aimed to change the state from within. First, I describe the central element of a

APA, Harvard, Vancouver, ISO, and other styles

5

Rups-Eyland, Annette Maie. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20031222.160235/index.html.

Full text

Abstract:

Thesis (Ph.D.) -- University of Western Sydney, 2002.
A thesis submitted in full requirements for the degree of Doctor of Philosophy, School of Social Ecology and Lifelong Learning, University of Western Sydney, May 2002. Bibliography : p. [369]- 395.

APA, Harvard, Vancouver, ISO, and other styles

6

Andrew, Merrindahl, and merrindahl andrew@anu edu au. "Social Movements and the Limits of Strategy: How Australian Feminists Formed Positions on Work and Care." The Australian National University. School of Social Sciences, 2008. http://thesis.anu.edu.au./public/adt-ANU20090508.155410.

Full text

Abstract:

Feminism is often blamed for having made the 'wrong decisions' on issues such as work and care. This thesis argues that such judgements are based on a misperception of how social movements exercise collective agency. While feminist historiography and social movement studies offer some insights, neither directly address the question of to what extent the directions taken by social movements can be shaped by high level strategic decision-making. In answering this question, the research was informed by philosophical pragmatism and by feminist theories of responsibility and reason. The prevailing 'movement CEO' image of decision-making was rejected in favour of an approach directed to interpreting the past actions of the womens movement without neglecting its decentralised and collective nature. ¶ I began by investigating the degree of strategy in Australian womens movement activism on work and care issues in two periods: the interwar years (19191938) and in the 1970s and 1980s. These periods were chosen because they are often taken to illustrate failures in feminist decision-making. The second-wave movement is said to have failed women by over-emphasising access to paid work at the expense of womens caring roles while the feminists of the early twentieth century are said to have locked women into mothering roles by relying on maternalist arguments. The historical research drew on primary sources including the records created by organisations and individuals involved in the movement, together with oral history interviews. The historical studies found little evidence of capacity for, or orientation towards, high level strategic decision-making in terms of the political and discursive risks identified in later criticisms of feminism. The studies supplement existing historical accounts by illuminating the nature of organisational processes within the movement and the reasoning used by participants. ¶ I then developed a positive alternative to existing rational actor models of decision making, which avoids the assumption that movements as such engage in strategic decision-making but still allows for the possibility of purposive collective action. This 'organisation-direction' model proposes that collective intentions may be formed in the more densely-organised nodes of a movement field and may pull the movement in certain directions without imposing high-level strategic decisions. Non instrumental elements such as emotion and movement knowledge are irreducible parts of reasoned action, which only sometimes involves assessing risks and opportunities. Movement goals and means are generated in the course of practical engagement rather than through a linear process of decision-making. The thesis contributes to the social movement literature that emphasises the constitutive role of non-instrumental elements of action by showing how these are linked to goal-oriented organisation. The thesis responds to the growing emphasis on strategic choices in social movements by exploring the nature and limits of strategy instead of assuming its usefulness as an interpretive device.

APA, Harvard, Vancouver, ISO, and other styles

7

Baguley, Margaret Mary. "The deconstruction of domestic space." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35896/1/35896_Baguley_1998.pdf.

Full text

Abstract:

Introduction: I find myself in the pantry, cleaning shelves, in the laundry, water slopping around my elbows, at the washing line, pegging clothes. I watch myself clean shelves, wash, peg clothes. These are the rhythms that comfort. That postpone. (The Painted Woman, Sue Woolfe, p. 170) As a marginalised group in Australian art history and society, women artists possess a valuable and vital craft tradition which inevitably influences all aspects of their arts practice. Installation art, which has its origins in the craft tradition, has only been acknowledged in the art mainstream this decade; yet evolved in the home of the 1950s. The social policies of this era are well documented for their insistence on women remaining in the home in order to achieve personal success in their lives. This cultural oppressiveness paradoxically resulted in a revolution in women's art in the environment to which they were confined. Women's creative energies were diverted and sublimated into the home, resulting in aesthetic statements of individuality in home decoration. As an art movement, women's installation art in the home provided the similar structures to formally recognised art schools in the mainstream, and include: informal networks and training (schools); matriarchs within the community who were knowledgable in craft traditions and techniques and shared these with younger women (mentorships); visiting other homes and providing constructive advice (critiques); and women's magazines and glory boxes (art journals and sketch books). A re-examination of this vital period in women's art history will reveal the social policies and cultural influences which insidiously undermined women's art, which was based on craft traditions.

APA, Harvard, Vancouver, ISO, and other styles

8

Reading, Christina. "Representing melancholy : figurative art and feminism." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/ae432ef0-fe07-4314-b972-11b50495534a.

Full text

Abstract:

Re-presentations of women's melancholic subjectivity by women figurative artists from different historical moments, canonical images of melancholy and theoretical accounts of melancholy are brought together to address the question: 'What aspects of women's experience of melancholy have women figurative artists chosen to represent historically and contemporaneously, and further what is the importance of these artworks for understanding the nature of women's melancholic subjectivity today?

APA, Harvard, Vancouver, ISO, and other styles

9

Crosland, Gerri, and n/a. "Social welfare professionals as managers : a feminist perspective." University of Canberra. Management, 1992. http://erl.canberra.edu.au./public/adt-AUC20060703.122518.

Full text

Abstract:

The dissertation presents the argument that the formal training of a professional social worker is relevant but not equivalent to the training needs of a professional manager in the social work field. Social work professionals as managers do not, without management training, have the same credibility and/or skills as professional managers of social work. Within the general topic of welfare, research is first directed to the Australian welfare experience in its historic sense. Selecting relevant philosophical and ideological frameworks the writer a) critically explores traditional and contemporary theories, with special reference being made to bureaucracy, organization, and management; b) investigates theories and practices of social workers and social work managers to ascertain their relevance to contemporary Australian society, using the A.C.T. Family Services Branch as an example of a social welfare agency. This assists in explaining the context, functions and obligations of a welfare agency, as it responds to the needs of the community and of the staff it employs.

APA, Harvard, Vancouver, ISO, and other styles

10

Gibson, Lisanne, and L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections." Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.

Full text

Abstract:

The thesis argues that the relations between culture and government are best viewed through an analysis of the programmatic and institutional contexts for the use of culture as an interface in the relations between citizenship and government. Discussion takes place through an analysis of the history of art programmes which, in seeking to target a 'general' population, have attempted to equip this population with various particular capacities. We aim to provide a history of rationalities of art administration. This will provide us with an approach through which we might understand some of the seemingly irreconcilable policy discourses which characterise contemporary discussion of government arts funding. Research for this thesis aims to make a contribution to historical research on arts institutions in Australia and provide a base from which to think about the role of government in culture in contemporary Australia. In order to reflect on the relations between government and culture the thesis discusses the key rationales for the conjunction of art, citizenship and government in post-World War Two (WWII) Australia to the present day. Thus, the thesis aims to contribute an overview of the discursive origins of the main contemporary rationales framing arts subvention in post-WWII Australia. The relations involved in the government of culture in late eighteenth-century France, nineteenth-century Britain, America in the 1930s and Britain during WWII are examined by way of arguing that the discursive influences on government cultural policy in Australia have been diverse. It is suggested in relation to present day Australian cultural policy that more effective terms of engagement with policy imperatives might be found in a history of the funding of culture which emphasises the plurality of relations between governmental programmes and the self-shaping activities of citizens. During this century there has been a shift in the political rationality which organises government in modern Western liberal democracies. The historical case studies which form section two of the thesis enable us to argue that, since WWII, cultural programmes have been increasingly deployed on the basis of a governmental rationality that can be described as advanced or neo-liberal. This is both in relation to the forms these programmes have taken and in relation to the character of the forms of conduct such programmes have sought to shape in the populations they act upon. Mechanisms characteristic of such neo-liberal forms of government are those associated with the welfare state and include cultural programmes. Analysis of governmental programmes using such conceptual tools allows us to interpret problems of modern social democratic government less in terms of oppositions between structure and agency and more in terms of the strategies and techniques of government which shape the activities of citizens. Thus, the thesis will approach the field of cultural management not as a field of monolithic decision making but as a domain in which there are a multiplicity of power effects, knowledges, and tactics, which react to, or are based upon, the management of the population through culture. The thesis consists of two sections. Section one serves primarily to establish a set of historical and theoretical co-ordinates on which the more detailed historical work of the thesis in section two will be based. We conclude by emphasising the necessity for the continuation of a mix of policy frameworks in the construction of the relations between art, government and citizenship which will encompass a focus on diverse and sometimes competing policy goals.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Feminism and art Australia"

1

Sight lines: Women's art and feminist perspectives in Australia. Tortola, BVI: Craftsman House in association with Gordon and Breach, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Topliss, Helen. Modernism and feminism: Australian women artists, 1900-1940. Roseville East, NSW: Craftsman House, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Catriona, Moore, ed. Dissonance: Feminism and the arts 1970-1990. St. Leonards, NSW, Australia: Allen & Unwin, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

McGuire, M. E. All things opposite: Essays on Australian art. Prahran, Australia: Champion, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Indecent exposures: Twenty years of Australian feminist photography. St Leonards, NSW, Australia: Allen & Unwin in association with the Power Institute of Fine Arts, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

1963-, Dever Maryanne, ed. Wallflowers and witches: Women and culture in Australia, 1910-1945. St. Lucia, Qld., Australia: University of Queensland Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

M, Beale Alison C., and Van Den Bosch Annette, eds. Ghosts in the machine: Women and cultural policy in Canada and Australia. [Toronto, Ont.]: Garamond Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Richardson, Donald. Art in Australia. Melbourne, Australia: Longman Cheshire, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Art of Australia. Sydney, N.S.W: Pan Macmillan Australia, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Papas, Susan. Sexuality, art and feminism. London: Chelsea College of Art and Design, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Feminism and art Australia"

1

Foley, Fiona. "Disrupting the Silence: Australian Aboriginal Art as a Political Act." In Expanding the Parameters of Feminist Artivism, 51–64. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-09378-4_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Sawer, Marian. "Australia: the Fall of the Femocrat." In Changing State Feminism, 20–40. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591424_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Jamarani, Maryam. "Encountering Differences: Iranian Immigrant Women in Australia." In Feminism and Migration, 149–64. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-2831-8_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

McGrane, Caitlin. "Amplify Your Feminism." In The Routledge Companion to Mobile Media Art, 96–106. New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429242816-11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Millner, Jacqueline, and Catriona Moore. "Avant gardening." In Contemporary Art and Feminism, 168–203. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Millner, Jacqueline, and Catriona Moore. "Feminism and the pedagogical turn in art." In Contemporary Art and Feminism, 85–128. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Millner, Jacqueline, and Catriona Moore. "Beyond performing identities." In Contemporary Art and Feminism, 49–84. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Millner, Jacqueline, and Catriona Moore. "From the politics of representation to a politics of acts." In Contemporary Art and Feminism, 13–48. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Millner, Jacqueline, and Catriona Moore. "Feminist worlds." In Contemporary Art and Feminism, 204–36. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Millner, Jacqueline, and Catriona Moore. "Introduction." In Contemporary Art and Feminism, 1–12. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003045175-101.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Feminism and art Australia"

1

Xin, Li. "Feminism in Susie Chao’s Sai Jinhua." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Huang, Rui. "Feminism Discourse in Different Gender-Temperament Social Media." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.029.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Li, Qiuyu. "Australia Media Studies." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.058.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hu, Zhenglun. "Review of Feminism Research and Analysis of Deviation in Contemporary Development." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Penman, Joy, and Kerre A Willsher. "New Horizons for Immigrant Nurses Through a Mental Health Self-Management Program: A Pre- and Post-Test Mixed-Method Approach." In InSITE 2021: Informing Science + IT Education Conferences. Informing Science Institute, 2021. http://dx.doi.org/10.28945/4759.

Full text

Abstract:

Aim/Purpose: This research paper reports on the evaluation of a mental health self-management program provided to immigrant nurses working at various rural South Australian aged care services. Background: The residential aged care staffing crisis is severe in rural areas. To improve immigrant nurses’ employment experiences, a mental health self-management program was developed and conducted in rural and regional health care services in South Australia. Methodology: A mixed approach of pre- and post-surveys and post workshop focus groups was utilized with the objectives of exploring the experiences of 25 immigrant nurses and the impact of the mental health program. Feminist standpoint theory was used to interpret the qualitative data. Contribution: A new learning environment was created for immigrant nurses to learn about the theory and practice of maintaining and promoting mental health. Findings: Statistical tests showed a marked difference in responses before and after the intervention, especially regarding knowledge of mental health. The results of this study indicated that a change in thinking was triggered, followed by a change in behaviour enabling participants to undertake self-management strategies. Recommendations for Practitioners: Include expanding the workshops to cover more health care practitioners. Recommendations for Researchers: Feminist researchers must actively listen and examine their own beliefs and those of others to create knowledge. Extending the program to metropolitan areas and examining differences in data. E technology such as zoom, skype or virtual classrooms could be used. Impact on Society: The new awareness and knowledge would be beneficial in the family and community because issues at work can impact on the ability to care for the family, and there are often problems around family separation. Future Research: Extending the research to include men and staff of metropolitan aged care facilities.

APA, Harvard, Vancouver, ISO, and other styles

6

Hong, Chengxiaoyan, Yang Hong, Jiawen Li, and Qingyan Zhang. "The Issue that Feminism is Stigmatized on the Internet in China and Some Possible Solutions." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Martin, Professor the Hon Stephen. "The Black Art of Economic Forecasting Lessons from Australia." In Annual International Conference on Qualitative and Quantitative Economics Research. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-2012_qqe15.01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Liu, Yaxin. "A Room of One’s Own in Suzhou: Analyzing the Dissemination of Woolf’s Feminism in China." In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.137.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Burns, Karen, and Harriet Edquist. "Women, Media, Design, and Material Culture in Australia, 1870-1920." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4017pbe75.

Full text

Abstract:

Over the last forty years feminist historians have commented on the under-representation or marginalisation of women thinkers and makers in design, craft, and material culture. (Kirkham and Attfield, 1989; Attfield, 2000; Howard, 2000: Buckley, 1986; Buckley, 2020:). In response particular strategies have been developed to write women back into history. These methods expand the sites, objects and voices engaged in thinking about making and the space of the everyday world. The problem, however, is even more acute in Australia where we lack secondary histories of many design disciplines. With the notable exception of Julie Willis and Bronwyn Hanna (2001) or Burns and Edquist (1988) we have very few overview histories. This paper will examine women’s contribution to design thinking and making in Australia as a form of cultural history. It will explore the methods and challenges in developing a chronological and thematic history of women’s design making practice and design thinking in Australia from 1870 – 1920 where the subjects are not only designers but also journalists, novelists, exhibiters, and correspondents. We are interested in using media (exhibitions and print culture) as a prism: to examine how and where women spoke to design and making, what topics they addressed, and the ideas they formed to articulate the nexus between women, making and place.

APA, Harvard, Vancouver, ISO, and other styles

10

Seevinck, Jennifer, Linda Candy, and Ernest A. Edmonds. "Exploration and reflection in interactive art." In the 20th conference of the computer-human interaction special interest group (CHISIG) of Australia. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1228175.1228202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!