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Journal articles on the topic 'Feminism and architecture'
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Haqsaleh, Afied Dien, and Ashadi Ashadi. "STUDY OF FEMINISM ARCHITECTURE CONCEPT IN MUSEUM BUILDING "THE SOLOMON R GUGGENHEIM MUSEUM IN AMERICA US"." Journal of Development and Integrated Engineering 1, no. 1 (June 29, 2021): 13–30. http://dx.doi.org/10.17509/jodie.v1i1.34217.
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Abstract: A study of the concept of feminist architecture in the Solomon R Guggenheim Museum building. In the past, an understanding held by society regarding sex differences between men and women affected control, where women were not given freedom, power and rights completely different from men who could do anything and be anything. In the world of architecture, feminism is present as part of post-modern architecture because of the saturation of modern buildings that occur. studies the concept of Feminist Architecture at the Solomon R Guggenheim Museum in New York, America, which is considered to have approached the principles of feminist architecture in its buildings and the method to be used is descriptive qualitative. The author needs to do research on the concept of Feminism Architecture in order to know its true characteristics. From the research results, it is concluded that the case study of the building that has been studied is the Feminist Architecture approach and applies it and among them is having the form of a building that resembles the shape of items used by women, the shape of the building has arches reflecting the woman's body, there is a division of space as a divider between women and men, as well as the use of colors in buildings or interiors that match the preferences of women. Keywords: Architecture, Architecture Feminism, Feminism, Solomon R Guggenheim Museum, Women.
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Coleman, Debra, Elizabeth Danze, Carol Henderson, and Courtney Mercer. "Architecture and Feminism." Journal of Aesthetics and Art Criticism 57, no. 4 (1999): 483. http://dx.doi.org/10.2307/432164.
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Cintya, Siti Rahmah, and Dina Fatimah. "THE CONCEPT OF FEMINISM IN THE INTERIOR SPACE OF WOMEN SPECIAL FITNESS CENTERS." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 7, no. 1 (July 1, 2024): 788–95. http://dx.doi.org/10.34010/icobest.v7i.591.
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The purpose of this research is to review the concept of feminist architecture in fitness facilities specifically for women. Women's fitness or gyms facilities are becoming increasingly relevant in the era of health and fitness awareness, women's gyms are facilities that provide fitness services that are tailored to the needs and preferences of women. The study reviewed the concept of feminism in women's fitness facilities. The research methods used are qualitative methods with descriptive analysis approaches, with data collection techniques through observations, interviews, and literature studies. Therefore, through this research will be presented findings that show that women's fitness facilities have some characteristics of feminism architecture, among others the clear distribution of space between private and public spaces, fine and unrigid architectural punches by playing curved fields, the use of colors and ornaments that depict the feministic nature of femininity, as well as the provision of facilities that support the comfort and safety of women
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Hills, H. "Feminism, Architecture, and the Poor Rich Man." Oxford Art Journal 21, no. 2 (January 1, 1998): 194–99. http://dx.doi.org/10.1093/oxartj/21.2.194.
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Mattogno, Claudia. "Feminism and architecture: origins and evolution from reflection to design practice." Scienze del Territorio 11, no. 1 (November 27, 2023): 42–50. http://dx.doi.org/10.36253/sdt-14483.
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Combining feminism and architecture means understanding and designing the spaces we inhabit through a gender perspective capable of overturning stereotypes and clichés, unfortunately still widespread despite the research developed by many feminist scholars. These have initiated a new historical perspective that has changed the methodologies of analysis, bringing out many women who were left in the shadows. Recomposing memories to build gender genealogies and elaborating theoretical reflections to give substance to feminist approaches have been the two most recurring approaches, to which a third line of reflections and practices is being added, more recently, related to the design approach. The article briefly retraces some emblematic figures of recent history and then dwells on contemporary projects in which, finally, women are key actors in imagining, proposing, and creating an inclusive city that knows how to take charge of everyone’s needs, but also desires, at an intergenerational and intersectional level. Alongside the work of memory, the elaboration of a knowledge that is not neutral, but positioned on our being women, enables implementation practices that shape and give life to new types of space in which it becomes possible to break old dichotomies and gender discriminations.
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Prasetya, Adinda Angel Aulia Dewi, and Elve Oktafiyani. "Teenager’s Resistance to Patriarchy in School: A Feminist Movement Representation on Moxie Film." Buletin Al-Turas 29, no. 2 (November 13, 2023): 241–56. http://dx.doi.org/10.15408/bat.v29i2.27500.
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PurposeThis research aimed to reveal the representation of patriarchy in school and teeanger's feminist movement on Moxie film. MethodThis qualitative research study employed a qualitative content analysis as the design of the research. The data from the film were selected, collected and analyzed using representation theory by Stuart Hall and feminism approach.Results/FindingsThe result showed that Moxie represented patriarchy in school by portraying female objectification, represive school regulation against female, patriarchy in student's reading material, male's achievement glorification, and supporting attitue towards patriarchal practices. Since the female students experienced various disadvantages, the film also represented their feminist movement through the publication of anonymous feminist magazine, the action of females speak up in the public, embracing lesbian identities, the action of visual protest symbolism and act of solidarity, the activism on social media, and the action of school vandalismConclusionThe female teenager in Rockport High School resisted patriarchy in school by representing different feminist movements based on their personal experience and understanding of patriarchal practices and feminism
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Burns, Karen. "Ex libris: Archaeologies of Feminism, Architecture and Deconstruction." Architectural Theory Review 15, no. 3 (December 2010): 242–65. http://dx.doi.org/10.1080/13264826.2010.524706.
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Ahrentzen, Sherry. "The Space between the Studs: Feminism and Architecture." Signs: Journal of Women in Culture and Society 29, no. 1 (September 2003): 179–206. http://dx.doi.org/10.1086/375675.
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Faliha, Almira Muthi, and Yeptadian Sari. "Tinjauan Konsep Feminisme Pada Bangunan Natasha Skin Care Bandung Sebagai Pusat Kecantikan." Journal of Architectural Design and Development 2, no. 1 (June 30, 2021): 90. http://dx.doi.org/10.37253/jad.v2i1.4368.
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The rapid development of the times makes technology more sophisticated, it makes information and communication sources accepted quickly, because of the role of the internet. Its influence on society can have both good and bad impacts for the continuity of life patterns in social interaction. The bad impact that is often experienced by women is usually a feeling of insecurity in their appearance when interacting socially, this problem makes women have to try to find ways so that they can be confident by looking attractive according to their expectations. Therefore, we need a place of beauty center that applies the concept of feminism architecture with feminine characteristics. The case study that will be discussed in this research is Natasha Skin Care, which is located on Jl. Supratman No. 84 Bandung, while the method used is descriptive qualitative. The results of this study can be said that the Natasha Skin Care building is almost close to the application of the concept of feminist architecture according to several criteria, namely in the selection of materials on the facade, the color of the interior and exterior and a clear division of space between public and private spaces.
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Escobedo, Frida. "‘Architecture is forever unfinished’." Journal of Visual Culture 20, no. 1 (April 2021): 48–59. http://dx.doi.org/10.1177/14704129211000638.
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In this interview, the celebrated Mexican architect Frida Escobedo explains the intricacies of her design practice and her longstanding interests in Minimalism, Mexican Modernism, and the socio-political concerns facing architecture. The interview provides an insightful mid-career look at one of the most creative and compelling architects working in the world today. Escobedo and Gardner engage in a lively discussion that ranges from design theory to feminism in contemporary architecture. The interview was conducted at Harvard University on 12 December 2019.
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López-Serrano, Lucía. "Indigenous Ecofeminism? Decolonial Practices and Indigenous Resurgence in Lee Maracle’s Works." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 12 (October 20, 2023): 85–101. http://dx.doi.org/10.14201/candb.v12i85-101.
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Ecocritical and ecofeminist studies have frequently borrowed from Indigenous epistemologies to conform new approaches to human-nature relations, particularly now that the pressing climate crisis is making western societies contemplate the need for radical solutions. As Leanne Betasamosake Simpson remarks, “the western academy is now becoming interested in certain aspects of Indigenous Knowledge” such as “Traditional Ecological Knowledge (TEK)” (373). However, the scope of this interest is reduced and disconnects ecological knowledge from decolonial practices, such as land claims or Indigenous feminisms. Maile Arvin et al. emphatically support that “settler colonialism has been and continues to be a gendered process” (8) and thus its ramifications and effects (upon nature or Indigenous communities) cannot be detangled without an Indigenous feminist perspective. In this article, I focus on an ecocritical analysis of several works by Lee Maracle, who dedicated her career to the regeneration and revalorization of Indigenous systems of knowledge, in order to pinpoint the intersections between feminism, decolonization, and nonhuman ecological thinking that might develop into a potential Indigenous ecofeminism that truly recognizes Indigenous epistemologies in their full context. Basing myself off Nishnaabeg scholar Leanne Betasamosake Simpson’s theories on Indigenous radical resurgence, which assert that a cultural resurgence (such as a revalorization of Indigenous ecological knowledge) cannot take place without a political resurgence (such as the acknowledgement of Indigenous sovereignty), I argue that Maracle’s portrayal of natural elements and her imagining of human-nature relations is inextricably linked to a decolonizing perspective foregrounded on Indigenous feminism.
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Prasetyo, Priambudi Dwi, and Ari Widyati Purwantiasning. "Kajian Konsep Arsitektur Maskulin Pada Bangunan Museum Guggenheim, Bilbao." Journal of Architectural Design and Development 2, no. 2 (December 16, 2021): 166. http://dx.doi.org/10.37253/jad.v2i2.5354.
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Architecture is closely related to masculine traits due to the intervention of experts in the modern era. Existence became greatly reduced because of the feminism movement in architecture that had taken the attention of activists of architectural practice. Therefore, to bring back insights on the concept of masculine architecture, this research was conducted. In this study, qualitative descriptives were used as a method, as was the concept of masculine architecture that was not expected to be measured through quantitative data. In this method is very focused on the literature data due to the current conditions that can not make a direct visit to the site of the case study. The preferred case study is the Guggenheim museum in Bilbao, Spain. In data collection of course refers to the principles of masculine architecture. These principles include natural impressions on elements, color selection, industrial-style ornaments, and the use of steel materials. Some of these principles are further identified in the architectural elements that are considered capable of displaying a masculine architectural impression on this Guggenheim museum building. The result of this identification proves that every principle of masculine architecture is able to be presented very well to the building elements of this Guggenheim museum. In addition, we also find about the implementation strategy that is considered optimal to bring the impression of masculine architecture to a museum building, while still presenting something innovative but still has its own characteristics.
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Beenish Fatima. "Disscussions Of Postmodernism & Feminism." Dareecha-e-Tahqeeq 3, no. 1 (March 21, 2022): 62–75. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i1.36.
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Postmodernism is a broad movement that developed in the late 20th century across the different fields of life e.g arts, Philosophy, architecture and criticism. It is an intellectual stance or a mode of discourse that rejects the possibility of reliable knowledge. Feminism is a range of different political movements, ideologies and social movements that share a common goal: to define, establish and achieve the political, economic, personal and social equality of genders. This research article comprises of basic and ideological discourse on post modernism and feminism in Urdu literature. In this article the evolution of feministic theory has been observed, keeping in view the philosophical discourse shaped on universal level and the historical perspective of women.In addition ,a brief review of another important post modern theory New Historicism has also been stated in this article.
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Doktor, Stephanie. "On the Failure of White Feminism: When PJ Harvey and Björk Covered the Rolling Stones’ “Satisfaction”." Journal of the American Musicological Society 77, no. 1 (2024): 103–61. http://dx.doi.org/10.1525/jams.2024.77.1.103.
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Abstract In 1994, PJ Harvey and Björk covered the Rolling Stones’ “(I Can’t Get No) Satisfaction” (1965) at the BRIT Awards ceremony. As part of the mainstreaming of cultural feminism, cross-gender cover songs became more common in the 1990s, effectively challenging women’s exclusion from popular music canons. Björk and Harvey’s cover was unconventional, however, in that it shifts from distorting the original music at the beginning of the song to directly imitating it by the end. Drawing on Black feminist theory, I argue that this change in intertextual approach resonates with white feminist ambivalence. Detailed intertextual analysis, backed by consideration of reception and creative output, demonstrates how Björk and Harvey, in their critique of rock’s patriarchal structures, replicate its racist architecture. Using the cover song as an analytical point of entry, whereby the past is continually evoked by the present, this article suggests new ways of listening through an antiracist framework. Its conclusion explains why these white feminist movements fail to produce transformative justice, leaving the contemporary music industry woefully male-dominated.
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Farhan, Mohammad Dera'a. "Re-Writing Gender: Adrienne's Rich's Feminist Concerns." Journal of AlMaarif University College 34, no. 1 (February 27, 2023): 385–92. http://dx.doi.org/10.51345/.v34i1.677.g347.
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This paper aims at considering and tackling Adrienne's Rich's Feminist Concerns. The late nineteenth and early twentieth centuries saw the beginning of the organized movement known as feminism, which sought to end men's oppression of women. Critic Karen Offen points out that it wasn't until the 1880s that the term "feminism" started to be widely used in Europe as a synonym for women's emancipation. It was, the supporter of women's suffrage. Hubert Auclert, who coined the term "feminist," first used it in her 1882 publication of La Citoyenne (1982) and Eugenie Potonie-Pierre and the feminist organization Solidarite held a "feminist Congress" in Paris in May 1882. According to Rich, women struggle to communicate their sentiments of helplessness as their identities as mothers are destroyed by patriarchy. They can only watch what is occurring to themselves like mute onlookers because they are torn apart into their own components and pitted against them. They are unable to declare, "These are my children, and I will keep them." As soon as a woman becomes aware that a kid is developing inside of her, she bows to it and adopts the patriarchal script. She gives in to the influence of theories, ideals, archetypes, and descriptions of her new existence, despite the fact that none of these things were created by other women and have all been secretly circling about her ever since she first became aware of herself to be female and so capable of giving birth. Women are urged by Rich to consider what, out of all that welter of image-making and thought spinning, is worth salvaging, if only to grasp better a notion so fundamental in history, a condition that has been taken from the mothers themselves to reinforce the power of the dads.
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Asadpour, Ali. "DEFINING THE CONCEPTS & APPROACHES IN VERNACULAR ARCHITECTURE STUDIES." Nature: National Academic Journal of Architecture 7, no. 2 (December 2, 2020): 241. http://dx.doi.org/10.24252/nature.v7i2a8.
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Abstrak_ Makalah ini membahas arsitektur vernakular dalam hal konsep dan pendekatan dalam studi. Keragaman definisi, sikap, dan preferensi telah menghasilkan berbagai pendekatan dalam beberapa dekade terakhir. Mengenali perbedaan ini dapat membantu untuk mendapatkan pemahaman yang lebih dalam tentang kondisi saat ini dan cakrawala masa depan dalam penelitian. Tujuan dari penelitian ini termasuk mengidentifikasi dan mengkategorikan pendekatan dominan terhadap arsitektur vernakular. Metode penelitian yang digunakan adalah kualitatif dan deskriptif. Hasil penelitian mengidentifikasi lima kecenderungan yang dianggap arsitektur vernakular sebagai objek estetika, fenomena biologis (jenis dan evolusi), substansi material-fisik (penjelasan fisik), realitas budaya-sosiologis, dan akhirnya sebagai fenomena antropologis. Pendekatan-pendekatan ini merepresentasikan perpindahan dari dokumentasi ke interpretasi, objektivitas ke subjektivitas, dan primitif ke biasa dalam studi. Fenomenologi, hermeneutika, semiotik, studi gender, dan feminisme menetapkan cakrawala baru bagi penelitian arsitektur vernakular. Evolusi sikap dapat dijelaskan di bawah perubahan paradigma penelitian dari positivisme ke post-positivisme dan fenomenologi.Kata kunci: Arsitektur Vernakular; Desain Iklim; Budaya; Sosiologi; Tipologi. Abstract_ This paper addresses vernacular architecture in terms of concepts and approaches in studies. The diversity of definitions, attitudes, and preferences has led to a variety of approaches in recent decades. Recognizing these differences can help to obtain a deeper understanding of today's conditions and future horizons in research. The objectives of this study included identifying and categorizing the dominant approaches toward vernacular architecture. The research used a qualitative and descriptive method. The results identified five tendencies considered vernacular architecture as an object of aesthetics, a biological phenomenon (types and evolution), a material-physical substance (physical explanations), a cultural-sociological reality, and finally as an anthropological phenomenon. These approaches represented the movement from documentation to interpretation, objectivity to subjectivity, and primitive to ordinary in the studies. Phenomenology, hermeneutics, semiotics, gender studies, and feminism set new horizons for vernacular architectural research. The evolution of attitudes can be explained under the change in research paradigms from positivism to post-positivism and phenomenology.Keywords: Vernacular Architecture; Climatic Design; Culture Sociology; Typology.
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Moeini, Seyed Hossein Iradj. "Salvation by Design?: An Iranian Experiment with the Pedagogy of Feminism-informed Architecture." International Journal of Design Education 14, no. 1 (2019): 43–53. http://dx.doi.org/10.18848/2325-128x/cgp/v14i01/43-53.
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MacÃas González, Gizelle Guadalupe, and Maria Nuria Salan Ballesteros. "Profile of female students of engineering universities in Mexico and Spain." New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 1 (June 28, 2017): 121–26. http://dx.doi.org/10.18844/prosoc.v3i1.1758.
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Gender studies in higher education have emerged in parallel to reflections and rising feminist movement. The main objectives of academic feminism are related to women's visibility improvement as well as soft skills developers’ roles. But a gap in TECH studies can be detected. Women studies in higher education are mostly related to life and social sciences,behavioral, journalism and information, business and management and law, in contrast to engineering, architecture,manufacturing, construction, ICT or any kind of TECH studies. Thus, the main objective of this work is related to survey design in order to develop a qualitative research to inquire about TECH higher education, female population profile, both at UdGCUALTOS (Guadalajara, Mexico) and UPC (Barcelona, Spain).This profile can provide some influent identity elements, related to perceptions and expectations of women-TECH, deemed appropriate from their professions as engineers. From these results, it should be possible to draw gender alternatives for future generations in TECH environments.Keywords: Gender studies, women students, engineering, higher education, expectations.
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Senel, Aysenur. "The Rise of Feminine in ‘Patriarchal’ Mosques: An Inquiry into The Changing Role of Women in Mosque Architecture." SPACE International Journal of Conference Proceedings 1, no. 1 (July 22, 2021): 38–46. http://dx.doi.org/10.51596/sijocp.v1i1.13.
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Traditionally, there has been attribution of public spaces to males and private spaces of domesticity to females; moreover, mosques have been seen as ‘male’ spaces. Since the 90s, both Islamism and feminism have been on the rise, and public places and topics on women’s roles are reinterpreted. In contrast to the patriarchal character of Islam and political Islamism, Turkey, under the power of the Islamic party, witnessed an increase in women’s role in mosque architecture in the last 20 years. Mosque projects that consider and welcome women are designed, and women as mosque designers became visible. Unlike Islamist feminists’ debates around the world, in which the topic is on ‘women-only’, ‘gender-mixed’ and ‘women-focused/women-led mosques, in Turkey, the debate has been on sharing the same space of the two genders. This research will be an inquiry into the changing role of women and their relation to the production of mosque spaces, focusing on Turkey. It will look into women as the agents, designers of mosques and users of mosques. In this study, Ramazanoglu Mosque, designed by four female architects in Adana, is chosen as a case study. Space analysis is done in the case study, and circulation paths are examined based on gender. Field research, observations, architectural analyses, and literature review are done, and interviews are conducted with the architects. This research aims to contribute to feminist discourse by including Islamic women, trying to understand women’s claim and their work on the equal usage of the religious space.
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Samuel, Flora. "The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp." Church History 68, no. 2 (June 1999): 398–416. http://dx.doi.org/10.2307/3170863.
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In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word “feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp.
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Ashford, Chris. "Gender, Sexuality and the Law School." Amicus Curiae 2, no. 3 (June 16, 2021): 450–73. http://dx.doi.org/10.14296/ac.v2i3.5310.
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This article will focus on exploring gender and sexuality within the law school. Largely silent from Twining’s ‘grand tour’, these two areas are now key parts of the law school landscape, having become firmly established as key elements of law school discourse and legal scholarship in the years since Blackstone’s Tower was published. The Blackstone’s Tower of Twining’s imagination was, Twining suggested, ‘holding up a mirror to a familiar world’, and it was a world that made only passing reference to gender and no reference to sexuality. Feminism is mentioned twice in 244 pages, whilst queer—still emergent within legal scholarship in 1994—is not referenced at all. A once radical and vital text can perhaps appear antiquated to today’s readers. Yet, this should not be regarded as a criticism of the text but rather a reflection of how the law school and legal scholarship has transformed since 1994. Whether in the number of gender and/or sexuality and law courses that now permeate through the UK law school, or the extraordinary growth first of feminist scholarship and more recently queer scholarship, the law school has been profoundly impacted by socio-legal shifts in gender and sexuality research. This is scholarship that does not merely serve as ‘another’ theory or an addendum to jurisprudence, for these theories have offered the ability to reshape the very architecture of the law school and to re-imagine Blackstone’s Tower for what it is and what it can be. This article seeks to explore that journey and offer a glimpse of future possibilities.
Keywords: legal education; gender; sexuality; queer; feminism; gay; pedagogy; LGBTQ; teaching.
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Nesiah, Vasuki. "Decolonial CIL: TWAIL, Feminism, and an Insurgent Jurisprudence." AJIL Unbound 112 (2018): 313–18. http://dx.doi.org/10.1017/aju.2018.82.
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In advancing a Third World Approaches to International Law (TWAIL) analysis of customary international law (CIL) and its dominant doctrinal conceits, B.S. Chimni shows how the jurisprudence of custom has been co-constitutive with colonization and capitalism. He contends that CIL's most fundamental assumption—the “supposed distinction between ‘formal’ and ‘material’ sources of CIL”—privileges Western states while legitimizing CIL as a neutral and universal body of law. In dialogue with Chimni, this essay extends the conversation in two directions. First, I show that there are important resonances between Chimni's deconstruction of the distinction between “formal” and “material” sources of CIL, and a feminist critique of the public/private distinction in international law. Chimni describes his approach as postmodern. I argue that its analysis of the conceptual architecture of the dominant doctrine and its systematic exclusions is also, at its core, a feminist approach to international law. Second, and inspired by Chimni's critique, I explore insurgent jurisprudential traditions that challenge the hierarchies, inequalities, and biases in received doctrine regarding the sources of CIL. Chimni's decolonial approach acknowledges CIL's imperial past, and prepares the ground for democratizing and pluralizing sources by paying attention to a so-called opinio juris communis that incorporates the interests of those critical of, or oppressed by, the dominant world order. Building on this ground, I draw on the Panchsheel principles, first nations’ conceptions of sovereignty and citizenship, and practices of fugitive freedom by maroon communities to begin to supply content and form to a counterrepertoire of custom.
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Rosner, Victoria. "Architecture and Feminism. Debra Coleman , Elizabeth Danze , Carol HendersonDesiring Practices: Architecture, Gender, and the Interdisciplinary. Duncan McCorquodale , Katerina Rüedi , Sarah WigglesworthThe Sex of Architecture. Diana Agrest , Patricia Conway , Leslie Kanes WeismanStud: Architectures of Masculinity. Joel Sanders." Signs: Journal of Women in Culture and Society 25, no. 3 (April 2000): 981–86. http://dx.doi.org/10.1086/495507.
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Hill, Clareese. "Survival Praxis through Hood Feminism, Negritude and Poetics." Architecture and Culture 9, no. 2 (March 23, 2021): 238–48. http://dx.doi.org/10.1080/20507828.2021.1879460.
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Borthwick, Mamah, and Alice T. Friedman. "Frank Lloyd Wright and Feminism: Mamah Borthwick's Letters to Ellen Key." Journal of the Society of Architectural Historians 61, no. 2 (June 1, 2002): 140–51. http://dx.doi.org/10.2307/991836.
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Eleven recently discovered letters in the Royal Library in Stockholm, written by Mamah Bouton Borthwick and Frank Lloyd Wright to Ellen Key, the Swedish social theorist and feminist reformer, between 1911 and 1914, shed new light on Key's influence, not only on the couple's image of themselves as radical reformers, but also on the design and concept of Taliesin, the house that Wright built as a residence, workshop, and retreat for them in 1913. These letters reveal that Borthwick, a client and neighbor of Wright's in Oak Park, discovered Key's writings soon after she and Wright abandoned their families and fled to Europe in 1909; from that point until August 1914, when Borthwick was murdered by a deranged servant at Taliesin, both she and Wright became avid disciples of Key's philosophy, and looked to her for guidance and support. It has long been known that Key's many publications on subjects such as marriage, divorce, birth control, children's education, and individual freedom, were read with interest by Wright and Borthwick, and that Borthwick was named Key's "only authorized translator" in English. The letters, analyzed in the context of close readings of Key's most significant and widely read texts, offer new insights into the meaning of Key's writings for the couple, revealing an explicit connection between Key's ideas and Taliesin, which Borthwick describes as having been "founded on Ellen Key's ideal of love." The texts provide further evidence of the feminist influence on Wright's emerging ideas about individual responsibility, artistic freedom, the family, and household life.
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Sultan, Abeer. "Feminism in Prophet Muhammad’s discourse on women: A stylistic analysis." Journal of Languages and Translation 10, no. 2 (April 16, 2023): 53–93. http://dx.doi.org/10.21608/jltmin.2023.295562.
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Novas-Ferradás, María, María Carreiro-Otero, and Cándido López-González. "Galician Female Architects—A Critical Approach to Inequality in the Architectural Profession (1931–1986)." Arts 9, no. 1 (March 4, 2020): 33. http://dx.doi.org/10.3390/arts9010033.
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The remoteness of Galicia, a cultural and linguistic bridge between Portugal and Spain, did not prevent it from playing a significant role in the history of female architects in the Iberian Peninsula. Nine Galician pioneers have carved the path since the first generation of Spanish female architects outlined the precedents during the Second Spanish Republic (1931–1939). They were also present in an initial period, even if housewifization theories were intensively fueled by the dictatorship (1939–1975); likewise during the continuity period in the transition to democracy (1975–1982), and the second wave of feminism. However, it would not be until progressive democratic institutionalization (1982–1986) that more women gained access to architectural studies in university (consolidation period); but what is the legacy of these pioneers? Are Galician female architects ‘in transition’ yet? Based on data primarily collected by research group MAGA and released publications, this piece explores how, despite their achievements, their recognition is still superficial. And even if the number of undergraduate students reached quantitative equality, female practitioners continue to leave architecture and these numbers are increasing. Towards a critical approach to inequality in the profession, this article researches the history—and stories—of Galician female architects to examine how far we are from effective equality in the Galician architectural world.
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Gilley, Sheridan. "Victorian Feminism and Catholic Art: the Case of Mrs Jameson." Studies in Church History 28 (1992): 381–91. http://dx.doi.org/10.1017/s0424208400012572.
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Now Church History’, wrote John Henry Newman in 1843, ‘is made up of these three elements—miracles, monkery, Popery’, so that anyone sympathetic to the subject must sympathize with these. Much the same, however, could be said of Christian art. The young Southey on a visit to Madrid stood incredulous before a series of paintings depicting the life of St Francis. ‘I do not remember ever to have been so gready astonished’, he recalled. ‘“Do they really believe all this, Sir?” said I to my companion. “Yes, and a great deal more of the same kind”, was. the reply.’ The paradox was that works of genius served the ends of a drivelling superstition, a dilemma resolved in the 1830s by the young Augustus Pugin, who decided that the creation of decent Christian architecture presupposed the profession of Catholic Christianity. The old Protestant hostility to graven images was in part a revulsion from that idolatrous popish veneration of the Virgin and saints which had inspired frescos, statues, and altar-pieces in churches and monasteries throughout Catholic Europe; but what on earth did a modern educated Protestant make of the endless Madonnas, monks, and miracles adorning the buildings which he was expected as a man of cultivation to admire? At the very least, he required a sympathetic instruction in the meaning of the iconography before his eyes, and some guidance about its relation to the rest of what he believed. The great intermediary in this process was Ruskin; but there was at least one odier interpreter of Catholic art celebrated in her day, Mrs Anna Brownell Jameson, whose most popular works, Sacred and Legendary Art, Legends of the Monastic Orders, and Legends of the Madonna, told the Englishman what he could safely think and feel amid the alien aesthetic allurements of Catholicism.
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Khowili, Nabella, and Stephanus Huwae. "PENERAPAN FEMINISME ARSITEKTUR DALAM PERANCANGAN TEMPAT PEMBERDAYAAN TERHADAP PENGEMBANGAN IBU MUDA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 5, no. 2 (October 31, 2023): 717–30. http://dx.doi.org/10.24912/stupa.v5i2.24219.
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Child marriage is a form of marriage that occurs when children marry before reaching the age of 18. In Indonesia, the prevalence of child marriage is quite high, ranking seventh highest in the world. Child marriage has negative consequences, particularly for girls, hindering their development. Besides the role of the government and other relevant stakeholders in addressing this issue, architecture also plays an important role. Therefore, a building has been designed to provide educational facilities for young mothers who have entered into early marriages and come from lower-middle-class backgrounds. This building aims to serve as a space for education, community, and self-development for young mothers. The objective of this design is to create a building that can accommodate the needs of young mothers, especially those with lower-middle-class economic status in Jakarta. This research adopts a quantitative-qualitative approach, collecting data through interviews with relevant parties and conducting site surveys to gather field data. Literature review from various sources such as books, journals, theses, and other reading materials is used as a guide in planning for problem-solving. The outcome of this design ultimately presents an object that addresses the impact of child marriage on young mothers who have entered into early marriages and come from lower-middle-class backgrounds. The design method, based on empathetic architecture and Feminism Architecture concept, provides a solution to address this global issue. Keywords: early-age marriage; education; self-development; young mother Abstrak Pernikahan dini adalah bentuk pernikahan yang terjadi saat anak-anak menikah sebelum mencapai usia 18 tahun. Di Indonesia, kasus pernikahan dini cukup tinggi dan menempati peringkat ke-7 tertinggi di dunia. Pernikahan dini memiliki dampak negatif yang merugikan terutama bagi perempuan, menghambat perkembangan mereka. Selain peran pemerintah dan pihak terkait lainnya dalam mengatasi masalah ini, arsitektur juga memiliki peran penting. Oleh karena itu, dirancanglah sebuah bangunan untuk memfasilitasi tempat edukasi bagi ibu muda yang menikah dini dan berasal dari kalangan menengah ke bawah. Bangunan ini bertujuan untuk menjadi wadah yang menyediakan pendidikan, komunitas, dan pengembangan diri bagi ibu muda tersebut. Tujuan perancangan ini adalah menciptakan sebuah bangunan yang dapat memenuhi kebutuhan para ibu muda, terutama mereka yang berada dalam kategori ekonomi menengah ke bawah di kota Jakarta. Penelitian ini menggunakan metode kuantitatif-kualitatif dengan mengumpulkan data melalui wawancara dengan pihak terkait dan melakukan survei lokasi untuk memperoleh data lapangan. Studi literatur dari berbagai sumber seperti buku, jurnal, skripsi, dan bahan bacaan lainnya digunakan sebagai panduan dalam merencanakan penyelesaian masalah. Hasil dari perancangan ini akhirnya menghasilkan sebuah objek yang bertujuan untuk mengatasi dampak pernikahan dini terhadap ibu muda yang menikah dini dan berasal dari kalangan menengah ke bawah. Metode perancangan yang didasarkan pada arsitektur empati dengan konsep Feminism Architecture menjadi solusi dalam menghadapi salah satu isu global ini.
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Younés, Samir. "NATURE AND THE CITY: A CO-EVOLUTIONARY PROJECT." JOURNAL OF ARCHITECTURE AND URBANISM 38, no. 3 (October 8, 2014): 198–204. http://dx.doi.org/10.3846/20297955.2014.966985.
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Architects who understand the need to build enduringly are faced with the almost complete absence of international agreements with respect to a planetary ecological project. The coming environmental changes will probably occur long before the small measures that can be implemented by some building industries on a regional level have even the slightest effect. Meanwhile, the health of the planet in positive feedback. Any project that aims for a wise ecological dwelling on this planet needs to consider short-term sustainable measures in comparison with long-term enduring practices. Might schools of thoughts such as traditional architecture, Gaia theory, Earth System Science, deep ecology, eco-feminism, converge on a co-evolutionary partnership between the natural and the human?
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Jover Biboum, Margarita, Rubén García Rubio, and Carlos Ávila Calzada. "Adrian Parr, a polyhedral relationship with water." ZARCH, no. 15 (January 27, 2021): 188–95. http://dx.doi.org/10.26754/ojs_zarch/zarch.2020154932.
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Adrian Parr is a transdisciplinary scholar who brings the design disciplines into conversation with the humanities, social sciences, and science. Rather than work within the clearly defined boundaries of a specialized discipline, her writings and movies create ethical montages consisting of theoretical criticism, poetics, imagery, and sound. The daughter and niece of two of Australia's most well-known contemporary artists, she has a sensitivity toward the affective potential of thought and ethical reflection. Her writings encompass a journey through the notebooks of Leonardo da Vinci, Deleuze, feminism, contemporary art, sustainability culture, urbanism, climate change, policy, collective memory, trauma theory, and Marxist thinking. Her films set out to humanize the water and sanitation statistics driving national and international policy. In this interview Adrian Parr talks about the environmental and water problems in different parts of the world under a vision in which humanism, education, ethics, awareness and leadership play a transcendental role.
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Petrushikhina, Svetlana V. "THE QUESTION OF FEMALE BODY IN ARCHITECTURAL THEORY IN THE LATE 20TH CENTURY." Articult, no. 2 (2021): 91–96. http://dx.doi.org/10.28995/2227-6165-2021-2-91-96.
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This article is devoted to the phenomenon of female body in the foreign theory of architecture in the 1980‑s–90‑s. The works of D. Agrest, E. Grosz, D. Bloomer and D. Fausch are examined in the present paper. There are two perspectives on the problem of female corporeality: poststructuralist and phenomenological. Jennifer Bloomer and Diane Agrest adopt a poststructuralist critical strategy in which the notion of the feminine is considered as the “Other” of the logocentric architectural discourse. Elisabeth Gross notes that women have always been displaced from the realm of architecture. This is indicated not only by the absence of female architects, but also by the fact that the inherent attributes of female corporeality have been completely disregarded. Diane Agrest suggests that these attributes were appropriated by male architects. The phenomenological perspective on the female corporeality is reflected in Deborah Fausch's concept of “feminist architecture”. “Feminist architecture” brings back the value of concrete, sensual bodily experience in the perception of architecture. The subject's perceptual experience through the body allows the semantic dimension to unfold in the building.
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Bruce, Margaret. "A view from the interior: feminism, women and design." Design Studies 12, no. 1 (January 1991): 63–64. http://dx.doi.org/10.1016/0142-694x(91)90016-p.
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Beckman, Karen. "Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks." Grey Room 7 (April 2002): 24–39. http://dx.doi.org/10.1162/152638102760104563.
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Vallerand, Olivier. "Messing up the Domestic: Queer Bodies Expanding Architectures." Somatechnics 10, no. 3 (December 2020): 397–415. http://dx.doi.org/10.3366/soma.2020.0329.
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Queer space discourse in architecture has often been about reclaiming sexualized spaces or spaces used by LGBT people as being part of architectural history. However, critical practitioners have sought to expand from an understanding based on an essentialist understanding of queer bodies to link instead the experience of built environments to the repression of non-normative/non-compliant bodies. This article discusses projects by J. Mayer H., Andrés Jaque/Office for Political Innovation (OFFPOLINN), and MYCKET that build on a queer understanding of architecture and design to explore relationships between bodies, the materiality of domestic spaces, and communal identities, challenging binary understandings of architectural design spaces and linking them to the configuration of citizenship. J. Mayer H.’s work on data-protection patterns and thermo-sensitive materials uses bodies as material in developing a discourse on privacy stemming in part from queer people's experience of oppressing policies. OFFPOLINN's projects on IKEA and on gay cruising digital environments question the role of architects by underlining the close integration of advertisement, online social networks, and urban and architectural policies in relation to the experience of citizenship and migration. Finally, MYCKET's queer feminist performative architectures attempts to reframe the neutrality of the architectural modernist tradition to celebrate the messiness that comes with thinking of space as designed for a diversity of people. The three practices expand architectural discussions of domesticity beyond an understanding of the house as a container for family life and towards seeing it as a nexus of social and political relations that converge around the body.
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Krásná, Denisa. "Towards Horizontal Relationships: Anarcha Indigenism, Decolonial Animal Ethic, and Indigenous Veganism." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 11 (October 21, 2022): 31–51. http://dx.doi.org/10.14201/candb.v11i31-51.
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This paper introduces anarcha-Indigenism and a decolonial animal ethic as emerging decolonial frameworks. Anarcha-Indigenism represents an intersection between Indigeneity, anarchism, environmentalism, Indigenous feminism, and other liberation movements as a promising decolonial framework that could initiate transcultural cooperation of diverse justice groups that are committed to change that would ensure the peaceful co-existence of diverse species and ecosystems on Earth. The article introduces anarcha-Indigenism and its primary principles and roots, discusses its potential and analyses some major challenges that anarcha-Indigenism faces. It expands the discussion by introducing Billy-Ray Belcourt?s decolonial animal ethic that connects (de)colonization of Indigenous peoples with (de)colonization of non-human animals. Special attention is paid to perspectives of some prominent Indigenous vegans. Finally, the role of artivism and imagination in decolonization is discussed. The article posits that anarcha-Indigenism needs to include human treatment of non-human animals in the discussion if it strives to establish non-hierarchical interrelations, and that decolonization has to always be at the movement?s core.
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Kelly, Adam. "Trusts, Trust, and Trust: Hernan Diaz’s Liberal Pedagogy." American Literary History 36, no. 2 (May 1, 2024): 489–515. http://dx.doi.org/10.1093/alh/ajae033.
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Abstract This article reads Hernan Diaz’s Trust as a contemporary commentary on, and reimagining of, literature’s entanglements with capitalism, liberalism, finance, and law. Beginning with an outline of the history of legal and corporate trusts and connecting that history to the rise of the modern novel, the article spotlights the complex role played by the notion of trust in Diaz’s metafictional text. Trust tells the story of a Wall Street financier, his philanthropist wife, and the ghostwriter of his memoir through a four-part structure, moving from a realist novel called Bonds through two memoirs and ending with a diary titled Futures. This structure serves the aim, reaffirmed in Diaz’s interviews, of teaching his novel’s reader about the ideological implications of literary forms and about the kinds of power—financial and patriarchal—involved in turning reality into fiction. The article explores Trust’s revision of these forms and the ways in which its aesthetics forge an alignment among modernism, feminism, and financial expertise. Reflecting on the novel’s metacommentary on its own values and operations, the article concludes by asking whether Trust’s liberal pedagogy offers a persuasive alternative to the narrative forms it sets out to critique.With its carefully wrought aesthetic architecture . . . Trust confidently insists on its own autonomy from complicity, reaffirming the liberal idea that art symbolizes, and exists in, a realm outside the market.
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Wabuke, Emmah Khisa Senge. "Possibilities of New Approaches to Gender, Security and Constitutionalism: A Living Gender Probe into Kenyan National Security Architecture in the Constitution." Verfassung in Recht und Übersee 56, no. 1 (2023): 191–212. http://dx.doi.org/10.5771/0506-7286-2023-1-191.
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This paper situates itself within existing feminist constitutionalism analyses by noting that constitutions and constitutional processes are gendered and that constitutional norms may have different consequences for different genders. However, it attempts to extend these existing theories to interrogate how, if at all, feminist constitutional approaches may make credible interventions into the national security architecture given in the constitution. To this end, this paper proposes ‘living gender’ as a model of analysis. This model requires a deliberate inclusion of gender in the architectural design of constitutional institutions, which in this case, is the Kenyan National Security Framework. As with most feminist approaches, living gender is sceptical of rights-based clauses on equality and non-discrimination that do not interrogate the underlying masculine structures of constitutions. In this paper, I propose a three-pronged approach, including, ontological, locus and content concerns. To test this model, this paper uses the national security architecture in the Constitution of Kenya, 2010 as a case study.
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Arias, Daniela, and Zaida Muxí. "Aportaciones feministas a las arquitecturas y las ciudades para un cambio de paradigma." Hábitat y Sociedad, no. 11 (2018): 5–12. http://dx.doi.org/10.12795/habitatysociedad.2018.i11.01.
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Muxí, Zaida, and Daniela Arias Laurino. "Filling History, Consolidating the Origins. The First Female Architects of the Barcelona School of Architecture (1964–1975)." Arts 9, no. 1 (February 25, 2020): 29. http://dx.doi.org/10.3390/arts9010029.
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After Francisco Franco’s death, the process of democratisation of public institutions was a key factor in the evolution of the architectural profession in Spain. The approval of the creation of neighbourhood associations, the first municipal governments, and the modernisation of Spanish universities are some examples of this. Moreover, feminist and environmental activism from some parts of Spanish society was relevant for socio-political change that affected women in particular. The last decade of Franco’s Regime coincided with the first generation of women that graduated from the Barcelona School of Architecture (ETSAB). From 1964 to 1975, 73 female students graduated as architects—the first one was Margarita Brender Rubira (1919–2000) who validated her degree obtained in Romania in 1962. Some of these women became pioneers in different fields of the architectural profession, such as Roser Amador in architectural design, Alrun Jimeno in building technologies, Anna Bofill in urban design and planning, Rosa Barba in landscape architecture or Pascuala Campos in architectural design, and teaching with gender perspective. This article presents the contributions of these women to the architecture profession in relation to these socio-political advances. It also seeks—through the life stories, personal experiences, and personal visions on professional practice—to highlight those ‘other stories’ that have been left out of the hegemonic historiography of Spanish architecture.
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Ottaviani, Dorotea, and Cecilia De Marinis. "Listening to Unheard Voices in Urban Public Space. The Cases of Ruskin Square and Plaça d'en Baró." ZARCH, no. 18 (September 2, 2022): 172–85. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186203.
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The paper explores the concept of ‘listening to unheard voices’ in the urban environment as a design intention and strategy that contributes to an inclusive and alternative approach to urban public space, considering and promoting the imperatives of caring that such space should deliver to the city and its inhabitants. The ideas discussed in the paper find their background in the research on the concept of care in feminist urbanism and feminist studies in general, and specifically in relation to the model of the Caring City, promoting a city that places care at its centre, and aims to include a wider selection of citizens in the construction of the public good. Through the analysis of two case studies of public spaces designed by solo-women architecture practices, this paper identifies an alternative relational paradigm which gives space to unheard voices in the urban environment through processes of inclusion and participation. The two cases, Plaça d'en Baró in Santa Coloma de Gramenet (Barcelona, Spain), designed by Catalan architectural collective Equal Saree, and Ruskin Square in the London Borough of Croydon (London, UK) designed by British architectural practice muf architecture/art, have implemented the concept of listening to ‘unheard voices’ offering insights into the contribution of women to the urban environment and how it is transformed, shaped, and used.
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Mikhailov, Sergey M., Aleksandrina S. Mikhailova, Rafik R. Khafizov, Nail M. Nadyrshine, and Liliya I. Nadyrshine. "Gender Settings in City Design." Vestnik of Saint Petersburg University. Arts 13, no. 4 (2023): 760–75. http://dx.doi.org/10.21638/spbu15.2023.409.
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The article discusses the issue of gender principle in city design, which is presented to designers as the basic approach to the modern design theory. It’s manifestation in architecture and design can be considered in various aspects, related to composition in creating the architectural form: shape, color, texture, material. In addition to material components, gender in architecture and design is manifested in a special zoning of space and sound environment. The article also reveals the content of the categories of “feminine” and “masculine” in terms of the construction of gender metaphors: plastic contrasts, semantic contrasts, spheres of association. The issue of conscious consideration of gender factor in the design process raises the problem of understanding the general regularities of its development in the design of the city, the relationship with the socio-cultural processes and historical conditions. The authors consider the manifestation of gender factor at various levels of city design: formation of the image and branding of the city, the urban plan and urban structure, the urban ensemble and the architectural object, the design content of the urban environment, visual communications and dynamic forms. Each of the levels has a certain independence and its own forms of interaction with other types of design and artistic activity. Therefore, the manifestation of “gender” in urban design should be considered at similar hierarchical levels. As the study has shown, in architecture and art there is an increase in the diversity of gender manifestations, expanding the range of gender roles, increasing the contrast between feminine and masculine, gender metaphors act as a form of individualization and enhancement of expressiveness of the image. Metaphorical comprehension of the design situation in terms of feminine and masculine allows to reveal additional contrasts and enhance the expressiveness of the artistic image.
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Eamvijit, Suriyaporn. "Modernism and the Gender Trouble: Techno-Utopia and Gender Politics in the 20th Century Design." Journal of Architectural/Planning Research and Studies (JARS) 20, no. 1 (July 26, 2022): 55–72. http://dx.doi.org/10.56261/jars.v20i1.249560.
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Among prominent figures in the architectural field of the twentieth century, Le Corbusier was undoubtedly the most renowned. His key writing Vers Une Architecture (Towards a New Architecture) was received with praise and has been regarded as the manifesto of modern and contemporary architecture ever since. His projects have become symbols of the end of the old regime and the possibility for a new democratic society. However, his revolutionary mission apparently diminishes gender issues. Although there is extensive research about Le Corbusier’s works, only a few investigated the gender aspects of his works or incorporated his artistic works into the analysis. Among several studies on politics of gender in modernist architecture, what is still lacking is the analysis of Le Corbusier’s works that are not architectural. This paper aims at examining the relationship between Le Corbusier’s architectural as well as his artistic works and gender politics through the lens of Henri Lefebvre’s spatial theory and feminist theories. The paper focuses on the modernist aesthetic, technology, and gender politics in spatial arrangements and designs, especially in the domestic sphere, that are discussed mainly in Le Corbusier’s Towards a New Architecture and his poetry collection Poem of the Right Angle. An analysis of spatial representations in both works reveals how the architect’s obsession with purist functionalism and the glorification of technology propagate the conventional concept of femininity and reduces female subjects to a unit of domestic labor. On the other hand, the paper contrasts the work of Le Corbusier with that of Margarete Schütte-Lihotzky to demonstrate how the very same aesthetics can be a design that favours women when it is appropriated by female professionals who think about equality both in terms of class and gender.
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Kazan, Helene. "An unbound critical lived-built environment." Journal of Visual Culture 20, no. 3 (December 2021): 575–95. http://dx.doi.org/10.1177/14704129211066297.
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Through engaged analysis of entangled research-based practice, this article argues that thresholds of distinction between environmental or conflict-based violence are unbound across Lebanon’s critical lived–built environment. Drawing on the fields of architecture, law, art and cultural production, this investigative scope is engaged through de-colonial, feminist and critical legal theory and method. The analysis in this article is an attempt at dismantling the inherent asymmetric power structures – legal, political and architectural – operating through violent risk, which continue to evade certain frames of accountability. This is done to reveal the complexity of this violent limit condition and its materializations, in the proposal of a progressive methodological imagining and investigation: an unbound critical lived–built environment.
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Schenker, Heath Massey. "Feminist Interventions in the Histories of Landscape Architecture." Landscape Journal 13, no. 2 (1994): 107–12. http://dx.doi.org/10.3368/lj.13.2.107.
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Yucel, Sebnem. "Feminist practices: interdisciplinary approaches to women in architecture." Gender, Place & Culture 19, no. 4 (August 2012): 552–53. http://dx.doi.org/10.1080/0966369x.2012.693762.
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Ruegamer, Lana, and Polly Wynn Allen. "Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism." Technology and Culture 31, no. 2 (April 1990): 308. http://dx.doi.org/10.2307/3105673.
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Lane, Ann J., and Polly Wynn Allen. "Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism." Journal of American History 76, no. 3 (December 1989): 960. http://dx.doi.org/10.2307/2936513.
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Strasser, Susan, and Polly Wynn Allen. "Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism." American Historical Review 95, no. 3 (June 1990): 898. http://dx.doi.org/10.2307/2164451.
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Rodriguez, Angela Milena. "English Teachers Gendered Identities Constructions in their Doings, Sayings and Relatings." Colombian Applied Linguistics Journal 24, no. 1 (April 22, 2022): 105–18. http://dx.doi.org/10.14483/22487085.17903.
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This is a research report of a feminist poststructuralist discourse analysis study carried out in a private University in Tunja, Boyacá, Colombia. This study intended to explore the relation among two EFL university teachers’ pedagogical practices and their gendered identities constructions. Pedagogical practices were framed in the practice architectures: doings, sayings and relatings proposed by Kemmis & Mutton (2012)
It was unveiled that doings, sayings and relatings were sites for and outcomes of teachers´ gendered identities construction. Additionally, teachers´ gendered sayings, doings and relatings were interweaved, juxtaposed, complemented, and contrasted sites where teachers performed different masculinities and femininities based on their capacities to adapt, resist, contest and oppose to heteronormative and patriarchal discourses such as gender roles and normative masculine and feminine features. Those gendered constructions were identified to have possible consequences upon students´ English language leaning and gendered identities construction.