Relevant bibliographies by topics / Femininity

Academic literature on the topic 'Femininity'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Femininity"

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Chertian, Vivian Graciela. "Villainess Protagonists’ Performative Acts as the Representation of Modern Femininity." Lingua Cultura 16, no. 2 (May 10, 2023): 133–40. http://dx.doi.org/10.21512/lc.v16i2.8375.

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The research discussed a different representations of femininity through the villainesses and heroines in two Korean webtoons (web cartoons). Traditionally, villainesses were depicted as undesirable antagonists as they did not fit into the frame of traditional femininity or were merely viewed as sexually attractive. However, the traditional aspects of femininity were now contested by the villainess protagonists. Utilizing Butler’s theory of gender performativity along with Kress and van Leeuwen’s visual analysis, the protagonists’ and antagonists’ thoughts, actions, and appearance were analyzed. A descriptive qualitative analysis was conducted on two webtoons, The Villainess Reverses the Hourglass, and It Looks Like I’ve Fallen into the World of a Reverse Harem Game. The studied data are selected from chapters 1-45 in each webtoon. The results show that the villainess protagonists are depicted as more independent, have more power, and occasionally dress in a masculine way, while the heroines-turned-antagonists are illustrated as a dependent, lack power, and always dressed femininely. In this case, the heroines-turned-antagonists’ traits represent Korea’s traditional notion of femininity. Meanwhile, the villainess protagonists possess traits opposing the heroines’ traits. Positioning the villainesses as protagonists and heroines as antagonists show a clash of modern vs. traditional notion of femininity, and putting the ‘villainesses’ as the desirable protagonists imply how their representation of femininity is considered more favorable in the modern context.
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Bergeron, Danielle. "Femininity." American Journal of Semiotics 8, no. 4 (1991): 5–15. http://dx.doi.org/10.5840/ajs1991842.

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Richardson, Laurel, and Susan Brownmiller. "Femininity." Contemporary Sociology 14, no. 1 (January 1985): 80. http://dx.doi.org/10.2307/2070451.

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Musser, Amber Jamilla. "Femininity." differences 34, no. 1 (May 1, 2023): 113–18. http://dx.doi.org/10.1215/10407391-10435632.

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Written in 1987 in response to the aids emergency unfolding in the United States, Leo Bersani’s “Is the Rectum a Grave?” is often described as an early entry into the strain of queer theory that offers queerness as tarrying in abjection, failure, and antisociality. This essay, however, is much more interested in thinking about the ways Bersani mobilizes connections to femininity in “Is the Rectum a Grave?” As Bersani moves from “women and gay men” to “average, law-abiding family” to “being a woman,” femininity haunts, each of these individual nodes further illuminating an insight about femininity with and without women.
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Hvenegård-Lassen, Kirsten. "Disturbing Femininity." Culture Unbound 5, no. 2 (June 12, 2013): 153–73. http://dx.doi.org/10.3384/cu.2000.1525.135153.

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When Helle Thorning-Schmidt in 2011 became the first female Prime Minister in Denmark, this “victory for the women” was praised in highly celebratory tones in Danish newspapers. The celebration involved a paradoxical representation of gender as simultaneously irrelevant to politics and – when it comes to femininity – in need of management. Based on an analysis of the newspaper coverage of the election, I argue that highlighting gender (in)equality as either an important political issue or as something that conditions the possibilities of taking up a position as politician was evaluated as a performative speech act, i.e. an act that creates the trouble it names. Ruling out gender equality as relevant was, however, continually interrupted by comments on how Thorning-Schmidt and other female politicians perform gender in ways that fit or do not fit with “doing politician”. These com-ments tended to concern the styling of bodies and behaviour and followed well known – or sticky – gendered scripts.
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CURRIE, DAWN H. "DECODING FEMININITY." Gender & Society 11, no. 4 (August 1997): 453–77. http://dx.doi.org/10.1177/089124397011004005.

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BOSWORTH, MARY. "Confining Femininity:." Theoretical Criminology 4, no. 3 (August 2000): 265–84. http://dx.doi.org/10.1177/1362480600004003002.

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Bear, Julia B., and Linda Babcock. "Negotiating Femininity." Psychology of Women Quarterly 41, no. 2 (December 21, 2016): 163–74. http://dx.doi.org/10.1177/0361684316679652.

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According to gender role congruity theory, women, compared to men, underperform in masculine negotiations because these negotiations are incongruent with women’s gender role. Based on this framework, we developed two gender-relevant primes—a masculine-supplement prime and a feminine-complement prime—that address role incongruity and should improve women’s economic performance by either supplementing masculinity or complementing femininity. In Study 1, physicians ( N = 78; 50% women) in an executive education program engaged in a masculine-supplement prime, which involved recalling agentic behavior; in Study 2, undergraduate students ( N = 112; 50% women) completed a feminine-complement prime, which involved imagining negotiating for a friend. In Study 3, a community sample ( N = 996; 46% women) completed an online experiment with the primes. Results from the three studies showed that these primes improved women’s economic performance and eliminated the gender gap in negotiation. Perception of fit partially explained the efficacy of the masculine-supplement prime for women, though not the feminine-complement prime. We build on past research concerning situational moderators by investigating gender role congruity from an intrapsychic perspective. We also make a practical contribution; these primes can be used by women to improve economic performance in gender role incongruent negotiations. Online slides for instructors who want to use this article for teaching are available on PWQ's website at http://journals.sagepub.com/page/pwq/suppl/index .
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Giles, Judy. "Radical femininity." Women's History Review 8, no. 4 (December 1, 1999): 737–62. http://dx.doi.org/10.1080/09612029900200457.

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Gray, Ann. "Enterprising Femininity." European Journal of Cultural Studies 6, no. 4 (November 2003): 489–506. http://dx.doi.org/10.1177/13675494030064003.

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Dissertations / Theses on the topic "Femininity"

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Gleason, Kristin Mary. "Faulty femininity /." Online version of thesis, 2004. http://hdl.handle.net/1850/12180.

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Witz, Teresa. "Portraiture : femininity and style." Thesis, University of East London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532901.

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When I started the doctorate programme in 2002 I had a long-standing interest in vanitas paintings, both historical and contemporary. This developed into an interest in creating contemporary iconic images of celebrity personalities. I also started to explore ways of portraying 'iconic unknowns', which involved transforming ordinary, working women into modem icons. In the first year I was interested in celebrity icons, such as David and Victoria Beckham, Kylie Minogue and Cher. I was interested to portray these celebrities as more anonymous as people, but more familiar as brand images . . Also at this time I was developing an interest in what I have termed 'localised celebrities'; these were the wealthy women of Essex. I made paintings of the glamour and style of these Essex women and their' chic kitsch' . The work evolved with experiments in ways of portraying women, attempting to subvert the conventions of the male gaze by portraying women in a highly ambiguous manner. The conventions of clothing and 'styling' are exaggerated versions of the kind of sexualized to-be-Iooked-at-ness associated with the male gaze and yet the women in the paintings are refusing to be positioned as the to-be-Iooked-at-by men. They are defying the spectator to dare to consume her image in that way. I have attempt~d to complicate the relationship between the male spectator and the female image as well as opening up new ways in which women might assume the position of spectator. Laura Mulvey, a feminist film theorist, published an article in 1975 called 'Visual Pleasure and Narrative Cinema' in which she employed the term 'the male gaze'. Mulvey's analysis was concerned with the cinematic gaze, but certain parallels may be drawn with conventions of portraying women, for example in paintings and photography. She was primarily interested in the relationship between the image of woman and the 'masculinisation' of the position of the spectator. By this, she means that images of women are constructed according to patterns of pleasure and identification that assume masculinity as the 'point of view' (Mulvey: 1989: 29-38). Later, however, Mulvey began to think about how women could occupy the position of spectator.
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Rudolfsdottir, Annadis Greta. "Construction of femininity in Iceland." Thesis, London School of Economics and Political Science (University of London), 1997. http://etheses.lse.ac.uk/2458/.

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In this study it is argued that femininity is mediated by historical and cultural factors. I explore how rapid changes in the social structure of Icelandic society have introduced challenges to many cultural constructions. The theoretical framework draws from the work of Michel Foucault, in particular the idea that the individual emerges through the practices and discourses s/he is constituted in, and that these incur power relations. Several entrance points have been selected into the Icelandic culture and its ideas of femininity. One is through a random sample of 209 obituaries, published from 1922 to 1992. The other is through semi-structured interviews with 18 women, aged 16 to 88, conducted in 1992. A discourse analysis reveals two dominant discourses for constituting the "Self', with different implications for men and women respectively. "The discourse of the Chieftain" constructs the "Self' as independent, self-reliant and central. In this discourse, it is argued, the "Self' is a dominantly masculine ideal. In contrast, the "discourse of the Soul" emphasises the individual who puts others before herself, is self-less, obedient, dutiful and loyal. It is argued that these discourses were necessary for maintaining a particular power structure within the pre-modern Icelandic society, and that they portray particular roles as "natural". Changes in modem Icelandic society have caused a rupture in the harmony between these discourses. New discourses have emerged, and women are increasingly putting their own needs and selves before others. The inter and intra-subjective tensions that these changes have incurred are traced. Women's strategies of resistance that have unfolded in response to dominant ideas are outlined. In their different forms of disciplining sons and daughters, women use their position as mothers to encourage societial changes. Implications of these findings for theories of construction of femininity are discussed.
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Rohrs, Mark. "ELIZABETH TUDOR: RECONCILING FEMININITY AND AUTHORITY." Master's thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2979.

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Elizabeth Tudor succeeded to England's throne during a time when misogynist societal ideology questioned the authority of a female monarch. Religious opposition to a woman ruler was based on biblical precedent, which reflected the general attitude that women were inferior to men. Elizabeth's dilemma was reconciling her femininity with her sovereignty, most notably concerning her justification for power, the issue of marriage and succession, and the conflict over the execution of Mary, Queen of Scots. The speeches Elizabeth presented to Parliament illuminate her successful solidification of her authority from a feminine gendered position. She established and reinforced her status through figurative language that presented her femininity as favorable to ruling England, ultimately transcending her womanhood to become an incarnation of the state. Elizabeth's speeches reflect her brilliance at fashioning herself through divine and reciprocal imagery, which subsequently redefined English society, elevating her to the head of a male-dominated hierarchy. By establishing her position as second to God, Elizabeth relegated all men to a status beneath hers. Elizabeth's solution to the perceived liability of her gender was to recreate herself through divine imagery that appropriated God's authority as her own. She reinforced her power through a reciprocal relationship with Parliament, evoking the imagery of motherhood to redefine the monarchy as an exchange rather than an absolute rule.
M.A.
Department of English
Arts and Sciences
English
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Turner, Lewis. "Gender renaissance : re-configurations of femininity." Thesis, Lancaster University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.418436.

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Scordari, Giulia <1992&gt. "Femininity in Philip Roth's American Trilogy." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14451.

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La presente tesi è incentrata sul tema della femminilità nell’American Trilogy di Philip Roth. L'introduzione cerca di illustrare il modo in cui Roth mette in discussione le identità femminili come parte di cambiamenti sociali e storici e come manifestazioni dell'identità nazionale americana. Ogni capitolo è dedicato rispettivamente ad uno dei tre romanzi, con una descrizione accurata di tutto ciò che riguarda i personaggi femminili: dagli abiti, ai discorsi, alle condizioni psichiche. Nonostante la quantità di letture critiche che associano la trilogia a una prospettiva misogina, questo studio mira anche a dimostrare che il trattamento della femminilità, come affrontato da Roth, deve essere visto alla luce del suo particolare metodo narrativo e della sua preoccupazione per la mascolinità all'interno dei romanzi , il tutto filtrato attraverso la voce del narratore-personaggio Nathan Zuckerman. Al centro del primo capitolo, quindi, c'è l'analisi di Dawn Dwyer e Meredith Levov, dal momento che entrambe sono ostacoli fondamentali nella lotta del protagonista, Seymour Levov, per realizzare il suo sogno americano. Delphine Roux e Faunia Farley sono al centro del secondo capitolo, mentre l'ultimo è basato sulla moglie di Ira Ringold, Eve Frame, e sulla figliastra di Ira, Sylphid. Inoltre, è anche fornito un confronto tra le sei donne, tutte figure minacciose nella vita dei protagonisti maschili, per quanto riguarda le caratteristiche ricorrenti che le connettono.
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Santhakumaran, Priyadharshini. "Transforming ideologies of femininity : reading women's magazines." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/25156.

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This dissertation is a discourse analytic study of how women talk about reading women’s magazines, and is based on interviews with forty women. I examine the ways in which my informants construct the nature of the magazines and their target readers, and how they position themselves in relation to the perceived target reader. In doing so I explore how, and to what extent, women’s negotiation of their own identities is mediated by popular images and discourse of femininity. Firstly, I examine the way many women ‘talk themselves out’ of the target readership of the magazines they read. To do so they construct differences between themselves and the perceived target reader on the basis of social factors such as class, age and sexuality. When positioning themselves in relation to the magazines, my informants tend to draw on discourses of individuality, accounting for the differences between themselves and the target reader as a matter of individual experience, interests and preferences. When defining the target reader, on the other hand, they are more likely to invoke generalisations and stereotypes. One of the main features of my informants’ talk on the subject of taking advice from women’s magazines was the construction of a distinction between ‘practical’ and ‘personal’ advice; they would consider taking advice they considered ‘practical’, but not advice on ‘personal’ matters from a magazine. Finally, I use a membership categorisation analysis (MCA) to explore how my informants orient to notions that certain activities and interests are tied to gender categories. Women’s magazines construct certain activities and interests, such as fashion and (heterosexual) relationships, as being normatively associated with women. Using MCA I explore the way in which women reproduce or reconstruct these associations when negotiating identities both for themselves and for the target reader.
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Cheddie, Janice Mae. "Arresting black beauty, fashion and black femininity." Thesis, University of Sunderland, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295772.

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Blanchard, Julie Louise. "Feeling your age : pre-teen fashionable femininity." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/422172/.

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This thesis explores the importance of clothing in the lives of pre-teen girls; how do girls of 8 to 9 and 10 to 11-years-old understand both the discourses of fashion, that suggest how girls’ bodies should be dressed, as well as the material garments that they chose to put on their bodies, and make sense of these meanings on and through their bodies? What part does clothing play in their understanding of personhood and in particular the interconnection of gender, age, class, ethnicity and sexuality? What might the study of young girls and fashionable clothes tell us about the creation and negotiation of contemporary young feminine identities? Much popular discussion in the twenty-first century, including government policy debate, has focused on the sexualisation of young girls, and the wearing of certain fashionable dress is seen as a contributory factor in this sexualizing process. Academics have begun to assess what fashion means to those who consume it, yet this literature usually assumes an adult consumer. Turning to the sociology of childhood and the recognition of childhood agency, this thesis suggests that girls’ own relationship with fashion needs to be investigated in order to consider if, and to what extent, this sexualisation is taking place, to add to our knowledge both in childhood, and fashion, sociology. This thesis examines girls as meaningful consumers of fashion and explores the relationship between clothes and identity for these girls. By carrying out focus groups, asking participants to photograph their clothes and undertaking interviews with those photographs, this research asks girls what fashion means to them. In response to concerns raised in popular debate about the ‘loss of childhood innocence’ through fashion consumption, the girls’ consumption of dress is explored in relation to the following of fashion trends, the emulating of pop stars and parental influence. This thesis refutes any simplistic mapping of these influences onto girls’ ways of dressing, demonstrating the complexities of girls’ interactions with popular ideas about what to wear and how clothes are understood. Rather, I argue that girls’ negotiations of sexuality, subject positions and fashion are complex and nuanced. This thesis addresses key themes arising from my data that show that girls in my research are alert to social expectations and deem dress to be context-dependent. The sample demonstrated a thoughtful, thorough sense of learned social rules and taste, and individual aesthetics. Moreover, evidence from this study shows that girls are able to create multiple, fluid identities through dress, from the habitual, everyday self to the hetero-sexualised ‘girlie’ girl and back again. Clothes prove useful tools in thinking through what it means to be different types of person, but also enable girls to display kinship and friendship. Another crucial element of fashion arising from this research is that of materiality and temporality. Dress is inextricably linked to memory and biography, acting as a memento of past events or important relationships but also enabling girls to articulate their own biographical narratives. The materiality of clothes on the body also informed them of the passing of time, acting as transitional objects. An original contribution of this thesis is a demonstration of the ways in which girls positioned themselves in the present, through previous interactions between body and garments, and the increasing tightness of those garments as the girls grew. Yet girls also tried on future identities through experiencing certain clothes on their bodies. The sensuous experience of dress allows girls to feel that they are growing up and therefore to situate themselves temporally on their life course as, this thesis argues, we may all do.
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Arend, Patricia. "Dream Weddings: Fantasy, Femininity and Consumer Desire." Thesis, Boston College, 2011. http://hdl.handle.net/2345/3740.

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Thesis advisor: Juliet B. Schor
Thesis advisor: Leslie Salzinger
White Weddings: Fantasy, Femininity and Consumer Desire Patricia Arend Advisors: Juliet B. Schor and Leslie Salzinger The white wedding, the dominant form of marriage ritual in America, is a key site for the study of gender inequality because it ritualizes, dramatizes and makes pleasurable patriarchal gender relations. While men and women are becoming more equal in education, the labor force and other social institutions, many women are opting for a traditional, highly gendered wedding ritual. This dissertation unpacks this paradox through the use of qualitative methodology on women's subjectivity and subconscious experience. My methodological strategy includes participant observation, survey research, free association narrative interviewing and photo-elicitation. These varied methods reveal not only that the majority of my respondents desire a traditional, white wedding complete with a standard package of goods and practices, but that in so enacting heteronormativity they seek a singular emotional and romantic experience. Study participants express varied attitudes to their own desire, however. Those without major ambivalence--both straight and a few lesbians--take their desire for a white wedding for granted, an attitude emerging with apparent seamlessness from their emotional experiences attending other people's weddings, the sharing of wedding-related evaluations, perspectives and activities through female-centered social networks, and their prior consumption of wedding related media. Wedding media are consumed by engaged women like an instruction manual, while others often view it with other women, socially. Not all of the participants' relationships to this ritual is so straightforward. Some feel guilty for wanting a wedding they have come to see as sexist or wasteful. They cope with this guilt through a complex process of dissociation and projection focused on other women- a process we find in other aspects of consumer society as well. In addition, a much smaller number of women who identify as lesbian selectively do not conform to the full white wedding format and feel good about their choices. Yet none of these women desire the "camp" elements found in previous studies of lesbian commitment ceremonies and most incorporate some aspects of the white wedding, indicating a trend toward greater conformity. Identifying as a feminist was not correlated with a desire for a particular type of wedding or the experience of desire, which I argue relates to the complex historical context of the movement for marriage equality, the cooptation of feminism by advertising as the "new consumer feminism" and contemporary third wave feminism, which emphasizes individual identity and a liberal politics of choice
Thesis (PhD) — Boston College, 2011
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Sociology
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Books on the topic "Femininity"

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Brownmiller, Susan. Femininity. London: Paladin, 1986.

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Johnson, Robert A. Femininity lostand regained. New York: Harper & Row, 1990.

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Kelly, Joan F. Femininity - constructed, deconstructed. Derby: Derbyshire College of Higher Education, 1989.

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Mariam, Alizade Alcira, and International Psychoanalytical Association. Committee on Women and Psychoanalysis, eds. Studies on femininity. London: Karnac, 2003.

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Seal, Lizzie. Women, Murder and Femininity. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230294509.

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Johnson, Robert A. Femininity lost and regained. New York: Harper & Row, 1990.

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Brushwood Rose, Chloë T. 1972- and Camilleri Anna, eds. Brazen femme: Queering femininity. Vancouver, B.C: Arsenal Pulp Press, 2002.

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A, Johnson Robert. Femininity lost and regained. New York: HarperPerennial, 1991.

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Machover, Reinisch June, Rosenblum Leonard A, and Sanders Stephanie A, eds. Masculinity/femininity: Basic perspectives. New York: Oxford University Press, 1987.

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Samant, Ganesh. Femininity: (the other half). Victoria, B.C: Trafford, 2002.

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Book chapters on the topic "Femininity"

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Mehta, Clare M., and Victoria Henry. "Femininity." In Encyclopedia of Personality and Individual Differences, 1584–88. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_1076.

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Malone, Kareen R., and Shannon D. Kelly. "Femininity." In Encyclopedia of Critical Psychology, 697–702. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_108.

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Levesque, Roger J. R. "Femininity." In Encyclopedia of Adolescence, 1016–18. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-1695-2_499.

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Aragon, Angela Pattatucci. "Femininity." In Encyclopedia of Women’s Health, 484–86. Boston, MA: Springer US, 2004. http://dx.doi.org/10.1007/978-0-306-48113-0_162.

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Welsh, Elizabeth. "Femininity." In Encyclopedia of Psychology and Religion, 896–900. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_237.

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Smith, Ashlea. "Femininity." In Encyclopedia of Child Behavior and Development, 646–48. Boston, MA: Springer US, 2011. http://dx.doi.org/10.1007/978-0-387-79061-9_1115.

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Welsh, Elizabeth. "Femininity." In Encyclopedia of Psychology and Religion, 672–75. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_237.

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Mehta, Clare M., and Victoria Henry. "Femininity." In Encyclopedia of Personality and Individual Differences, 1–5. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-28099-8_1076-1.

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Helsel, Philip Browning, Curtis W. Hart, Jill L. McNish, Todd DuBose, Philip Browning Helsel, John Ryan Haule, Annette Peterson, et al. "Femininity." In Encyclopedia of Psychology and Religion, 326–29. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_237.

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Donovan, Bernard T. "Femininity." In Humors, Hormones and the Mind, 257–70. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19025-6_15.

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Conference papers on the topic "Femininity"

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Sha, Rula. "Beyond Femininity." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.083.

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Do Val Toledo Prado, Guilherme, and Laura Martins Fargetti. "Femininity in Fairy Tales." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37489.

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Tanabe, Hiroko, and Kota Yamamoto. "The relationship between attractiveness and femininity in female gait." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.67.

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The evaluation of physical attractiveness has been reported to be related to the psychological process for detecting associated physiological health and fertility features. The femininity of the female gait is also associated with its attractiveness. However, it is unclear whether femininity is always attractive in female gait and what physical characteristics are perceived as being attractive and/or feminine. In this study, we aimed to understand the root of the attractiveness of human movement by examining the relationship between perceived attractiveness and femininity in female gait. First, we created 30 s gait animations by using 3D motion capture data of 10 female nonmodels and seven female runway models, where they walked either barefoot or in high heels. Then, 60 observers evaluated the attractiveness and femininity of each animation. We compared the scores of attractiveness (A-scores) and femininity (F-scores) of the models and nonmodels, and we examined the factors related to the evaluation (A-scores and F-scores), namely, the walkers’ height, weight, BMI, and the characteristics of movements. Consequently, both the A-score and the F-score were high for the models’ gait in high heels. Conversely, in the other conditions, there were two types of attractiveness−femininity relationships—a linear relationship (high A-score and F-score, or low A-score and F-score) and an unequal relationship (high F-score but low A-score). Most physical and motion factors correlated with both the A-score and the F-score; however, BMI, flexibility at the thoracolumbar joint, stride time CV, and toe-off angle were related to either the A-score or the F-score.
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Chen, Xinyi. "Water and Woman: Ophelia’s Femininity in the Elizabethan Age." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.433.

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Saripah, Ipah, and Nur Fitri Rosdianti. "Femininity, Masculinity, and Androgyny - Minority Students’ Gender Role Issues." In 1st International Conference on Educational Sciences. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007048007680772.

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Esenova, G. B. "Woman’s Image As A Reflection Of Femininity In Kalmyk Linguaculture." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.55.

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Shikanai, Nao. "Relations between Femininity and the Movements in Japanese Traditional Dance." In 2019 IEEE International Conference on Consumer Electronics - Asia (ICCE-Asia). IEEE, 2019. http://dx.doi.org/10.1109/icce-asia46551.2019.8942189.

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R Angga Bagus, Suardana, R. Angga Bagus Kusnanto, and I. Wayan Suardana. "Femininity in Painting of Dyan Anggraini and its Implementation of Gender Mainstreaming." In Proceedings of the International Conference on Art and Arts Education (ICAAE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaae-18.2019.54.

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Kabadayı Kuşcu, Zeynep. "How Do Femininity And Masculinity Relate To Female Management: Evidence From Academia." In 17th International Strategic Management Conference. European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.12.02.13.

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Hardini, Tri Indri, and Beli Gustiawan. "Representation of Femininity in French Perfume Advertisements: An Analysis of Multimodal Discourse." In 3rd International Conference on Language, Literature, Culture, and Education (ICOLLITE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.065.

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Reports on the topic "Femininity"

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Harper, Shirley. Femininity and self-esteem in professional women. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3245.

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Tsepkalo, Tetiana. SOCIAL ROLES AND STEREOTYPES OF FEMININITY IN THE ALMANAC «KURIER KRYVBASU». Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12172.

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Abstract:
The subject of this research is the social roles and stereotypes of femininity in the almanac «Kurier Kryvbasu». The aim of the study is to conduct a systematic analysis of gender stereotypes of femininity in the literary almanac. The article employs the following methods: theoretical – for studying gender theory, stereotyping, and their application in the analysis of the content of the periodical; systemic-structural analysis – for conducting a systematic analysis of the social roles of femininity in the almanac «Kurier Kryvbasu»; structural-typological – for studying the content and structure of the literary almanac; descriptive method - for interpreting women’s roles and stereotypes. Main findings. The role of gender stereotypes in representing women in the media texts of contemporary Ukrainian writers in the pages of the periodical almanac «Kurier Kryvbasu» has been elucidated. A systematic analysis of feminine social roles, including the beautiful woman, the businesswoman, the happy woman, the sex symbol, and the wife-mother, is presented. The social roles and stereotypes of femininity in the literary almanac «Kurier Kryvbasu» are interpreted according to the classification of G. Kovalova and V. Danilyan. Conclusions. In the almanac «Kurier Kryvbasu», entrenched perceptions regarding women’s model appearance, their frivolity and accessibility, professional inferiority, sexual objectification, competent housekeeping, maternal duties, and the pursuit of illusory «female happiness» in the form of marriage, family, and children are used. However, a trend of feminist rise is observed, where the pages of the magazine describe women’s career successes, self-actualization, participation in military actions, etc. Significance. The analysis of gender stereotypes, both femininity and masculinity, in Ukrainian literary-artistic periodicals is important for the development of the contemporary media sphere, as such research will encourage editorial teams to direct media content towards gender balance and gender equality. Key words: gender stereotypes, social role, femininity, journal, literary magazine, media text.
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