Relevant bibliographies by topics / Feminine

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Feminine'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Feminine"

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Nugraha, Dipa, and Suyitno Suyitno. "REPRESENTATION OF ISLAMIC FEMINISM IN ABIDAH EL KHALIEQY’S NOVELS." LITERA 18, no. 3 (November 26, 2019): 465–84. http://dx.doi.org/10.21831/ltr.v18i3.27012.

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The Indonesian literary tradition during the reform period was marked by the rise of female writers who raised the issue of feminism. Within the framework of locality and contextuality, the feminism movement echoed by female writers comes in diverse expressions. This study aims to describe the reference figures and issues of Islamic feminism that are represented in novels by Abidah El Khalieqy. This research uses a feminist literary criticism approach. The data sources of the research are three novels by Abidah El Khalieqiy, namely Perempuan Berkalung Sorban, Geni Jora, and Mataraisa. The technique used to gather feminist voices in the three novels is a close reading. The analysis was conducted using a descriptive qualitative method. The results of the study are as follows. First, Islamic feminist figures who were referred to by the feminism movement were Fatima Mernisi and Riffat Hassan. Fatima Mernisi is known as a misogonic hadith critic, while Riffat Hassan uses the hermeneutic principle in the interpretation of the Quran. Second, the issues of feminism represented are: the lives of women in the pesantren tradition, the position of women in the family, the view of normal sexual relations and relationships, and the interpretation of the hadiths and verses of the Qur'an relating to women. Islamic feminism voiced by Abidah El Khalieqy brings its own color compared to the Western feminism movement which refers to the concept of ecriture feminine. Keywords: Islamic Feminism, ecriture feminine, Indonesian literary history, politics of difference, intersectionality REPRESENTASI FEMINISME ISLAM DALAM NOVEL-NOVEL KARYA ABIDAH EL KHALIEQY AbstrakTradisi sastra Indonesia masa reformasi ditandai maraknya penulis perempuan yang mengangkat permasalahan feminisme. Dalam bingkai lokalitas dan kontekstualitas, gerakan feminisme yang digaungkan para penulis perempuan hadir dalam ekspresi yang beragam. Penelitian ini bertujuan mendeskripsikan tokoh rujukan dan persoalan feminisme Islam yang direpresentasikan dalam novel-novel karya Abidah El Khalieqy. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah tiga novel karya Abidah El Khalieqiy, yaitu Perempuan Berkalung Sorban, Geni Jora, dan Mataraisa. Teknik yang dipakai untuk mengumpulkan suara-suara feminisme di dalam ketiga novel adalah pembacaan cermat (close reading). Analisis dilakukan dengan metode deskriptif kualitatif. Hasil penelitian sebagai berikut. Pertama, tokoh feminis Islam yang menjadi rujukan gerakan feminisme adalah Fatima Mernisi dan Riffat Hassan. Fatima Mernisi dikenal dengan kritik hadist misogonis, sedangkan Riffat Hassan dengan prinsip hermeneutika dalam tafsir Alquran. Kedua, persoalan feminisme yang direpresentasikan adalah: kehidupan perempuan dalam tradisi pesantren, kedudukan perempuan dalam keluarga, pandangan terhadap relasi dan hubungan seksual yang normal, dan tafsir terhadap hadist dan ayat Al-quran berkaitan dengan perempuan. Feminisme Islam yang disuarakan Abidah El Khalieqy membawa warna tersendiri dibandingkan dengan gerakan feminisme Barat yang merujuk pada konsep ecriture feminine. Kata kunci: feminisme Islam, ecriture feminine, sejarah sastra Indonesia, politik perbedaan, interseksionalitas.
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Basirizadeh, Fatemeh Sadat, and Mahnaz Soqandi. "A Comparative Study of the Psychoanalytical Portrayal of the Women Characters by Virginia Woolf and Zoya Pirzad." Britain International of Humanities and Social Sciences (BIoHS) Journal 1, no. 1 (July 9, 2019): 1–8. http://dx.doi.org/10.33258/biarjohs.v1i1.8.

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Looking backwards at a century of capricious discourses, now after another turn of the century, one easily comes to the common point in all Feministic discourses; which all are as efforts to prove women's presence and their equality to men in various aspects of life. The passage of the decades did not mutate the nature of all these feminine studies; just have posed the topic in diverse areas; for the whole body of the Feminist dialogisms and ideas were appointed by patriarchal discourses. This indicates that the current feminist dialogisms are not totally feminine discourses, rather, feminine-masculine ones formed out of men's mischievousness saving their patriarchal authority which changes the discourses to a masculine/feminine relation. However, what nowadays Feminism, as a school of thought, needs is a feminine intuition, that is a moment of feminine epiphany, by which not only women will be able to reach a new understanding of femininity but men also will recognize the essence/existence of females. Discussing Virginia Woolf’s dialogism in ‘A Room of One’s Own’ and two novels by Zoya Pirzad (Persian narratives of a highly male dominated society) the study concludes that Feminism needs an intuitive feminine epiphany; an epiphany that both sexes should come to in a society, to enable the school of feminism to come to a purely feminine dialogics and be released from all the mischievous feminine-masculine discourses.
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Alkhafaji, Hameed Abdulameer Hameed. "ANALYSIS OF CONSCIOUSNESS IN SRI AUROBINDO’S DRAMAS FOCUSING ON FEMINISM AND FEMININITY THEMES." American Journal of Social Science and Education Innovations 6, no. 6 (June 1, 2024): 9–14. http://dx.doi.org/10.37547/tajssei/volume06issue06-01.

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An awareness of women's oppression at the hands of society's dominant patriarchs is at the heart of feminist consciousness in literature. Victimized women are consequently relegated to a subaltern position within the organization. Because of this, these women have a very anti-male outlook. For many women, the mere mention of the word "feminism" evokes images of a fiercely independent and radical streak as they fight tooth and nail to establish their inherent superiority or parity with men. Feminism is an anti-oppression and anti-discrimination movement, whereas feminine consciousness is the realization that one is the center of another's attention. Being aware of this only sometimes implies fighting for social supremacy. It is also not intended to exclude males. The actualization of feminine awareness may hasten humanity's progress toward the fullness of being. In his plays, Sri Aurobindo depicts female characters that reflect distinct feminine understanding but do not demand equal rights with men, in contrast to the feminist authors who saw their movement as a fight for women's equality with men. The feminine qualities that are intrinsic to them motivate their husbands to face the world with courage. In Sri Aurobindo's plays, women represent the tremendous feminine force and provide men with strength, nutrition, and encouragement. A powerful and spiritually advanced entity can bestow the ability to love, defend, rescue, and inspire. In this paper, I'll do my best to highlight how feminist and feminine awareness vary.
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Alkhafaji, Hameed Abdulameer Hameed. "ANALYSIS OF CONSCIOUSNESS IN SRI AUROBINDO’S DRAMAS FOCUSING ON FEMINISM AND FEMININITY THEMES." American Journal of Social Science and Education Innovations 6, no. 6 (June 1, 2024): 9–14. http://dx.doi.org/10.37547/tajssei/volume06issue06-02.

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An awareness of women's oppression at the hands of society's dominant patriarchs is at the heart of feminist consciousness in literature. Victimized women are consequently relegated to a subaltern position within the organization. Because of this, these women have a very anti-male outlook. For many women, the mere mention of the word "feminism" evokes images of a fiercely independent and radical streak as they fight tooth and nail to establish their inherent superiority or parity with men. Feminism is an anti-oppression and anti-discrimination movement, whereas feminine consciousness is the realization that one is the center of another's attention. Being aware of this only sometimes implies fighting for social supremacy. It is also not intended to exclude males. The actualization of feminine awareness may hasten humanity's progress toward the fullness of being. In his plays, Sri Aurobindo depicts female characters that reflect distinct feminine understanding but do not demand equal rights with men, in contrast to the feminist authors who saw their movement as a fight for women's equality with men. The feminine qualities that are intrinsic to them motivate their husbands to face the world with courage. In Sri Aurobindo's plays, women represent the tremendous feminine force and provide men with strength, nutrition, and encouragement. A powerful and spiritually advanced entity can bestow the ability to love, defend, rescue, and inspire. In this paper, I'll do my best to highlight how feminist and feminine awareness vary.
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Cunha Melo, André Luiz Silveira da. "Do imaginário para a literatura: a confusão feminina na mentalidade do cristianismo europeu | From the Imaginary to Literature: female confusion in the mentality of European Christianity." Revista PHILIA | Filosofia, Literatura & Arte 3, no. 2 (December 8, 2021): 250–71. http://dx.doi.org/10.22456/2596-0911.116278.

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Foi graças à perpetuação de certos preceitos de feminilidade que uma mentalidade antifeminina vingou no imaginário do cristianismo primitivo, enraizando-se na cultura europeia e revelando-se nas demonstrações de arte e literatura desde o baixo-medievo. Neste artigo busca-se discorrer sobre uma importante parte dessa maneira de pensar – a associação do feminino a um estado confuso ou à propagação da confusão, seja através da fala ardilosa ou da simples exposição à presença do feminino, que, para o cristianismo primitivo, estava intimamente ligado ao pecado original e à Queda. Dessa maneira, tenciona-se demonstrar como uma mentalidade antifeminina transpassou para a representação literária de feminino e de amor na Europa medieval, apresentando-se em cantigas e trovas variadas.Palavras-chave: Imaginário. Confusão Feminina. Cristianismo. AbstractIt was due to the perpetuation of certain precepts of femininity that an anti-feminine mentality took hold in the imagination of primitive Christianity, taking root in European culture and revealing itself in art and literature demonstrations since the low-medieval period. This paper seeks to discuss an important part of this way of thinking – the association of the feminine with a confused state or the spread of confusion, whether through cunning speech or through simple exposure to the presence of the feminine, which for early Christianity was closely linked to the original sin and the Fall. This paper seeks, then, to demonstrate how an anti-feminine mentality was transferred to the literary representation of the feminine and of love in medieval Europe, presenting itself in different lyrics and songs.Keywords: Imaginary. Feminine Confusion. Christianity. ORCIDhttp://orcid.org/0000-0003-2526-7214
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Araujo, Denise. "O consumo e a mulher consumidora." Comunicação Mídia e Consumo 3, no. 7 (September 23, 2008): 147–65. http://dx.doi.org/10.18568/cmc.v3i7.75.

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Este artigo é o resultado de uma pesquisa realizada durante o ano de 2004, a qual buscou identificar a imagem da mulher veiculada em anúncios publicitários de calçados femininos. Para a realização deste projeto, foram analisadas revistas de circulação nacional que publicam para o segmento coureiro-calçadista. Palavras-chave: Anúncios publicitários; consumo; imagem feminina. ABSTRACT This article is the result of a piece of research carried through during 2004. The study tried to identify the feminine image propagated in different advertisements of feminine footwear. Magazines of national circulation published for the footwear segment were analyzed. Keywords: Advertisement pieces; comsuption; feminine image.
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Farrar, Aileen Miyuki. "Gothic Fairy-Tale Feminism: The Rise of Eyre/‘Error’." Literature 3, no. 4 (October 31, 2023): 430–45. http://dx.doi.org/10.3390/literature3040029.

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The ways Gothic fairy tales and fairy-tale feminism interact are not always clear. An undercurrent of feminist studies of fairy tales is fueled by the 1970s Lurie-Lieberman debate, which focused on the question of whether fairy tales liberate or repress women. Meanwhile, critics such as Lorna Piatti-Farnell and Lucie Armitt have offered studies of the interplay between Gothic horror and fairy tales. However, these studies have limits, often emphasizing the violence, self-mutilation, and cannibalism of women, like those in Jacob and Wilhelm Grimm’s versions of “Cinderella” and “Snow White”. This paper argues that “Rapunzel” (1812) is key for understanding the Gothic and feminist discourses of Charlotte Brontë’s Jane Eyre (1847). Firstly, this paper argues that a self-reflexive and self-productive relationship between subjectivity and desire shapes and disrupts the Gothic, fairy-tale, and feminist discourses of Jane Eyre, resulting in a specular feminine-I that has inspired pluralistic readings of the text. Secondly, an analysis of the Rapunzelian metaphors of ‘wicked’ hunger and ideological towers unmasks the double consciousness that not only fetters feminine subjectivity but delimits the domestic structures of marriage and home. Multiplying the ways nineteenth-century Gothicism, fairy tales, and feminism may interact, Brontë’s specular study of feminine desire makes way for a productive and agential feminine speaking-I.
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Silva, Cleonice Nascimento da. "Gilka Machado e Florbela Espanca: uma poética do donjuanismo feminino." Revista do Centro de Estudos Portugueses 22, no. 31 (December 31, 2002): 211. http://dx.doi.org/10.17851/2359-0076.22.31.211-225.

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<p>Este trabalho tem como objetivo apresentar como está representada a imagem feminina em alguns poemas selecionados da obra de Florbela Espanca e Gilka Machado. As marcas de sensualidade e o natural rompimento com a tradicional visão do amor no discurso feminino, atuam como características predominantes do universo poético dessas poetisas. Tais características explicitam o processo de individuação feminina que reflete em seu discurso libertário e irreverente uma espécie de <em>donjuanismo </em>feminino. Nosso propósito é focalizar a construção desse processo de individuação feminina que, se por vezes mostra uma sensibilidade exacerbada por fortes impulsos eróticos, por outras, revela toda a angustiante experiência sentimental nas quais as poetisas extravasam as lutas que travam dentro de si entre tendências e sentimentos opostos. Acreditando que a trajetória e a representação da imagem feminina no discurso poético florbeliano e gilkiano refletem uma proposta pioneira de valores transgressores da sociedade burguesa cristã, o estudo mostra o perfil da mulher na obra de Florbela Espanca e de Gilka Machado.</p> <p>This written work aims to show how Florbela Espanca and Gilka Machado have represented the feminine image in some selected pieces of their poetry oeuvre. Sensuality traits and natural rupture with the traditional point of view about love affection within feminine discourse act as predominant features into the authors’ poetic universe. Such features expound the women individualization process which express through authors’ setting-free and non-obeying discourse a kind of feminine donjuanism. It is intend here to spot the building of this feminine individualization process. sometimes this building process exposes a sensibility exaggerated by strong erotic impulses, and in others times that process reveals the very sentimental anghuishening experience through which both poets set free their inner struggles involving oppostie tendencies and feelings. This study draws a woman’s profile inside Floberla Espanca and Gilka Machado’s poetry by taking for granted that the feminine image trajectory and representation within authors’ poetic discourse expresses a pioneer proposal of breaking-rules values of christian burgeois society.</p>
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Gallagher, Nancy E. "Feminine and Feminist." Digest of Middle East Studies 4, no. 4 (October 1995): 63–67. http://dx.doi.org/10.1111/j.1949-3606.1995.tb00601.x.

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Norman, Ishmael D., and Blandina M. Awiah-Norman. "Feminist identity crisis in Africa." International Journal of Arts and Humanities 5, no. 1 (June 19, 2024): 216–26. http://dx.doi.org/10.25082/ijah.2024.01.003.

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Feminist movement in Africa lacks capable guardians to steer the development of feminine identity or theory, and to operationalize the feminist agenda. The apparent lack of a national or continental feminist theory has not helped to elevate the status of the majority of women beyond the patriarchal controls, particularly in the rural and peri-urban communities, despite improved social modernization. Africa’s feminist crisis involves the lack of leadership, ideological vacuity, absence of structure or movement, and the non-application of cultural; political; class; religious and tribal identities in developing feminist theory. In search of capable feminist guardians, the tendency of feminist groups is to co-opt self-actualized African women into feminism with or without their consent, and without regard to the accidental coincidence of those personalities’ narratives with feminist epistemology. Feminism in Africa is in search of relevance within the public space. This paper interrogates these issues and uses the narrative of several self-actualized women in Africa, who have, apparently, been co-opted into feminism as a result, to discuss aspects of the crisis and the delimiting public policy and legislation against, perhaps, the development of feminine identity.
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Dissertations / Theses on the topic "Feminine"

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Matic, Mislav. "Concerning feminine and feminite approaches to ethics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ32938.pdf.

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Rodrigues, Cláudia Susana Tavares. "Feminine/ Feminist Reflections on Fairy Tales." Master's thesis, Universidade de Aveiro, 2005. http://hdl.handle.net/10773/15244.

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Mestrado em Estudos Ingleses
To analyse some fairy tales such as Beauty and the Beast and Snow White and the Seven Dwarfs from the perspective of modern feminism is like revising the paradigms which form our romantic expectations and illustrate psychological ambiguities that frequently confuse contemporary women. Portraits of adolescents waiting and dreaming, patterns of enchantment, and the romanticism of marriage contribute to the power of fairy tales. However, such fantasies praise the heroines’ incapacity to act independently, the reliance on exterior rescue and the binding to the father or to a prince. Although many readers recognise obvious elements of fantasy, they sometimes still identify themselves with the heroes and especially with the heroines. Unconsciously, women can transfer from the fairy tales to the real world cultural norms, which exalt passivity, dependency and self-sacrifice as feminine virtues. Intrinsically, fairy tales perpetuate the male status quo, making female subordination seem a desirable fate from which it is impossible to escape. It is this feminine perspective and feminist criticism that I intend to expose in my thesis, touching on the importance that fairy tales still have today, in the 21st century, not only on child rearing but also on the adults’ behaviour. In this thesis, I briefly explain how fairy tales emerged several centuries ago and how they evolved until our time in several versions, with several perspectives. My purpose is to analyse how fairy tales, on the one hand can influence us positively, showing us what is good and what is evil, and on the other hand, can influence us negatively because they present us with the “socially” accepted behaviours expected from women. In fairy tales, women are almost always represented as stepmothers and bad witches or as sweet, passive princesses dependent on the male image (father or prince) in order to be happy. It is this representation of female image that I intend to explore and analyse, showing my point of view of how fairy tales continue to represent behavioural models considered adequate to the female sex and to mirror a female image which is still accepted and seen as the most adequate – the image of a submissive, passive woman waiting for her prince charming to save her and bring her the desired happiness.
Analisar alguns contos de fadas como A Bela e o Monstro e A Branca de Neve e os Sete Anões sob a perspectiva do feminismo moderno é como rever os paradigmas que formam as nossas expectativas românticas e ilustrar ambiguidades psicológicas que frequentemente confundem as mulheres contemporâneas. Retratos de adolescentes à espera e sonhando, padrões de encanto, e o romantismo do casamento contribuem para o poder dos contos de fadas. Contudo, tais fantasias exaltam a incapacidade das heroínas em agir independentemente, a confiança na salvação exterior e a ligação ao pai ou a um príncipe. Apesar de muitos(as) leitores(as) reconhecerem elementos de fantasia óbvios, eles(elas) por vezes ainda se identificam com os heróis e especialmente com as heroínas. Inconscientemente, as mulheres podem transferir dos contos de fadas para o mundo real normas culturais que exaltam a passividade, dependência e auto-sacrifício como virtudes femininas. No fundo, os contos de fadas perpetuam o status quo patriarcal, fazendo a subordinação feminina parecer um destino desejável e ao qual é impossível escapar. É esta perspectiva feminina e de crítica feminista que eu pretendo expor na minha tese de mestrado, abordando a importância que os contos de fadas continuam a ter hoje, em pleno século XXI, não só na educação das crianças como no comportamento dos adultos. Nesta tese, faço um breve resumo explanando como os contos de fadas surgiram há vários séculos atrás e como eles evoluíram até aos nossos dias em várias versões, com perspectivas diversas. O meu intuito é analisar a forma como os contos de fadas, por um lado nos podem influenciar positivamente, mostrando-nos o que é o bem e o mal, e por outro lado nos podem influenciar negativamente pois apresentamnos os comportamentos “socialmente” aceites e esperados das mulheres. Nos contos de fadas, as mulheres são sempre representadas como madrastas e bruxas más ou então como princesas meigas, passivas e dependentes da imagem masculina (pai ou príncipe) para serem felizes. É esta representação da imagem feminina que eu pretendo explorar e analisar, expondo o meu ponto de vista de como os contos de fadas continuam a representar modelos comportamentais considerados adequados ao sexo feminino e a espelhar uma imagem feminina que ainda hoje é aceite e vista como a mais adequada – a imagem da mulher submissa, passiva e à espera do seu príncipe encantado para a salvar e lhe trazer a felicidade tão ambicionada.
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Boff, Ediliane de Oliveira. "De Maria a Madalena: representações femininas nas histórias em quadrinhos." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-20052014-123753/.

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Trata das representações de protagonistas femininas nas histórias em quadrinhos, enfatizando exemplos de histórias que abordam concepções identitárias distintas. Com o intuito de compreender como o feminino aparece em determinadas criações, esta tese se apoia nos pressupostos metodológicos da Hermenêutica de Profundidade, de John B. Thompson (2011). Assim, a pesquisa apresenta dois momentos dorsais, sendo que o primeiro aborda as construções femininas, a partir da perspectiva de autores masculinos; e o segundo aborda tais construções a partir da perspectiva de autoras-mulheres e do autor transgênero Laerte. Em princípio, foram enfatizadas as personagens das obras Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic e Aline. Posteriormente, tratou-se de destacar também as criações Mulher de 30, Amely: uma mulher de verdade, Uma Patada com carinho e Muriel. Dessa forma, constatouse que grande parte dessas narrativas oscilam entre criticar, debochar e apoiar uma ideia de feminino fundamentada na mística feminina, desenvolvida pela pensadora Betty Friedan (1971).
The feminine issue within today\'s society is an essential part of the communication field. In comics, the female representations are even more intricate. Based on that, and emphasizing cases that present differents conceptions of identity, this research is constituted by two dorsal moments: the first of which covers the female constructs from the perspective of maleauthors; and the second discusses such constructions from the perspective of the femaleauthor and Laerte, who is, by the way, a transgender author. In order to understand how the female shows up in several creations, this thesis is based on the methodological assumptions of John B. Thompson (2011). First of all, were objects of this work the characters Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic and Aline. Later, were added the works Mulher de 30, Amely: uma mulher de verdade, Uma patada com carinho; and Muriel. Thus, there is a large evidence that the most part of these narratives swings between scoffing and supporting the idea of female, based on the feminine mystic, by Betty Friedan (1971).
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Jones, Marie F. "Academic Libraries as Feminine and Feminist Models of Organization." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1920.

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Because academic libraries are primarily staffed by women and are relatively autonomous entities in colleges and universities, they offer a unique model of workplace gendering and feminism. This qualitative, ethnographic study examined 3 small college libraries in 3 regions of the United States and explored issues of bureaucracy and gendering in these libraries. Feminist challenges to bureaucracy emerged in the areas of hierarchy, division of labor, competition and collaboration, decision-making, and communication. Feminine practice in the libraries reflected private sphere attitudes toward work (values of community, emotionality, and caring) and an affirmation of feminine roles in the workplace. The organizational cultures of these libraries affirmed flexible scheduling, emotions and friendship at work, and parenting talk and behaviors. The library workers also engaged in an ethic of care for library users and colleagues. Individuals in the organizations expressed motivations for work not based in monetary or status gain and endorsed women's power in leadership roles. The gendering of libraries also placed strong masculinity outside of the norm, creating expectations for men to engage in androgynous or feminine behavior. Overall, the study gives voice to feminine and feminist practice in the workplace.
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Mantecon, Laurie. "Feminine Rhyme." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5220.

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'Feminine Rhyme' is a sequence of objects and paintings that resonate with women's experience in contemporary culture. The components I have used are: the structure of the grid, aggressive surface handling, and language derived from text. I have reconfigured these elements to direct the viewer in exploring layers of information that can be viewed in fragments as well as understood within the containment of a sound whole. I have explored the relationship of gender identity in our culture, and the role women play in association to masculine power. Through repetitive use of the grid, combined with isolated words and images, I have created paintings that can be read either in a formal manner through the use of structure and materials that are visually pleasing, or in context to a visual dialogue of contemporary gender myths. By fragmenting text in the form of torn book pages, I have altered and personalized the order, lending weight to chaos. Words become a form of mark making, a lyrical device to be read at random. I have obscured the imagery by hiding the text, leaving only scattered bits of information. These bits are derived from a 'therapeutic model' found in self help books, diet books and romance novels which exploit "feminism" as a commodity, serve as cultural documents, and influence women as to how they should perceive their bodies, their minds, their freedom. The end result is a visual interplay of form and color within the context of personal testimony and societal conditioning of the female experience in contemporary culture.
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Eileen, Clements. "Re(dis)covering the creative power of eros : finding liberation from neoliberalism through the feminist awakening of aphrodite-demeter consciousness." Thesis, Federation University Australia, 2019. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/173363.

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There is a problem with western patriarchal capitalist narratives of love and connected models of subjectivity which some feminisms, in particular, neoliberal (post)feminism, continue rather than criticise. This is a problem, not only because these feminisms uphold existing patriarchal structures and values, but because models of patriarchal subjectivity are founded on a repression and devaluation of love that contributes to what I am naming a ‘crisis of love’ in neoliberal societies. While some solutions to this problem have been offered, including by feminist love studies scholars, none of the solutions address the whole issue – for example, feminisms that ignore issues of spirituality and the female subject’s relationship to the divine, and the impact of myth on the psyche. Until these aspects are included in a rethinking of both female subjectivity and narratives of love, the problem will not be solved. There are many kinds of love but Eros in particular, which is such a charged narrative in western patriarchal capitalist society, is the kind of love that most urgently needs to be rethought and re(dis)covered. Through examination of the major founding myth of female subjectivity for western patriarchy – the Madonna/whore binary – a pathway to addressing this problem of love becomes possible. Rethinking this binary according to reinterpretations of the myths of Aphrodite and Demeter offers a rethinking of Eros as a creative, life-affirming power. This renewed narrative of Eros creates new models of female subjectivity – and the potentiality for new models of ethics – that challenge the contemporary neoliberal paradigm.
Doctor of Philosophy
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BOCLIN, MONICA CARVALHO PINTO. "TIME, FEMININE AND IDENTITY: THE FEMININE IDENTITY IN OLD AGE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2003. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4436@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
A velhice é uma categoria que adquiriu recentemente maior visão social, e apesar de muitos já terem e voltado para o estudo dessa população , a imagem do velho, no Brasil, ainda sofre com alguns preconceitos consequentes da falta de informação e divulgação. Os idosos formam uma população em que o número de mulheres é dominante e mais disponível na busca de melhorias para a sua qualidade de vida. A mulher, ao longo do tempo, sofreu com uma desvalorização social de suas capacidades, considerada como inferior ao homem e por esse motivo depentente dele. Tal condição histórica e cultural teve , não só grande influência nos estudos de Freud sobre o feminino, como desdobramentos na formação da população de mulheres neste estudo, que se apresentam na clínica. Tomando a psicanálise como referêncial teórico, esse trabalho tem como objetivo pesquisar a imagem feminina na velhice. Utilizando para isto, a clínica psicológica das mulheres atendidas em um ambulatório para idosos da UFRJ- Instituto de Psiquiatria- CDA. Devido à preocupação com a qualidade de vida dessa população que vem se tornando mais extensa, a clínica psicológica adquiriu grande importância como agente facilitador de um equilíbrio na saúde das mulheres que buscam atendimento por se sentirem tristes, ansiosas e amedontradas. Através do estudo sobre o feminino e o envelhecimento, baseado na escuta desse sofrimento pudemos traçar uma imagem do feminino na velhice e considerar algumas possibilidades que atenuem esse mal- estar. Ainda aliada à psicanálise, com base nas teorias que ressaltam a importância do corpo e das marcas afetivas pré- verbais na formação psíquica do indivíduo, concluímos que a imagem feminina é sustentada, na fase de decadência do corpo jovem, símbolo do feminino em nossa cultura, por um processo de formação de identidade satisfatório, ou como resultado de um resgate desse afeto por um tratamento de análise.
Old age is a very recente category, in spite of many people having studied already this sector of the population. Nevertheless, the image of na elder in Brazil is still the object of prejudice as a consequence of lack of information and communication. In the population of old persons, the contingent of women is more willing to express itself and struggle for a better quality of life. Women have suffered throughout history because their value as individuals was not appreciated by society, since they were considered inferior to men and therefore, dependent on them. S. Freud has shown that this historical and cultural prejudice has had great influence on the psychology of women. It is obvious in the education of the female population tha presents itself at the clinic where this study has been conducted. Using psychoanalyses as a theoretical reference , this paper has as an object the research of feminine image in old age. The population used in this study is that of the women treated at the psychology clinic in an ambulatory for the elder of the UFRJ-Instituto de Psiquiatria- CDA. The quality of life of this population, which has been growing, has been the main objective of the psychology clinic. The clinic has gained in importance as an agent that is helping the acquisition of mental health and equilibrium by the women who look for help because thy feel sad, anxious and afraid. Listening to their suffering, we were able to draw an image of women facing old age and consider some of the possible causes of their unhappiness. In association with psychoanalyses, and based on theories that emphasize the importance of the body and of non-verbal signs of affection in the psychic development of individual, we have concluded that the feminine image, which is sustained in the period of life that corresponds to the decadence of the young body, symbol of the feminine in our culture, is the result of a satisfactory process of identity acquisition in early life or of an adequate process of analysis in later life, when the previous identity acquisition was not satisfactory.
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Sleeman, Lauren. "The forgotten feminine." Click here to access this resource online, 2007. http://hdl.handle.net/10292/422.

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The topic of my research is the lived experiences of eight psychotherapists and counsellors who consciously work with unusual phenomena as it arises in the therapeutic encounter. Unusual phenomena in this thesis refers to felt experiences which are considered to be beyond the everyday in the Cartesian paradigm and are often referred to as spiritual and/or mystical phenomena. Exploring these phenomena brings to light the potentialities in the vastness of consciousness which is considered to be an integral aspect of human existence in the thesis. I chose Heidegger’s hermeneutic phenomenological methodology for the research because it gives credence to the many and varied possibilities and potentialities both in particular lived experiences and in human existence as a whole. Van Manen’s lived existential provides the framework in which the participants’ experiences are explored. What emerged from the research is that unusual phenomena are not unusual for the participants. Although such phenomena are less visible and therefore less familiar in the everyday world, they are recognizable through their consistent presentation. This includes the participants having a powerful sense of ‘knowing’ which is all-encompassing and is beyond familiar landmarks such as the linear models of time and space. The participants bring their ‘knowing’ into the everyday world through embodiment and through their acknowledgment of the interconnectedness of existence. The expression of interconnectedness is experienced by the participants as lovingness, from which the ability for immediate healing in their therapeutic work becomes apparent. The participants’ accounts show a capacity for accessing the subtleties of human existence which emerge in the phenomenological process as the forgotten feminine of consciousness. The feminine of consciousness is a term used to describe a fundamental state of ‘being’ in contrast to the everyday masculine principle of ‘doing’. The research has implications for psychotherapy and counselling as it illuminates the need for a holistic approach which acknowledges the multidimensionality of human existence.
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Miller, Rosalena L. "The Feminine Ideal." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/17.

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While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.
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Tilley, Jane Lucinda. "Feminism and the feminine in Yolande Villemaire's La vie en prose." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28553.

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Exposing the fallacies of the existing ideological system founded upon a linguistic system of signifieds, recent women's writing has aimed to deconstruct the numerous hierarchies and stereotypes used against women, thus clearing a space for the hitherto repressed feminine and the marginal. The inclusion of a vast range of intertextual borrowing in La Vie en prose, by Yolande Villemaire, challenges the elitist boundaries erected by the closed academic literary world, incorporating elements from all genres and levels. Thanks to the diversity and number of these borrowings. La Vie en prose refuses the setting up of any new hierarchy, constantly questioning any classification to the extent that the whole concept of valorisation becomes ridiculous and irrelevant. This variety is imitated on an "intratextual" level as the text appears to be made up of a number of diverse texts produced by a dozen or so women writer-narrators. Again, the process of classification is thwarted as the idea is shown to be not only patriarchal, but also a result of a fundamental need or insecurity which apparently motivates the patriarchal obsession with nominisation and labelling. Similarly, the deceptive nature of the discourse which expresses this ideology, traditionally seen as concrete and infallible, is exposed and deconstructed. The "one word for one meaning" doctrine is replaced by a myriad possibilities of signification and language, as the text plays with the power of association which constitutes the text's digressive quality, exploiting both the phonetic and the graphic. This treatment of language represents an attempt to destroy the phallocracy through a dismantling of its discourse, seen as a powerful political and repressive tool. The "feminine", traditionally seen as the antithesis is reinscribed in a fluid and infinite discourse which patterns the rhythms and indeterminacy of women's jouissance. This is reiterated in a focus given to women's sexuality and to a fragmented feminine subject, considering the question of "nature versus nurture", the "maternal instinct", women’s sexual pleasure and their relationships with men. The text refuses all possibilities of hierarchisation on the literary, sexual and any other level, while the "laugh of the Medusa" echoes throughout.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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Books on the topic "Feminine"

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Čʻixlaże, Davitʻ. Feminine/feminine. Tʻbilisi: Siesta, 2008.

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Tong, Rosemarie. Feminine and feminist ethics. Belmont, Calif: Wadsworth Pub. Co., 1993.

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Creed, Barbara. The monstrous-feminine: Film, feminism, psychoanalysis. London: Routledge, 1993.

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Jironet, Karin. Feminine Leadership. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429486487.

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Griscom, Chris. Feminine fusion. New York: Simon & Schuster, 1991.

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Association femmes en communication (Algeria), ed. L'écriture feminine. Alger: Association femmes en communication, 2006.

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Kehl, Richard. The feminine. La Jolla: Green Tiger Press, 1986.

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Alizade, Alcira Mariam. Feminine sensuality. London: Karnac Books, 1999.

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Škvorecký, Josef. Feminine mystique. [Frankfurt am Main: Eichborn, 1991.

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Kuehl, Justice. Feminist to Feminine. Fedd Books, 2023.

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Book chapters on the topic "Feminine"

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Elise, Wilk. "Feminin (Feminine)." In Female Playwrights and Applied Intersectionality in Romanian Theater, 1–13. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003047711-1.

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Moi, Toril. "Feminist, Female, Feminine." In The Feminist Reader, 104–16. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25621-1_9.

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Owen, Julie E. "Feminine or Feminist Approaches?" In We are the Leaders We've Been Waiting For, 82–106. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003448631-5.

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Craig, Bonnie M. "Feminist, “Feminine,” and “Matriarchal” Nations?" In Rewriting American Identity in the Fiction and Memoirs of Isabel Allende, 65–82. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137337580_5.

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Pitcher, John A. "Introduction: Chaucer’s Feminine Subjects: Feminism, Deconstruction, Psychoanalysis." In Chaucer's Feminine Subjects, 1–23. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137089724_1.

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Clemson, Lindy, J. Rick Turner, J. Rick Turner, Farrah Jacquez, Whitney Raglin, Gabriela Reed, Gabriela Reed, et al. "Feminine Role." In Encyclopedia of Behavioral Medicine, 799. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1005-9_100648.

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Clarke, Meaghan. "‘Feminine Weapons’." In Fashionability, Exhibition Culture and Gender Politics, 30–56. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351027786-3.

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Cross, Karen. "Feminine playscapes." In Toy Story and the Inner World of the Child, 125–54. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003347743-6.

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de Chatillon, Margot Abord. "Feminine Velonomy." In Cycling Societies, 137–55. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge studies in transport, environment and development: Routledge, 2020. http://dx.doi.org/10.4324/9780429321092-11.

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Barham, Jeremy. "Eternally Feminine." In The Routledge Companion to Global Film Music in the Early Sound Era, 97–121. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429504471-7.

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Conference papers on the topic "Feminine"

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Moradi-Goshtasb, Alma, and Behrooz Mahmoodi-Bakhtiari. "Feminine Private Shows of the Qājār Era: A Feminist Approach." In 6th International Conference on Modern Approach in Humanities. acavent, 2018. http://dx.doi.org/10.33422/6mah.2018.11.34.

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Zhang, Tingting. "Influence of Western Feminist Literary Criticism on Chinese Feminine Writing." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.254.

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Zhao, Na. "Feminine Narration: a Feminist Study of Dubliners by James Joyce." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.36.

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Zi Che and Yizhou Lu. "Brief analysis on feminine illustrations." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730798.

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McEntee, Kate, Jon Günther Andersen, and Isabella Brandalise. "A Feminine Approach to Design." In Design Research Society Conference 2018. Design Research Society, 2018. http://dx.doi.org/10.21606/drs.2018.721.

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Xiaowen He. "The regressive feminine design—To analyze the feminist consciousness in modern design elements." In 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. E-Business, Creative Design, Manufacturing. (CAID&CD 2009). IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5375186.

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Para, Iulia. "FEMININE SOCIAL STATUS IN ANCIENT ROME." In 6th SWS International Scientific Conference on Social Sciences ISCSS 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscss.2019.5/s18.036.

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Sokolovskaya, Maria. "qThe Feminine Noteq in E.M. Forster." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.24.

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Bulancea, Gabriel. "FEMININE TYPOLOGIES IN WAGNER�S OPERAS." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s23.012.

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Jeswani, Nupur, Nidhi Jain, Aarushi Sharma, and Sukanya Roychowdhury. "Comprehensive FemTech Solution for Feminine Health." In 2023 International Conference on Signal Processing, Computation, Electronics, Power and Telecommunication (IConSCEPT). IEEE, 2023. http://dx.doi.org/10.1109/iconscept57958.2023.10170571.

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Reports on the topic "Feminine"

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Mantecon, Laurie. Feminine Rhyme. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7096.

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Maurer, Marie. The Feminine as Salvific in Hildegard von Bingen's Letters. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6736.

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Murphey, Darcy. The Feminine Poetic Voice in the Rymes of Pernette du Guillet. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6570.

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Mills, Evelyn. Christine de Pizan's Passive Heroines: Recoding Feminine Identities in Le Livre de la cité des dames and Le Ditié de Jehanne d'Arc. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7426.

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OSETROVA, O., A. STOKOLYAS, and D. KHUSAINOVA. CHARACTERISTIC ASPECTS OF TRANSLATING ROMANCE NOVELS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-94-103.

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Peculiarities of translating romance novels are considered in the article. Examples from the novel by Kristan Higgins “Too good to be true” are given in order corresponding to their manifestation in the book. Special attention is given to the translation of realities. The main translation techniques used are transliteration and transcription, calquing, and combinations (concerning onomastic realities), descriptive translation and approximation (concerning everyday realities and associations). Besides, it is mentioned, that gender dimension is extremely pragmatically valid in the context of other stylistic and grammatical aspects of the text. The authors make a conclusion of dynamic changes in speech stereotypes towards blurring gender lines between masculine and feminine speech behavior. It is important to consider this fact when translating romance novels.
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Tsepkalo, Tetiana. SOCIAL ROLES AND STEREOTYPES OF FEMININITY IN THE ALMANAC «KURIER KRYVBASU». Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12172.

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The subject of this research is the social roles and stereotypes of femininity in the almanac «Kurier Kryvbasu». The aim of the study is to conduct a systematic analysis of gender stereotypes of femininity in the literary almanac. The article employs the following methods: theoretical – for studying gender theory, stereotyping, and their application in the analysis of the content of the periodical; systemic-structural analysis – for conducting a systematic analysis of the social roles of femininity in the almanac «Kurier Kryvbasu»; structural-typological – for studying the content and structure of the literary almanac; descriptive method - for interpreting women’s roles and stereotypes. Main findings. The role of gender stereotypes in representing women in the media texts of contemporary Ukrainian writers in the pages of the periodical almanac «Kurier Kryvbasu» has been elucidated. A systematic analysis of feminine social roles, including the beautiful woman, the businesswoman, the happy woman, the sex symbol, and the wife-mother, is presented. The social roles and stereotypes of femininity in the literary almanac «Kurier Kryvbasu» are interpreted according to the classification of G. Kovalova and V. Danilyan. Conclusions. In the almanac «Kurier Kryvbasu», entrenched perceptions regarding women’s model appearance, their frivolity and accessibility, professional inferiority, sexual objectification, competent housekeeping, maternal duties, and the pursuit of illusory «female happiness» in the form of marriage, family, and children are used. However, a trend of feminist rise is observed, where the pages of the magazine describe women’s career successes, self-actualization, participation in military actions, etc. Significance. The analysis of gender stereotypes, both femininity and masculinity, in Ukrainian literary-artistic periodicals is important for the development of the contemporary media sphere, as such research will encourage editorial teams to direct media content towards gender balance and gender equality. Key words: gender stereotypes, social role, femininity, journal, literary magazine, media text.
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Бережна, Маргарита Василівна. Translator’s Gender in the Target Text. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.31812/123456789/4140.

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For the last three decades, the issue of translator’s gender and its representation in the target text has been actively researched in translation studies. Over the period there appeared numerous, sometimes contradicting views on markers of feminine / masculine / other types of speech, on whether the translator’s gender is revealed in the target text, and on the quality of translation depending on the translator’s gender. The present paper focuses on the translator’s gender markers in the target text. Taking into account the results of other linguists and my own observations, I consider the researched units being either definite or ambiguous markers of the translator’s gender. I want to bring to light gender differences in two Ukrainian translations (female translation by Natalia Tysovska and male translation by Viacheslav Brodovyi) of George R.R. Martin’s A Game of Thrones. The semantic, pragmatic and stylistic shifts in the target text conditioned by the translator’s gender and gender stereotypes blur the sense of the source text. Thus, such shifts should be regarded as unwanted changes and better be avoided.
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Byrne, Maisie-Rose. Playing Politics with Periods: Why the Abolition of the ‘Tampon Tax’ is Spreading Across the World. Institute of Development Studies, May 2023. http://dx.doi.org/10.19088/ictd.2023.025.

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From pet food to sunscreen, proposals to cut value-added tax (VAT) on a range of products and services are ever increasing. One of the best-known and far-reaching campaigns of this type has been the fight to abolish VAT on feminine hygiene products. More popularly known as the ‘tampon tax’, this issue has united campaigners from across to globe, contributing to policymakers in up to 25 countries removing or reducing taxes on menstrual products since Kenya’s landmark decision in 2004. Framed through a simple and evocative lens of fairness and equality, the campaign to end the ‘tampon tax’ has caught the attention of the public, press and policymakers alike, catapulting the oft-taboo issue of menstrual health to the top of the political agenda. Whilst social, economic, and menstrual health contexts vary per adopting country, the core message of the political announcements has stayed the same: abolishing the ‘tampon tax’ will address gender equality by resulting in more accessible and affordable menstrual products for women and girls.
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Connor, Helene. Thesis Review: Dis/identifications and Dis/articulations: Young Women and Feminism in Aotearoa/New Zealand. Unitec ePress, February 2015. http://dx.doi.org/10.34074/thes.revw12015.

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In this thoroughly researched, skillfully written thesis, the author explores young women’s dis/identifications with feminism, and dis/articulations of feminism, within contemporary Aotearoa/New Zealand. The premise of the research is that whilst many young women value the work of the early feminists in terms of gender equality and individual freedom for themselves, only a small number position themselves as feminist. Indeed, the author identified research with young women in the United Kingdom, the United States, Germany and Canada which supported this premise. Comparative research on young women’s identifications with feminism in Aotearoa/New Zealand, was, however, absent within the literature and this thesis set out to address this gap. Overall, the thesis addresses the New Zealand context with considerable scholarly integrity and depth, demonstrating originality and a well-considered analytical response to the data.
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Connor, Helene. Thesis Review: Dis/identifications and Dis/articulations: Young Women and Feminism in Aotearoa/New Zealand. Unitec ePress, February 2015. http://dx.doi.org/10.34074/thes.revw2400.

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In this thoroughly researched, skillfully written thesis, the author explores young women’s dis/identifications with feminism, and dis/articulations of feminism, within contemporary Aotearoa/New Zealand. The premise of the research is that whilst many young women value the work of the early feminists in terms of gender equality and individual freedom for themselves, only a small number position themselves as feminist. Indeed, the author identified research with young women in the United Kingdom, the United States, Germany and Canada which supported this premise. Comparative research on young women’s identifications with feminism in Aotearoa/New Zealand, was, however, absent within the literature and this thesis set out to address this gap. Overall, the thesis addresses the New Zealand context with considerable scholarly integrity and depth, demonstrating originality and a well-considered analytical response to the data.
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