Relevant bibliographies by topics / Female authorship

Academic literature on the topic 'Female authorship'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Female authorship"

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Conzen, Catharina, Karlijn Hakvoort, Hans Clusmann, and Anke Höllig. "Female Participation in Academic European Neurosurgery—A Cross-Sectional Analysis." Brain Sciences 11, no. 7 (June 23, 2021): 834. http://dx.doi.org/10.3390/brainsci11070834.

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The study aims to provide data on authors’ gender distribution with special attention on publications from Europe. Articles (October 2019–March 2020) published in three representative neurosurgical journals (Acta Neurochirurgica, Journal of Neurosurgery, Neurosurgery) were analyzed with regard to female participation. Out of 648 publications, 503 original articles were analyzed: 17.5% (n = 670) of the 3.821 authors were female, with 15.7% (n = 79) females as first and 9.5% (n = 48) as last authors. The lowest ratio of female first and last authors was seen in original articles published in the JNS (12.3%/7.7% vs. Neurosurgery 14.9%/10.6% and Acta 23.0/11.5%). Articles originated in Europe made up 29.8% (female author ratio 21.1% (n = 226)). Female first authorship was seen in 20.7% and last authorship in 10.7% (15.3% and 7.3% were affiliated to a neurosurgical department). The percentages of female authorship were lower if non-original articles (n = 145) were analyzed (11.7% first/4.8% last authorships). Female participation in editorial boards was 8.0%. Considering the percentages of European female neurosurgeons, the current data are proportional. However, the lack of female last authors, the discrepancy regarding non-original articles and the composition of the editorial boards indicate that there still is a structural underrepresentation and that females are limited in achieving powerful positions.
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Farooq, Syeda A., Aeman Muneeb, Khadija Farooq, Kota Sahara, Diamantis Tsilimigras, Katiuscha Merath, Rittal Mehta, Anghela Paredes, Timothy M. Pawlik, and Mary E. Dillhoff. "Female Authorship in Hepatopancreatobiliary Surgery." Journal of the American College of Surgeons 229, no. 4 (October 2019): S175. http://dx.doi.org/10.1016/j.jamcollsurg.2019.08.385.

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Cox, Amelia R., and Robert Montgomerie. "The cases for and against double-blind reviews." PeerJ 7 (April 2, 2019): e6702. http://dx.doi.org/10.7717/peerj.6702.

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To date, the majority of authors on scientific publications have been men. While much of this gender bias can be explained by historic sexism and discrimination, there is concern that women may still be disadvantaged by the peer review process if reviewers’ biases lead them to reject publications with female authors more often. One potential solution to this perceived gender bias in the reviewing process is for journals to adopt double-blind reviews whereby neither the authors nor the reviewers are aware of each other’s identity and gender. To test the efficacy of double-blind reviews in one behavioral ecology journal (Behavioral Ecology, BE), we assigned gender to every authorship of every paper published for 2010–2018 in that journal compared to four other journals with single-blind reviews but similar subject matter and impact factors. While female authorships comprised only 35% of the total in all journals, the double-blind journal (BE) did not have more female authorships than its single-blind counterparts. Interestingly, the incidence of female authorship is higher at behavioral ecology journals (BE and Behavioral Ecology and Sociobiology) than in the ornithology journals (Auk, Condor, Ibis) for papers on all topics as well as those on birds. These analyses suggest that double-blind review does not currently increase the incidence of female authorship in the journals studied here. We conclude, at least for these journals, that double-blind review no longer benefits female authors and we discuss the pros and cons of the double-blind reviewing process based on our findings.
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Taha, Birra, Praneeth Sadda, Graham Winston, Eseosa Odigie, Cristina Londono, Jeffrey P. Greenfield, Susan C. Pannullo, and Caitlin Hoffman. "Increases in female academic productivity and female mentorship highlight sustained progress in previously identified neurosurgical gender disparities." Neurosurgical Focus 50, no. 3 (March 2021): E3. http://dx.doi.org/10.3171/2020.12.focus20939.

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OBJECTIVEA meta-analysis was performed to understand disparities in the representation of female authorship within the neurosurgical literature and implications for career advancement of women in neurosurgery.METHODSAuthor names for articles published in 16 of the top neurosurgical journals from 2002 to 2019 were obtained from MEDLINE. The gender of each author was determined using automated prediction methods. Publication trends were compared over time and across subdisciplines. Female authorship was also compared to the proportionate composition of women in the field over time.RESULTSThe metadata obtained from 16 major neurosurgical journals yielded 66,546 research articles. Gender was successfully determined for 96% (127,809/133,578) of first and senior authors, while the remainder (3.9%) were unable to be determined through prediction methods. Across all years, 13.3% (8826) of articles had female first authorship and 9.1% (6073) had female senior authorship. Female first authorship increased significantly over time from 5.8% in 2002 to 17.2% in 2019 (p < 0.001). Female senior authorship also increased significantly over time, from 5.5% in 2002 to 12.0% in 2019 (p < 0.001). The journals with the highest proportions of female first authors and senior authors were the Journal of Neurosurgery: Pediatrics (33.5%) and the Asian Journal of Neurosurgery (23.8%), respectively. Operative Neurosurgery had the lowest fraction of female first (12.4%) and senior (4.7%) authors. There was a significant difference between the year-by-year proportion of female neurosurgical trainees and the year-by-year proportion of female neurosurgical first (p < 0.001) and senior (p < 0.001) authors. Articles were also more likely to have a female first author if the senior author of the article was female (OR 2.69, CI 2.52–2.86; p < 0.001). From 1944 to 2019, the Journal of Neurosurgery showed a steady increase in female first and senior authorship, with a plateau beginning in the 1990s.CONCLUSIONSLarge meta-analysis techniques have the potential to effectively leverage large amounts of bibliometric data to quantify the representation of female authorship in the neurosurgical literature. The proportion of female authors in major neurosurgical journals has steadily increased. However, the rate of increase in female senior authorship has lagged behind the rate of increase in first authorship, indicating a disparity in academic advancement in women in neurosurgery.
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Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en varias etapas de la composición poética y propone una reconsideración de las aproximaciones a la autoría femenina (y masculina).Palabras clave: Cancionero, mujeres escritoras, poesía medieval, poesía renacentista.Abstract: Female authorship was a contentious subject in fifteenth- and early sixteen-century Iberia. During the period, a substantial amount of poetic production was associated with social interaction, which enabled a complex negotiation of authorship and gender roles. While female discourse was central to poetic writing and to the cultural practices connected to it, editorial practices worked to erase women’s contributions to poetic writing. The study shows a textual imbrication of female and male discourse at several stages of poetic composition and proposes a reconsideration of existing approaches to female (and male) authorship.Keywords: Cancionero, Women writers, medieval poetry, renaissance poetry.
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Labinaz, Alisha, Jeffrey A. Marbach, Richard G. Jung, Robert Moreland, Pouya Motazedian, Pietro Di Santo, Aisling A. Clancy, et al. "Female Authorship in Preclinical Cardiovascular Research." JACC: Basic to Translational Science 4, no. 4 (August 2019): 471–77. http://dx.doi.org/10.1016/j.jacbts.2019.04.004.

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van Doren, Sophie, Margarita Brida, Michael A. Gatzoulis, Aleksander Kempny, Sonya V. Babu-Narayan, Ulrike M. M. Bauer, Helmut Baumgartner, and Gerhard Paul Diller. "Sex differences in publication volume and quality in congenital heart disease: are women disadvantaged?" Open Heart 6, no. 1 (April 2019): e000882. http://dx.doi.org/10.1136/openhrt-2018-000882.

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BackgroundWomen are underrepresented in leading medical positions and academia. The gender-gap in authorship of congenital heart disease (CHD) publications remains unknown. As determinants of gender equity in this field are poorly characterised, we aimed to quantify and characterise publications in CHD and to assess factors associated with female representation in research.Methods and resultsWe identified 35 118 CHD publications between 2006 and 2015 for which author gender could be ascertained. Overall, 25.0% of all authors were female. Women accounted for 30.2% and 20.8% of all first and senior authorship positions with great geographic heterogeneity. While globally female first and senior authorship increased by 0.8% and 0.6%/year, some geographic regions showed no improvement in gender representation. Significant predictors of female first authorship on logistic regression analysis were country gross domestic product, human development index, gender inequality index and a female senior author (p<0.0001 for all). Publications with a female lead author tended to be published in journals with a higher impact factor (IF) and to attract more citations compared with those with a male author. Mixed gender authorship was associated with higher IF and number of citations. Women were less disadvantaged when the analysis was confined to original research.ConclusionsWhile modest improvement in female authorship over time was noted, women remain underrepresented in contemporary academic CHD. Manuscripts with mixed gender authorship had higher IF and more citations. The main predictor of female first authorship was a female senior author. These data should inform policy recommendations regarding gender parity.
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Swarnkar, Pari, Vikram Sinha, Carole Spake, Joseph Crozier, Ledibabari M. Ngaage, Lauren O. Roussel, and Mimi R. Borrelli. "Women in Cosmetic Plastic Surgery: An Analysis of Female Authorship in Cosmetic Plastic Surgery Over the Last 10 Years." American Journal of Cosmetic Surgery 38, no. 3 (February 6, 2021): 150–55. http://dx.doi.org/10.1177/0748806821991416.

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There is a significant gender gap in research conducted by women in plastic surgery. Previous work has not explored female authorship trends in cosmetic plastic surgery. We asked how authorship trends in cosmetic plastic surgery compare with those in plastic surgery overall, over the last 10 years. All the articles published in Journal of Plastic Reconstructive and Aesthetic Surgery (JPRAS), Facial Plastic Surgery and Aesthetic Medicine (JAMA facial plastics), and Aesthetic Surgery Journal. (ASJ) in 2009, 2014, and 2019 were retrieved. The gender of the first and last author was determined. In addition, article type and total number of authors were extracted. Chi-square or Fisher exact test were performed to determine differences between groups Linear regression models were used to investigate whether total number of authors, or female last authorship predicted female first authorship. A total of 4358 articles were reviewed. Of these, 16.6% (n = 723) were published by a female first and/or last author. Percent of female first and/or last author increased with time, from only 12.2% in 2008, to 15.9% in 2014, reaching 21.7% in 2019. A total of 25% (n = 181) of randomized controlled trials were published by a female first and/or last author compared with only 14% (n = 440) of case studies. Female first and last authorship both increased across the 10-year study period, but there were consistently more female first authors than female last authors in all 3 surveyed years ( P < .001). There was an 86% increased chance of female first authorship if the last author was also female ( P < .001), and a 7% increased likelihood of female first authorship ( P = .002). Women have a lower representation in the cosmetic plastic surgery literature than men. This gender disparity gap, however, is decreasing. While encouraging, opportunities for improvement remain.
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Athy, Angela, and William J. Scheick. "Authority and Female Authorship in Colonial America." Rocky Mountain Review of Language and Literature 53, no. 1 (1999): 109. http://dx.doi.org/10.2307/1347967.

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Hammond, Jeffrey A., and William J. Scheick. "Authority and Female Authorship in Colonial America." William and Mary Quarterly 56, no. 1 (January 1999): 192. http://dx.doi.org/10.2307/2674603.

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Dissertations / Theses on the topic "Female authorship"

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Stolar, Batia Boe. ""So what's the joke?" : locating Jewish-American female authorship." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40167.pdf.

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Weaver, Angela L. "Public Negotiation: Magazine Culture and Female Authorship, 1900-1930." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259611809.

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Davis, Kathy S. "Sympathy for the devil : female authorship and the literary vampire." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1234459639.

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Danes-Gharbaoui, Sophia Elizabeth. "George Eliot's women readers and the anxiety of female authorship." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/george-eliots-women-readers-and-the-anxiety-of-female-authorship(f3e36d3c-c44c-4143-9a30-4b1efac0f2d3).html.

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This study identifies and explores a recurrent trope in transatlantic literature by women in which the fictional female reader is used as a site on which to explore the anxiety of female authorship. Through their configurations of the reading woman in their fiction, the female authors examined in this thesis attempt to reconcile themselves with the established opposition between femininity and creativity that persisted in transatlantic literary criticism in the nineteenth and early twentieth century. As a writer who was a literary icon for subsequent women writers, and who explores this trope in a complex and often ambivalent way, George Eliot is central to this tradition. Her masculinisation in literary criticism, combined with her failure to commit fully to her androgynous model of female authorship – a model which asserted women’s capacity to write in both a ‘masculine’ and ‘feminine’ way – had serious, long-lasting repercussions for subsequent female authors. Women writers were faced with an inescapable female literary role model who was at once proof of the compatibility of femininity and artistry, and yet who was frequently presented as an exception to other female authors and used to reinforce bias against women writers. In responding to Eliot’s reception and appropriating her use of the female reader in their fiction, Constance Fenimore Woolson, Edith Wharton and Dorothy Richardson added their own voices to the discussions about female authorship taking place in the late nineteenth and early twentieth century. For these authors, Eliot became a point of reference from which to articulate their own attitudes towards bias against women that persisted in some branches of literary criticism. In defining their attitudes towards Eliot and the contradictory ideas she and her fiction presented, they were exploring their identities as female artists.
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Catto, Susan J. "Modest ambition : the influence of Henry Fielding, Samuel Richardson and the ideal of female diffidence on Sarah Fielding, Charlotte Lennox and Frances Brooke." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297328.

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Prown, Katherine Hemple. "Revisions and evasions: Flannery O'Connor, Southern literary culture, and the problem of female authorship." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539623836.

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A look at the early manuscripts of Flannery O'Connor's two novels, Wise Blood and The Violent Bear It Away, reveals that she worked hard to remove any traces of feminine sensibility or perspective from her work, hoping to distinguish it as superior to the efforts of other southern "penwomen." Both novels underwent a long and difficult transformation from stories centered upon the exploits of a diverse group of characters to novels whose sole focus was on a few male protagonists. Eager to develop her art within a framework acceptable to southern New Critical authorities like John Crowe Ransom, Allen Tate, andrew Lytle, Robert Penn Warren and the male-dominated literary establishment they represented, O'Connor attempted to cultivate a distinctly "unladylike" writing style. In the process, she radically altered the scope of her fictional landscape, banishing female characters, silencing female voices, and redirecting her satirical gaze from the masculine to the feminine. This dissertation considers O'Connor's unpublished fiction as evidence of her ambivalent relationship to a literary culture founded upon the racial and gender-based hierarchies that had traditionally characterized southern society. at the same time, this dissertation takes a revisionist look at southern literary history, focusing in particular on the role Ransom, Tate, Lytle, and Warren played in defining the "Southern Tradition" so as to exclude women, blacks, and the uneducated masses. Finally, this study reconsiders O'Connor's published novels in light of the manuscripts and explores the ways in which she veiled her female identity through the use of male characters and masculinist narrative conventions.
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Tillman, Kacy Dowd. "The epistolary salon : eighteenth and nineteenth century letter writing as a vehicle for female authorship /." Full text available from ProQuest UM Digital Dissertations, 2008. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1800301751&SrchMode=2&sid=11&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1258490937&clientId=22256.

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Thesis (Ph.D.)--University of Mississippi, 2008.
Typescript. Vita. Major professors: Jaime Harker and Jay Watson "December 2008." Includes bibliographical references (leaves 220-231). Also available online via ProQuest to authorized users.
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French, Lisa, and lisa french@rmit edu au. "Centring the female: the articulation of female experience in the films of Jane Campion." RMIT University. Applied Communication, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080417.165002.

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This thesis is a study of female authorship that examines the feature films of Jane Campion in order to determine how her preoccupation with the cinematic articulation of 'female experience' is expressed in her films-whether female experience can be aestheticised, and to discover whether her gender can be discerned through the films of a woman director. The exploration of these ideas entails a review of the feminist thinking, methodologies and epistemologies that are relevant to cinema, and that examine relevant theoretical positions within feminism and theories of cinematic authorship. The key lens employed here for theorising Campion's cinema is that of postmodern-feminism. As an approach, this allows an understanding of difference rather than 'Otherness', and an enquiry into gender that is neither essentialist nor constructionist, but facilitates critical thinking about both positions. The central argument of this thesis is that Campion's film practice functions as an investigation into gender difference, how women and men live together in the world-experience that world, and are engendered as female through historic, psychological and cultural experiences. This thesis therefore argues that Campion's aesthetic and perspective is not only feminist, but also, female, and feminine, and her work a cinematic articulation of female experience.
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Eshghi, Shirin. "Female authorship and implicit power in women's erotica : Japanese "ladies' comics" and Fifty Shades of Grey." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43745.

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Can female readers perceive empowerment through sexually explicit, fictional stories that feature depictions of misogynistic relationships or encounters? In this thesis, I will attempt to answer this question by examining English- and Japanese-language examples of sexual writing for women, specifically the genre of women’s erotica (erotic fiction for a female audience). I will describe how women’s erotica in both languages is predominantly populated by female authors, and will argue that this allows readers to perceive sexual empowerment even when encountering storylines that feature female protagonists disempowered by male characters. The knowledge that the author is a woman perpetuates a belief on the side of the reader that the female protagonist is safe, and that she will enjoy the sexual acts that take place within the story. To illustrate this point, I will compare the recently-published Fifty Shades of Grey with Toraware no yoru (Captive night), a 1990s example of “ladies’ comics” (sexually explicit Japanese manga created for a female readership), which was re-published in e-format in 2009. I will demonstrate how the female sex of the authors enables readers to feel in control and empowered despite the often submissive role of the stories’ protagonists. I will also argue that both works have been marketed and framed in a manner that alludes to Japanese- and English-language autobiographical sexual writing that developed from the early 20th Century. I will establish how the confessional nature of these works helped construct a shared reality between reader and author in regards to sex and womanhood. The solicitation of stories from ladies’ comics readers and the emergence of Fifty Shades of Grey from the fan fiction community re-enforces the perception of a women-only space where text is influenced solely by a dialogue between female author and female reader. Although this female-centred space may in itself be a source of empowerment, the sustainability of such a space is precarious in the virtual environment, where the gender of author and reader cannot be guaranteed.
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Mukherjee, Srilata. "Truncated transgressions : fictions of female authorship by British women writers of the late-nineteenth and early-twentieth centuries /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004346.

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Books on the topic "Female authorship"

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Authority and female authorship in colonial America. Lexington: University Press of Kentucky, 1998.

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Hammill, Faye. Literary culture and female authorship in Canada 1760-2000. Amsterdam: Rodopi, 2002.

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Literary culture and female authorship in Canada 1760-2000. Amsterdam: Rodopi, 2003.

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Into print: The production of female authorship in early modern France. Newark: University of Delaware Press, 2009.

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Revising Flannery O'Connor: Southern literary culture and the problem of female authorship. Charlottesville: University Press of Virginia, 2001.

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Poisonous muse: The female prisoner and the framing of popular authorship in Jacksonian America. Iowa City: University of Iowa Press, 2016.

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Not in sisterhood: Edith Wharton, Willa Cather, Zona Gale, and the politics of female authorship. New York: Palgrave, 2001.

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Rogers, Jaqueline McLeod. Aspects of the female novel. Wakefield, N.H: Longwood Academic, 1991.

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Yorke, Christy. The secret lives of the sushi club. Waterville, Me: Wheeler Pub., 2006.

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The secret lives of the Sushi Club. New York: Berkley Books, 2005.

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Book chapters on the topic "Female authorship"

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Wall, Wendy. "Female Authorship." In A Companion to Renaissance Poetry, 128–40. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch9.

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Fackler, Maria Francesca. "Imagining Female Authorship After 1945." In A Companion to British Literature, 367–84. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch97.

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Platt, Jane. "‘Scribbling Women’: Female Authorship of Inset Fiction." In Suscribing to Faith? The Anglican Parish Magazine 1859–1929, 92–113. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137362445_7.

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Tay, Sharon Lin. "On the Edges of National Cinema: Sofia Coppola and Female Authorship." In Women on the Edge: Twelve Political Film Practices, 126–47. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250543_7.

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Al-Akhras, Sharihan. "Milton and Arab Female Authorship in the Age of Social Media." In Women (Re)Writing Milton, 153–67. New York, NY : Routledge, 2021. | Series: Routledge studies in Renaissance literature and culture: Routledge, 2021. http://dx.doi.org/10.4324/9780367760205-13.

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Yelin, Hannah. "The Ghostwritten Memoirs of Female Celebrities: Authorship, Authenticity, Agency and Gendered Access." In Celebrity Memoir, 13–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44621-5_2.

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"1. Defining Female Authorship." In Reclaiming Authorship, 17–39. University of Pennsylvania Press, 2006. http://dx.doi.org/10.9783/9780812203899.17.

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Falkeid, Unn. "Constructing Female Authority." In Sanctity and Female Authorship, 54–73. Routledge, 2019. http://dx.doi.org/10.4324/9780429351778-4.

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Oen, Maria H. "Ambivalent Images of Authorship." In Sanctity and Female Authorship, 113–37. Routledge, 2019. http://dx.doi.org/10.4324/9780429351778-7.

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Oen, Maria H., and Unn Falkeid. "Introduction." In Sanctity and Female Authorship, 1–13. Routledge, 2019. http://dx.doi.org/10.4324/9780429351778-1.

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Conference papers on the topic "Female authorship"

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Andreopoulou, Areti, and Visda Goudarzi. "Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD)." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.031.

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This paper investigates the representation of women researchers and artists in the conferences of the International Community for Auditory Display (ICAD). In the absence of an organized membership mechanism and/or publicly available records of conference attendees, this topic was approached through the study of publication and authorship patterns of female researchers in ICAD conferences. Temporal analysis showed that, even though there has been an increase in the number of publications co-authored by female researchers, the annual percentage of female authors remained in relatively unchanged levels (mean = 17.9%) throughout the history of ICAD conferences. This level, even though low, remains within the reported percentages of female representation in other communities with related disciplines, such as the International Computer Music Association (ICMA) and the Conferences of the International Society for Music Information Retrieval (ISMIR), and significantly higher than in more audio engineering-related communities, such as the Audio Engineering Society (AES).
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Javed, K., D. Altschul, F. Albuquerque, and J. Hirsch. "P-034 Assessment of female authorship in journal of neurointerventional surgery (JNIS) publications in 2019–2020." In SNIS 18TH ANNUAL MEETING. BMA House, Tavistock Square, London, WC1H 9JR: BMJ Publishing Group Ltd., 2021. http://dx.doi.org/10.1136/neurintsurg-2021-snis.70.

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