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Books on the topic 'Female aesthetics'

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Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Zorn, Christa. Vernon Lee: Aesthetics, history, and the Victorian female intellectual. Athens, OH: Ohio University Press, 2003.

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2

Vernon Lee: Aesthetics, history, and the Victorian female intellectual. Athens: Ohio University Press, 2003.

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3

Williams, Georgina. Politics and Aesthetics of the Female Form, 1908-1918. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2.

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4

Monuments & maidens: The allegory of the female form. New York: Atheneum, 1985.

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5

Monuments & maidens: The allegory of the female form. Berkeley: Univ. of California Press, 2000.

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6

Warner, Marina. Monuments & maidens: The allegory of the female form. London: Pan, 1987.

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7

Monuments & maidens: The allegory of the female form. London: Weidenfeld and Nicolson, 1985.

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8

The body beautiful?: Identity, performance, fashion and the contemporary female body. Oxford, U.K: Inter-Disciplinary Press, 2015.

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9

Ethnic identity, the concept of female beauty and conflict in classical and African cultures. Ibadan: Programme on Ethnic and Federal Studies (PEFS), 2004.

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10

The forgotten female aesthetes: Literary culture in late-Victorian England. Charlottesville: University Press of Virginia, 2000.

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11

Dillon, Sheila. The female portrait statue in the Greek world. Cambridge: Cambridge University Press, 2010.

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12

The female portrait statue in the Greek world. Cambridge: Cambridge University Press, 2010.

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13

Barker, Anne. The female aesthetic. Derby: Derbyshire College of Higher Education, 1991.

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14

The beautiful woman in the theater of Lope de Vega: Ideology and mythology of female beauty in seventeenth-century Spain. New York: Peter Lang, 1998.

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15

The Black female body in American literature and art: Performing identity. New York: Routledge, 2012.

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16

Paige, Edward St. Zaftig: The case for curves. Seattle, WA: Darling & Co., 1999.

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17

Fontanel, Béatrice. L'éternel féminin: Une histoire du corps intime. Paris: Seuil, 2001.

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18

From beauty fear to beauty fever: A critical study of contemporary Chinese female writers. New York: Peter Lang, 2011.

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19

universitet, Stockholms, ed. Soviet people with female bodies: Performing beauty and maternity in Soviet Russia in the mid 1930-1960s. Stockholm: Stockholm University, 2007.

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20

"Władczynie spojrzenia": Teoria filmu a praktyka reżyserek i artystek = "Female gaze" : film theory and practice of women filmmakers and artists. Kraków: Korporacja Ha!Art, 2010.

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21

Kalaushin, Boris. Burli︠u︡k: T︠s︡vet i rifma. Sankt-Peterburg: IG "Apollon", 1995.

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22

Filipacchi, Amanda. The unfortunate importance of beauty. Waterville, ME: Thorndike Press, A part of Gale, Cengage Learning, 2015.

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23

Die junge Frau bei der Toilette: Ein Bildthema im venezianischen Cinquecento. Frankfurt am Main: P. Lang, 1997.

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24

Women making art: History, subjectivity, aesthetics. London: Routledge, 2003.

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25

François, Soulages, and Maison européenne de la photographie (Paris, France), eds. Une femme philosophe: Dialogue avec François Soulages. [Paris]: Klincksieck, 2008.

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26

Triplette, Stacey. Chivalry, Reading, and Women's Culture in Early Modern Spain. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985490.

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The Iberian chivalric romance has long been thought of as an archaic, masculine genre and its popularity as an aberration in European literary history. Chivalry, Reading, and Women’s Culture in Early Modern Spain contests this view, arguing that the surprisingly egalitarian gender politics of Spain’s most famous romance of chivalry has guaranteed it a long afterlife. Amadís de Gaula had a notorious appeal for female audiences, and the early modern authors who borrowed from it varied in their reactions to its large cast of literate female characters. Don Quixote and other works that situate women as readers carry the influence of Amadís forward into the modern novel. When early modern authors read chivalric romance, they also read gender, harnessing the female characters of the source text to a variety of political and aesthetic purposes.

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27

1979-, Andres Cuevas Isabel-Maria, ed. The aesthetic construction of the female grotesque in Katherine Mansfield and Virginia Woolf: A study of the interplay of life and literature. Lewiston, N.Y: Edwin Mellen Press, 2011.

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28

Salas, Gerardo Rodríguez. The aesthetic construction of the female grotesque in Katherine Mansfield and Virginia Woolf: A study of the interplay of life and literature. Lewiston, N.Y: Edwin Mellen Press, 2011.

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29

La femme futuriste: Mythes, modèles et représentations de la femme dans la théor. Nanterre: Université Paris X-Nanterre, 2006.

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30

Contarini, Silvia. La femme futuriste: Mythes, modèles, et représentations de la femme dans la théorie et la litt́rature futuristes (1909-1919). Paris: Presses universitaires de Paris 10, 2006.

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31

Femme à sa toilette: Beauté et soins du corps à travers les âges. Levallois-Perret: Altipresse, 2007.

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32

Miró, Joan. Joan Miró: Femme. Paris: Musée de Picardie/Fondation Maeght, 1999.

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33

David-Weill, Natalie. Rêve de Pierre: La quête de la femme chez Théophile Gautier. Genéve: Droz, 1989.

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34

David-Weill, Natalie. Rêve de Pierre: La quête de la femme chez Théophile Gautier. Genève: Droz, 1989.

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35

David-Weill, Natalie. Rêve de Pierre: La quête de la femme chez Théophile Gautier. Genéve: Droz, 1989.

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36

Female Masochism In Film Sexuality Ethics And Aesthetics. Ashgate Pub Co, 2014.

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37

Williams, Georgina. Politics and Aesthetics of the Female Form, 1908-1918. Palgrave Macmillan, 2018.

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38

Williams, Georgina. Politics and Aesthetics of the Female Form, 1908-1918. Palgrave Macmillan, 2019.

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39

Rogers, Anna Backman, and Boel Ulfsdotter. Female Authorship and the Documentary Image: Theory, Practice and Aesthetics. Edinburgh University Press, 2019.

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40

Female Authorship and the Documentary Image: Theory, Practice and Aesthetics. Edinburgh University Press, 2018.

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41

Devereaux, Mary. Feminist Aesthetics. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0038.

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This article provides a critical survey of English-language feminist work in aesthetics since the early 1970s. The aim is to focus on those areas of feminist inquiry that have most significantly affected philosophical aesthetics in the analytic tradition. Feminist aesthetics starts from the assumption that the historical domain of art and the aesthetic is itself patriarchal. At one level, it simply extends the analysis of patriarchy to the practices of art institutions, in particular to the treatment of women in and by these institutions (e.g. demotions in the status of female-authored artworks previously believed to be the work of male artists).

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42

Sliwinska, Basia. Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. I. B. Tauris & Company, Limited, 2014.

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43

Warner, Marina. Monuments and Maidens: The Allegory of the Female Form. University of California Press, 2001.

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44

Chen, Xiangyang. Woman, Generic Aesthetics, and the Vernacular. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0013.

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This chapter examines the hybrid origins of Hong Kong's Huangmei opera film. It shows how the Chinese Communist Party's demand for a cinema showcasing the national cultural past paradoxically facilitated the cross-border circulation of an indigenous, vernacular operatic tradition—featuring feisty rural women, female voice-over chanting, and frequent cross-dressing—into the modernizing idioms of Hong Kong's film industry. Under colonial suppression of local nationalist objectives, the resulting hybridized genre carried a vital female imaginary in nostalgic Chinese wrappings. In contrast to Indian cinema's culture of emotion, female performativity contests Chinese conventions of restraint, opening up imaginary female power. This is supported by the impact of the female voice on point-of-view shooting, spatial organization, and narrative structure, foregrounding, against Western feminism's focus on the male gaze, a female counter-gaze within a patriarchal drama of conflicting desires.

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45

Sliwinska, Basia. The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. I.B. Tauris, 2018.

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46

Seeing Her Sex: Medical Archives and the Female Body. Manchester University Press, 2002.

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47

McGrath, Roberta. Seeing Her Sex: Medical Archives and the Female Body. Manchester University Press, 2002.

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48

Matelski, Elizabeth M. Reducing Bodies: Mass Culture and the Female Figure in Postwar America. Taylor & Francis Group, 2017.

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49

Reducing Bodies: Mass Culture and the Female Figure in Postwar America. Taylor & Francis Group, 2017.

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50

Dillon, Sheila. The Female Portrait Statue in the Greek World. Cambridge University Press, 2011.

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