Relevant bibliographies by topics / Female aesthetics

Academic literature on the topic 'Female aesthetics'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Female aesthetics"

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Griffin, Garrett R., and Jennifer C. Kim. "Ideal Female Brow Aesthetics." Clinics in Plastic Surgery 40, no. 1 (January 2013): 147–55. http://dx.doi.org/10.1016/j.cps.2012.07.003.

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Cherenfant, Sybile. "Gender Preferences in Classroom Aesthetics." Journal of Student Research 2, no. 1 (May 31, 2013): 1–8. http://dx.doi.org/10.47611/jsr.v2i1.95.

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Male and female students on the Robert Morris University campus were asked to complete a survey to analyze aesthetics in classrooms. Their answers helped determine what each gender found the most important in his or her learning environment, and whether female students were or were not the most aware of their aesthetic environment.
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Bruehlmann, C., M. Blumer, and M. B. Soyka. "Impact of intraoperative Cone-Beam Computed Tomography use on patient satisfaction after closed nasal reduction." Rhinology Online 4 (May 1, 2021): 77–84. http://dx.doi.org/10.4193/rhinol/21.018.

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Background: The aim of the study was to assess, whether there is a difference in aesthetic and functional patient satisfaction between closed nasal reductions with intraoperative Cone-Beam Computed Tomography (CBCT) and without using intraoperative medical imaging. Methods: A monocentric, retrospective cohort study of 43 patients (20 patients treated with intraoperative CBCT and 23 patients treated without intraoperative imaging) was conducted. Subjective postoperative aesthetic and functional aspects of the nose were assessed. Additionally, questions comparing the aesthetics and function of the nose before and after the accident and on the desire of revision surgery were asked. Results: Both the SCHNOS-C and total SCHNOS score in the non-CBCT group were higher than the respective scores of the CBCT-group. The comparison of SCHNOS-C between male subjects of the two groups showed no statistical significance. The comparison of SCHNOS-C between male and female subjects over both groups showed significantly higher scores for female subjects. Conclusions: Patients undergoing surgery with intraoperative CBCT imaging showed better aesthetical outcomes than patients, treated without intraoperative imaging. However, the difference showed no clinical importance, so that both strategies appear to have comparable outcomes regarding postoperative aesthetics and function of the nose. Gender instead of the different strategies could contribute to the demonstrated differences. Female subjects seem to be less satisfied with the aesthetics of their nose postoperatively, potentially being more sensitive to remaining nasal deformities after surgery.
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Gates, Eugene. "The Female Voice: Sexual Aesthetics Revisited." Journal of Aesthetic Education 22, no. 4 (1988): 59. http://dx.doi.org/10.2307/3332981.

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Roye, Anja, Lea Höfel, and Thomas Jacobsen. "Aesthetics of Faces." Journal of Psychophysiology 22, no. 1 (January 2008): 41–57. http://dx.doi.org/10.1027/0269-8803.22.1.41.

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Temporal and brain topographic characteristics of the aesthetic judgment of male and female faces were investigated, using event-related potentials and reaction times. The evaluative aesthetic judgment of facial beauty (beautiful vs. not beautiful) was contrasted with a nonevaluative descriptive judgment of head shape (round vs. oval). Analysis showed longer reaction times in the descriptive than in the evaluative task, suggesting that the descriptive judgment demanded more cognitive effort and may entail greater uncertainty. Electrophysiologically, the evaluative judgment elicited a negativity (400 to 480 ms) for the judgment not beautiful, maximal over midline leads. A comparable deflection has been previously reported for evaluative judgments of graphic patterns. It was interpreted as an impression formation independent of the type of stimulus material, occurring when an aesthetic entity is judged intentionally. Besides this effect, which was independent of the gender of the face, the temporal characteristics of aesthetic evaluation differed depending on the gender of the face. We report a negativity for male faces only (280–440 ms) and a late positivity (520–1200 ms), which was stronger for female faces, both concerning not beautiful judgments. Thus, the evaluation of male and female facial beauty was processed in different time-windows. The descriptive judgment round elicited a larger posterior positivity compared with oval (320–620 ms). These results complement investigations of the architecture and time course of evaluative aesthetic and descriptive judgment processes, using faces as stimulus material.
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Kılıç, Duygu, Banu Arzu Alkan, and Kerem Kılıç. "Use of a Surgical Guide in a Crown-Lengthening Procedure to Improve the Aesthetics of the Interdental Papillae: A Case Report." International Dental Research 2, no. 3 (December 15, 2012): 75. http://dx.doi.org/10.5577/intdentres.2012.vol2.no3.3.

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Aim: This case report describes the use of a surgical guide in a crown-lengthening procedure to improve the aesthetics of the anterior interdental papillae in an adult female patient. Methodology: A 40-year-old female underwent a crown-lengthening procedure with guidance provided by a surgical template to correct unsatisfactory aesthetics in the anterior gingiva and prosthesis. Results: The patient’s functional and aesthetic expectations were met successfully with interdisciplinary treatment, including surgical crown lengthening and the placement of all-ceramic restorations. Conclusions: This case showed that satisfactory anterior aesthetics can be achieved by comprehensive examination, careful planning of treatment employing a surgical guide, and prosthodontist–periodontist teamwork, even in the complete absence of interdental papillae. How to cite this article: Kılıç D, Alkan BA, Kılıç K. Use of a Surgical Guide in a Crown-Lengthening Procedure to Improve the Aesthetics of the Interdental Papillae: A Case Report. Int Dent Res 2012;2:75-80. Linguistic Revision: The English in this manuscript has been checked by at least two professional editors, both native speakers of English.
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Meagher, Michelle. "Jenny Saville and a Feminist Aesthetics of Disgust." Hypatia 18, no. 4 (2003): 23–41. http://dx.doi.org/10.1111/j.1527-2001.2003.tb01411.x.

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This essay examines an aesthetics of disgust through an analysis of the work of Scottish painter Jenny Saville. Saville's paintings suggest that there is something valuable in retaining and interrogating our immediate and seemingly unambivalent reactions of disgust. I contrast Saville's representations of disgust to the repudiation of disgust that characterizes contemporary corporeal politics. Drawing on the theoretical work of Elspeth Probyn and Julia Kristeva, I suggest that an aesthetics of disgust reveals the fundamental ambiguity of embodiment, allowing us to critically attend to the aesthetic and cultural objectification of the female body.
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Abidia, Randa F., Ambreen Azam, Ahmed A. El –Hejazi, Khuloud K. Al-Mugbel, Mehdiya S. Haider, and Noura M. Al-Owaid. "Female Dental Student’s Perception of Their Dental Aesthetics and Desired Dental Treatment." European Scientific Journal, ESJ 13, no. 3 (January 31, 2017): 171. http://dx.doi.org/10.19044/esj.2017.v13n3p171.

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Objectives: This study aims to assess the self-perception of female dental students of their dental aesthetics regarding their satisfaction, its effect on their quality of life and felt need for treatment. Materials and Method: This is a descriptive study for 1st, 2nd and 3rd year dental students (n=110) in the College of Dentistry at Princess Nourah University (PNU). The survey was distributed via link "Google form". A 20 item questionnaire was prepared and tested before on seven students for clarity. Questions were regarding how students feel about their dental aesthetics and what they desire for treatment. Whether they felt their teeth affected their attractiveness, confidence and quality of life. Data was entered in SPSS for statistical analysis. Results: With a response rate of 94.5% majority (89.4%) of students felt their teeth affected the attractiveness of their faces. Almost one third (30.8%) have tried to hide their smile. Around half (51%) were not satisfied with their tooth colour. Almost two thirds of students (61.5%) felt their quality of life is affected by the appearance of their teeth. ‘Tooth whitening’ was selected by almost two thirds of students (64.4%) followed by almost half (46.2%) the students wanting ‘orthodontic treatment’. Conclusion: Dental aesthetics is rated highly among female dental students.The majority of the students felt that their teeth affected the attractiveness of their face and influenced their quality of life. Students desired teeth whiteneing followed by orthodontic treatment as their perceived need for aesthetic dental treatments.
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Ren, Xiaoni. "Exploiting women’s aesthetic labour to fly high in the Chinese airline Industry." Gender in Management: An International Journal 32, no. 6 (August 7, 2017): 386–403. http://dx.doi.org/10.1108/gm-03-2017-0033.

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Purpose Drawing upon the existing theoretical and empirical sourced knowledge of aesthetic labour and gender, this paper aims to explore the exploitation of women’s aesthetic labour in the Chinese airline industry and the underlying causes from a contextual point of view. Design/methodology/approach This qualitative study has emerged from a broader research project which aimed to explore women’s experiences of work-family conflict and their career aspirations in the Chinese airline industry in which aesthetic labour was prevalent as a significant issue during semi-structured interviews with female employees and HR/line management. Thus, the study draws upon interview data focusing on recruitment and selection of flight attendants in three Chinese airlines. This is complemented by secondary sources of data from Chinese television programmes and job advertisements. Findings This study reveals that aesthetics is both gendered and context-bound. It exposes that aesthetic labour in Chinese airlines is demanded from women but not men. It highlights that gendered aesthetic labour is continuously shaped by four influential contextual issues – legislation, labour market practices, national culture and airline management practices. Originality/value By uncovering the dynamic interconnectedness of gender and aesthetics and illustrating the exploitation of women’s aesthetic labour for commercial gains in Chinese airlines, this paper contributes to the understanding of the gendered aesthetics in the airline industry. It also offers new insights into the theory of aesthetic labour by locating it in a context that differs significantly from other socio-cultural contexts.
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Strajnic, Ljiljana, Dijana Bulatovic, Ivica Stancic, and Rade Zivkovic. "Self-perception and satisfaction with dental appearance and aesthetics with respect to patients’ age, gender, and level of education." Srpski arhiv za celokupno lekarstvo 144, no. 11-12 (2016): 580–89. http://dx.doi.org/10.2298/sarh1612580s.

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Introduction. Patient?s subjective evaluation of dental appearance and aesthetics is becoming an increasingly important factor in aesthetic treatments and prosthetic therapy. Objective. The aim of this study was to investigate the influence of age, education level, gender, and different dental status and the appearance of the upper anterior teeth (color, size, shape, position and alignment of the anterior teeth) on the satisfaction of the respondents with dental appearance and aesthetics of their upper anterior teeth and their desire for improvement. Methods. The study encompassed 480 people aged 20 to 50 years with an average age of 30.84 years. There were 236 male and 244 female subjects. The respondents were interviewed using a questionnaire specially designed for the purpose of this research. For the study, the subjects were divided into the following three age groups: the younger age group (20-30 years of age), the middle age group (31-40 years of age), and the older age group (41-50 years of age). Results. The conducted study did not reveal statistical significance with respect to gender in any of the examined parameters (p > 0.05). A little more than one half of the respondents in each age group were satisfied with their dental appearance and aesthetics (60.3% of the respondents in the age group of 20-30 years, 55.7% in the age group of 31-40, and 53.7% in the age group of 41-50 years of age). Satisfaction with dental appearance and aesthetics increases linearly with the increase in the level of education and was the highest among the respondents with university degree (33.3%). Conclusion. Female respondents were more dissatisfied with their dental appearance and aesthetics as compared with male respondents, but the difference was found to be non-significant. Patients with higher education level were more satisfied with their dental appearance and aesthetics than those with lower education.
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Dissertations / Theses on the topic "Female aesthetics"

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Leadbetter, Katharine. "The achievement of female presence on film." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:c9239c60-f0a8-41fc-9250-ddea73f9c9c6.

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This thesis examines the different ways films have explored female presence as a narrative and stylistic concern. The role of female presence in the creation of film meaning has often been reductively minimised or altogether neglected within many theoretical approaches to cinema. Depictions of female characters—especially those found in Hollywood films—have been viewed by feminist critics only in terms of the manifestation of sexist ideological principles, whilst more recently, 'affective' film theorists have reduced the role of presence to a simple question of fluctuating physical intensity. This thesis contests these limiting and monolithic understandings of the function of female presence by demonstrating how films have produced complex and diverse meanings through their portrayals of women characters. Closely analysing films by six directors from various styles of cinema, including examples from Classic Hollywood film and more experimental or avant-garde works, the thesis contends that films can raise the question of the condition of a female character's presence as a vital component of meaning. It illuminates how the subject of female presence is advanced, moment-to-moment, as a crucial element in the achievement of these films' intricately wrought dramas. The thesis therefore shows that female film presence is neither simply a symptom of ideology, nor a vehicle for varying degrees of affective intensity. Rather, it is something which is actively at stake in the drama and the design of films.
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Hatherley, Frances. "Sublime dissension : a working-class 'Anti-Pygmalion' aesthetics of the female grotesque." Thesis, Middlesex University, 2017. http://eprints.mdx.ac.uk/23204/.

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This thesis reclaims and refigures negative stereotypical images of working-class femininity, proposing an “Anti-Pygmalion” aesthetics (referencing Shaw’s Pygmalion)in which pressure to conform to bourgeois notions of respectability is refused in favour of holding onto aspects of working-class female identity which have been treated as faulty and shameful. It examines a previously under-theorised dimension of the “female grotesque”: its formation under a process of classed construction. Contesting the disavowal of class identity in much art writing, I explore how it shapes art reception, showing how images of the Anti-Pygmalion female grotesque can provoke sublime experiences in viewers who share an empathetic connection with the work’s presentation of class difference. Against Enlightenment aesthetic theories which associate the sublime with the lofty, this thesis conceptualises it from the perspective of working-class women, connecting it with an excitement and awe that comes from below and bursts up and out. My approach is auto-ethnographic, drawing on my experiences as a woman from a working-class background to deepen my readings and address gaps in the field. To counter the erasure of working-class artists, I focus on work by working-class British artists and filmmakers from the 1980s –2000s. Exploring the problematic experiences of working-class artists and writers in the institutional spaces of education and the art world, I highlight the resulting internalisation of stigmatised subjectivities. This frames my analysis of three case studies, each addressing aspects of working-class femininity: Jo Spence’s Class-Shame series, the photographs collected in Richard Billingham’s Ray’s a Laugh, and Carol Morley’s film The Alcohol Years. My analysis builds up a dialogue around Anti-Pygmalion aesthetics which forces a reconsideration of the categories of the sublime and the grotesque in the light of working-class identities and creativities, dispelling stereotypes which have hampered existing criticism, and reframing working-class stories and lives as significant and valuable.
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French, Lisa, and lisa french@rmit edu au. "Centring the female: the articulation of female experience in the films of Jane Campion." RMIT University. Applied Communication, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080417.165002.

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This thesis is a study of female authorship that examines the feature films of Jane Campion in order to determine how her preoccupation with the cinematic articulation of 'female experience' is expressed in her films-whether female experience can be aestheticised, and to discover whether her gender can be discerned through the films of a woman director. The exploration of these ideas entails a review of the feminist thinking, methodologies and epistemologies that are relevant to cinema, and that examine relevant theoretical positions within feminism and theories of cinematic authorship. The key lens employed here for theorising Campion's cinema is that of postmodern-feminism. As an approach, this allows an understanding of difference rather than 'Otherness', and an enquiry into gender that is neither essentialist nor constructionist, but facilitates critical thinking about both positions. The central argument of this thesis is that Campion's film practice functions as an investigation into gender difference, how women and men live together in the world-experience that world, and are engendered as female through historic, psychological and cultural experiences. This thesis therefore argues that Campion's aesthetic and perspective is not only feminist, but also, female, and feminine, and her work a cinematic articulation of female experience.
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Lau, Man-chu Sunny, and 劉敏珠. "Postmodernism and semiotics: the tyranny of images of beauty on the female body and postmodern feminist resistance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950644.

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Lau, Man-chu Sunny. "Postmodernism and semiotics : the tyranny of images of beauty on the female body and postmodern feminist resistance /." [Hong Kong] : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13787305.

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Schippers, Kristi Marie Klawitter. "Black and white college men's preferred body types for black and white female figures." Open access to IUP's electronic theses and dissertations, 2009. http://hdl.handle.net/2069/172.

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Latimer-Kern, Kelsey M. Watkins C. Edward. "Moderators of the sociocultural internalization-body dissatisfaction relationship among female undergraduates." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/ark:/67531/metadc12147.

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Jestratijevic, Iva. "The Body to Die for: Appearance Aesthetics, Body Measurements, and BMI Analysis of Female and Male Runway Models (2012-2018)." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1556626561892404.

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Lynch, Megan S. "An exploration of the relationship between personal ideal(s) of female beauty, self perception(s) of female beauty, and self esteem in women a project based upon an independent investigation /." Click here for text online. Smith College School for Social Work website, 2007. http://hdl.handle.net/10090/995.

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Thesis (M.S.W.)--Smith College School for Social Work, Northampton, Mass., 2007
Thesis submitted in partial fulfillment for the degree of Master of Social Work. Includes bibliographical references (leaves 63-67).
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Gontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.

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Books on the topic "Female aesthetics"

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Zorn, Christa. Vernon Lee: Aesthetics, history, and the Victorian female intellectual. Athens, OH: Ohio University Press, 2003.

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Vernon Lee: Aesthetics, history, and the Victorian female intellectual. Athens: Ohio University Press, 2003.

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Williams, Georgina. Politics and Aesthetics of the Female Form, 1908-1918. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2.

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Monuments & maidens: The allegory of the female form. New York: Atheneum, 1985.

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Monuments & maidens: The allegory of the female form. Berkeley: Univ. of California Press, 2000.

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Warner, Marina. Monuments & maidens: The allegory of the female form. London: Pan, 1987.

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Monuments & maidens: The allegory of the female form. London: Weidenfeld and Nicolson, 1985.

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The body beautiful?: Identity, performance, fashion and the contemporary female body. Oxford, U.K: Inter-Disciplinary Press, 2015.

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Ethnic identity, the concept of female beauty and conflict in classical and African cultures. Ibadan: Programme on Ethnic and Federal Studies (PEFS), 2004.

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The forgotten female aesthetes: Literary culture in late-Victorian England. Charlottesville: University Press of Virginia, 2000.

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Book chapters on the topic "Female aesthetics"

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Mezur, Katherine. "The Aesthetics of Female-Likeness." In Beautiful Boys/Outlaw Bodies, 137–75. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979131_6.

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French, Lisa. "Marie Mandy: Female Subjectivity and Aesthetics." In The Female Gaze in Documentary Film, 177–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68094-7_9.

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French, Lisa. "Aesthetics and the Influence of Gender." In The Female Gaze in Documentary Film, 71–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68094-7_4.

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Duncan, Carol B. "From Hattie to Halle: Black Female Bodies and Spectatorship as Ritual in Hollywood Cinema." In Black Religion and Aesthetics, 71–87. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622944_5.

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Williams, Georgina. "The Politics of Aesthetics and the Woman Question." In Politics and Aesthetics of the Female Form, 1908-1918, 77–105. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2_4.

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LeFavour, Cree. "The Edible Book: White Female Pleasure and Novel Reading." In Culinary Aesthetics and Practices in Nineteenth-Century American Literature, 139–52. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230103146_9.

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Williams, Georgina. "From Presence to Absence: Exploiting Female Sexuality in Visual Culture." In Politics and Aesthetics of the Female Form, 1908-1918, 107–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2_5.

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Williams, Georgina. "Introduction: Women in the Frame." In Politics and Aesthetics of the Female Form, 1908-1918, 1–15. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2_1.

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Williams, Georgina. "The Reshaping of Society and the Rise of the Avant-Gardes." In Politics and Aesthetics of the Female Form, 1908-1918, 17–44. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2_2.

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Williams, Georgina. "Inside and Outside the Frame: The Female Figure as Subject and Artist." In Politics and Aesthetics of the Female Form, 1908-1918, 45–76. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75729-2_3.

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Conference papers on the topic "Female aesthetics"

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Miyazaki, Masami, Toru Sugahara, Ryuma Onose, Yuko Yamaguchi, Taizo Kishimoto, Ueke Satoko, and Hiroma Kurono. "Study on Aesthetic Impression of Female Body Type and Posture." In 2018 7th International Congress on Advanced Applied Informatics (IIAI-AAI). IEEE, 2018. http://dx.doi.org/10.1109/iiai-aai.2018.00177.

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Morie, Jacquelyn Ford. "Female artists and the VR crucible: expanding the aesthetic vocabulary." In IS&T/SPIE Electronic Imaging, edited by Ian E. McDowall and Margaret Dolinsky. SPIE, 2012. http://dx.doi.org/10.1117/12.910974.

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Al-thani, Noora, Nitha Siby, Fatma Nabhan, and Ruba Ali. "Cultivating Curiosity by Integrating Art in Science through Photography." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0259.

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Arts-integrated science is a tantalizing educational approach that captures the attention of scientific learners through the lighter side of science. This study highlights the findings of a schoolbased applied research study conducted to develop public school students’ curiosity and their aesthetic qualities by exploring scientific knowledge by using photography. This study incorporated photography as a learning aid in STEAM workshops for 386 high school students, including 220 males and 166 females from 19 schools, and tested methods for enhancing the curiosity or interest of students to explore the workshop context more deeply. The analysis of our methods discusses the results using pre- and post-method questionnaires and the evaluations of 816 scientific images captured by the students. The key aim of this research involves cultivating curiosity in students as they analyse captured images, which results in positive outcomes, such as increased engagement in scientific workshops, thereby inspiring them to more thoroughly explore the science behind each image.
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Merzlyakova, Svetlana, and Marina Golubeva. "IDEAS ABOUT MARRIAGE DEPENDING ON THE STRUCTURE OF VALUABLE ORIENTATIONS OF WOMEN IN EARLY ADULTHOOD." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact049.

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"The phenomenon of marriage is one of the little-studied questions of family psychology. The resolution of the contradiction between the need of modern society to form complete and adequate ideas about the marital role among students and the need to identify socio-psychological factors that influence the development of ideas about marriage determines the problem of research. The purpose of the study is to identify the features of ideas about marriage (Ideal husband, Ideal wife) depending on the structure of valuable orientations of young women in early adulthood. Methods of research. Theoretical and methodological literature analysis, questionnaire, psycho-diagnostic methods (the questionnaire “A Value and Availability Ratio in Various Vital Spheres Technique” by E.B. Fantalova, the method of Semantic Differential, developed by Charles E. Osgood, projective technique of ""Incomplete Sentences"", the questionnaire ""Role Expectations and Claims in Marriage"" by A. N. Volkova); mathematical and statistical data processing methods. During the analytical stage we used mathematical and statistical methods that allowed us to establish the reliability of the research results. All calculations were performed using the IBM SPSS Statistics 21 computer program. The analysis included descriptive statistics, cluster analysis (K-means method), Kolmogorov-Smirnov test for one sample, Shapiro-Wilkes criterion, and correlation analysis. The study involved 310 female students in age from 20 to 22 from Astrakhan State University and the Astrakhan Branch of the Russian Presidential Academy of National Economy and Public Administration. It was found that among young female students 45 people (14.5 %) are focused on the values of professional self-realization, 59 people (19 %) are focused on gnostic and aesthetic values, and 206 people (66.5 %) are focused on the values of personal happiness. The results showed that the concepts of marriage have both common features and specific features due to the influence of the structure of valuable orientations of the respondents. Ideas about marriage are characterized by fragmentary formation of emotional and behavioral components, in some cases the presence of cognitive distortions. The obtained results actualize the importance and necessity of psychological and pedagogical support of the process of family self-determination of students, the formation of complete and adequate ideas about marriage in the conditions of the educational environment of the university."
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Reports on the topic "Female aesthetics"

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Jestratijevic, Iva, and Nancy Ann Ann Rudd. The Body to Die for: Appearance Aesthetics, Body Measurements, and BMI Analysis of a Female and Male Runway Models (2012�2018). Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8427.

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