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Journal articles on the topic 'Federal aid to the arts'

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Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Manzo, Frank P. "The Effect of “Federal -Aid Swap” Programs and Davis-Bacon Prevailing Wages on Highway Construction Costs and Contractor Composition: Evidence From Iowa." Labor Studies Journal 47, no. 1 (November 24, 2021): 75–98. http://dx.doi.org/10.1177/0160449x211049477.

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“Federal-aid swap” programs allow states and local governments to bypass federal Davis-Bacon prevailing wages and Disadvantaged Business Enterprise (DBE) goals by exchanging federal funds that have been allocated to highway projects with state funds. The Iowa Department of Transportation approved a federal-aid swap program in February 2018. Using data on more than 1,200 highway construction projects in Iowa from 2016 to 2020, I find that the cost of projects in the federal-aid swap program are not statistically different from those that were not swapped, after accounting for project size and complexity, project type, and project location. Regression results indicate that Davis-Bacon prevailing wages and DBE goals have no effect on total construction costs. However, the federal-aid swap program is statistically associated with a decrease in the likelihoods that a project is covered by the Davis-Bacon Act by 10 percentage points and DBE goals by 4 percentage points. Because the payment of Davis-Bacon prevailing wages is statistically associated with an 8 percentage-point decrease in the chances that a highway project is awarded to an out-of-state contractor, the federal-aid swap program may have increased the market share of out-of-state contractors at the expense of Iowa-based contractors.

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2

Haag, William G. "Federal Aid to Archaeology in the Southeast, 1933-1942." American Antiquity 50, no. 2 (April 1985): 272–80. http://dx.doi.org/10.2307/280485.

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Interest in the prehistory of America is hardly more than two centuries old, but it is within the last half-century that our concern for preservation and salvage has bloomed. Prior to that time there were individual voices urging study and protection of archaeological sites, but no grass-roots sentiment for protection. This may be largely because most of our antecedents came from the Old World; New World archaeology concerned our past not at all.

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3

McAndrews, Lawrence J. (Lawrence John). "Choosing "Choice": George Bush and Federal Aid to Nonpublic Schools." Catholic Historical Review 87, no. 3 (2001): 453–69. http://dx.doi.org/10.1353/cat.2001.0113.

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4

Brandon, James M. "Readers' Forum: Federal Funding for the Arts?" TDR (1988-) 41, no. 4 (1997): 11. http://dx.doi.org/10.2307/1146657.

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5

Sandman, James J. "The Role of the Legal Services Corporation in Improving Access to Justice." Daedalus 148, no. 1 (January 2019): 113–19. http://dx.doi.org/10.1162/daed_a_00543.

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The Legal Services Corporation is the United States' largest funder of civil legal aid for low-income Americans. The LSC funds legal-aid programs that serve households with annual incomes at or below 125 percent of the federal poverty guideline. Legal-aid clients face a wide variety of civil legal problems: wrongful evictions, mortgage foreclosures, domestic violence, wage theft, child custody and child support issues, and denial of essential benefits. This vital work is badly underfunded. The shortfall between the civil legal needs of low-income Americans and the resources available to address those needs is daunting. Federal funding is necessary because support for civil legal aid varies widely from state to state. The LSC uses the “justice gap” metaphor to describe the shortfall between legal needs and legal services. Narrowing the gap is central to the LSC's mission.

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6

Stimpson, Catharine R. "Federal Papers." October 53 (1990): 24. http://dx.doi.org/10.2307/778913.

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7

Buck, Douglas. "Confronting Cutbacks: 2 / Federal Advocacy for Theatre." Canadian Theatre Review 44 (September 1985): 8–10. http://dx.doi.org/10.3138/ctr.44.002.

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Funding levels and loss of arts councils’ autonomy have been issues of concern in recent years. Government grants to the Canada Council were lower than the rate of inflation from 1975 to 1984; in late 1984, $3.5 million was cut from the Council’s budget by the new government. This accelerated the Council’s declining financial position. Between March 1979 and March 1981 the Council had to adopt policies distasteful to itself and to the theatre community: no new theatre companies could be taken on as clients for operating grants, for example. It is interesting to note that between 1976 and 1984, the membership of the Professional Association of Canadian Theatres increased from 33 members to 83.

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8

Lash, Karen A. "Executive Branch Support for Civil Legal Aid." Daedalus 148, no. 1 (January 2019): 160–70. http://dx.doi.org/10.1162/daed_a_00549.

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For government, access to justice is about more than legal justice. Legal services are essential tools to enable government programs to achieve a wide range of goals that help to provide an orderly, prosperous, and safe country. Recent efforts have transformed how some federal and state government officials think about and use civil legal aid to get their work done. Key in convincing them has been empirical evidence about the effectiveness and cost-efficiency of including legal services alongside other supportive services.

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9

Ogorek, Markus, and Tian Pu. "The Allocation of Cultural Policy Powers in the Federal Republic of Germany." German Law Journal 6, no. 10 (October 1, 2005): 1335–54. http://dx.doi.org/10.1017/s2071832200014358.

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The Federal Republic of Germany is a state that shows a strong support for culture of any kind. While it is not explicitly stated anywhere in theGrundgesetz(Basic Law), it can be argued that very few nations regard the promotion of the arts, sciences and education as a public undertaking to the extent that Germany does. The federal structure of the German constitution is reflected in the allocation of governmental tasks between the federal government and the individual federal states, orLänder. Under this structure, theLänderbear the primary responsibility for cultural matters. However, contrary to widely-held belief, the Basic Law also grants the federal government a range of legislative, administrative and financial powers with respect to cultural matters. Although when taken together these do not add up to a comprehensive promotional authority of the federal government in the cultural sector, due to numerous individual empowerments, the federal government is without doubt in a position to take an active role in cultural affairs to a significant extent.

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10

Okorocha, Chinomso Chioms. "Treasury Single Account (TSA) and Performance of Public Sector in Enugu State, Nigeria." British Journal of Management and Marketing Studies 5, no. 1 (February 22, 2022): 79–92. http://dx.doi.org/10.52589/bjmms-qdl7gmuv.

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The importance of the introduction of treasury single account cannot be overemphasized given that it is principally to ensure accountability of government revenue, enhance transparency and avoid expropriation of public funds. This study examined the effect of treasury single account on the performance of selected Federal Ministries in Enugu State. The study adopted survey research design. The method ensured that the researcher collects his data at a particular period from the selected sample to describe a large population at that particular point in time. The study area of this research is selected federal ministries namely Ministry of Agriculture and Ministry of Education all located in Enugu state. The population of the study constitutes of the staff of two selected federal ministries in Enugu state namely; Federal Ministry of Agriculture and Federal Ministry of Education. The population of the two selected ministries is totaled two hundred and eighty-seven (287) staff. The sample size was derived using the Cochran statistic and the value derived was three hundred and eighty-five (385). To determine the number of staff to be selected from each ministry, the proportionate stratified random sampling approach was used. The data was collected with the aid of a questionnaire that is properly drafted using the 5 scale Likert system for questionnaire. The Cronbach Alpha reliability test was utilized to conduct the reliability test. A cronbach alpha coefficient of 0.78 was derived and was considered acceptable. Frequency tables and percentages was adopted to analyse the demographic characteristics of the respondents and leading research questions while the regression analysis was adopted to test the hypotheses of the study. The major findings of the study were that treasury single account has not significantly ameliorated fund misappropriation in selected federal ministries in Enugu State and treasury single account has not significantly enhanced prompt release of funds for goods and services in selected federal ministries in Enugu State. It is therefore the recommendation of the study that the adoption of TSA alone may not be sufficient to curb corruption in the Nigerian public sector hence the need for the judiciary, police, anti-graft agencies and the media in the country be strengthened to tackle the issues of corruption and ensure transparency, probity and timeliness in handling corruption related cases.

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11

Xu, Rebecca Ruige, and Sean Hongsheng Zhai. "Visualizing Federal Spending." Leonardo 46, no. 4 (August 2013): 414–15. http://dx.doi.org/10.1162/leon_a_00624.

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12

Strom, Elizabeth, and Angela Cook. "Old Pictures in New Frames: Issue Definition and Federal Arts Policy." Review of Policy Research 21, no. 4 (July 2004): 505–22. http://dx.doi.org/10.1111/j.1541-1338.2004.00091.x.

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13

Fraden, Rena. "Feels Good, Can't Hurt: Black Representation on the Federal Arts Projects." Journal of American Culture 10, no. 4 (December 1987): 21–29. http://dx.doi.org/10.1111/j.1542-734x.1987.1004_21.x.

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14

Alvarenga, Aristides Junqueira. "Juiz Federal - Concurso - Exame psicotécnico." Revista de Direito Administrativo 184 (April 1, 1991): 176–83. http://dx.doi.org/10.12660/rda.v184.1991.44338.

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- Sob a égide das Constituições Federais de 1946 e de 1967, arts. 105, § 2º, e 118, § 2º, respectivamente, o ingresso na carreira da magistratura federal - stricto sensu - era regido pela legislação ordinária, mostrando-se válida a exigência do exame psicotécnico de que cogitava o parágrafo único do art. 22 da Lei nº 5.010/66. Com a Emenda Constitucional nº 1, de 1969, foi abandonada a sistemática anterior, pois implicou a disciplina dos requisitos a serem atendidos pelos candidatos - art. 123, parágrafo único. O fato de a Emenda Constitucional nº 7 haver reintroduzido a competência do legislador ordinário não atraiu, por si só, a repristinação do parágrafo único do art. 22 da Lei nº 5.010/66.Inexigível é o exame psicotécnico para ingresso na carreira de juiz federal não só diante dos termos do art. 123, parágrafo único, da Emenda nº 1, de 1969, como também do silêncio da lei que se lhe seguiu - nº 5.677 /71 (art. 4º) - e da editada após a Emenda nº 7, de 1977 _ nº 7.595/87 (art. 2º).

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15

Wilbur, Sarah. "Does the NEA Need Saving?" TDR/The Drama Review 61, no. 4 (December 2017): 96–106. http://dx.doi.org/10.1162/dram_a_00694.

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What are the stakes in saving the NEA, today? Departing from the recent legislative back-and-forth between President Donald Trump and Congress over the budgetary future of the National Endowment for the Arts (NEA), this performance analysis of the NEA’s 31 March 2017 meeting of the National Council on the Arts reveals the complex political posturing that undergirds federal support for the arts in US culture.

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16

Hager, Lori L. "Partnerships, Policies, and Programs: Ideological Constructions in Federal Youth Arts and Drama." Youth Theatre Journal 17, no. 1 (May 2003): 82–89. http://dx.doi.org/10.1080/08929092.2003.10012554.

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17

Koempel, Annie. "“Whoever Needs Food We’ll Feed Them One Way or the Other”: COVID-19 and Food Aid in Appalachian Kentucky." Human Organization 82, no. 1 (March 1, 2023): 73–83. http://dx.doi.org/10.17730/1938-3525-82.1.73.

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In one eastern Kentucky county, the COVID-19 pandemic and related economic downturn ushered in increases in federal and corporate aid. In response, families with school-aged children distributed excess food to friends and neighbors and donated food back to pantries they had previously utilized. In-depth, semi-structured interviews illuminate how public-private food aid amidst the COVID-19 pandemic was distributed to and within rural Kentucky communities and who was left out. I introduce the concept of networks of care, which comprise local systems of distribution among family, friends, and neighbors that challenge reliance on market labor for subsistence while demanding constant work to maintain. This paper argues that networks of care demonstrate the need and an extent infrastructure for large-scale distributive politics that compensate for this ongoing care work.

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18

Kotin, Joshua. "Funding the Black Arts Repertory Theatre/School." American Literary History 34, no. 4 (November 18, 2022): 1358–88. http://dx.doi.org/10.1093/alh/ajac152.

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Abstract The Black Arts Repertory Theatre/School (BARTS) opened in Harlem in May 1965 and closed less than a year later. During that year, it became a center for arts and activism, a target of government surveillance and infiltration, and a symbol in a national controversy about government spending and accountability, and Black nationalism and civil disobedience. Today, BARTS is recognized as the inspiration for the Black Arts Movement. This article presents a history of BARTS by detailing how it was funded. The article also intervenes in debates about government sponsorship of the arts, and complicity and cooption.Did federal funding lead to the destruction of BARTS? If so, was there any alternative?

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19

Olubunmi, Odewumi Michael. "Using Procedural And Conceptual Colour Stimulation-Game As an Instructional Gizmo For Nigerian Students." Journal of Games, Game Art, and Gamification 3, no. 2 (October 19, 2021): 37–42. http://dx.doi.org/10.21512/jggag.v3i2.7253.

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This research study focused on investigating on the effect of colour stimulation-game on Nigerian Junior secondary school creative arts by adopting quasi-experimental research design with 60 junior secondary schools of three co-educational, from Private, Public and Federal Secondary Schools using simple random sampling technique to randomly select The three secondary schools assigned to both experimental and control groups. With the aid of two instruments which were The Colour Stimulation-game and Colour Stimulation-Game Achievement Test (CSGAT), the data was collected. Frequency counts and percentage distribution, mean, standard deviation, independent t-test, ANOVA and ANCOVA were used to analyse the data demographic information, the research question and the hypothesis generated respectively. The researcher found out that the students taught with Stimulus perform better after treatment than the student taught with conventional teaching method, students taught with Colour Stimulus game performed better when exposed to treatment than their students taught with conventional teaching method and female students taught with Colour Stimulus game performed better than their male students. It was recommended that that creative arts instructors should utilizes, colour stimuli game and reducing conventional method do as to impact the appropriates knowledge for studentsKeywords: Colour Stimulation-Game, Colour, Game and instruction, Game, Significant in games

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20

Acioli, Pedro. "Funcionário público - Concurso - Limite de idade." Revista de Direito Administrativo 184 (April 1, 1991): 131–33. http://dx.doi.org/10.12660/rda.v184.1991.44333.

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- A Constituição Federal de 1988 proíbe qualquer discriminação, em razão da idade, para o ingresso do servidor em cargo público da administração direta, autárquica ou fundacional.Os arts. 1º, 3º e 4º da Lei nº 6.334/76 e art. 7º, incisos I e II do Decreto nº 92.360/86 não foram recepcionados pela Constituição Federal em vigor e desapareceram do mundo jurídico porque contrários ao mandamento constitucional. Precedente desta C. Corte.

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21

Reimer, Ekkehart. "La crisis financiera como oportunidad político-constitucional : el nuevo freno al endeudamiento en la Constitución Alemana." Teoría y Realidad Constitucional, no. 28 (June 1, 2011): 93. http://dx.doi.org/10.5944/trc.28.2011.6955.

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In course of the financial crisis, States have proven to be strong actors. However, they have paid a high price for the demonstration of their power-skyrocketing budgetary deficits as well as an alarming increase of overall public debts. With regard to EU Member States, it is true that EU law has mitigated tendencies towards deficit-spending to a considerable degree and that these merits are due to State Aid rules (Arts. 87 et seq. EC Treaty, now Arts. 107 et seq. TFEU) rather than to the Stability and Growth Pact. Many Member States, however, regard an autonomous reduction of deficits as indispensable and take constitutional measures to restrict their annual deficits and/or overall debts. The article analyses the amendments to the German Grundgesetz as well as accompagnying legislation which have been enacted by the Bundestag and Bundesrat in July 2009 as a „Föderalismusreform II“, a major reconfiguration of the legal rules on public deficits on both the federal level and the level of the 16 Länder (states), and provides an outlook on further steps to be taken in the future.En la crisis financiera los Estados se han mostrado como agentes poderosos. Ahora bien, han pagado un precio muy elevado por esta demostración de su capacidad de acción: un aumento vertiginoso de su nuevo endeudamiento neto y un incremento preocupante de la deuda acumulada. Dentro de la Unión Europea, si bien el Derecho de la Unión ha suavizado en considerable medida la tendencia de los Estados a financiarse mediante déficit, esto se ha debido más a una inteligente aplicación de las normas en materia de ayudas estatales [arts. 87 y 88 del Tratado de la Comunidad Europea (antigua versión), actualmente arts. 107 y 108 del Tratado de Funcionamiento de la Unión Europea] y menos al Pacto de Estabilidad y Crecimiento. No obstante, muchos Estados miembros consideran a la vez indispensable una reducción autónoma del déficit, y están adoptando medidas constitucionales para limitar su nuevo endeudamiento anual y/o su deuda acumulada. El presente trabajo analiza la reforma de la Ley Fundamental alemana y la legislación de acompañamiento que aprobaron el Bundestag y el Bundesrat en julio de 2009 en el marco de la segunda reforma del federalismo (Föderalismusreform II), una reordenación fundamental de la normativa en materia de déficit público, tanto en el ámbito federal como de los dieciséis Estados Federados (Länder), y aporta una visión prospectiva de qué reformas adicionales son necesarias.

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22

Sanches, Sydney. "Tribuna Regional Eleitoral - Advogado - Indicação." Revista de Direito Administrativo 184 (April 1, 1991): 198–202. http://dx.doi.org/10.12660/rda.v184.1991.44441.

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- Tribunal Regional Eleitoral. Juízes da classe de Advogados. Arts. 120, § 1º, inciso III, e 94, parágrafo único, da Constituição.Compete exclusivamente ao Tribunal de Justiça do Estado a indicação de advogados, para composição de Tribunal Regional Eleitoral, nos termos do art. 120, § 1º, inciso III, da Constituição, sem a participação, portanto, do órgão de representação da respectiva classe, a que se refere o parágrafo único do art. 94, quando trata da composição do quinto nos Tribunais Regionais Federais, dos estados, do Distrito Federal e territórios. Mandado de segurança indeferido.

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23

Bloemraad, Irene. "The North American Naturalization Gap: An Institutional Approach to Citizenship Acquisition in the United States and Canada." International Migration Review 36, no. 1 (March 2002): 193–228. http://dx.doi.org/10.1111/j.1747-7379.2002.tb00077.x.

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Using 1990 U.S. Census 5% PUMS and 1991 Canadian Census 3% public and 20% restricted microfiles, this article demonstrates the existence of a North American naturalization gap: immigrants living in Canada are on average much more likely to be citizens than their counterparts in the United States, and they acquire citizenship much faster than those living south of the border. Current theories explaining naturalization differences - focusing on citizenship laws, group traits or the characteristics of individual migrants - fail to explain the naturalization gap. Instead, I propose an institutional approach to citizenship acquisition. States' normative stances regarding immigrant integration (interventionist or autonomous) generate integrated or disconnected institutional configurations between government, ethnic organizations and individuals. Evidence from a case study of Portuguese immigrants living in Massachusetts and Ontario suggests that in Toronto government bureaucrats and federal policy encourage citizenship through symbolic support and instrumental aid to ethnic organizations and community leaders. In contrast, Boston area grassroots groups are expected to mobilize and aid their constituents without direct state support, resulting in lower citizenship levels.

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24

Alvarenga, Aristides Junqueira. "Vencimento - Vinculação - Delegado de polícia." Revista de Direito Administrativo 205 (July 1, 1996): 178–88. http://dx.doi.org/10.12660/rda.v205.1996.46814.

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- Ação direta de inconstitucionalidade. Arts. 179, parágrafo único, e 185, § 2ª, da Constituição do Estado do Rio de Janeiro, de 1989. Alegada incompatibilidade com o art. 37, XIII, da Constituição Federal.- Procedência da irrogação relativamente ao primeiro dispositivo que, ao estabelecer teto mínimo de vencimento para os Procuradores-Gerais das chamadas carreiras jurídicas, com base no maior texto estabelecido no âmbito dos Poderes do Estado, e escala vertical uniforme de percentuais mínimos para as diversas categorias funcionais que as integram, instituiu equiparação e vinculação vedada no mencionado dispositivo da Magna Carta.- Texto que se mostra insuscetível de aproveitamento parcial, para o fim de adaptação ao entendimento assentado pelo STF, na ADln 171, de que os arts. 135 e 241 da Constituição Federal assemelharam, para o efeito de isonomia remuneratória, as carreiras dos Procuradores, dos Defensores Públicos e dos Delegados de Polícia.- Conclusão diversa, relativamente ao segundo dispositivo impugnado, que se limitou a reproduzir, com breves explicitações que não desvirtuaram o sentido, a norma do referido art. 241 da Carta Federal. - Procedência parcial da ação.

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25

Off, Carol. "The Situation Heritage or Cultural Evolution: Federal Policy on Multiculturalism and the Arts." Canadian Theatre Review 56 (September 1988): 5–8. http://dx.doi.org/10.3138/ctr.56.001.

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26

Marcus, Lois G. "Sculpture and the Federal Triangle. George Gurney." Winterthur Portfolio 21, no. 4 (December 1986): 314–15. http://dx.doi.org/10.1086/496298.

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27

Luz, Américo. "Área indígena - Demarcação - Interdição." Revista de Direito Administrativo 193 (July 1, 1993): 292–315. http://dx.doi.org/10.12660/rda.v193.1993.45880.

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Mandado de Segurança. Área Indígena - Declaração de Posse e Definição de Limites para Demarcação Administrativa - Portaria Ministerial Decorrente de Proposição da FUNAI - Interdição da Área - Título Dominical Privado - Constituição Federal. art. 231 - ADCT. art. 67 - Lei n. 6.001173 - Decreto Federal nº 11/91 - Decreto Federal nº 22/91.Suficientemente pré-constituida a prova das situações e fatos da impetração, ainda que complexos, mas incontrovertidos, fica desembaraçada a via processual do "mandamus" para a verificação da liquidez e certeza, para a correta aplicação da lei.O direito privado de propriedade, seguindo-se a dogmática tradicional (Código Civil, arts. 524 e 527), à luz da Constituição Federal (art. 5º, XXII, CF.), dentro das modernas relações jurídicas, políticas, sociais e econômicas, com limitações de uso e gozo, deve ser reconhecido com sujeição à disciplina e exigência da sua função social (arts. 170, II e III, 182, 183, 185 e 186. CF.).É a passagem do Estado-proprietário para o Estado solidário, transportando-se do "monosistema" para o "polissistema" do uso do solo (arts. 5º, XXIV, 22, II, 24, VI, 30, VIII, 182, §§ 3º e 4º 184 e 185, CF.).Na "área indígena" estabelecida a dominialidade (arts. 20 e 231, CF.), a União é nua-proprietária e os índios situam-se como usufrutuários, ficando excepcionado o direito adquirido do particular (art. 231, §§ 6º e 7º CF.), porém, com a inafastável necessidade de ser verificada a habilitação ou ocupação tradicional dos índios, seguindo-se a demarcatória no prazo de cinco anos (art. 67, ADCT).Enquanto se procede a demarcação, por singelo ato administrativo, ex abrupto, a PROIBIÇÃO, além de ir e vir, do ingresso, do trânsito e da permanência do proprietário ou particular usufrutuário habitual, a título de INTERDIÇÃO, malfere reconhecidos direitos. A Inervenção, "se necessária': somente será viável nos estritos limites da legalidade e decidida pelo Presidente da República (art. 20, Lei 6.001/73).Não conferindo a lei o direito à "intervenção" (não está prevista na lei 6.001/73), unicamente baseada no Decreto nº 22/91, a sua decretação revela acintoso divórcio com a legalidade.Sem agasalho legítimo a malsinada "interdição" da propriedade, anula-se o item III, da Portaria do Senhor Ministro da Justiça, fulminandose o labéu flutuante, nessa parte, do ato administrativo ilegal.Segurança parcialmente concedida.

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Alvarenga, Aristides Junqueira. "Instituição de ensino - Dirigente - Eleição direta." Revista de Direito Administrativo 187 (January 1, 1992): 195–215. http://dx.doi.org/10.12660/rda.v187.1992.45077.

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- Sistema eletivo direto, para a escolha de dirigentes das instituições de ensino pablico estadual.Relevância do fundamento jurídico da impugnação desse critério, perante os arts. 37, ll. e 84, VI, da Carta Federal. Precedente: ADIn 578-RS (medida cautelar).Cautelar deferida para suspensão dos efeitos do inciso VII do art. 178 da Constituição do Paraná, não se conhecendo da ação quanto à Lei estadual nº 7.961, de 21-11-84, por ser anterior à Carta Federal de 1988, em que se funda a argüição de inconstitucionalidade.

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29

Fraden, Rena. "The Federal Theatre Project: A Case Study. By Barry B. Witham. Cambridge: Cambridge University Press, 2003; pp. 190. $70 cloth." Theatre Survey 46, no. 1 (May 2005): 134–35. http://dx.doi.org/10.1017/s0040557405250093.

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The Federal Theatre Project . . . was a unique and influential experiment in American theatre; not just for its outspoken politics, but because it reimagined the very way that theatre was produced in the United States. For the first time in the history of the country theatre was subsidized by the federal government, a practice with widespread precedents in Europe and Asia, but one that was totally out of step with free enterprise business practice and a culture which had banned plays in its Second Continental Congress. (1)So opens Barry Witham's case study of the Seattle Federal Theatre Project from 1935 to 1939.

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30

Townsend, Anthony M. "An Exploratory Study of Administrative Workers in the Arts." Public Personnel Management 29, no. 3 (September 2000): 423–34. http://dx.doi.org/10.1177/009102600002900309.

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This study focuses on an exploration of value differences between administrative workers in the arts and workers in for-profit business organizations. Data were collected among both for-profit and arts workers to determine if there are differences in the things they value in the workplace. Analyses indicate that there are differences between the groups' work values. The managerial implications of the study are then discussed at length. Here has been an increasing appreciation of the special problems and administrative imperatives faced by managers in semi-public organization and not-for-profit arts organizations in particular. Most arts organizations function somewhere in the gray area between a public agency (as they are frequently supported by, and responsible to, both municipal and Federal programs) and true not-for-profits. As such, administrators in arts organizations look to the experiences of both public agencies, as well as not-for-profit organizations, to provide guidance on the daily management of their organizational mission.

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31

Thibodeau, Sharon Gibbs. "Science in the Federal Government." Osiris 1 (January 1985): 81–96. http://dx.doi.org/10.1086/368639.

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Boubnova, Marina V. "COMPLEMENTARY AND RELATED COLOUR COMBINATIONS AS THE BASIS OF COLOUR HARMONY." Arts education and science 1, no. 38 (2024): 39–49. http://dx.doi.org/10.36871/hon.202401039.

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The article presents the results of an experiment, the purpose of which was to find an answer to the question, which colour consonances are preferred more often: those composed of complementary colours or those based on related contrast. The research was conducted among first-year students of the Faculty of Fine Arts and Folk Crafts at the Federal State University of Education. The paper describes the algorithm for conducting the experiment by means of the author’s methodology and presents the results of analysing the obtained data using the chi-square criterion. It is revealed that some colour combinations based on the contrast of complementary colours are significantly preferable to combinations of related colours, and vice versa: some combinations based on the contrast of related colours are significantly preferable to complementary harmonies. Certain areas of the colour wheel have equal preference for both complementary and related combinations. The findings of the study contribute to the scientific block of theoretical knowledge about colour and aid the awareness of various issues in art and art education. The materials can be used in educational practice.

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Little, Edward (TED), and Rachael Van Fossen. "Pedagogies, Politics and Practices in Working with Youth." Canadian Theatre Review 106 (March 2001): 5–10. http://dx.doi.org/10.3138/ctr.106.001.

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In 1998, following consultation with federal, provincial, territorial and municipal cultural departments, various arts councils and almost 200 Canadian artists and arts professionals, the Canadian Conference of the Arts (CCA) released its “Arts in Transition” report. Amongst other findings, the report concluded that education, training and funding of artists in Canada tend to continue emphasizing “modernist traditions” that place primary value on the artist as solitary creator – an approach oriented overwhelmingly to the development of artistic skills. While the report acknowledged that this model “has produced and continues to produce many exceptional artists and works of art,” the CCA also voiced the concern that many younger artists find the model confining, unable to accommodate their desire to work more closely with communities and to incorporate social and ecological issues into their art“ (5, 6).

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34

Wyszomirski, Margaret Jane. "Federal Cultural Support: Toward a New Paradigm?" Journal of Arts Management, Law, and Society 25, no. 1 (March 1995): 69–83. http://dx.doi.org/10.1080/10632921.1995.9941788.

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35

Richardson, Nick. "The 1931 Australian Federal Election—Radio Makes History." Historical Journal of Film, Radio and Television 30, no. 3 (September 2010): 377–89. http://dx.doi.org/10.1080/01439685.2010.505037.

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36

Braz, Antônio Torreão. "Constituição Estadual - Governador - Processo criminal." Revista de Direito Administrativo 188 (April 1, 1992): 274–87. http://dx.doi.org/10.12660/rda.v188.1992.45227.

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- Governador. Processo criminal. Lícito estabeleçam as constituições estaduais que o processo contra governador condicione-se a que a acusação seja previamente admitida pela assembléia legislativa. Constituição Federal, arts. 25 e 51, 1. Constituição do Estado da Bahia art. 107 - Argüição de inconstitucionalidade rejeitada. Superior Tribunal de Justiça

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37

Mazov, Sergey. "USSR Military Assistance to the Federal Government During the Nigerian Civil War (1967–1970)." Novaia i noveishaia istoriia, no. 4 (2023): 167. http://dx.doi.org/10.31857/s013038640027032-3.

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Drawing on newly available documents from the Foreign Policy Archive of the Russian Federation (AVP RF) the author closely examines Soviet-Nigerian military and technical cooperation during the Nigerian Civil War (1967–1970). He focuses on the following issues: the extent of Soviet assistance to the war efforts by the Federal Military Government (FMG) of Nigeria, how Soviet weapons were used in combat operations, what effect military aid had on Soviet-Nigerian relations. On 30th May 1967, the southeastern provinces of Nigeria attempted to secede as the self-proclaimed Republic of Biafra. This caused the Nigerian Civil War (1967–1970). The head of the FMG general Yakubu Gowon had to apply the USSR for military assistance. The USSR did not recognize the break-away region. The author argues that there were three Soviet-Nigerian arms deals in 1967–1969. The quantity of military hardware and small arms supplied to the FMG remains a guarded secret, and the author had to rely on the declassified CIA intelligence and other published sources. Soviet military personnel in Nigeria, mostly pilots and aviation specialists, strictly adhered to the rule: do not commit acts that might have involved the Soviet Union in the Nigerian conflict. During the war, Soviet-Nigerian relations rose from virtually zero to a fairly high level. However, military assistance did not turn Nigeria into a Soviet ally. Nigerian foreign policy did not change fundamentally, it was still dominated by the Western vector.

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38

Saunders, S. "The Case for the National Endowment for the Arts: Federal Funding for the Arts in America in the 1960s and 1970s." History of Political Economy 37, no. 3 (September 1, 2005): 593–616. http://dx.doi.org/10.1215/00182702-37-3-593.

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39

Patterson, William. "Estado - Intervenção Federal - Requisição judicial." Revista de Direito Administrativo 194 (April 1, 1993): 232–41. http://dx.doi.org/10.12660/rda.v194.1993.45957.

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- Proprietários de uma gleba maior, situada no Município paranaense de Piraquara (Atuba), tiveram 61.980,54m² invadidos por cerca de 80 famílias de "sem-terras". Ajuizaram em 25.06.1991 uma reintegratória. O juiz concedeu a liminar. Requisitou força policial para cumprimento de sua decisão. O comandante-geral da Polícia Militar, por seu turno, esclareceu que em virtude de decreto governamental, tais questões estavam afetas diretamente ao Governo. O pedido foi enviado ao governador. O juiz determinou que se aguardasse por mais um mês o cumprimento de sua liminar. Um mês depois, por provocação dos autores da reintegratória, representou pela intervenção. O presidente do TJPR fixou o prazo de 10 dias para que o governador cumprisse a ordem. Ouvido, o procurador-geral de Justiça foi pela intervenção. A representação interventiva foi acolhida à unanimidade pelo TJPR. Houve embargos declaratórios, inacolhidos por maioria. O presidente do STJ solicitou informações. Como elas não vieram, foram reiteradas. O governador, por fim, asseverou que nos termos do art. 211 do RITJPR cabia ao Pleno e não à Corte Especial deliberar sobre pedido de intervenção federal. Quanto ao mérito, nada de positivo se alegou, uma vez que as informações se cingiram a dizer que era preocupação constante do Governo paranaense evitar derramamento de sangue em pendengas de terras. O Ministério Público Federal foi pelo deferimento do pedido de intervenção.- Embora altamente traumática, por isso que admitida em casos taxativos e extremos, a intervenção federal é instituto destinado a preservar a própria federação. A sobrevivência do Estado e da própria sociedade está na preservação das decisões legais emanadas de autoridades constituídas, sob pena de prevalência da anomia, onde só tem vez aforça bruta, com garroteamento da lei e do direito. Embora justo e ponderável o receio de se evitar confronto sangrento, sobretudo com os menos favorecidos, não se pode, indefinidamente, aguardar pela boa vontade do Executivo estadual que, por lei, está encarregado de cumprir tais requisições judiciais. As questões levantadas nas informações não têm consistência e nada trazem de positivo para a solução do caso concreto.- Pedido de intervenção deferido para o fim específico do cumprimento da ordem reintegratória (CF, arts. 34, inc. VI, e 36, inc. II Lei nº 8.038/90, art. 19, inc. I).

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Filewod, Alan. "New Theatre / New Crises." Canadian Theatre Review 67 (June 1991): 3. http://dx.doi.org/10.3138/ctr.67.fm.

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As this issue goes to press, Canada finds itself in the grip of war and recession. And this after a year of Meech Lake, the GST and Oka. The remarkable thing about our present theatrical culture is not that artists are having trouble keeping up to the moment (the theatrical responses to the abovementioned events are, we hope, percolating now) but that the oppressive force of recent developments hasn’t discouraged the arts more. The most recent federal budget, with its crippling cutbacks to cultural programs, is a case in point; after all, the combined federal subsidies to all the theatres in Canada might - just might - buy and equip one fighter jet. To find theatrical innovation and adventure flourishing in such times surely attests to the determination and commitment of our artists.

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Zaikina, G. A. "Introductory article." Вестник Российской академии наук 93, no. 8 (August 1, 2023): 715–17. http://dx.doi.org/10.31857/s0869587323080091.

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On May 23 and 24, 2023, a regular General Meeting of members of the Russian Academy of Sciences was held in Moscow, in the Great Hall of the Russian Academy of Sciences. It was attended by First Deputy Chairman of the Government of the Russian Federation A.R. Belousov, Deputy Chairman of the Federation Council of the Federal Assembly of the Russian Federation K.I. Kosachev, First Deputy Chairman of the State Duma of the Federal Assembly of the Russian Federation A.D. Zhukov, Minister of Science and Higher Education of the Russian Federation V.N. Fal'kov, Minister of Health of the Russian Federation M.A. Murashko. The meeting was also attended by the chairmen of the relevant committee of the State Duma and the Federation Council; deputy ministers; presidents of Russian academies of education, arts, architecture, and construction sciences; and representatives of state corporations.

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42

Cavalcanti, Raquel Pires. "From how we’ve made it here to where we stand now: The presence of the Alexander Technique in higher education in Brazil." Journal of Dance & Somatic Practices 12, no. 1 (August 1, 2020): 47–59. http://dx.doi.org/10.1386/jdsp_00012_1.

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This article traces the arrival of the Alexander Technique in Brazil in the 1980s and its later insertion in higher education in the country. It focuses on two experiences: one at Universidade Federal do Estado do Rio de Janeiro ‐ UNIRIO (Federal University of the State of Rio de Janeiro) ‐ as a university extension course for musicians and one at Universidade Federal de Minas Gerais ‐ UFMG (Federal University of Minas Gerais and State University of Campinas) as an elective subject for dancers as part of the undergraduate dance course. The article aims to discuss the particularities as well as the challenges of introducing the Alexander Technique for the first time to trained dancers and musicians. The methodological approach included interviews with Alexander Technique teachers working and living in Brazil as well as the author’s personal experiences teaching the Alexander Technique in a university setting, articulated with the literature on this topic. The article hopes to contribute to the reflection on the role of somatic practices in higher education in order to collaborate with strategies that may help the teaching-learning process in an artistic-pedagogical academic environment.

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43

Webb, Dorothy. "Betty Kessler Lyman and The Indiana Federal Children's Theatre." Youth Theatre Journal 9, no. 1 (May 1995): 68–78. http://dx.doi.org/10.1080/08929092.1995.10012467.

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44

Kolbe, Lloyd J. "Federal Public Health Service." Health Education & Behavior 43, no. 5 (September 2016): 509–17. http://dx.doi.org/10.1177/1090198116667932.

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45

West, Ron. "Others, Adults, Censored: The Federal Theatre Project's Black Lysistrata Cancellation." Theatre Survey 37, no. 2 (November 1996): 93–113. http://dx.doi.org/10.1017/s0040557400001630.

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Though it has been almost completely overlooked, the arbitrary cancellation of the Seattle Negro Repertory Company's 1936 Lysistrata provides a remarkable opportunity to explore the connections between a single, seemingly localized action and a network of socially, politically, and racially repressive forces. Lysistrata's closure on ostensibly moral grounds reveals the operation of a set of cultural and social controls masked as standards of decency. An array of racist assumptions as rigid as those anywhere in the country, though somewhat more subtle, obscured the generally repressive ends that the control system served, both in Seattle and nationwide. The incident thus provides clues to the institutionalized antireform mechanisms that soon coalesced in a successful congressional attack on the Works Project Administration's Federal Theatre Project (FTP), of which the Negro Repertory Company (NRC) was a major unit. The Lysistrata cancellation's connection with that broader offensive also demonstrates the manner in which Hallie Flanagan's “free, adult, uncensored” national theatre threatened the nation's essentially conservative political power structure and drew the decisive backlash that eventually overturned efforts at social change during the Depression Era.

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46

Osborne, Elizabeth A. "The Promise of the Green New Deal." TDR: The Drama Review 65, no. 4 (December 2021): 11–28. http://dx.doi.org/10.1017/s1054204321000502.

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US theatre suffers from insufficient funding, mass unemployment, and widespread structural inequities. The Green New Deal, with its calls to create millions of highwage jobs and promote equity, offers a solution: establish a Green Federal Theatre. This examination of two historical Federal Theatre Project structures — the National Service Bureau and the Community Drama Program — culminates in a manifesto for a Green Federal Theatre.

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47

Moore, John Allphin, and Margaret C. S. Christman. "The First Federal Congress, 1789-1791." Eighteenth-Century Studies 23, no. 3 (1990): 353. http://dx.doi.org/10.2307/2738807.

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48

Schnepf, J. D. "Collaborative Futures: Arts Funding and Speculative Fictions." Review of International American Studies 13, no. 2 (December 31, 2020): 145–57. http://dx.doi.org/10.31261/rias.9995.

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According to scholars of literary sociology, US arts institutions—from the federal government to the writers’ colony to the creative writing program—have been central to the shaping of US literature for the better part of a century. This paper offers a preliminary investigation of the global crowdfunding platform Kickstarter as an emerging arts institution. Drawing on Kim Stanley Robinson and Marina Abramović’s artistic collaboration as a case study, the paper argues that the appearance of the Marina Abramović Institute (MAI) in Robinson’s novel New York 2140 troubles the author’s stated generic commitments to “realist speculative fiction”—fiction that bases its vision of the future on the state of things in our present. In addition to furnishing uncertain conditions of production for the novel, Kickstarter’s funding model solicits short-form speculative fiction organized around neoliberal selfhood from its artists. With the assistance of Kickstarter’s networked platform, the MAI’s capital campaign reimagined private funding as public performance art, as dutiful civic engagement, and as reward for artists willing to narrate entrepreneurial optimism.

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Grignard, Christopher. "Edmonton Theatre Practitioners Give Voice to the Less Heard: A Report on Edmonton as Cultural Capital of Canada 2007." Canadian Theatre Review 136 (September 2008): 115–18. http://dx.doi.org/10.3138/ctr.136.020.

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The federal government created Cultural Capitals of Canada in 2002. According to its Web site, the national program was created to “recognize and support Canadian municipalities for special activities that harness the many benefits of arts and culture in community life.” Each year, Canadian municipalities compete to be the nation's Cultural Capital; there are three categories, determined by population, for which they can apply. In 2007, Edmonton was chosen as Cultural Capital in the category of population over 125,000. Since the program's inception, cities awarded Cultural Capital status in this category have included Vancouver, Regina, Toronto and Saskatoon. Being named Cultural Capital comes with the challenging task of fulfilling a long list of objectives devised in response to the program's specific criteria related to arts and culture. The city that receives the award has to create a number of events to promote and celebrate the arts and to generate funding opportunities that fulfil one of the program's primary goals: to integrate arts and culture into community planning.

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Khmelnitskaya, Olga Nikolaevna, Yulia Nikolaevna Mavrodina, and Natalia Viktorovna Vasilyeva. "Improving the forms of practice-oriented training." KANT 41, no. 4 (December 15, 2021): 316–23. http://dx.doi.org/10.24923/2222-243x.2021-41.58.

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The purpose of the study is to propose the optimal forms of practice-oriented education in relation to music specialties and areas of training at a university of arts and culture. The article focuses on the differences in the Federal state educational standards of the previous and current generations. (Federal State Educational Standard 3+ and Federal State Educational Standard 3 ++) in the part concerning the organization of practice-oriented training. The conditions for the optimization of this process are considered. The scientific novelty consists in identifying specific forms of work and specific features of practice-oriented teaching of students of various musical specialties of the university. As a result of the research, effective forms of practice-oriented education have been developed, which are introduced into the process of professional training of future specialists in the field of musical art and pedagogy.

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