Journal articles on the topic 'Feature films – united states'
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McManus, Emily J. "The Tango in Translation: Intertextuality, Filmic Representation, and Performing Argentine Tango in the United States." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (March 25, 2014): 194. http://dx.doi.org/10.21992/t9w34w.
Full textSheppard, W. Anthony. "An Exotic Enemy: Anti-Japanese Musical Propaganda in World War II Hollywood." Journal of the American Musicological Society 54, no. 2 (2001): 303–57. http://dx.doi.org/10.1525/jams.2001.54.2.303.
Full textVétu, Guillaume. "Animist influence and immutable corporeality: Repositioning the significance of Japanese cinematic zombies." East Asian Journal of Popular Culture 7, no. 1 (April 1, 2021): 115–34. http://dx.doi.org/10.1386/eapc_00042_1.
Full textAuwen, Aurora, Mark Emmons, and Walter Dehority. "Portrayal of Immunization in American Cinema: 1925 to 2016." Clinical Pediatrics 59, no. 4-5 (January 22, 2020): 360–68. http://dx.doi.org/10.1177/0009922819901004.
Full textShrock, Joel. "Desperate Deeds, Desperate Men: Gender, Race, and Rape in Silent Feature Films, 1915–1927." Journal of Men’s Studies 6, no. 1 (October 1997): 69–89. http://dx.doi.org/10.1177/106082659700600104.
Full textMoore, Cornelius. "African Cinema in the American Video Market." Issue: A Journal of Opinion 20, no. 2 (1992): 38–41. http://dx.doi.org/10.1017/s004716070050153x.
Full textKlenotic, Jeffrey. "‘Big’ and ‘little’ Quo Vadis? in the United States, 1913–1916: Using GIS to map rival modes of feature cinema during the transitional era." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 32, no. 41 (January 5, 2023): 5–25. http://dx.doi.org/10.14746/i.2022.41.01.
Full textPorst. "United States v. Twentieth Century-Fox, et al. and Hollywood's Feature Films on Early Television." Film History 25, no. 4 (2013): 114. http://dx.doi.org/10.2979/filmhistory.25.4.114.
Full textMiranda-Barreiro, David. "‘Little Spain’ or ‘Little Galicia’?" Journal of Romance Studies 20, no. 3 (December 1, 2020): 489–512. http://dx.doi.org/10.3828/jrs.2020.26.
Full textGarðarsdóttir, Hólmfríður. "Ante la indiferencia: Representaciones visuales que reafirman cómo la decepción utópica se vuelve distópica." Bergen Language and Linguistics Studies 10, no. 1 (November 14, 2019): 12. http://dx.doi.org/10.15845/bells.v10i1.1449.
Full textTheophilopoulos, Constantine. "State compulsion of smartphone security features and the privilege against self-incrimination." South African Journal of Criminal Justice 36, no. 2 (2023): 282–303. http://dx.doi.org/10.47348/sacj/v36/i2a5.
Full textLozano, Jose Carlos. "From Parochialism to Cosmopolitanism in the American Audiovisual Supply? Netflix’s New Releases of Television Fiction in the United States and their Geographical Diversity." Anagramas Rumbos y Sentidos de la Comunicación 20, no. 40 (May 19, 2022): 200–223. http://dx.doi.org/10.22395/angr.v20n40a9.
Full textBuranok, Sergey Olegovich. "Methodological features of the study of «combat films» in the United States of 1941-1945." Samara Journal of Science 11, no. 1 (March 1, 2022): 246–49. http://dx.doi.org/10.55355/snv2022111215.
Full textWolf, J. A., K. A. Peterson, P. T. Vianco, M. H. Johnson, and S. Goldammer. "Robustness and Versatility of Thin Films on Low Temperature Cofired Ceramic (LTCC)." International Symposium on Microelectronics 2011, no. 1 (January 1, 2011): 000559–65. http://dx.doi.org/10.4071/isom-2011-wa3-paper6.
Full textFernandes, Vitor, and Claudio Vescia Zanini. "We’re doing this because you were home: an analysis of elements of the slasher formula in The Strangers (2008)." Literartes 1, no. 15 (December 21, 2021): 215–42. http://dx.doi.org/10.11606/issn.2316-9826.literartes.2021.188450.
Full textLevin, Yaroslav A. "Image of Ally." Galactica Media: Journal of Media Studies 4, no. 4 (December 12, 2022): 210–22. http://dx.doi.org/10.46539/gmd.v4i4.267.
Full textRooks, Daisy, and Carolina Bank MuÑOz. "Brilliant, Bored, or Badly Behaved? Media Coverage of the Charter School Debate in the United States." Teachers College Record: The Voice of Scholarship in Education 117, no. 8 (August 2015): 1–48. http://dx.doi.org/10.1177/016146811511700802.
Full textArtamonov, G. A., and A. S. Orlova. "Features of the Embodiment of the Image of the Enemy in the Game Cinema of Modern Russia." Prepodavatel XXI vek, no. 4, 2019 (2019): 312–22. http://dx.doi.org/10.31862/2073-9613-2019-4-312-322.
Full textPowell, Ryan. "Hardcore Style, Queer Heteroeroticism, and After Dark." Feminist Media Histories 5, no. 2 (2019): 111–47. http://dx.doi.org/10.1525/fmh.2019.5.2.111.
Full textXu, Zhinan. "The Effectiveness of Ideological Communication in Mainstream Films Based on Semantic Networks --Taking the Chinese and American Movie Reviews of Top Gun: Maverick as an Example." Communications in Humanities Research 10, no. 1 (October 31, 2023): 193–206. http://dx.doi.org/10.54254/2753-7064/10/20231317.
Full textKümmerling-Meibauer, Bettina. "Introduction." Journal of Educational Media, Memory, and Society 5, no. 2 (September 1, 2013): 39–44. http://dx.doi.org/10.3167/jemms.2013.050203.
Full textBuranok, Sergey Olegovich, and Daria Yurievna Selifontova. "China and the war in the cinema of the USA in 1941–1942." Samara Journal of Science 11, no. 4 (December 1, 2022): 200–204. http://dx.doi.org/10.55355/snv2022114206.
Full textFord, Akkadia. "Duration, Compression, Extension and Distortion of Time in Contemporary Transgender Cinema." Somatechnics 9, no. 1 (April 2019): 58–83. http://dx.doi.org/10.3366/soma.2019.0265.
Full textSHUMILINA, INNA V. "Features of Screen Construction of the Image of the President of the United States: Hollywood—Media—Politics." Art and Science of Television 18, no. 1 (2022): 113–58. http://dx.doi.org/10.30628/1994-9529-2022-18.1-113-158.
Full textHamilton, Annette. "Fragments in the Archive: The Khmer Rouge Years." Plaridel 15, no. 1 (June 2018): 1–14. http://dx.doi.org/10.52518/2018.15.1-01hmlton.
Full textCharlot, John. "Vietnamese Cinema: First Views." Journal of Southeast Asian Studies 22, no. 1 (March 1991): 33–62. http://dx.doi.org/10.1017/s0022463400005452.
Full textBuranok, Sergey. "The 1942 Film Wake Island: Features of the Propaganda and Visualisation of World War II in the United States." Novaia i noveishaia istoriia, no. 5 (2022): 142. http://dx.doi.org/10.31857/s013038640019695-2.
Full textEMILIANO, Gustavo Barbalho Guedes, Fernando Souza MARINHO, and Rogério Nogueira de OLIVEIRA. "Potential contribution of periapical radiographic film image processing for forensic identification." RGO - Revista Gaúcha de Odontologia 64, no. 4 (December 2016): 484–89. http://dx.doi.org/10.1590/1981-8637201600030000193215.
Full textYing, Yafei. "Analyzing Feminism in Silence of the Lambs from the Perspective of Power." BCP Social Sciences & Humanities 21 (February 15, 2023): 263–70. http://dx.doi.org/10.54691/bcpssh.v21i.3502.
Full textZięba, Hubert. "Rasa, płeć, choroba. Sposoby reprezentowania czarnych kobiet w kontekście epidemii AIDS w Stanach Zjednoczonych." Prace Kulturoznawcze 21, no. 4 (October 30, 2018): 97–118. http://dx.doi.org/10.19195/0860-6668.21.4.6.
Full textSmith, Paul Julian. "Screenings." Film Quarterly 71, no. 1 (2017): 73–79. http://dx.doi.org/10.1525/fq.2017.71.1.73.
Full textBelov, S., and A. Zhidchenko. "The image of the phantom threat to children by the United States in Soviet historical cinema of the cold war period." Journal of Political Research 4, no. 1 (March 27, 2020): 25–37. http://dx.doi.org/10.12737/2587-6295-2020-25-37.
Full textToth, Leah. "“Beautiful, If You See It the Right Way”." Resonance 2, no. 1 (2021): 52–65. http://dx.doi.org/10.1525/res.2021.2.1.52.
Full textMontgomery, Denise. "Meeting the Needs of Young People During the COVID-19 Pandemic Through Program Adaptations in Creative Youth Development Programs." IJREE – International Journal for Research on Extended Education 10, no. 2 (October 25, 2023): 54–72. http://dx.doi.org/10.3224/ijree.v10i2.05.
Full textQiao, Zixin. "The 1949 Version of Little Women wears more Feminism Features than the 2019 One." Communications in Humanities Research 3, no. 1 (May 17, 2023): 1127–40. http://dx.doi.org/10.54254/2753-7064/3/2022959.
Full textRutten, Andrew. "UNITED STATES AND CANADA An Empire Divided: The American Revolution and the British Caribbean. By Andrew Jackson O'Shaughnessy. Philadelphia: University of Pennsylvania Press, 2000. Pp. xviii, 357. $55.00, cloth; $22.50, paper." Journal of Economic History 61, no. 4 (December 2001): 1132–33. http://dx.doi.org/10.1017/s0022050701005721.
Full textAgapov, M. G. "“Screen on the Chum”: Social Reconstruction and Mobile Film Propaganda in the North of the Ob region in the 1930s." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2(61) (June 15, 2023): 190–98. http://dx.doi.org/10.20874/2071-0437-2023-61-2-16.
Full textStasch, Rupert. "The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture." Comparative Studies in Society and History 53, no. 1 (January 2011): 75–112. http://dx.doi.org/10.1017/s0010417510000630.
Full textMohammed, Abdullah. "African video films: Stereotypes and narrative crumple in the quest for transnationality in Dar 2 Lagos." Umma: The Journal of Contemporary Literature and Creative Art 8, no. 1 (December 2021): 55–67. http://dx.doi.org/10.56279/ummaj.v8i1.4.
Full textKreer, Mikhail, Tatiana Skazochkina, and Aleksandr Skazochkin. "Methodological Map as a New Element of the Diagnostic System of Personnel Training for Modern Economy." Science Management: Theory and Practice 3, no. 3 (September 28, 2021): 45–60. http://dx.doi.org/10.19181/smtp.2021.3.3.2.
Full textPutcha, Rumya S. "The Mythical Courtesan." Meridians 20, no. 1 (April 1, 2021): 127–50. http://dx.doi.org/10.1215/15366936-8913140.
Full textLeung, Kevin. "(Digital Presentation) Pinpointing the Potential-of-Zero-Charge in a Alumina-Coated Aluminum/Water Interface Model for Corrosion Applications." ECS Meeting Abstracts MA2022-01, no. 16 (July 7, 2022): 991. http://dx.doi.org/10.1149/ma2022-0116991mtgabs.
Full textSputnitskaya, N. Yu, and M. F. Kazyuchits. "Contemporary Approaches to the Study of Soviet and Post-Soviet Screen Culture. Based on the Material of 53rd ASEEES Congress, USA." Art & Culture Studies, no. 2 (June 2022): 106–37. http://dx.doi.org/10.51678/2226-0072-2022-2-106-137.
Full textTay, Kenneth. "A well-oiled engine: Towards a critical petro-aesthetics of Singapore." Journal of Environmental Media 4, no. 1 (April 1, 2023): 9–25. http://dx.doi.org/10.1386/jem_00094_1.
Full textPetterson, Aino, and Robbie M. Sutton. "Sexist Ideology and Endorsement of Men’s Control Over Women’s Decisions in Reproductive Health." Psychology of Women Quarterly 42, no. 2 (December 15, 2017): 235–47. http://dx.doi.org/10.1177/0361684317744531.
Full textXue, Mengjie. "The Transmission Effect of Costume Dramas on International Social Media." Journal of Education, Humanities and Social Sciences 1 (July 6, 2022): 82–85. http://dx.doi.org/10.54097/ehss.v1i.642.
Full textPilcher, Lauren. "Racial Ideology in Government Films: The Past and Present of the US Information Service’s Men of the Forest (1952)." Genealogy 6, no. 2 (May 7, 2022): 41. http://dx.doi.org/10.3390/genealogy6020041.
Full textVoges, Jonathan. "Medien zum Selbermachen Der Baumarkt als Ort des medialisierten Einkaufs seit den 1970er Jahren." Zeitschrift für Unternehmensgeschichte 66, no. 1 (March 1, 2021): 51–67. http://dx.doi.org/10.1515/zug-2020-0026.
Full textKolmogorova, Anastasia V. "Texts of “internet confessions” as a source for training data set for the research on the sentiment-analysis field." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 3 (2019): 71–82. http://dx.doi.org/10.25205/1818-7935-2019-17-3-71-82.
Full textDzidzoev, V. D. "SOVEREIGNTY AS A DISTINCTIVE FEATURE OF THE STATE." Law Нerald of Dagestan State University 35, no. 3 (2020): 19–24. http://dx.doi.org/10.21779/2224-0241-2020-35-3-19-24.
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