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Dissertations / Theses on the topic 'Fashion'

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Published: 4 June 2021
Last updated: 25 May 2024

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1

Machadinho, Mónica Filipa Coelho. "Fast fashion vs. slow fashion." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17804.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
A presente dissertação, de cariz teórico-prático, insere-se no âmbito do Design de Moda, particularmente na observação dos novos comportamentos do mercado e das novas tendências de consumo, resultantes do atual processo de globalização decorrente da Terceira Revolução Industrial. A partir de revisão de literatura relevante, este estudo pretende analisar a evolução da globalização e o seu impacto junto dos consumidores. Os antagónicos movimentos de Fast Fashion e Slow Fashion, assumem particular importância no contexto da indústria da Moda, e exprimem diferentes valores estéticos, culturais e sociais que proporcionam diferentes visões no pensamento e vivência dos consumidores, estabelecendo conexões entre as consequências geradas por ambos os movimentos. Através de uma análise SWOT, a presente investigação procura obter uma mais correcta identificação dos valores de cada um destes dois sistemas, fundamentais para a compreensão de uma moda mais consciencializada e justa. Com base nos princípios da Slow Fashion, que valorizam não só as questões da ética e sustentabilidade mas, e sobretudo, a valorização das habilidades tácteis dos artesãos populares portugueses, surge o levantamento das principais técnicas e desenhos utilizados na elaboração do tradicional “Bordado de Viana”, que servirá de suporte à coleção desenvolvida.
ABSTRACT: This essay, of a theoretical and practical nature, is aimed at the observation of new behaviors in markets as well as the new trends of consumption, resulting from the ongoing process of globalization of the Third Industrial Revolution. Starting with the consulting of relevant literature, this research intends to analysis the evolution of the globalization, and the impact on consumers. The antagonistic movements of Fast Fashion and Slow Fashion which are particularly important in the Fashion industry, and express different aesthetical, cultural, and social values that allow us new insights into the thinking and background of consumers, establishing connections between the consequences that arose from these movements. Through a SWOT analysis, the present investigation attempt to obtain a more accurate identification of the values of each of the two systems, which is fundamental in the understanding of a more aware and fair fashion. Based on the principles of Slow Fashion, which hold in high regard not only matters of ethics and sustainability but, first and foremost, the valuing of the labor skills of popular Portuguese artisans, comes up the main techniques and designs used in the production of the traditional “Bordado de Viana” were studied, and served as inspiration for the collection that will be developed.
N/A
2

Minhas, Frida, and Mersiha Memic. "The fast fashion phenomenon : Luxury fashion brands responding to fast fashion." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20850.

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Purpose:The purpose of this thesis has been to study, describe and analyze how luxury fashion brands have responded to fast fashion. Background:It has been stated that the life of luxury fashion brands has become more difficult since the proliferation of fast fashion brands. The Italian luxury fashion designer Giorgio Armani has said that "Fast fashion is a growing reality in our sector". Anna Wintour, the editor-in-chief of American Vogue has credited Zara for creating a ‘seasonless cycle for fashion’. Fast fashion brands such as H&M, Zara, Mango and Topshop have through interpreting catwalk trends with a speedy time-to-market been extremely successful at attracting the fashion conscious consumer. Even loyal high-end customers have started to mix their luxury fashion with fast fashion. Luxury fashion brands once dismissed the fast fashion brands as irrelevant to their high-end business, which however have started to drain away sales from the luxury fashion brands.Method:A qualitative research approach was taken to meet the purpose of collecting the relevant data. An interview was made with PR and Marketing Manager at Group 88, Robert Meeder who manages brands such as Gucci, Burberry and Bottega Veneta in Copenhagen. We also did a content analysis on articles collected that address the issue of how different luxury fashion brands have responded to fast fashion for the empirical study.Conclusion:Luxury fashion brands have responded to fast fashion by inclining towards the fast fashion model or reacting against it. Some of the reactions have been to offer lower priced lines under their own sub-brands. They have also allowed their customers to buy products during online webcasts in order to ensure early deliveries. Improvements have been made within logistics in order to speed up the time-to-market. The luxury fashion brands are also working more ‘seasonless’ than before and focusing on their heritage to portray a slower and more indulgent image to the consumer.
Program: Magisterutbildning i Fashion Management
3

Zhang, Yanqing. "Tech Fashion : Fashion Institutionalization in Digital Technology." Doctoral thesis, Stockholms universitet, Institutionen för data- och systemvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-130200.

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This thesis explores aesthetization in general and fashion in particular in digital technology design and how we can design digital technology to account for the extended influences of fashion. The thesis applies a combination of methods to explore the new design space at the intersection of fashion and technology. First, it contributes to theoretical understandings of aesthetization and fashion institutionalization that influence digital technology design. We show that there is an unstable aesthetization in mobile design and the increased aesthetization is closely related to the fashion industry. Fashion emerged through shared institutional activities, which are usually in the form of action nets in the design of digital devices. “Tech Fashion” is proposed to interpret such dynamic action nets of institutional arrangements that make digital technology fashionable and desirable. Second, through associative design research, we have designed and developed two prototypes that account for institutionalized fashion values, such as the concept “outfit-centric accessory.” We call for a more extensive collaboration between fashion design and interaction design.

At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 1: Accepted. Paper 5: Manuscript.

4

陳嘉敏 and Ka-man Carmen Chan. "Museum of fashion in a district of fashion." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986286.

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Kareinen, Kira, and Sonja Kainulainen. "No fashion victims? - Motivations for sustainable fashion consumption." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-297704.

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The tension between fashion and sustainability has been recognized, as it has been argued whether fashion can be sustainable. This is due to the several ethical dilemmas the fashion industry is facing, including not only environmental but also social problems. These issues have gained an increasing amount of consumers' attention during the last years. Even if these problems are recognized, consumers are still having an attitude-behaviour gap towards sustainable consumption, where positive attitude does not reflect on actions. Therefore, this study takes a deeper look into the consumption behaviour of sustainable fashion consumers and aims to clarify, what motivates to purchase sustainable fashion products. With the help of a means-end theory, this exploratory research aims to understand consumers' values behind their purchasing behaviour. The empirical data was collected using an existing sustainable fashion company's customer base in the Netherlands, as their customers have already shown interest towards sustainable fashion. This study is based on nineteen qualitative in-depth laddering interviews, lasting around 25 minutes. The data resulted in several means-end chains that presented which attributes, consequences and values motivate and influence on consumers' purchasing of sustainable fashion. After collecting the data, content analysis was conducted and as a result emerged four dominant motivational themes that motivate consumers to buy sustainable fashion products: self-expression, protect the future, contribution as well as help, care and responsibility. These motivational themes show what consumers value when they make sustainable fashion purchases. In the end, the results of this research are contributing to the holistic understanding of sustainable fashion consumption as well as give insights to the under-researched topic of motivations to purchase sustainable fashion.

6

Igareta, Herráiz Angel Luis. "Leveraging Adult Fashion to Enhance Children’s Fashion Recognition." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-301657.

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The future of the fashion industry is expected to be online, thus a significant amount of research is being conducted in the field of fashion image analysis. Currently, a task that places a heavy workload on online stores is manually tagging new garments, including attributes such as category, color, pattern, or style. To this end, extensive research has targeted the automatic prediction of clothing categories and attributes, achieving promising results. Nevertheless, no previous study has been found in the literature that specifically reflects the performance of clothing attribute recognition with children’s clothing. This work intends to fill this gap and effectively present, in the same fashion analysis task, how a model trained in adult fashion performs over a model trained exclusively in children’s fashion. When examining the global understanding of children’s fashion apparel, the experiments exhibit that the best performance is obtained when leveraging the domain knowledge of adult fashion, specifically from the iMaterialist dataset, wherein the best model a difference in the overall performance of about 3% was achieved compared to pre- training on the ImageNet dataset or 12% when only children’s fashion was considered for training.
Modebranschen förväntas i framtiden vara online, och därför bedrivs det mycket forskning inom området bildanalys av modebilder. En uppgift som för närvarande innebär en stor arbetsbörda för nätbutiker är att manuellt tagga nya plagg med attribut som kategori, färg, mönster eller stil. Därför har omfattande forskning genomförts om automatisk förutsägelse av klädkategorier och attribut, och man har uppnått lovande resultat. Trots detta har ingen tidigare studie hittats i litteraturen som specifikt speglar prestandan för igenkänning av klädattribut för barnkläder. Syftet med det här arbetet är att fylla denna lucka och, som en del i en analys av mode, på ett effektivt sätt visa hur en modell som tränats för vuxenmode presterar jämfört med en modell som enbart tränats för barnmode. När man undersöker den globala förståelsen för barnkläder visar experimenten att den bästa prestandan uppnås när man utnyttjar domänkunskapen om vuxenmode, särskilt från iMaterialist- dataset, där man med den bästa modellen uppnådde en skillnad i den totala prestandan på cirka 3% jämfört med förträning på ImageNet- dataset eller 12% när endast barnmode beaktades vid träningen.
7

Довгополова, А. А. "Структурно-етимологічний аналіз імені концепту FASHION номінації FASHION." Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/36238.

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Для більш глибокого вивчення англомовної картини світу в її динамічному розвитку та, зважаючи на важливе значення даного концепту в картині світу носія сучасної англійської мови, розгляд структури і закономірностей вербалізації концепту FASHION є дуже важливим. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/36238
8

Chan, Ka-man Carmen. "Museum of fashion in a district of fashion." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954763.

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North, Matthew. "Constructing fashion." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ48232.pdf.

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Гришай, Крістіна Сергіївна. "Fashion innovations." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13055.

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Smyrnova, Anna. "Fashion photography." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13164.

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Maksymets, P. V. "Sustainable fashion." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14386.

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Міцура, Олена Олексіївна, Елена Алексеевна Мицура, Olena Oleksiivna Mitsura, and К. С. Заяц. "Fashion-маркетинг." Thesis, Сумской государственный университет, 2012. http://essuir.sumdu.edu.ua/handle/123456789/28776.

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Jospitre, Maryse. "Urban Fashion." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/29382.

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How can architecture transcend style in the fashion world? My thesis offers experiences for both the public and private realm of the fashion industry. For the public, the opportunity to see and feel the clothes on the runways. For the private, the designers can work, show and display all in one building. The project divides itself into two worlds, the static vs. the dynamic. Both polarities are evident in the runways and in the gallery space. In a world where fashion is in and out in a matter of a season, can architecture transcend the moment?
Master of Architecture
15

Lateef, Fehraz Aaron. "High fashion." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/31818/1/Fehraz_Lateef_Thesis.pdf.

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High Fashion is a practice-led research enquiry that examines the processes involved in producing a no-budget film of high aesthetic standards that can confidently compete in the global film festival market, and to reflect on the production techniques tested during the making of the film. The practical outcome of the research is a twenty-five minute short drama. It incorporates a large cast and crew, original designer clothing, extravagant sets, and a popular soundtrack. The thesis considers how over one hundred professionals volunteered their time, expertise, and equipment to help produce the film. The thesis also examines the many obstacles encountered while producing the film and how these were overcome. It is written for the student filmmaker as a guide to "learn by doing."
16

Jobling, Paul. "Fashion figures : word and image in contemporary fashion photography." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/4290/.

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This study explores the tension between text and image in the fashion spreads published in three magazines since 1980: The Face, Arena and Vogue. It takes as its starting part Roland Barthes' axiom that the magazine is 'a machine for making Fashion' and pursues his thesis that it is through 'represented clothing', rather than real garments themselves, that the meaning of Fashion is connoted. But it also contests his idea that the Fashion system is a vacuous or trivial form of signification, and in exploring both the verbal and pictorial elements of fashion spreads aims to uncover how they intersect with wider cultural events. The material under discussion has been arranged into three separate parts. Each one has its own discursive framework and diverse methodological perspective, yet it is also dialectically related to the others in a wider argument concerning the construction of the body in word and image in contemporary fashion photography. Part One serves to provide an overview of the evolution of the three chief titles consulted, considering the social, economic and aesthetic factors that have been instrumental in forging an identity for fashion photography since 1980. At the same time, it examines the preoccupation with a postmodern treatment of time and history in various spreads and assesses whether iconocentrism ipso facto renders fashion photography devoid of any deeper meaning. Part Two builds on this argument by analysing the ideas propounded in Roland Barthes' Systeme de la Mode, chiefly the distinction he makes between written clothing (le vetement ecrit) and image-clothing (le vetement-image), in the context of debates on logocentrism. Here I assess whether Barthes' predilection for written clothing is both viable and relevant when it comes to making sense of the symbolic content of represented clothing with particular reference to a fashion spread called 'Amoureuse' from Elle (June 1958). I also evince the same spread along with more contemporary examples to assess the way that Barthes deals with sex and gender in Systeme de la Mode. Part Three consolidates this exploration of gender and fashion by concentrating on the intense interest in sex and the body that has subtended much fashion imagery between 1980 and 1996. At this point, I deal with the objectification of female and male sexualities by mobilising the central tropes of the 'girl' and the phallic body respectively. In the process, I raise a diverse and complex intersection of related issues concerning identity formation and otherness, power, and visual pleasure. Thus I examine the investment that different producers and spectators might have in the fashion image: male and female; straight and gay; and white and non-white. In particular, I draw heavily on the psychoanalytical theories of Freud and Lacan, as well as more recent writing by Julia Kristeva, Luce Irigaray, Judith Butler and Diana Fuss.
17

JOHANSSON, ELEONOR. "Slow fashion : the answer for a sustainable fashion industry?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20182.

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The fashion industry is today a global industry and has huge effect on our environment as well as on people. It is dominated by fast fashion and just-in-time production that has lead to increased seasons and mini-collections in season, which generate new low price items in store every week and even every day. This in turn has lead to an escalation in fashion trends that spris our desires for new experiences and leads to overconsumption where consumers buy more than they need, which in the end results in fashion waste.
Program: Magisterutbildning i Applied Textile Management
18

Гончаренко, Каріна, and Karina Honcharenko. "Fashion tech as the leading world fashion industry trend." Thesis, Національний авіаційний університет, 2020. http://er.nau.edu.ua/handle/NAU/43566.

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Nowadays modern technologies and innovations open new horizons for those who create products and services. New technological changes apply, in fact, to all areas of life and business, from the aerospace industry to medicine, education and even the arts. Virtual (VR) and augmented reality (AR), artificial intelligence (AI), blockchain, smart technologies, the Internet - at this stage these things have become or are gradually becoming ordinary and commonplace.
19

Wylie, Shannon M. "Fashion meets journalism : mapping and evaluating Australian fashion journalism." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/73088/1/Shannon_Wylie_Thesis.pdf.

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Fashion journalism can be understood as a complex, inter-dependent set of professional practices that have arisen in a variety of media at the intersection of fashion and journalism. This thesis, Fashion Meets Journalism: Mapping and Evaluating Australian Fashion Journalism, answers the question, 'What is Australian fashion journalism?' in three stages: First, it maps the extent of fashion journalism across media in Australia to locate the field and focus on the sites of fashion journalism; second, it foregrounds practices of the journalism branch, evaluating how and why the field is pitted against other types of journalism when they share an inter-dependent set of professional practices. The opinions of leading industry producers are also sought regarding the matter. Then, considering the current position of fashion journalism, implications for fashion media and journalism are explored in order to improve the visibility of fashion journalism and solidify it as a professional practice.
20

Antonova, Alexandra. "Reading Fashion? Exploring Fashion Media Use Among American Young Adults." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22520.

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Modern media environment is characterized by extreme diversification and fragmentation. Fashion news are provided not only by magazines but also in social media, various websites, blogs. This affected media practices and experiences with fashion media consumption. Therefore, understanding the role of fashion media in individuals’s everyday life in this new environment is important for the industry. This research explores consumption of fashion media, media practices and experiences with it among American young adults. This involves answering following questions: What are American young adults doing in relation to fashion media across different contexts? What experiences they have with it?Media practices and media engagement are used as main blocks of theoretical framework as they complement each other. The data was gathered by the use of semi-structured interviews, communicative ecology mapping was applied to analyze and visualize the results. It is believed that all these provided comprehensive theoretical and methodological framework to explore fashion media use among American young adults. The results suggest that fashion media is ingrained in individuals everyday life activities. Also the set of experiences that are strongly connected to fashion media use were identified. The study generated understanding of media practices of reading fashion among American young adults in various contexts and experiences with it which has both empirical and theoretical implications.
21

Skov, Lise. "Stories of world fashion and the Hong Kong fashion world." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22823682.

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Pappacoda, Laura <1987&gt. "Fashion Design in city requalification. Antwerp and its fashion hub." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4577.

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After years of domination of fashion capitals as Paris, Milan, London and New York the city of Antwerp is currently well-recognized as a fashion city. The impact of the rise of well-known designers and fashion institutes played a crucial role on the regeneration of the city, tourism and employability. Fashion design had an important cultural value in the construction of collective and individual identities, the image of a nation, region, city or heritage value. From a first overview of the concept of creative industries it will be researched the relation of these industries with the urban environment and the public policies. In the specific, the creative industry of fashion design will be related to the city of Antwerp urban environment and the process of branding it as a “fashion city”. After an outline of Antwerp fashion design history and evolution, will be highlighted the role of the principal private and public institution, form the 80s ITCB to the recent activity of FFI, in the process of capitalization and incorporation of this specific creative industry in the public agenda. The final consideration will be about the real extend to which is possible to plan a creative city and how far a creative hub is the result of deliberate action or autonomous emerging processes.
23

Kashanipour, Morvarid. ""Mobile Fashion" Application." Thesis, KTH, Skolan för informations- och kommunikationsteknik (ICT), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-105629.

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This master thesis investigates studies on fashion oriented people according to the "Outfit-Centric Accessories" concept. The outfit-centric accessories concept originated from recent research study by Juhlin and Zhang (2011) about mobile phone representation in fashion and Aesthetic of Interaction area of Human-Computer Interaction (HCI). The term outfit-centric accessories originated from clothing and wearer. In this concept an outfit is playing a role as the centerpiece and a mobile phone is functioning as a sort of an accessory that can be added to an outfit. The main aim here is to explore design solution for matching the visual appearance of mobile device with different outfit of a person. The first phase of this thesis is based on a research conducted through a literature review on the Aesthetic Interaction and the Experience-Centered design approach. Literature study has been followed by studies the relation between the fashion and technology and the outfit-centric accessories concept precisely. The findings that are presented here are based on field studies on fashion oriented people who are interested in mobile phone design. Filed studies were conducted through gathering input entries from social networking services such as Facebook and Blogger, survey of questionnaire on outfit matching mechanism, and inquiring people around. The findings are described the outfit "Match Mechanism" and the "social activities around the outfit matching" in relation to the concept. These descriptions have led the project to the system design and development phase regarding the outfit-centric accessories concept. This phase resulted in the Android based mobile application named "Mobile Fashion". This application enables a user to match a mobile device with variety of clothing in the form of a background image, cover, or printable sticker (skin phone) and it allows a user to participate in social services by sharing the look with others. It is worth mentioning that "Mobile Fashion" application presented in Vinnova-nytt (June 2011, No.3, p15) and International Joint Conference on Ambient Intelligent (AmI'11 November, 16, 2011, Amsterdam) (see appendix 14 and 15).
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Nip, Kam-cheong, and 聶錦昌. "Fashion Design Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983625.

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Tanuwijaya, Karina. "Whatever : Critical Fashion." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45639.

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In his book, Whatever, Michel Houellebeque wrote: “I observe right away that people generally go around in bands, or in little groups --- Next I notice that all these people seem satisfied with themselves and the world; it's astonishing, even a little frightening. They quietly saunter around, this one displaying a quizzical smile, that one a moronic look. Some of the youngsters are dressed in leather jackets with slogans borrowed from the more primitive kind of hard rock; you can read phrases on their backs like Kill them all!or Fuck and destroy!; but all commune in the certainty of passing an agreeable afternoon devoted primarily to consumerism, and thus to contributing to the consolidation of their being.”i The quote illustrates the condition of our current time where culture and meaning has been negated by the process of consumption. From the quote we can clearly see ambivalence towards identity. Houellebecq's book has captured perfectly the pervasive emptiness of human life. Fashion has always been a mirror of the society, and what does it says about our society today when fashion has turned so banal that it is almost impossible to tell one from another. What does it say about our society when people's identity changes as the season changes with exponential acelleration. The idea of this project is to create a critical commentary on how the fashion world and the world in general has changed. During the last decades, fashion changes so fast, seasons come and go and the old Spring/Summer, Fall/Winter collections are not enough anymore. Now we have Resort and Pre-Fall as an addition to the original instalment. Customers expect new goods at least every month if not every week. Trends changes so fast to the point if you observed a fashionista she will look schizophrenic because of how often she changes her persona. Fashion has ceased to become creative or critical. The pressure on commercialism has led the industry into a machine with no substance geared to churn up more products with little regards to creativity, sustainability and the environment. The direction this change is going is frankly alarming, yet, with all the rigid system and the pressure on commercialism there is only so much that one can do. Referring to Michel Houellebeqc and his book Whateverii, with this project I'm trying to bring more awareness to the state of our time. iMichel Houellebeqc, Paul Hammond (translator), Whatever, Serpent's Tail, London,1998 iiMichel Houellebeqc, Paul Hammond (translator), Whatever, Serpent's Tail, London,1998
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Bernier, Beatrice. "Fashion, city, people." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/71404.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.
Includes bibliographical references (leaves 104-105).
The purpose of this thesis is to investigate modern fashion as an urban phenomenon since the 19th century. Through the study of the fashion market and its formation, the intent is to explore how fashion has developed in relation to other structural changes appearing in the city. it will discuss the specific characteristics of the relationship between fashion and the city in regard to other innovations of the modern era, such as technological change and mechanization. Fashion has always been studied through its dichotomy between the material and the symbolic. In this study , I will look at the factors that helped to shape fashion as an autonomous field of knowledge, as an economic reality, and as an independent profession. I will also investigate its role in the aesthetic realm. Fashion affected the social and cultural formations appearing during industrialization after the French Revolution, beyond its obvious function in the production and distribution of clothing. In this thesis, I will focus on how, where, and when fashion's influence on social habits and design aesthetics occurred. as well as the consequences of this growing influences in the context of the city. In exploring this issue I will consider not only how cultural and social forms (i.e . class formation) have affected the fashion market, but also how fashion itself has had an impact on the development of cultural industries such as media.
by Beatrice Bernier.
M.S.
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Пазюк, К. М. "Fashion make up." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10745.

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Люклян, Надія Романівна. "Technology in fashion." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13081.

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Mendoza, Chumacero Zulema Jasmin, Andahua Jordan Cris Moreno, Abad Paula Isabel Torres, and Valerio Diana Liz Vasquez. "Pacha's Fashion Truck." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652857.

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Pacha’s Fashion Truck, es un emprendimiento basado en la creación de una boutique móvil, la cual estará orientada a la venta de ropa femenina y al ser un vehículo tendrá la facilidad de movilizarse a diferentes lugares de Lima y llegar a los clientes con mayor. La idea de negocio surge a partir del malestar de muchas mujeres, quienes demoran horas buscando exclusividad y calidad, por lo cual la empresa busca aliviar este malestar y generar un ahorro de tiempo al momento de comprar ropa y ofrecer diseños nacionales y exclusivos. A diferencia de las tiendas convencionales de ropa, Pacha’s Fashion Truck acercará a los clientes variedad de prendas nacionales con diseños únicos y elaborados por emprendedores peruanos, esto debido a que estará ubicado en diferentes ferias o eventos. Asimismo, las redes sociales será el principal medio para tener contacto con los clientes de manera constante y mantenerlos informado sobre la ubicación de la boutique móvil. La empresa tendrá como principales proveedores a diferentes diseñadores independientes, quienes van a proveer las prendas para la venta, esto con el objetivo de incentivar a los emprendedores peruanos y a la compra de productos nacionales. La inversión inicial que se requiere para poder ejecutar el emprendimiento es de S/ 73,620. Asimismo, se evaluaron los escenarios base, pesimista y optimista para conocer y analizar la viabilidad del proyecto y en los tres escenarios el resultado del TIR superó al COK, lo cual nos permite concluir que el proyecto es viable en el tiempo.
Pacha's Fashion Truck is a venture based on the creation of a mobile boutique, which will be oriented to the sale of women's clothing and being a vehicle will have the facility to move to different parts of Lima and reach customers with greater. The business idea arises from the discomfort of many women, who take hours looking for exclusivity and quality, so the company seeks to alleviate this discomfort and generate a time savings when buying clothes and offer national and exclusive designs. Unlike conventional clothing stores, Pacha's Fashion Truck will bring customers a variety of national garments with unique designs and made by Peruvian entrepreneurs, this because it will be located at different fairs or events. Also, social networks will be the main means to have constant contact with customers and keep them informed about the location of the mobile boutique. The company will have as its main suppliers different independent designers, who will provide the garments for sale, this with the aim of encouraging Peruvian entrepreneurs and the purchase of national products. The initial investment required to execute the project is S/ 73,620. Likewise, the base, pessimistic and optimistic scenarios were evaluated to know and analyze the viability of the project and in the three scenarios the IRR result exceeded the COK, which allows us to conclude that the project is viable in time.
Trabajo de investigación
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Jenike, Lesley Marie. "Ghost of Fashion." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212075272.

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HENRY, HEATHER FRENCH. "SOCIALLY CONSCIOUS FASHION." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin990735146.

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Miller, Meredith. "Fashion & Architecture." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459439271.

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Nip, Kam-cheong. "Fashion Design Centre." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954726.

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Karlsson, Annika. "Communication of sustainable fashion : To communicate sustainable fashion through the label." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-538.

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The purpose in this thesis is to analyse which information about the sustainable impacts in fashion supply chain is the most important for the consumer. To find out how the eco-label can be designed with information and messages about the sustainable producing process, and to make the consumer more safe and satisfied with the fashion industry’s communication about sustainability and their sustainable products. - How to define sustainability in fashion supply chain? - What information about eco-labeled clothes does the fashion consumers require? - What are the conditions for creating and designing sustainable messages on the clothing’s eco-labels? In the final definition of sustainability according to this study, the focus falls on four distinctive expressions, which are, good working conditions, profitability, comfort and human needs. To explain this further, the good working conditions and the human needs have to do with wellbeing and health for the consumer and workers. Profitability has to do with the economy for both companies and consumers, and comfort is something both consumers and workers strive for. So the finally definition of sustainability in this thesis is to strive for better health, economy and comfort for all people. The information about eco-labeled clothes that the consumers require, have actually nothing to do with sustainability. However, the consumers require information about price, quality, and comfort. Moreover, if the product would be eco-labeled, the consumer should wish to get reliable information about the working conditions and chemicals, which gives the consumer a chance to know what they are paying for. To be able to create a message the focus should be on significances that increases the consumers self-interests, which in this case would be long lasting quality, health and price. These significances are similar to the earlier presented definition of sustainability, which is to strive for better health, economy and comfort for all people. Here comfort can be a part of the long lasting quality or a part of the good working conditions in the supply chain. Therefore, a sustainable message with reliable information about price and quality should be the symbol that explains how it affects the health, economy, and comfort for both the consumers and the employees in the fashion supply chain.
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COSTA, CARLOS ALEXANDRE NUNES DA. "DIALOGUE BETWEEN FASHION STYLING AND FASHION DESIGN: CONNECTIONS, DIFFERENCES AND SIMILARITIES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=23395@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Podemos entender a moda como um fenômeno que se constituiu historicamente no ocidente moderno e, ao longo do tempo, tornou-se um mecanismo indispensável às aparências e ao comportamento dos indivíduos no âmbito de nossa sociedade. Do ponto de vista econômico, sua indústria tem se desenvolvido graças aos avanços tecnológicos e as reformulações em suas estruturas de trabalho e de produção tornando-se hoje, inclusive no Brasil, um dos setores mais lucrativos e dinâmicos nas economias de países capitalistas. Esse desenvolvimento possibilitou o aparecimento de profissionais cada vez mais especializados, entre eles o designer de moda e o stylist. Esta dissertação propõe uma reflexão sobre a prática da atividade de Fashion Styling e de seu profissional stylist no Brasil e sua relação com o Design de Moda. Através de pesquisa de cunho qualitativo foram feitas entrevistas com designers de moda e stylists a fim de identificar possíveis conexões entre essas áreas e analisar as diferenças e similaridades entre a atuação prática desses profissionais.
We understand fashion as a phenomenon that has been historically constituted in the modern West and, over time, has become an indispensable mechanism of the production of appearances and behavior of individuals within our society. From an economic standpoint, the fashion industry has developed thanks to technological advances and reformulations in work structures and production becoming today, including in Brazil, one of the most profitable and dynamic sectors in the economies of capitalist countries. This development enabled the emergence of increasingly specialized professionals, among them the fashion designer and stylist. This thesis proposes a reflection on the practice activity of Fashion Styling and the professional stylist in Brazil and its relationship with Fashion Design. Through qualitative research interviews with fashion designers and stylists we sought to dentify possible connections between these areas and analyze the differences and similarities between the practical roles of these professionals.
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Populin, Alice <1992&gt. "Sustainable fashion and its possible developments in the Japanese fashion industry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13532.

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The paper will first focus on the many dark spots in fashion’s glittering façade and its impact on the lives of both garment workers and consumers alike. By outlining the general situation of the current clothing market and how the modern fast fashion business model has come into being we will try to understand what makes said model so solid and successful in terms of economic effectiveness. The goal is also to explore the attempts made to change the fashion industry in the form of the so-called ‘sustainable fashion’: what is it and what are the chances this model will survive the competition of the infamous yet more than consolidated fast fashion model? After that, the focus will shift on the Japanese market and on the extent to which the idea of sustainability has been absorbed by the domestic clothing business, and also how Japanese customers perceive such concept as a whole. Case studies of Japanese sustainable businesses in the clothing sector will be analyzed in order to try and deliver a more thorough understanding on the matter. Through the analysis of the changes that occurred in the Japanese consumer society over the last century we will attempt to theorize what direction the Japanese fashion market will take in the future and what are the chances that Japan will turn out to be a driving force for the international development of an alternative, sustainable fashion business model.
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Collins, David. "Dedicated follower of fashion : a critical review of managerial fads, fashions and fashionistas." Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428971.

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Kestler, Jessica L. "Intergenerational Fashion Influences: Mother/Daughter Relationships and Fashion Involvement, Fashion Leadership, Opinion Leadership and Information Seeking from One Another." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1261402077.

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Skivko, Maria Verfasser], Frank [Akademischer Betreuer] [Eckardt, and Stephan [Akademischer Betreuer] Sonnenburg. "Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines / Maria Skivko ; Frank Eckardt, Stephan Sonnenburg." Weimar : Fakultät Architektur und Urbanistik [bis 2014 Fakultät Architektur] / Professur Sozialwissenschaftliche Stadtforschung, 2018. http://nbn-resolving.de/urn:nbn:de:gbv:wim2-20180210-37262.

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Skivko, Maria [Verfasser], Frank [Akademischer Betreuer] Eckardt, and Stephan [Akademischer Betreuer] Sonnenburg. "Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines / Maria Skivko ; Frank Eckardt, Stephan Sonnenburg." Weimar : Fakultät Architektur und Urbanistik [bis 2014 Fakultät Architektur] / Professur Sozialwissenschaftliche Stadtforschung, 2018. http://d-nb.info/1152211587/34.

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Göransson, Marie, and Celia Lindh. "Internationalisation of Swedish Fashion : A Study of Small Sized Fashion Design Companies." Thesis, Stockholm University, School of Business, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6254.

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Swedish fashion export has increased by eight percent during the year 2005 and the industry turnover of 7.8 billion SEK is higher than ever. Swedish design is thereby securing its position as a future upholder of Swedish economy. During the last two years a number of new fashion design companies have entered the market, however only a few of them are so far earning profits from their creations. The purpose of entering the international market is not only to improve the image of young designer brands, it is in many cases the only, vital opportunity for these companies to increase volumes and profitability. The purpose of the thesis is to define important elements in the internationalisation process of small fashion design companies within the fashion retail industry and based on that conclusion construct an internationalisation model, to be used when planning the companies’ internationalisation process. The authors have performed an empirical study of five of the seven fashion designers that participated in the Dutch fashion fair: Modefabriek, in Amsterdam in January 2006. The reason for this choice is that participation in fashion fairs have shown to be the first step towards international expansion for a small fashion design company. A selection of theories concerning characteristics of small sized companies and internationalisation has also been used since they are applicable on the selected companies in the empirical study. The general conclusion of the study is that a limited domestic market is the main reason for expanding abroad. The authors would like to emphasise that a wish to expand should not have to include a change in the company image. The authors perceive direct export as the preferred entry mode for small sized companies in the fashion industry due to that this entry mode does not require any substantial commitment of financial resources, which implies low risk. The biggest risk and the most important element in the internationalisation process is the need for business and entrepreneurial knowledge. The authors would like to highlight the companies’ need for improvement in both the planning and implementation process.

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Salti, Rafa. "Ethical Fashion Branding : Multiple Case Studies of Mission Statements and Fashion Films." Thesis, Stockholms universitet, Modevetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-151427.

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This paper is an attempt to identify new ways to improve consumer’s response to ethical fashion branding through written mission statements and fashion films. It examines material by three fashion brands: H&M, Stella McCartney and People Tree. Additionally, it reviews and summarizes findings of previous literature in the field of ethical and sustainable fashion branding and builds a list of principal factors that play in the success of ethical fashion branding. The paper concludes with providing recommendations to improve the branding of each case study.
BA Thesis
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CONTINO, JOANA MARTINS. "FAST FASHION: NOTES ABOUT THE TRANSFORMATIONS IN FASHION IN CONDITION OF POSTMODERNITY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25683@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Este trabalho trata das recentes transformações ocorridas na indústria da moda através da investigação das estratégias utilizadas pelas empresas para implementação do sistema fast fashion. Fenômeno em expansão na indústria do vestuário, o fast fashion tem como principal traço a aceleração da produção através da multiplicação da quantidade de coleções, e seu objetivo é estimular o aumento da velocidade do consumo de modo a escoar a produção crescente, garantindo assim a lucratividade das empresas. As alterações de cunho produtivo e estratégico desencadeadas pela implementação do sistema respondem a mudanças na configuração do modo de produção capitalista. Com base na crítica da economia política marxiana, buscamos compreender o fenômeno fast fashion relacionando-o às características-chave do capitalismo tardio, atual momento do desenvolvimento do modo de produção. O capitalismo tardio se expressa culturalmente no que David Harvey (2007) chamou de condição pós-moderna e tem a acumulação flexível como padrão de acumulação. Partindo da hipótese central segundo a qual o surgimento e expansão do sistema se dá a partir de demandas postas na esfera da produção e não do consumo, consideramos o fast fashion a apresentação da moda na condição pós-moderna. Buscamos definir de que maneira mudanças no processo produtivo para aceleração do giro de capital, a precarização do trabalho, a desterritorialização da produção e a tendência à concentração e centralização do capital – traços marcantes do capitalismo tardio – se apresentam no fast fashion. Além disso, através da análise de uma importante estratégia utilizada por grandes redes varejistas de roupas, as coleções assinadas, procuramos investigar a produção do valor simbólico do produto de moda.
This research points out the recent transformations in the fashion industry through the analyses of the strategies used by companies to implement the fast fashion system. Growing phenomenon in the clothing industry, fast fashion has as its main feature the acceleration of production by multiplying the amount of collections. Its purpose is to stimulate the speed of consumption in order to dispose the rising production, thus ensuring profitability of companies. The changes in production and strategies triggered by the implementation of the system respond to changes in the configuration of the capitalist mode of production. Based on the Marxian critique of political economy, we seek to understand the fast fashion phenomenon relating it to key features of late capitalism, the current moment of development of the mode of production. Late capitalism is culturally expressed in what David Harvey (2007) called condition of postmodernity and has the flexible accumulation as accumulation pattern. Starting from the central hypothesis that the emergence and expansion of the system result from demands imposed in the sphere of production and not of consumption, we consider fast fashion the fashion presentation in the condition of postmodernity. We seek to define how changes in the production process to accelerate of capital turnover, precarious employment, the deterritorialization of production and the trend towards concentration and centralization of capital - striking features of late capitalism - perform at fast fashion. In addition, through the analysis of an important strategy used by large clothing retailers, the signed collections, we investigate the production of the symbolic value of fashion product.
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Song, Hyunjoon. "The Scandinavian Cooperative Advantage of Fashion : A Study of Swedish Fashion Brands." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315259.

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In recent years the fashion industry has experienced a high frequency of famous Creative Directors departing the companies for unknown reasons. The same problem does not seem to occur in the Scandinavian fashion industry. This study’s purpose is to explore why Scandinavia does not experience the same problem, contribute a deeper understanding of the leader-designer relationship in the Swedish fashion industry, and to examine how the Scandinavian Cooperative Advantage is applicable in the Swedish fashion industry. Three case studies were conducted at the Swedish fashion companies TRIWA, Baron and Weriseg where both leaders and designers were interviewed. The findings showed that the leaders view their designers as an essential part of the organisation but how they are prioritised depend on the situation. Further more, this study indicates that all of the studied companies have a stakeholder approach, uses a value creating strategy based on cooperation with their stakeholders, are aligned with a typical Swedish organizational culture, and has a Swedish Management Style. Thus this study indicates that the notion of Scandinavian Cooperative Advantage is applicable at the Swedish fashion industry and that this might be a factor for their success.
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Santos, Tânia dos. "Relatório de estágio na empresa Fashion Studio: identidade da empresa Fashion Studio." Master's thesis, Universidade da Beira Interior, 2012. http://hdl.handle.net/10400.6/1713.

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O presente relatório tem como seu principal objetivo dar a conhecer a experiência profissional da aluna Tânia dos Santos num estágio que teve lugar na agência Fashion Studio, entre o mês de Novembro de 2011 até Abril de 2012. Desde modo apresenta o percurso percorrido pela aluna, de forma a atender aos objetivos traçados por esta, pela sua orientadora na sua constituição e pela sua tutora na entidade de acolhimento, bem como todos os seus métodos e técnicas aprendidas e utilizadas durante a realização dos projetos a que foi submetida e as suas respetivas conclusões acerca de todo o estágio em geral e das suas avaliações ao longo deste percurso académico, profissional Ao longo de todo o relatório serão descritos todos os projetos onde a estagiária fez parte da equipa durante o seu plano de estágio, bem como todas as tarefas realizadas pela mesma, refletindo assim todos os conhecimentos adquiridos durante a sua formação académica e na sua primeira experiência profissional na área percebendo como foi a sua evolução ao longo destas distintas atividades. Através dos conteúdos escritos, pretende-se demonstrar quais os principais objetivos traçados inicialmente e a forma como a estagiária conseguiu cumprir esses mesmos planos e requisitos para que esta obtenha o Grau de Mestre em Branding e Design de Moda.
This report aims to describe the internship experience of the Student Tânia dos Santos at the companhy Fashion Studio’s Agency from November 2011 to April 2012. Report describes the entire internship main goal, the company and the projects that the student was involved. As well as the methods and methodologies that was used in all the projects. At the same time the present a consideration about her academic and professional experience and present several projects in which the student was involved during the internship. Through the described content is intended to demonstrate how the objectives were achieved as initially proposed in order to meet all the requirements for obtaining the Degree of Master of Branding And Fashion Design.
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Park, Michelle. "Labeling Is Out Of Fashion: NFC Technology Towards Sustainability In Fashion Retail." Kent State University Honors College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1525695778821744.

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Fischer, Franziska, and Maria Sunduk. "Men’s Fashion : A Study of the Fashion Consuming Behaviour of Swedish Men." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12726.

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Even though the fashion consumption of men has increased there are differences in consumption in relation to women. Men’s consumer behaviour becomes more similar to women’s consumer behaviour, which is an important moment in men’s fashion. The literature review is based on fashion and consumer behaviour. In this thesis consumer behaviour is concerned with subcultures such as male consumers, Sweden and the Generation Y. The consumers of the Generation Y consume differently compared to former generations and it is the most consumption orientated generation. A qualitative research was conducted to understand how men of the Generation Y consume fashion. In-depth interviews with eight Swedish men of the Generation Y were directed to understand what is important to them when consuming fashion. Further, the purpose was to find out what Swedish men want to express through their clothing, what influences them concerning their consumption decisions and why men think that they consume fashion differently than women. It was found out that their purchasing decisions are based on a combination of the fit, price and quality of the garment. Additionally, self-expression through clothing is important for the respondents. The pressure in the Swedish society to fit in has also an influence on their decisions. Regarding consumption differences between men and women the participants think that the price gap is the most important factor.
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Säterö, Martin, and Albert Winter. "Fashion Killa : A study on teenager’s attitudes towards luxury fashion clothing brands." Thesis, Högskolan i Halmstad, Akademin för ekonomi, teknik och naturvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-39701.

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Title: Fashion Killa: A study on teenager’s attitudes towards luxury fashion clothing brands. Bachelor Thesis 15HP in Business Economics (Marketing) Halmstad University School of Business, Engineering and Science  Supervisor: Thomas Helgesson Examiner: Venilton Reinert Purpose: The purpose of this essay is to examine the underlying factors that affect teenager’s attitudes towards luxury fashion clothing brands. Research question: What are the underlying factors that affects the attitudes of teenager ́s towards luxury fashion clothing brands? Literature review: The literature review introduces the theories and previous findings regarding the underlying factors that can be connected to our research question and explanation on the chosen generations as this study is supposed to relate to. Frame of reference: In these sections, our main investigation topic will be explained briefly what literatures explain and approach this matter. Our investigation topic “attitudes” have a meaningful role in this paper and it is defined in these sections as well is our choice of model. In the end of this chapter, we present our hypothesis which is based on our chosen model. Method: Based on the literature review and frame of reference a quantitative study was created where 408 Swedish respondents within the generation Z participated. Empirical findings: The survey consisted of 25 statements and questions as regard to our theories and could easily be connected to our chosen model. A Likert-scale from 1-5 was used so the respondents easy could fill in on what level they agreed or disagreed to. Conclusion: The conclusion on this study is that affect which are one of the three components that builds up attitudes. It is the component that positively influence teenagers the most. We can also see that social media have a great positive impact on their attitudes followed by luxury marketing and psychological benefits.
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Haggerty, Valerie Maureen. "FASHION MINDED: EXPLORING THE INFLUENCE OF FASHION JOURNALISM ON THE SELF-CONCEPT." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192475.

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Aberti, Federica. "Fashion and Coordination Games." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520445.

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