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Relevant bibliographies by topics / Fashion – Italy – Exhibitions / Books

Books on the topic 'Fashion – Italy – Exhibitions'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

Bogaert, Christelle, and Eve Demoen. Moda: Made in Italy. Tielt: Lannoo, 2013.

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2

Luigi, Settembrini, and Galleria della Triennale (Milan, Italy), eds. 1951-2001: Made in Italy? Milano: Skira, 2001.

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3

Luigi, Settembrini, and Galleria della Triennale (Milan, Italy), eds. 1951-2001: Made in Italy? Milan: Skira Editore, 2001.

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4

Corgnati, Martina. Coveri story: Da Prato al made in Italy. Milano: Skira, 2012.

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5

Simonetta, Colonna di Cesarò, Caratozzolo Vittoria Caterina, Frisa Maria Luisa, Clark Judith, and Galleria del costume, eds. Simonetta: The first lady of Italian fashion. Florence: Fondazione Pitti Discovery, 2008.

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6

Giannino, Malossi, Lupi Italo, Turchi Francesca, and Pitti immagine. Fashion Engineering Unit., eds. Volare: The icon of Italy in global pop culture. New York: Monacelli Press Inc., 1999.

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7

Golbin, Pamela. Valentino: Temi e variazioni. New York: Rizzoli, 2008.

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8

1932-, Valentino, ed. Valentino: Themes and variations. New York, NY: Rizzoli, 2008.

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9

Foakes, Tom. Caravaggio: Fashion and fabrics. Cinisello Balsamo, Milano: Silvana editoriale, 2016.

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10

Moncada, Valentina, and Johnny Moncada. Johnny Moncada, Gastone Novelli, Achille Perilli: Made in Italy, una visione modernista : fotografia, moda, arte, design, Roma 1956-1965. Cinisello Balsamo, Milano: SilvanaEditoriale, 2014.

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11

editor, Celant Germano, and Palazzo della ragione (Milan, Italy), eds. Giovanni Gastel. Cinisello Balsamo, Milano: Silvana editoriale, 2016.

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12

Germano, Celant, ed. Giovanni Gastel: Maschere e spettri. Milano: Skira, 2009.

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13

Francesco, Bonami, ed. Uniforme: Ordine e disordine. Milano: Charta, 2001.

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14

Francesco, Bonami, Frisa Maria Luisa, and Tonchi Stefano, eds. Uniform: Order and disorder. Milano: Charta, 2000.

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15

Triossi, Amanda. Bulgari. New York: Abbeville Press, 2007.

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16

Settembrini, Luigi. 1951-2001: Made in Italy? Skira International Corporation, 2001.

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17

Frisa, Maria Luisa, and Stefano Tonchi. Italiana. Italy Through the Lens of Fashion 1971-2001. Ediz. A Colori. Rizzoli International Publications, Incorporated, 2018.

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18

Jeans!: Le origini, il mito americano, il made in Italy. Prato: Museo del tessuto, 2005.

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19

Walter Albini e il suo tempo: L'immaginazione al potere. Venezia: Marsilio, 2010.

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20

Ricci, Stefania, and Carlo Sisi. 1927, the return to Italy: Salvatore Ferragamo and the twentieth-century visual culture. 2017.

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21

Schiaparelli Prada Impossible Conversations. Metropolitan Museum of Art New York, 2012.

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22

Valentino Master Of Couture A Private View. Rizzoli International Publications, 2012.

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23

Gastel, Giovanni. Giovanni Gastel. Silvana, 2017.

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24

Celant, Germano. Giovanni Gastel: Masks and Ghosts. Skira Editore, 2010.

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25

Mancinelli, Antonio, Giusi Ferre, Anna Mattirolo, and Claudio Marra. Italian Eyes. Charta/Fondazione Pitti Immagine Discovery, 2005.

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26

Sherwood, James, Giusi Ferre, Amy Springler, Daniele Brolli, Richard Buckley, Patrizia Calefato, Cristina Lucchini, Stefano Pistolini, Lorenzo Greco, and Nick Sullivan. Uniform: Order and Disorder. Charta, 2001.

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27

Bulgari: 125 Years of Italian Magnificence Grand Palais. Skira Editore, 2011.

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28

Triossi, Amanda, and Daniela Mascetti. Bulgari. 2nd ed. Abbeville Press, 2007.

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29

Farquhar, Keith. Headspace App. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450412.

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Abstract:

Headspace App was an exhibition of seventeen works by Farquhar at Cabinet Gallery, London, from 1 September – 10 November 2018. It consisted of a collection of mixed media works and adapted found objects inspired by Farquhar’s daily life in Edinburgh, such as the commute on public transport, the use of meditation apps, visits to the municipial sauna, childcare, shopping and visits to the gym. Farquhar employs painterly, sculptural and moving-image processes, together with conceptual strategies, to advance the artistic potential of the readymade object. The works explore the impact of contemporary capitalist and consumerist culture on human experience and demonstrate ways in which forms of adaption and resistance can manifest. They combine this conceptual critique with an investigation into the technical and aesthetic conditions of image making in the digital age and attempt to further imagine the everchanging status of appropriation within contemporary culture. Following the exhibition at Cabinet, one of the works was selected for the 25th anniversary of the art fair Artissima at the Oval, Turin, Italy (1 – 4 November 2018). The fair attracted 50,000 visitors. The international fashion house, Symonds Pearmain, subsequently invited Farquhar to collaborate with them on their Spring/Summer 2019 collection. In place of hosting a runway show, they filmed their collection against the backdrop of Farquhar’s Cabinet exhibition.

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