Academic literature on the topic 'Fashion design'

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Journal articles on the topic "Fashion design"

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Zhao, Lihuan, Silu Liu, and Xiaoming Zhao. "Big data and digital design models for fashion design." Journal of Engineered Fibers and Fabrics 16 (January 2021): 155892502110190. http://dx.doi.org/10.1177/15589250211019023.

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The demand for fashion, and for virtual fitting and personalized fashion among customers, is changing the design and consumption of fashion. To meet such challenges, fashion design models are being developed based on big data and digitization, in which fashion is designed based on data, virtual fitting, design-support systems, and recommendation systems. This paper reviews the fashion design models proposed in recent years and considers future development directions for fashion design. Using big data and digital processing technologies, fashion designers identify the characteristics of popular fashions in the market, predict fashion trends, and create designs accordingly. The virtual fitting of scanatar, parametric mannequin, or even real human bodies, enables customers to quickly and easily find fashion that best meets their tastes and requirements. On consumer design-support platforms, consumers can freely select styles, colors, materials, and other fashion aspects and view the design output. Furthermore, fashion recommendation systems, guided by fashion design experts, have greatly improved consumer satisfaction with fashion design. Yet, current fashion design systems do not fully consider the performance of textile materials and do not involve functional fashion design, let alone comfort. Such limitations provide directions future research in fashion design.
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Smal, Desiree. "Design + Sustainability = Fashion: Sustainable Design Praxis in Fashion." International Journal of Designed Objects 6, no. 3 (2013): 41–47. http://dx.doi.org/10.18848/2325-1379/cgp/v06i03/57925.

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来, 思渊. "Virtual Fashion Design: The Democratiza-tion of Fashion in an Age of Creative Liberation." Design 09, no. 01 (2024): 583–89. http://dx.doi.org/10.12677/design.2024.91070.

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DLA, Edit Csanák. "Fashion Design in ROWE Fashion PLMs." International Journal of Fashion Technology & Textile Engineering 1, no. 1 (January 22, 2019): 1–10. http://dx.doi.org/10.15226/2641-760x/1/1/00107.

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N.A., Marzie Hatef Jalil. "Eco-Fashion Design." International Journal of Sustainable Design 4, no. 3 (2022): 1. http://dx.doi.org/10.1504/ijsdes.2022.10044704.

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Black, Sandy. "Fashion Design Practices." Fashion Practice 13, no. 3 (September 2, 2021): 327–30. http://dx.doi.org/10.1080/17569370.2021.1984034.

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Han, Minjae, and Younhee Lee. "Deconstruction fashion design through an analysis of Korean fashion design." Research Journal of the Costume Culture 30, no. 1 (February 28, 2022): 66–87. http://dx.doi.org/10.29049/rjcc.2022.30.1.66.

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Hatef Jalil, Marzie, and Siti Shukhaila Shaharuddin. "Fashion Designer Behavior Toward Eco-Fashion Design." Journal of Visual Art and Design 12, no. 1 (July 6, 2020): 1. http://dx.doi.org/10.5614/j.vad.2020.12.1.1.

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吕, 志雯. "The Application of Surrealism in Modern Fashion Design." Design 08, no. 02 (2023): 257–63. http://dx.doi.org/10.12677/design.2023.82036.

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王, 欣琦. "Fabric Reconstruction and Its Application in Fashion Design." Design 08, no. 01 (2023): 59–64. http://dx.doi.org/10.12677/design.2023.81009.

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Dissertations / Theses on the topic "Fashion design"

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Nip, Kam-cheong, and 聶錦昌. "Fashion Design Centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983625.

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Nip, Kam-cheong. "Fashion Design Centre." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954726.

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Minhas, Frida, and Mersiha Memic. "The fast fashion phenomenon : Luxury fashion brands responding to fast fashion." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20850.

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Purpose:The purpose of this thesis has been to study, describe and analyze how luxury fashion brands have responded to fast fashion. Background:It has been stated that the life of luxury fashion brands has become more difficult since the proliferation of fast fashion brands. The Italian luxury fashion designer Giorgio Armani has said that "Fast fashion is a growing reality in our sector". Anna Wintour, the editor-in-chief of American Vogue has credited Zara for creating a ‘seasonless cycle for fashion’. Fast fashion brands such as H&M, Zara, Mango and Topshop have through interpreting catwalk trends with a speedy time-to-market been extremely successful at attracting the fashion conscious consumer. Even loyal high-end customers have started to mix their luxury fashion with fast fashion. Luxury fashion brands once dismissed the fast fashion brands as irrelevant to their high-end business, which however have started to drain away sales from the luxury fashion brands.Method:A qualitative research approach was taken to meet the purpose of collecting the relevant data. An interview was made with PR and Marketing Manager at Group 88, Robert Meeder who manages brands such as Gucci, Burberry and Bottega Veneta in Copenhagen. We also did a content analysis on articles collected that address the issue of how different luxury fashion brands have responded to fast fashion for the empirical study.Conclusion:Luxury fashion brands have responded to fast fashion by inclining towards the fast fashion model or reacting against it. Some of the reactions have been to offer lower priced lines under their own sub-brands. They have also allowed their customers to buy products during online webcasts in order to ensure early deliveries. Improvements have been made within logistics in order to speed up the time-to-market. The luxury fashion brands are also working more ‘seasonless’ than before and focusing on their heritage to portray a slower and more indulgent image to the consumer.
Program: Magisterutbildning i Fashion Management
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TANAKA, MICHIKO. "Sustainability in Fashion industry." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20152.

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In recent years Fair Trade’s People Tree has succeeded within the fashion industry by making ecological and ethical products fashionable, and subsequently fostering concern about ecological and ethical issues among consumers.There are two choices in our future when we buy clothes: we can buy ecological products to reduce the ecological foot print, -or we can reuse what we have now.In this thesis I take a close look at reuse of second-hand remade products.
Program: Magisterutbildning i Applied Textile Management
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JOHANSSON, ELEONOR. "Slow fashion : the answer for a sustainable fashion industry?" Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20182.

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The fashion industry is today a global industry and has huge effect on our environment as well as on people. It is dominated by fast fashion and just-in-time production that has lead to increased seasons and mini-collections in season, which generate new low price items in store every week and even every day. This in turn has lead to an escalation in fashion trends that spris our desires for new experiences and leads to overconsumption where consumers buy more than they need, which in the end results in fashion waste.
Program: Magisterutbildning i Applied Textile Management
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Chávez, Marroquín Jorge Luis. "Digital fashion 3D design." Universidad Peruana de Ciencias Aplicadas (UPC), 2006. http://hdl.handle.net/10757/656734.

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Jorge Luis Chávez Marroquín (Perú) - Expositor
En este seminario se mostrará el proceso de diseño de la moda de manera digital, utilizando el software CLO3D desde el dibujo de patrones hasta la visualización fotorrealista.
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LIDÉN, HELEN, and EMELIE GUSTAFSSON. "Fad Fashion : ur ett varumärkesperspektiv." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20129.

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Tanuwijaya, Karina. "Whatever : Critical Fashion." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45639.

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In his book, Whatever, Michel Houellebeque wrote: “I observe right away that people generally go around in bands, or in little groups --- Next I notice that all these people seem satisfied with themselves and the world; it's astonishing, even a little frightening. They quietly saunter around, this one displaying a quizzical smile, that one a moronic look. Some of the youngsters are dressed in leather jackets with slogans borrowed from the more primitive kind of hard rock; you can read phrases on their backs like Kill them all!or Fuck and destroy!; but all commune in the certainty of passing an agreeable afternoon devoted primarily to consumerism, and thus to contributing to the consolidation of their being.”i The quote illustrates the condition of our current time where culture and meaning has been negated by the process of consumption. From the quote we can clearly see ambivalence towards identity. Houellebecq's book has captured perfectly the pervasive emptiness of human life. Fashion has always been a mirror of the society, and what does it says about our society today when fashion has turned so banal that it is almost impossible to tell one from another. What does it say about our society when people's identity changes as the season changes with exponential acelleration. The idea of this project is to create a critical commentary on how the fashion world and the world in general has changed. During the last decades, fashion changes so fast, seasons come and go and the old Spring/Summer, Fall/Winter collections are not enough anymore. Now we have Resort and Pre-Fall as an addition to the original instalment. Customers expect new goods at least every month if not every week. Trends changes so fast to the point if you observed a fashionista she will look schizophrenic because of how often she changes her persona. Fashion has ceased to become creative or critical. The pressure on commercialism has led the industry into a machine with no substance geared to churn up more products with little regards to creativity, sustainability and the environment. The direction this change is going is frankly alarming, yet, with all the rigid system and the pressure on commercialism there is only so much that one can do. Referring to Michel Houellebeqc and his book Whateverii, with this project I'm trying to bring more awareness to the state of our time. iMichel Houellebeqc, Paul Hammond (translator), Whatever, Serpent's Tail, London,1998 iiMichel Houellebeqc, Paul Hammond (translator), Whatever, Serpent's Tail, London,1998
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Pappacoda, Laura <1987&gt. "Fashion Design in city requalification. Antwerp and its fashion hub." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4577.

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After years of domination of fashion capitals as Paris, Milan, London and New York the city of Antwerp is currently well-recognized as a fashion city. The impact of the rise of well-known designers and fashion institutes played a crucial role on the regeneration of the city, tourism and employability. Fashion design had an important cultural value in the construction of collective and individual identities, the image of a nation, region, city or heritage value. From a first overview of the concept of creative industries it will be researched the relation of these industries with the urban environment and the public policies. In the specific, the creative industry of fashion design will be related to the city of Antwerp urban environment and the process of branding it as a “fashion city”. After an outline of Antwerp fashion design history and evolution, will be highlighted the role of the principal private and public institution, form the 80s ITCB to the recent activity of FFI, in the process of capitalization and incorporation of this specific creative industry in the public agenda. The final consideration will be about the real extend to which is possible to plan a creative city and how far a creative hub is the result of deliberate action or autonomous emerging processes.
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Malmgren, De Oliveira Stefanie. "On seeing : in fashion design." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-8656.

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In fashion design, the designer strives for the development of ideas in view of significant visual goals. The process of specifying and developing ideas is a highly visual process. Based on what has been ‘seen’ as for example in a reference material or in explorations, designers define possible tracks to follow, decide which ideas to deepen or which ones to reject. Their activities can thus be described as a process of seeing. There is nothing novel about the importance of seeing as an act in the design process; on the contrary, seeing, is usually an intuitive act that any designer explicates throughout the process of shaping his/her vision. However, the systematisation of seeing in the design process in order to advance ways of working in the field of fashion design is still very much an area that is open for further research. In this thesis, possible ways of seeing are explored through experiments in different stages of the design process. Based on an image serving as a point of departure, seen elements were derived and put in relation to a body in a two-dimensional photographic sketching stage, in accordance with different ideas of dress. Selected ideas were then further elaborated and explored in terms of their design possibilities. The results of the experiments are propositions of design ideas that have been ‘seen’ in a single sketch or a series of sketches. The contribution of this licentiate thesis are: 1) A thorough mapping of two design stages (point of departure and two-dimensional sketching stage), and how they provide a deeper understanding of the design process, leading to 2) an improved sensibility with regard to design possibilities, their value and developments, and finally 3) the establishing of a methodology with which to discern the composition of a visual language/vision in fashion design based on ‘seeing’. The act of seeing is presented as the fundamental tool of designing for shaping a vision. By delving into the systematisation of the notion of seeing in a fashion design process, a methodology of seeing is introduced, which aims to enhance the possible ways of visualisation when designing.
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Books on the topic "Fashion design"

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Terzian, Makrouhi. Understanding fashion design. [Lexington, Mass.]: Marca Books, 2003.

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Fung, Martin. Fashion concepts & design. Los Angeles, Calif: Bonfit America, 1996.

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Faerm, Steven. Fashion: Design course. Hauppauge, N.Y: Barron's, 2010.

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Baynes, Ken. Fashion and design. London, England: Penguin Books, 1990.

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Kelley, K. C. Fashion design secrets. Mankato, Minn: Child's World, Inc., 2008.

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Sterlacci, Francesca. Leather fashion design. London: Laurence King, 2010.

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Mackay, Elina. Australian fashion design. McMahons Point, NSW, Australia: K. Weldon, 1985.

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Tate, Sharon Lee. Inside fashion design. 4th ed. New York: Longman, 1999.

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Luc, Derycke, and Van de Veire Sandra, eds. Belgian fashion design. [Ghent: Ludion, 1999.

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Jonathan, Saunders, ed. Fashion design directory. Buffalo, NY: Firefly Books, 2011.

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Book chapters on the topic "Fashion design"

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Jackson, Tim, and David Shaw. "Fashion design." In Mastering, 39–60. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-0-230-36514-8_4.

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Thomas, Sue. "Design, ethics and the designer." In Fashion Ethics, 15–41. London ; New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315109367-2.

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Stecker, Pamela. "Fashion Education." In The Fashion Design Manual, 269–77. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_22.

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Borza, Melissa A. "Solutions by Design." In Fashion Figures, 63–75. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2274-4_8.

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Zoccoli, Franca, and Ekaterina Lazareva. "9. Fashion Design." In Handbook of International Futurism, edited by Günter Berghaus, 143–61. Berlin, Boston: De Gruyter, 2018. http://dx.doi.org/10.1515/9783110273564-009.

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Moradei, Clizia. "Fashion Education: Cultivating Fashion Designers-Plants." In Springer Series in Design and Innovation, 443–51. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_42.

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AbstractIn the context of the contemporary social and ecological crisis, this contribution proposes a reinterpretation of current fashion design educational programs through a bio-inspired perspective, with the intent of guiding next generation fashion designers to successfully face such issues. The investigation delineates the theoretical subsoil to frame the topic by illustrating some key concepts connected to ‘fashion futuring’, ‘making kin’, plant neurobiology, collective authorship and co-design, translated within fashion studies. Specific plant neurobiology and botanical definitions are then applied to the qualitative analysis of two peculiar didactical case studies: the Master in Co-diseño de Moda y Sostenibilidad at the Escola d’Art i Superior de Disseny de Valencia (Spain); the course in Biomoda at the Universidad de los Andes (Colombia). Proven the evidence that nowadays the needs of the planet and those of the fashion labour market must be realigned, the ultimate goal in education must be to train professionals capable of pursuing principles of sustainability. This is possible implementing redirection practices in a ‘futuring’ perspective, by operating as a collective parental-like organism establishing multidisciplinary dialogues. The vegetal metaphor allows weaving analogies between specific plant attitudes and today’s essential design requirements. Such aspects are not only useful to visualize and guide the creation of collective paths and sharing dynamics, but also to enhance the structuring of emerging experimental academic fashion curricula on the model of the fashion designer-plant hybridization.
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Fontana Valentim, Anamélia. "Tree Fashion and Rhizome Fashion: Perspectives to Think About Fashion." In Advances in Fashion and Design Research, 38–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16773-7_4.

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Robinson, Dwight E. "Fashion Theory and Product Design *." In Fashion Marketing, 433–50. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003424208-28.

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Stecker, Pamela. "Careers in Fashion." In The Fashion Design Manual, 261–67. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_21.

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Stecker, Pamela. "Australian Fashion Publications." In The Fashion Design Manual, 285–86. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15162-2_24.

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Conference papers on the topic "Fashion design"

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Simpson, Mary. "The Impact of Team Learning on Sustainable Design." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11523.

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Chen, Chanjuan, Kendra Lapolla, and Kim HongYoun Hahn. "Adopting Real-world Learning Opportunities in Fashion Design Pedagogy for Undergraduate Students." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11419.

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Boorady, Lynn M., and Nicholas Hall. "Design Canvas 101: Sustainable decision-making guide for 1st year apparel students." In Sustainability in Fashion -. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/susfashion.11534.

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MARTIN, Kathi, and Hyeong-Seok KO. "Sewn or Simulated: transformational fashion realizations." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-069.

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Toledo, Natália Alves de, Dilara Rúbia Pereira, Maria Silvia Barros de Held, and Carlos Eduardo Dezan Scopinho. "Fashion and design." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-69.

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Wang, Jinyi. "Fashion, Fiction, Function: Mediating Wearable Design through Fashion Film." In Nordes 2017: Design and Power. Nordes, 2017. http://dx.doi.org/10.21606/nordes.2017.016.

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Marchetti, Luca. "Fashion Curating." In European Academy of Design Conference Proceedings 2015. Sheffield Hallam University, 2016. http://dx.doi.org/10.7190/ead/2015/161.

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Yu, Cong, Yang Hu, Yan Chen, and Bing Zeng. "Personalized Fashion Design." In 2019 IEEE/CVF International Conference on Computer Vision (ICCV). IEEE, 2019. http://dx.doi.org/10.1109/iccv.2019.00914.

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Khwansuwan, Worasuda. "Waste Fashion Product Design." In 4th International Conference on Research in Social Sciences and Humanities. GLOBALKS, 2021. http://dx.doi.org/10.33422/4th.icrsh.2021.10.235.

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Yeh, ChiuLan, and Fu-Yuan Li. "Innovative Design of Sustainable Fashion – A Case Study of Practical Fashion Design Teaching." In The Asian Conference on Arts & Humanities 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2186-229x.2022.6.

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Reports on the topic "Fashion design"

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Lapolla, Kendra, Jaclyn Gordyan, and Brian Lapolla. Critiquing Design Aesthetics in Collaborative Fashion Creation: Design Conversations with a Fashion Designer, an Architect, and Art Director. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-901.

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Wei, Bingyue. Sustainable Fashion Development: Applying Transformational Design. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-269.

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Wei, Bingyue, and Mary Ruppert-Stroescu. Sustainable Fashion Development: Applying Transformational Design. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-290.

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Alexander, Theresa. Embroidery and Beading Design for Fashion. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-440.

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An, Hyosun, and Inseong Lee. An Approach to Sensibility Design in Fashion. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1094.

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MacDonald, Nora M. Using Assessment in the Fashion Design Studio. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-765.

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Lapolla, Kendra, and Jihyun Kim. Fashion Design Students as "Thrift Mavens": An Interpretive Approach to How Fashion Design Students Can Influence Thrift Shopping. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-112.

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Yang, Jung ha, and Jeong-Ju Yoo. Understanding Perceptions behind Becoming a Fashion Entrepreneur among Fashion Design and Merchandising Undergraduate Students. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1565.

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Anderson, Rachel. Fashion Design Curriculum Videos: Texas House Bill 5. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-417.

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Woo, Hongjoo, Kassandra Ross, and Wi-Suk Kwon. Fashion Design Piracy and Consumers� Brand Perceptions: The Case of Corporate Copying of Independent Fashion Designers. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8791.

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