Relevant bibliographies by topics / Fantasy literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fantasy literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Fantasy literature"

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Smith, Jeanette C. "Selecting Fantasy Literature." Collection Building 13, no. 4 (April 1994): 19–23. http://dx.doi.org/10.1108/eb023383.

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Demesinova, А. А., and G. K. Kazhibaeva. "THE PROBLEMS OF HARMONY AND DIFFERENCES BETWEEN FANTASY AND MYTH, FAIRY TALE, FICTION." Keruen 81, no. 4 (December 20, 2023): 161–73. http://dx.doi.org/10.53871/2078-8134.2023.4-13.

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The article scrutinizes the distinctions between myth, fairytale, and fantasy within the studyof the fantasy genre, an increasingly significant aspect of contemporary world and Kazakh literature. Fourpredominant perspectives on fantasy in modern literary studies are discussed. One viewpoint negates fantasy’sindependent literary status, deeming it a subset of fiction, supported by its widespread presence in modernliterature, films, and popular culture. Another perspective equates fantasy with fairytales, illustrated byJ.R.R. Tolkien’s initial classification of his works as “fairytales” before the term “fantasy” gained scholarlyrecognition. Some researchers argue that fantasy’s roots lie in mythology, specifically a “neomyth” born fromauthors’ mythological thinking and ancient myths. This viewpoint is deemed by the author to reveal the genesisand literary essence of fantasy most comprehensively. Lastly, a less supported view ties fantasy’s emergence tothe evolution of “horror” literature, inspired by 90s computer games, notably championed by the Polish futuristS.S. Lem. However, this perspective lacks substantial backing. The author of the article managed to give hisown, author’s definition of fantasy by analyzing the opinions of supporters of these four views on the fantasygenre. The scientific article discusses the problems of interrelation and differences between fantasy works frommythology, fairy tales and science fiction. The analysis of definitions and interpretations of literary scholars onthis issue is carried out. The author’s definition of the fantasy genre based on a comparative analysis of variousliterary genres is proposed. A comparative table of interrelationships and features of mythology, folklore andliterary fairy tales, science fiction, as well as the fantasy genre has been formed. It is concluded that fantasy isa syncretic, dynamic meta-genre that unites literature, philosophy, cultural studies, pedagogy, psychology, thefilm industry, animated films, computer games, entertainment and other areas.
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Ashrafi, Ali. "INVESTIGATION OF CHILDREN FANTASY LITERATURE IN ENGLISH LANGUAGE: THE CASE OF BEATRIX POTTER’S WORK/INVESTIGASI SASTRA FANTASI ANAK-ANAK DALAM BAHASA INGGRIS: CASE OF BEATRIX POTTER’S WORK." Aksara 32, no. 2 (January 3, 2021): 247–57. http://dx.doi.org/10.29255/aksara.v32i2.472.247-257.

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Abstract In this research, we chose the series of Beatrix Potter in English languages. Then the obtained data studied in three parts of the style of writing, the semiotics of fantasy characters, and in terms of social concepts such as power, gender, and collaboration. This research is descriptive research based on the library method. Fantasy is a ction about a topic in the past or an event in the future that is now untrue, but relying on individual knowledge and imagination. Fantasy literature, as it stands today, was created in Europe in the eighteenth century, although its elements exist in myths and ancient myths. Beatrix Potter (1866-1943) grew up in London is the most acclaimed Baby Writer. She was an English writer, illustrator, natural scientist, and conservationist best known for her children’s books featuring animals. She is well-known as the author of children’s books such as The Tale of Peter Rabbit. She wrote 23 books altogether, the most famous of which was “the Tale of Peter Rabbit “, which translated into 35 languages and printed 151 million copies in the world. Keywords: characterization, fantasy literature, story, Beatrix Potter, phantom fantasy, realistic fantasy, writing style Abstrak Dalam penelitian ini, dipilih seri Beatrix Potter dalam bahasa Inggris. Kemudian data yang diperoleh dianalisis dalam tiga bagian: gaya penulisan, semiotika karakter fantasi, dan ditinjau dari konsep sosial, seperti kekuasaan, jenis kelamin, dan kolaborasi. Penelitian ini merupakan penelitian deskriptif berdasarkan metode kepustakaan. Fantasi adalah ksi tentang suatu topik di masa lalu atau peristiwa di masa depan yang sekarang tidak benar, tetapi mengandalkan pengetahuan dan imajinasi individu. Sastra fantasi, seperti yang ada saat ini, diciptakan di Eropa pada abad kedelapan belas, meskipun unsur-unsurnya ada dalam mitos dan mitos kuno. Beatrix Potter (1866-1943) besar di London adalah Penulis Bayi, ilustrator, ilmuwan alam, dan konservasionis yang terkenal karena buku anak-anaknya yang menampilkan hewan. Karyanya yang terkenal adalah buku anak-anak, seperti The Tale of Peter Rabbit. Kata kunci: penokohan, sastra fantasi, cerita, Beatrix Potter, fantasi hantu, fantasi realistik, gaya menulis
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Norquay, Glenda. "Review: Scottish Fantasy Literature." Scottish Affairs 10 (First Serie, no. 1 (February 1995): 136–40. http://dx.doi.org/10.3366/scot.1995.0014.

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전혜정. "Imagination and Fantasy literature." Journal of Popular Narrative ll, no. 17 (June 2007): 247–72. http://dx.doi.org/10.18856/jpn.2007..17.008.

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Attebery, Brian. "Affordances of Fantasy." Genre 57, no. 1 (April 1, 2024): 1–23. http://dx.doi.org/10.1215/00166928-10982852.

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Abstract Each of the functions of fantasy described by J. R. R. Tolkien in his essay “On Fairy-Stories” can be reframed through affordance theory into a kind of re-visioning. Such re-visioning is comparable to the formalist notion of defamiliarization or the science fiction technique that Darko Suvin called “cognitive estrangement.” Whereas science fiction projects alternative futures, fantasy's affordances allow writers to generate alternative worldviews grounded in real or invented mythic pasts. The initial move away from claiming to imitate reality allows fantasy writers to project inner experience onto an outer storyworld (there is no pathetic fallacy in fantasy), to depict multiple contradictory selves (housed within a single body or spread out over several characters), and to invite readers to consider alternatives to commonsense assumptions and seemingly inevitable social orders.
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Quevedo da Rocha, Fabian. "Theoretical and critical tendencies in Fantasy Literature: from Tolkien to Mendlesohn." Jangada: crítica | literatura | artes 2, no. 18 (December 30, 2021): 8–24. http://dx.doi.org/10.35921/jangada.v1i18.383.

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Esta pesquisa discute os postulados acerca da literatura de fantasia propostos pelos teóricos J. R. R. Tolkien, Brian Attebery e Farah Mendlesohn. Aborda-se o ensaio “Sobre Histórias de Fadas”, de Tolkien, e as obras Strategies of Fantasy, de Attebery, e Rhetorics of Fantasy, de Mendlesohn. Partindo da discussão dos elementos centrais destas produções, propõe-se que as mudanças na forma com a qual a fantasia como gênero literário se apresenta, em diferentes momentos histórico-geográficos, estão relacionadas com as demandas sociais do contexto das obras. Argumenta-se que novas teorias tendem a surgir para acompanhar tais mudanças e oferecer ferramentas teórico-críticas que abranjam o gênero em suas variadas vertentes e que possibilitem abordagens mais plurais da fantasia. O estudo inicia com uma discussão acerca de como o ensaio de Tolkien e seu romance O Senhor dos Aneis, tiveram um papel central na popularização da fantasia e no estabelecimento de um modelo para o gênero. Então, discute-se a teoria de Attebery, que propõe que o gênero fantasia pode ser visto como um conjunto difuso. Conclui-se com uma análise da teoria de Mendlesohn, que propõe que diferentes textos de fantasia podem ser estudados a partir do modo com o qual o fantástico surge na narrativa.
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Kim, Jeong Hwan. "Unfolding of Romanian Fantasy Literature." East European and Balkan Institute 42, no. 2 (May 11, 2018): 3–29. http://dx.doi.org/10.19170/eebs.2018.42.2.3.

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Lesnik-Oberstein, Karin, Colin Manlove, and Bjorn Sundmark. "The Fantasy Literature of England." Modern Language Review 96, no. 1 (January 2001): 146. http://dx.doi.org/10.2307/3735728.

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Kurtz, P. J. "Understanding and Appreciating Fantasy Literature." Choice Reviews Online 45, no. 04 (December 1, 2007): 571–80. http://dx.doi.org/10.5860/choice.45.04.571.

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Dissertations / Theses on the topic "Fantasy literature"

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Luo, Zhiwen. "A Bakhtinian reading of fantasy chronotopes in modern children's fantasy literature." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/104240/.

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Drawing on Bakhtin’s theory of the literary artistic chronotope and the interdisciplinary spatiotemporal theories of geocriticism, this study identifies three particular modes of the fantasy spatiotemporality presented in modern children’s fantasy works. They are the epic chronotope, the “fantastic” time-travel chronotope and the heterotopian chronotope. Each fantasy chronotope is examined in the specific but interrelated textual contexts of selected children’s fantasy works in relation to the three main research questions: (i) How is the fantasy chronotope embodied and strategically deployed in the focused children’s fantasy works? (ii) What ideas and values are conveyed by its syntagmatic interplay with other chronotopes that characterise the textual quotidian world? (iii) How do characters, through their spatiotemporal practices, negotiate with the divergent chronotopic values that converge and wrestle in the textual universes? This study builds on existing works in relation to chronotopic considerations and develops the understanding of the fantasy chronotope in these particular ways: a) It moves the study of the fantasy chronotope from generalities to specific instances, so that the inner diversity of the fantasy spatiotemporal arrangements can be perceived and explored. b) It examines the syntagmatic spatiotemporal relations constructed between the fantasy and the “real” in individual children’s fantasy works and their connotations. In so doing, it reveals how each of the identified fantasy chronotopes can be strategically deployed in fantasy cartographies to convey meanings and values. c) This study also delves into the spatiotemporal embedding of human actions that is distinctively shown in fantasy chronotopes. This is done by reading characters’ spatiotemporal practices in and their negotiations with the projected fantasy worlds. d) Taking Bakhtin’s literary artistic chronotope as the link, my reading of the fantasy chronotopes also demonstrates an interpenetrative and reciprocal relation between fantasy spatiotemporal imaginations and the theoretical interpretations of space and time in geocriticism.
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Gamble, Sarah Jane. "New cultural models in women's fantasy literature." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/15029/.

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This thesis examines the way in which modern women writers use non-realistic literary forms in order to create new role models of and for women. The work of six authors are analysed in detail - Angela Carter, Doris Lessing, Margaret Atwood, Ursula Le Guin, Joanna Russ and Kate Wilhelm. I argue that they share a discontent with the conventions of classic realism, which they all regard as perpetuating ideologically-generated stereotypes of women. Accordingly, they move away from mimetic modes in order to formulate a discourse which will challenge conventional representations of the 'feminine', arriving at a new conception of the female subject. I argue that although these writers represent a range of feminist responses to the dominant order, they all arrive at a s1mil~r conviction that such an order is male-dominated. All exhibit an awareness of the work of feminist critics, creating texts which consciously interact with feminist theory. I then discuss how these authors use their art to examine the their own situation as women who write. All draw the attention to the existence of a tradition of female censorship, whereby the creative woman has experienced, in an intensified form, the repression experienced by all women in a culture which privileges the male over the female. All these writers exhibit a desire to escape such a tradition, progressing towards the formulation of a utopian female subject who is free to be fully creative a project they represent metaphorically in the form of a quest.
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Crawford, Karie. "Turbulent times : epic fantasy in adolescent literature /." Diss., CLICK HERE for online access, 2002. http://contentdm.lib.byu.edu/ETD/image/etd41.pdf.

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Crawford, Karie Eliza. "Turbulent Times: Epic Fantasy in Adolescent Literature." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/84.

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This thesis is a development of the theories presented by Carl Jung, Joseph Campbell, and Bruno Bettelheim concerning archetypes, the anima/animus concept, the Hero Cycle, and identity development through fairy tales. I argue that there are vital rites of passage missing in Anglo-Saxon culture, and while bibliotherapy cannot replace them, it can help adolescents synthesize their experiences. The theories of Jung, Campbell, and Bettelheim demonstrate this concept by defining segments of the story and how they apply to the reader. Because of the applicability, readers, despite their age, can use the examples in the book to help reconcile their own experiences and understand life as it relates to them. The works I examine include J.K. Rowling's Harry Potter series, Orson Scott Card's Alvin Maker series, J.R.R. Tolkien's The Lord of the Rings, Ursula K. Le Guin's Earthsea trilogy, and David Eddings' Belgariad. Though it is impossible to test the effects of reading such works on readers, the possibility of those effects exists. Bettelheim's work, The Uses of Enchantment, discusses similar themes and he provides scientific support through his use of anecdotal evidence. Following his example, I have tried to include evidence from my own life that exemplifies the effect reading epic fantasy has had on me. The aspects of epic fantasy in relation to going through adolescence I examine include the concept of responsibility and its relation to progress and maturity; gaining a social identity; and reconciling oneself to the dark side within and without, in society. These aspects are found within the superstructure of the Hero Cycle and the actions and motivations of the characters—archetypes—within the cycle. They are also present in real life and necessary concepts to understand to be accepted into society as a mature contributor.
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Zamaron, Alain. "Représentation des civilisations disparues dans la littérature d'aventures fantastiques de la fin du XIXe siècle et du début du XXe." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 1998. http://catalog.hathitrust.org/api/volumes/oclc/40674686.html.

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Melano, Anne. "On divergence in fantasy." Master's thesis, Australia : Macquarie University, 2006. http://hdl.handle.net/1959.14/17998.

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The original thesis contains the novel "Stranger, I" as an integral part of the thesis. However this novel has been omitted in this digital copy.
Thesis (MA (Hons))--Macquarie University, Division of Humanities, Department of English, 2006.
Bibliography: p. 93-97.
On divergence in fantasy -- Introduction -- Preliminary -- The thousand and one definitional nights -- Characteristic works: inclusions and exclusions -- Critical objections to fantasy -- Conclusion.
On Divergence in Fantasy explores the ways in which fantasy criticism continually redefines its boundaries, without arriving at agreement. The paper draws on Foucault to suggest that these disputes and dispersions are characteristic of the operation of fantasy critisim as a discursive formation.
Mode of access: World Wide Web.
97 p
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Cusick, Edmund. "George MacDonald and Victorian fantasy." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293456.

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Owen, Christopher. "Systemic oppression in children's portal-quest fantasy literature." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52890.

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This thesis investigates the representation of systemic oppression in Baum’s The Wonderful Wizard of Oz and Rowling’s Harry Potter and the Philosopher’s Stone. Employing Foucauldian poststructuralism and critical discourse analysis, this research identifies how the social systems of the fantasy texts construct hierarchies based on race and gender, and social norms based on sexuality and disability. Privilege and oppression are identified as the results of the relaying of power relations by social institutions through strategies such as dominant discourses. This study questions the historically understood role of children’s and fantasy literature as socialization tools, and the potential negative consequences of this.
Arts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
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Dalton, Adam. "The sub-genres of fantasy literature : where does 'metaphysical fantasy', as exemplified by A.J. Dalton's novel 'Empire of the Saviours', sit in relation to traditional 'high fantasy' and other second-world sub-genres of fantasy literature?" Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34552/.

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Drawing upon academic and critical literature, the introduction to this exegesis considers how J.R.R. Tolkien’s The Lord of the Rings (1954) became the ‘norm’ in modern second-world fantasy. Just as Tolkien’s ‘high fantasy’ mediated the fantasies of the sociohistorical periods that preceded it (James, 2012), so subsequent fantasy authors and sub-genres have inherited from and had to react against ‘high fantasy’ in order to discover their own definitions and distinct voices, styles and relevance. Thus, the introduction argues, in order to define and demonstrate the distinct nature of second-world ‘metaphysical fantasy’, of which Empire of the Saviours (2011) is a defining novel, this exegesis is required to show how the second-world ‘epic fantasy’ of the 1980s and 90s inherited from and reacted against ‘high fantasy’, and how ‘metaphysical fantasy’ in turned inherited from and reacted against the ‘epic fantasy’ sub-genre. There is also a discussion of how competing sub-genre definitions within academia and the publishing industry have complicated the debate. The first chapter considers the sociohistorical context of the development of the various sub-genres of fantasy literature, moving from the ‘high fantasy’ of Tolkien’s The Lord of the Rings, through the nature-based fantasy of the 1960s, to the ‘swords and planets’ sci-fi crossover sub-genre of the 1970s, to the ‘epic fantasy’ of the 1980s and 90s, to the ‘urban fantasy’, ‘flintlock fantasy’, ‘steampunk’ and ‘comedic fantasy’ of the new millennium, to the ‘dark fantasy’ and ‘metaphysical fantasy’ (the latter established by my various novels) of the mid to late 2000s, to the ‘grimdark fantasy’ and ‘dystopian YA’ of the 2010s. The chapter shows how each sub-genre is informed by and reacts to its own sociohistorical moment and that each sub-genre in large part derives its distinctiveness from that unique moment. The second chapter considers how second-world ‘metaphysical fantasy’ in large part derives its definition and particular motifs from a ‘Millennial’ sociohistorical moment. The chapter then analyses how ‘metaphysical fantasy’ is distinctly informed by, reacts to and differs from the preceding sub-genre of second-world ‘epic fantasy’. Finally, the chapter considers how subsequent second-world ‘grimdark fantasy’ is informed by, reacts to and differs from ‘metaphysical fantasy’. The third chapter sets out how my novel Empire of the Saviours further exemplifies ‘metaphysical fantasy’ and has served to establish the sub-genre as a distinct and valuable contribution to the wider genre of fantasy. Drawing upon Empire of the Saviours, the chapter identifies further literary features and themes (other than those detailed in the second chapter) that are unique to the ‘metaphysical fantasy’ sub-genre.
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Libbon, Stephanie E. "Frank Wedekind's fantasy world : a theater of sexuality." Connect to resource, 2000. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1229696568.

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Books on the topic "Fantasy literature"

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Fabrizi, Mark A., ed. Fantasy Literature. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0.

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Manlove, Colin. The Fantasy Literature of England. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27499-4.

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1934-, Barron Neil, ed. Fantasy literature: A reader's guide. New York: Garland Pub., 1990.

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Stableford, Brian. Historical dictionary of fantasy literature. Lanham, MD: Scarecrow Press, 2005.

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1934-, Barron Neil, ed. Fantasy literature: A reader's guide. New York: Garland Pub., 1989.

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Manlove, C. N. The fantasy literature of England. New York: St. Martin's Press, 1999.

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Chung, Yu-Ling. Translation and Fantasy Literature in Taiwan. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137332783.

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Guanio-Uluru, Lykke. Ethics and Form in Fantasy Literature. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137469694.

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Manlove, C. N. Scottish fantasy literature: A critical survey. Edinburgh: Canongate Academic, 1994.

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1942-, Manlove C. N., ed. An anthology of Scottish fantasy literature. Edinburgh: Polygon, 1996.

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Book chapters on the topic "Fantasy literature"

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Pinsent, Pat. "Fantasy." In Children’s Literature, 62–77. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-33547-0_6.

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Gupta, Suman. "Fantasy Literature." In Re-Reading Harry Potter, 55–66. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230279711_8.

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Gupta, Suman. "Fantasy Literature." In Re-Reading Harry Potter, 55–66. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403918390_8.

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Fabrizi, Mark A. "Introduction." In Fantasy Literature, 1–9. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_1.

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Davanzo, Claire A. "Indifference, Neglect, and Outright Dislike." In Fantasy Literature, 139–54. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_10.

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Simone, Louise Pisano. "Magic as Privilege in Robert Jordan and Brandon Sanderson’s Wheel of Time Epic Fantasy Series." In Fantasy Literature, 157–71. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_11.

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Coombs, Dawan, Jon Ostenson, and Whitney Sommerville. "Seeing Harry Potter as an At-Risk Student." In Fantasy Literature, 173–87. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_12.

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Dreier, Stephanie. "Magical Objects in Fantasy." In Fantasy Literature, 189–202. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_13.

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Martelli, Cynthia Dawn, and Vickie Johnston. "Critical Literacy in Inquiry Learning." In Fantasy Literature, 203–16. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_14.

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Borah, Rebecca Sutherland. "“Bruce Banner Can Be an Asshole”." In Fantasy Literature, 217–30. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-758-0_15.

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Conference papers on the topic "Fantasy literature"

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Дубинина, Диана Утегеновна, and Татьяна Николаевна Маркова. "GENRE VARIETIES OF FANTASY IN THE LITERATURE OF KAZAKHSTAN." In Слово, высказывание, текст в когнитивном, прагматическом и культурологическом аспектах. Челябинск: Челябинский государственный университет, 2022. http://dx.doi.org/10.47475/9785727118054_304.

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Meng, Bok Check, and Goh Ying Soon. "Chinese Fantasy Novel: New Word Teaching For Non-Native Learners." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.05.

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Han, Sooyoun, Sumin Seo, Minji Kang, Jongin Kim, Nayoung Choi, Min Song, and Jinho D. Choi. "FantasyCoref: Coreference Resolution on Fantasy Literature Through Omniscient Writer’s Point of View." In Proceedings of the Fourth Workshop on Computational Models of Reference, Anaphora and Coreference. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.crac-1.3.

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Kazakova, Alina, and Zhamal Maratova. "THE IMAGE OF THE DEMIGOD IN THE FANTASY CYCLE “PERSEY JACKSON AND THE OLYMPIANS” AS A RECEPTION OF THE IMAGE OF ANCIENT MYTHOLOGY." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.11.

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Ayuningtyas, G., and J. Tjahjani. "Children’s Fantasy and Moroccan Social Issues in Francophone Film." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296653.

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Zuo, Lu. "The Oriental Fantasy of the Empire -- the Oriental image of the Victoria era literature." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.186.

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Endah, Sri, Harris Effendi Thahar, and Yasnur Asri. "The contribution of reading interest on literature and reading comprehension toward students’ ability in writing fantasy story." In International Conferences on Educational, Social Sciences and Technology. Padang: Fakultas Ilmu Pendidikan, 2018. http://dx.doi.org/10.29210/20181137.

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Nuryanti, Mira, Riskha Arfiyanti, Memen Durachman, and Nurcaya. "Character Education and Creativity of Ideas in the Speech Acts of the Main Character of the Fantasy Text Based on Local Wisdom." In 1st International Conference on Language, Literature, and Arts Education (ICLLAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200804.047.

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ZAHARIA, Viorica. "Murakami’s eclectic style." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p71-75.

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Abstract:
This article analyzes some of the features of Murakami’s writing that are characterized by an eclectic style. One of the most read contemporary prose writer is Haruki Murakami who managed to suspend the border between „high” and „pure” by his works that characterized Japanese literature by tradition and, from „common” and „ordinary”, it made possible thematic „pretexts” for Romanian text. And the international success of the books is due to the specific rhythm of his prose that have broken the barriers between East and West. The fiction word of Murakami’s work is an eclectic and postmodern one and it harmoniously amalgamates elements of surrealism, realism, fantasy, science fiction and pop culture.
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Yuliastuti, Retno, and Kastam Syamsi. "Fantasy Story Writing Ability Using Genre-Based Approach in Class 7-A Of Smp N 4 Pandak in The Academic Year Of 2018-2019 (Results Of Pre-Activity Research)." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.63.

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