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Journal articles on the topic 'Fantasticks'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Uher, David. "Trends in the Development of Science Fiction Literature in Taiwan." Anthropologia integra 1, no. 1 (January 1, 2010): 63–70. http://dx.doi.org/10.5817/ai2010-1-63.

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Literární kritika vědeckou fantastiku většinou ostentativně přehlíží, přitom H. G. Wellse, Isaaca Asimova, Roberta A. Heinleina, Raye Bradburyho či Arthura C. Clarka aj. lze jen stěží označit za bezvýznamné pisálky ... Na konci šedesátých let minulého století, konkrétně v roce 1968, publikovala Zhang Xiaofeng 張曉風v deníku Zhongguo Shibao《中國時報》China Times povídku Panduna《潘渡娜》Pandora. Ta je považována za první dílo taiwanské vědecko-fantastické prózy. V sedmdesátých a osmdesátých letech 20. století pak vědecko-fantastická literatura na Taiwanu zaznamenala bouřlivý rozvoj: byla uveřejňována v denících a časopisech, publikována ve vydavatelstvích, byly zakládány vědecko-fantastické časopisy, vyhlašovány první literární soutěže pro autory vědecké fantastiky a udělovány první ceny. Současně vznikaly první kritické práce a objevili se i první významní autoři vědecko-fantastické literatury, například Huang Hai 黄海 či Zhang Xiguo 張系國aj. Dvacet let vývoje taiwanské vědecké fantastiky ukončila na počátku devadesátých let 20. století vlna amerických vědecko-fantastických filmů. Počátky, rozvoj a úpadek vědecko-fantastické literatury na Taiwanu je proto jako ukončený jev možno popsat i analyzovat. Její historie je téměř u konce, a tak můžeme nejen hodnotit její význam, ale zároveň ji i srovnat s vývojem nejvlivnější vědecko-fantastické literatury na světě – americké vědecké fantastiky. Popis vývoje a toto srovnání jsou hlavním záměrem tohoto příspěvku.

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2

Stephenson, Bradley. "‘Round and round’: Metatheatre, illusion, and reality in The Fantasticks." Studies in Musical Theatre 8, no. 2 (June 1, 2014): 115–27. http://dx.doi.org/10.1386/smt.8.2.115_1.

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3

Buccini, Stefania, and Alessandro Scarsella. "Fantastico e Immaginario. Seminario di letteratura fantastica." Italica 68, no. 2 (1991): 233. http://dx.doi.org/10.2307/479862.

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4

Korkeila, Jyrki A., Tanja E. Martin, Tero J. Taiminen, Markus Heinimaa, and Elina Vourinen. "Clarification of pseudologia fantastica: A study of two cases of fantastic pseudology." Nordic Journal of Psychiatry 49, no. 5 (January 1995): 367–71. http://dx.doi.org/10.3109/08039489509011929.

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5

Brezar, Nina. "Prevajanje neologizmov v znanstvenofantastičnih romanih Douglasa Adamsa." Journal for Foreign Languages 8, no. 1 (December 22, 2016): 41–55. http://dx.doi.org/10.4312/vestnik.8.41-55.

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Namen članka je predstaviti rezultate analize prevajanja neologizmov v znanstvenofantastičnih romanih Douglasa Adamsa, in sicer v seriji romanov Štoparskega vodnika po Galaksiji in v knjigi Losos dvoma. Želeli smo ugotoviti, kako so prevedeni določeni izrazi in katere prevajalske postopke je pri tem uporabil prevajalec. V teoretičnem delu se posvetimo neologizmom in znanstveni fantastiki ter prevajanju le-teh. Obravnavamo tudi prevajalske strategije po Newmarku. V analitičnem delu so predstavljeni izsledki predhodne raziskave: prevodi 57 neologizmov so analizirani na podlagi uporabljenih prevodnih postopkov in ustreznosti v ciljnem jeziku. Izsledki kažejo, da je prevajalec pogosto uporabil domiselni prevod kot funkcijsko ustreznico, medtem ko kulturnih ustreznic skoraj ni uporabljal. Iz analize je tudi razvidna tudi problematičnost prevajanja znanstvene fantastike v slovenščino.

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6

Krstić, Predrag. "Enterprajz sa neograničenom odgovornošću: o mapiranju i kolonizovanju svemira." Issues in Ethnology and Anthropology 7, no. 4 (March 4, 2016): 957–78. http://dx.doi.org/10.21301/eap.v7i4.4.

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Tema ovog teksta je odnos prema jednoj posebnoj klasi „drugih“. Dok su u zemnoj istoriji u pitanju bile druge civilizacije i kulture, u naučnoj fantastici je po pravilu reč o drugim vrstama i drugačijim oblicima života. Na primeru serija i filmova Zvezdanih staza pokazuje se da, uprkos značajnom naporu da se „multukulturalizam“ usvoji kao vlastito načelo i uprkos svesnom nastojanju da se poštuje i slavi različitost, „kolonijalni narativ“ ostaje na snazi i u vizijama budućnosti popularne naučne fantastike. Strah i/ili nasilje su tipske reakcije koje manje ili više (ne)skriveno ponavljaju obrazac našeg mišljenja drugosti i postupanja prema drugačijama kad god je reč o tuđinama, bilo da su oni stranci ili vanzemaljci.

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7

Nugroho, Irfan, and Yusuf Adam Hilman. "SINERGITAS PROGRAM FANTASTIC!PONOROGO DALAM RANGKA PEMBANGUNAN PARIWISATA." Jurnal Ilmiah Wahana Bhakti Praja 10, no. 1 (April 30, 2020): 220–29. http://dx.doi.org/10.33701/jiwbp.v10i1.893.

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ABSTRAK. Fantastic! Ponorogo merupakan program pembangunan pariwisata yang bersinergi antara Visi dan Misi dari Bupati Kabupaten Ponorogo yang telah di di uraikan dalam RPJMD 2016 – 2021. Kajian ini berbicara tentang keterkaitan RPJMN, RPJMD Provinsi Jawa Timur, dan RPJMD Kabupten Ponorogo. 2019 merupakan tahun kunjungan wisata di Provinsi Jawa Timur. Pelaksanaan praktik Collaborative Governance yang menggambarkan proses kemitraan antara pemerintah dengan pihak swasta, bertujuan untuk mengoptimalkan tujuan kegiatan. Tujuan penelitian ini adalah untuk mencari tahu sinergitas program Fantastis!Ponorogo dalam rangka praktik collaborative Governance dalam sektor Pariwisat yang dilakukan di Kabupaten Ponorogo. Dalam studi ini menggunakan metode penelitian kualitatif. Praktik Collaborative Governance memperlihatkan sinergitas yang efektif dan berhasil, karena beberapa faktor, diantaranya: 1) adanya komitmen dari Bupati, Wakil Bupati dan seluruh jajaran Pemerintah Daerah Kabupaten Ponorogo dalam hal ini para kepala dinas yang supportive terhadap pelaksanaan tahun wisata 2019, 2). Terwujudnya: kolaborasi, Conectivity antar stakeholder, 3). Meningkatnya antusias Masyarkaat yang sangat aktif dalam berbagai event yang diselenggarakan, 4). Media pembelajaran bagi pemerintah dalam penyelenggaraan tugas pemerintahan. Kata Kunci: Synergy; Collaborative Governance; Fantastic! Ponorogo; Tourism Development

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8

Boldy, Steven, Leopoldo Lugones, and Pedro Luis Barcia. "Cuentos fantasticos." Modern Language Review 86, no. 3 (July 1991): 772. http://dx.doi.org/10.2307/3731113.

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9

Ruiz, Hildebrando, and Elias Miguel munoz. "Viajes Fantasticos." Modern Language Journal 78, no. 4 (1994): 568. http://dx.doi.org/10.2307/328625.

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10

Mihaela, Bal. "Transformations of the Fantastic Fairy Tale." Incursions into the Imaginary 6, no. 1 (October 15, 2015): 35–41. http://dx.doi.org/10.29302/inimag.2015.6.3.

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11

Perić, Nenad. "The relation of science fiction and advertising." Kultura, no. 167 (2020): 382–93. http://dx.doi.org/10.5937/kultura2067382p.

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12

Sloan, Casey. "POSSESSING DRESSES: FASHION AND FEMALE COMMUNITY INTHE WOMAN IN WHITE." Victorian Literature and Culture 44, no. 4 (November 4, 2016): 801–16. http://dx.doi.org/10.1017/s106015031600022x.

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Margaret Oliphant much preferredThe Woman in White(published serially 1859–1860) toGreat Expectations(published serially 1860–1861). This partiality emerges in a comparative treatment of the texts in her oft-quoted 1862 treatise on sensation fiction, and it rests on the desirability of authors producing thrills using “modest and subtle means” (“Sensation Novels” 569) instead of “by fantastic eccentricities” and “high-strained oddity” (“Sensation Novels” 574). While the existence of an argument against the allegedly regrettable excesses of fantastical narratives will not shock any reader familiar with contemporary criticism of sensation fiction, or, for that matter, Romantic-era novels or Gothic works in general, the primary evidence Oliphant uses to argue her case might come as a surprise. In order to discredit Charles Dickens's ghostly accounts of Miss Havisham's bridal tomb in favor of Wilkie Collins's eerie images of Anne Catherick appearing on a moonlit moor, Margaret Oliphant turns to clothing.

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13

Brozović, Domagoj. "Motiv straha i njegovi mehanizmi u hrvatskoj fantastičnoj noveli 19. stoljeća." Narodna umjetnost 56, no. 1 (July 2, 2019): 101–16. http://dx.doi.org/10.15176/vol56no106.

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Budući da je u svjetskoj književnosti od romantizma nadalje najveći dio fantastične dionice pripovjedne književnosti formiran oko ideje straha od nepoznatoga i neobjašnjivoga, ovaj je prilog usmjeren na manifestacije te emocije u odabranim primjerima hrvatske fantastične novele 19. stoljeća. U raspravi se problematizira i tematsko-žanrovska pripadnost kanonskih novela, i to upravo s obzirom na prisutnost motiva straha. U književnostima zapadnog kruga u 19. se stoljeću pojačano javljaju fantastični pripovjedni žanrovi kojima je motiv straha glavni narativni pokretač, a pojedini elementi fantastički intonirane književnosti s obilježjima književnoga horora prisutni su i u odabranome istraživačkom korpusu: od romantičarskih obilježja Jorgovanićeve fantastike preko premošćivanja realističke poetike i okretanja misticizmu u Gjalskijevoj novelistici do modernističke psihologizacije Matoša i Leskovara. Iako se u tradicionalnoj hrvatskoj književnoj historiografiji zadani korpus nije tumačio kroz prizmu motiva straha, njegova prisutnost otvara niz istraživačkih pitanja poput, primjerice, kako se strah manifestira u pripovjednom tekstu, kojoj pripovjednoj razini emocija straha zapravo pripada, kako motiv straha sudjeluje u proizvodnji fantastičnog i irealnog itd.

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14

Ciruti, Joan E., Pedro Luis Barcia, and Leopoldo Lugones. "Leopoldo Lugones, Cuentos fantasticos." Hispanic Review 58, no. 4 (1990): 554. http://dx.doi.org/10.2307/473682.

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15

Macqueen, Angus. "Fantastical Landscapes." Index on Censorship 32, no. 2 (April 2003): 101–6. http://dx.doi.org/10.1080/03064220308537219.

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16

Scappini, Alessandra. "Leonor Fini, maga del trasformismo." iQual. Revista de Género e Igualdad, no. 1 (February 22, 2018): 201. http://dx.doi.org/10.6018/iqual.317701.

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<p><strong>Riassunto</strong> Leonor Fini (Trieste, 1987 - Parigi, 1996) è una pittrice e scrittrice singolare che lavora nel tempo delle avanguardie storiche avvicinandosi all’<em>entourage</em> del surrealismo a Parigi. Il senso del meraviglioso e l’onnipotenza del desiderio che emergono dalle sue storie e dalle sue opere pittoriche sono aspetti comuni all’avanguardia, anche se non ha mai aderito al movimento. Le figure femminili, gli animali totemici e gli ibridi dipinti o descritti sono simbolici e riflettono il suo gusto per il metamorfismo proprio di una personalità e di un <em>alter ego</em> prossimi all’universo fantastico.</p><p><strong>Abstract</strong> Leonor Fini (Trieste, 1987 - Paris, 1996) is a singular woman painter and writer who works in the period of historical avant-gardes approaching the <em>entourage </em>of surrealism in Paris. The sense of the marvelous and the omnipotence of desire that emerge from her stories and her pictorial works are common aspects in the vanguard, even if she has never joined the movement. The female figures, totemic animals and hybrids painted or described are symbolic and reflect her taste for the metamorphism of a personality and an <em>alter ego</em> close to the fantastic universe.</p><p><strong>Keywords </strong>Leonor Fini, surrealism, desire, marvelous, fantastic.</p>

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17

Zavarkina, Marina. "ФАНТАСТИЧЕСКИЙ МИР АНДРЕЯ ПЛАТОНОВА." Проблемы исторической поэтики 14, no. 12 (December 2016): 198–210. http://dx.doi.org/10.15393/j9.art.2016.3768.

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Malchukova, Tatiana. "О ФАНТАСТИЧЕСКОМ В АНТИЧНОЙ СЛОВЕСНОСТИ." Проблемы исторической поэтики 14, no. 2 (February 2016): 27–52. http://dx.doi.org/10.15393/j9.art.2016.4022.

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19

Montante, Michela, and Giuliano Scabia. "Fantastica visione." World Literature Today 64, no. 1 (1990): 89. http://dx.doi.org/10.2307/40145850.

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KING, BRYAN H., and CHARLES V. FORD. "Pseudologia Fantastica." American Journal of Psychiatry 144, no. 7 (July 1987): 970—a—970. http://dx.doi.org/10.1176/ajp.144.7.970-a.

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King, B. H., and C. V. Ford. "Pseudologia fantastica." Acta Psychiatrica Scandinavica 77, no. 1 (January 1988): 1–6. http://dx.doi.org/10.1111/j.1600-0447.1988.tb05068.x.

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Capozzi, Rocco, and Enrico Palandri. "Allegro fantastico." World Literature Today 68, no. 3 (1994): 545. http://dx.doi.org/10.2307/40150410.

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GREY, JESSICA S., TYLER DURNS, and BRENT M. KIOUS. "Pseudologia Fantastica." Journal of Psychiatric Practice 26, no. 3 (May 2020): 241–45. http://dx.doi.org/10.1097/pra.0000000000000462.

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Uzdu YILDIZ, Funda. "FANTASTİK ANLATI VE OKURUN FANTASTİK ANLATIDAKİ İŞLEVİ." International Journal of Language Academy 3, no. 9 (January 1, 2015): 314. http://dx.doi.org/10.18033/ijla.285.

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Chengcheng, YOU. "Strange Encounter: Depicting An “Other” Reality for Young Readers." Journal of Urban Society's Arts 2, no. 1 (April 1, 2015): 25–34. http://dx.doi.org/10.24821/jousa.v2i1.1267.

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This article explores fantastic encounters between humans and non-humans inChinese and Japanese Children’s literature. Naoko Awa’s collection of short storiesThe Fox’s Window and Other Stories is closely read to elucidate narrative features ofwhat I call as “strange encounter”, the magic realistic human-animal encounter inChinese and Japanese cultural context. Chinese supernatural literature and culturaltradition of yaoguai, which have been assimilated into Japanese culture (Japaneseyōkai), are referred to throughout my discussion. Todorov’s approach to thefantastic, Judith Zeitlin’s study of Strange Tales of Liaozhai Studio, and RosemaryJackson’s study of fantasy are drawn upon to illuminate the meaning of encountersbetween men and animals. I argue that magic realism as a relatively new genrefor young readers, not only reflects the author’s individual creative experienceof the fantastic but also partakes in the sense of an “other” reality that resonatesthroughout a cultural community.Perjumpaan Ganjil: Gambaran suatu Realitas “Liyan” bagi Pembaca Muda.Artikel ini membahas perjumpaan fantastis antara ‘manusia’ dan ‘non-manusia’ didalam sastra anak Cina dan Jepang. Antologi cerita pendek karangan Naoko Awa TheFox’s Window and Other Stories akan dikupas untuk memaparkan fitur naratif yangdisebut sebagai ‘perjumpaan aneh’ (strange encounter), perjumpaan magis-realis antaramanusia dengan binatang dalam konteks kebudayaan Cina dan Jepang. Karya sastrasupernatural Cina dan keberadaan yaoguai yang telah diasimilasi dalam kebudayaanJepang (disebut youkai) menjadi sebuah referensi penting dalam artikel ini. Pendekatanfantasi dari Todorov, studi Judith Zeitlin tentang Strange Tales of Liaozhai Studio,dan studi fantasi dari Rosemary Jackson digunakan untuk memperjelas arti dariperjumpaan antara manusia dan binatang. Magis-realis sebagai sesuatu yang baru bagi pembaca muda tidak hanya merefleksikan pengalaman kreatif pribadi sang pengarang akan fantasi, tetapi juga berperan dalam pembentukan realitas “liyan” dalam sebuahkomunitas budaya.

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Benitez, Ruben, and Russell P. Sebold. "Becquer en sus narraciones fantasticas." Hispanic Review 59, no. 1 (1991): 100. http://dx.doi.org/10.2307/473885.

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Orehovs, Ivars. "Den kultur- och litteraturhistoriska gestalten i den lettiska novellen “Svētā Briģita” (“Heliga Birgitta”) av Jānis Ezeriņš." Scandinavistica Vilnensis, no. 14 (May 27, 2019): 136–46. http://dx.doi.org/10.15388/scandinavisticavilnensis.2019.7.

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Cultural-historical and literary gestalt in the Latvian short story “Saint Birgitta” (“Heliga Birgitta”) by Jānis EzeriņšThe Latvian author Jānis Ezeriņš’s (1891–1924) literary heritage includes, among other texts, the collection of short stories Fantastiska novele un citas (Fantastic short story and others, 1923). The collection contains the short story “Svētā Briģita” (“Saint Birgitta”), in which the author has used the image of a saint, which is very well known in the history of culture, literature and religion. The image can be related both to Celtic mythology and the historical Swedish personality, who had been the founder of Vadstena monastery and a literary author herself (approx. 1303–1373). The aim of the article is to explore the function of the image in the prose text by the Latvian author Ezeriņš and its connections with the cultural and historical personality of St. Birgitta. It is not typical of Ezeriņš’s writings to make such an explicit and direct association with this kind of legendary phenomena, therefore the inclusion of the text in the collection may suggest a connection between St. Birgitta’s individual destiny and enduring human values. This writer’s choice can also be seen as his own claim to international recognition.

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Amato, Ivan. "Fantastic Plastic." Science News 136, no. 21 (November 18, 1989): 328. http://dx.doi.org/10.2307/3973806.

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Kind, Amy. "Captain Fantastic." Philosophers' Magazine, no. 75 (2016): 112–13. http://dx.doi.org/10.5840/tpm201675142.

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Mason, Jeff. "Fantastic encounters." Philosophers' Magazine, no. 11 (2000): 43–45. http://dx.doi.org/10.5840/tpm20001121.

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Mashta, Oona. "Plastic fantastic." Nursing Standard 25, no. 14 (December 8, 2010): 18–19. http://dx.doi.org/10.7748/ns.25.14.18.s26.

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Schmid, Rudolf, and Edwin A. Menninger. "Fantastic Trees." Taxon 44, no. 4 (November 1995): 666. http://dx.doi.org/10.2307/1223534.

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Moss, Steve. "Fantastic materials." MRS Bulletin 41, no. 11 (November 2016): 927–28. http://dx.doi.org/10.1557/mrs.2016.266.

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Hibbert, Steve. "Plastic fantastic." New Scientist 207, no. 2769 (July 2010): 25. http://dx.doi.org/10.1016/s0262-4079(10)61738-1.

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Ainsworth, Claire. "Fantastic beasts." New Scientist 244, no. 3251 (October 2019): 34–37. http://dx.doi.org/10.1016/s0262-4079(19)31920-7.

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Valero, Greg. "Fantastic Finish." Metal Finishing 102, no. 12 (December 2004): 18–22. http://dx.doi.org/10.1016/s0026-0576(04)84774-3.

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Brister, Susi. "Fantastic Habitat." Visual Communication Quarterly 24, no. 2 (April 3, 2017): 106–14. http://dx.doi.org/10.1080/15551393.2017.1315221.

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Culpepper, Emily Erwin, and Nelle Morton. "Fantastic Coherence." Women's Review of Books 3, no. 3 (December 1985): 12. http://dx.doi.org/10.2307/4019696.

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Hammer, Langdon. "Fantastic Forms." PMLA/Publications of the Modern Language Association of America 132, no. 5 (October 2017): 1200–1205. http://dx.doi.org/10.1632/pmla.2017.132.5.1200.

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Marks, Paul. "Plastic fantastic." New Scientist 223, no. 2978 (July 2014): 24. http://dx.doi.org/10.1016/s0262-4079(14)61392-0.

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Donaldson, Laurie. "Elastic, fantastic." Materials Today 15, no. 1-2 (January 2012): 13. http://dx.doi.org/10.1016/s1369-7021(12)70014-7.

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Jones, Nicola. "Light fantastic." New Scientist 229, no. 3055 (January 2016): 30–33. http://dx.doi.org/10.1016/s0262-4079(16)30081-1.

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Hart, Karen. "Fantastic beasts." Early Years Educator 22, no. 4 (November 2, 2020): S14—S15. http://dx.doi.org/10.12968/eyed.2020.22.4.s14.

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Channel children's fascination with imaginary creatures such as dragons, unicorns and mermaids into creating characterful artworks, including finger puppets and 2D artworks that they will be proud of.

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Andrews, Crispin. "Fantastic football!" Primary Teacher Update 2012, no. 9 (June 2012): 30–32. http://dx.doi.org/10.12968/prtu.2012.1.9.30.

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Thomason, Sarah, and William Poser. "Fantastic Linguistics." Annual Review of Linguistics 6, no. 1 (January 14, 2020): 457–68. http://dx.doi.org/10.1146/annurev-linguistics-011619-030459.

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Many nonlinguists believe that their ability to speak at least one language provides special insight into the essence of languages and their histories. One result of this belief is a plethora of theories about language from a surprising variety of perspectives: where particular languages (or all languages) originated, which languages are related by a shared history, how undeciphered writings or pseudowritings are to be read, how language figures in paranormal claims as “evidence” for reincarnation and channeled entities, and much, much more. This review surveys some of the major areas in which fringe and crackpot claims about language thrive. Only a few topics and examples can be covered in the limited space of a single article, but these should be enough, we hope, to suggest the range of wonderfully wacky pseudolinguistic notions out there.

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Goodrick, Steven J. "Plastic fantastic." Lancet Neurology 7, no. 11 (November 2008): 990. http://dx.doi.org/10.1016/s1474-4422(08)70237-0.

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Jones, David. "Light fantastic." Nature 359, no. 6394 (October 1992): 368. http://dx.doi.org/10.1038/359368a0.

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Youngman, Angela. "Fantastic experiments!" 5 to 7 Educator 2008, no. 46 (October 2008): viii—vix. http://dx.doi.org/10.12968/ftse.2008.7.10.31003.

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Burden, Debra, Cheryl Fletcher, Sue Newbury, Louise Walker, and Jenny Wilkinson. "Fantastic Fridays." 5 to 7 Educator 2008, no. 42 (June 2008): 21–23. http://dx.doi.org/10.12968/ftse.2008.7.6.29408.

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Durrani, Matin. "Light fantastic." Physics World 28, no. 2 (February 2015): 15. http://dx.doi.org/10.1088/2058-7058/28/2/25.

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