Relevant bibliographies by topics / Fantasticks

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Academic literature on the topic 'Fantasticks'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Fantasticks"

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Uher, David. "Trends in the Development of Science Fiction Literature in Taiwan." Anthropologia integra 1, no. 1 (January 1, 2010): 63–70. http://dx.doi.org/10.5817/ai2010-1-63.

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Literární kritika vědeckou fantastiku většinou ostentativně přehlíží, přitom H. G. Wellse, Isaaca Asimova, Roberta A. Heinleina, Raye Bradburyho či Arthura C. Clarka aj. lze jen stěží označit za bezvýznamné pisálky ... Na konci šedesátých let minulého století, konkrétně v roce 1968, publikovala Zhang Xiaofeng 張曉風v deníku Zhongguo Shibao《中國時報》China Times povídku Panduna《潘渡娜》Pandora. Ta je považována za první dílo taiwanské vědecko-fantastické prózy. V sedmdesátých a osmdesátých letech 20. století pak vědecko-fantastická literatura na Taiwanu zaznamenala bouřlivý rozvoj: byla uveřejňována v denících a časopisech, publikována ve vydavatelstvích, byly zakládány vědecko-fantastické časopisy, vyhlašovány první literární soutěže pro autory vědecké fantastiky a udělovány první ceny. Současně vznikaly první kritické práce a objevili se i první významní autoři vědecko-fantastické literatury, například Huang Hai 黄海 či Zhang Xiguo 張系國aj. Dvacet let vývoje taiwanské vědecké fantastiky ukončila na počátku devadesátých let 20. století vlna amerických vědecko-fantastických filmů. Počátky, rozvoj a úpadek vědecko-fantastické literatury na Taiwanu je proto jako ukončený jev možno popsat i analyzovat. Její historie je téměř u konce, a tak můžeme nejen hodnotit její význam, ale zároveň ji i srovnat s vývojem nejvlivnější vědecko-fantastické literatury na světě – americké vědecké fantastiky. Popis vývoje a toto srovnání jsou hlavním záměrem tohoto příspěvku.
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Stephenson, Bradley. "‘Round and round’: Metatheatre, illusion, and reality in The Fantasticks." Studies in Musical Theatre 8, no. 2 (June 1, 2014): 115–27. http://dx.doi.org/10.1386/smt.8.2.115_1.

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Buccini, Stefania, and Alessandro Scarsella. "Fantastico e Immaginario. Seminario di letteratura fantastica." Italica 68, no. 2 (1991): 233. http://dx.doi.org/10.2307/479862.

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Korkeila, Jyrki A., Tanja E. Martin, Tero J. Taiminen, Markus Heinimaa, and Elina Vourinen. "Clarification of pseudologia fantastica: A study of two cases of fantastic pseudology." Nordic Journal of Psychiatry 49, no. 5 (January 1995): 367–71. http://dx.doi.org/10.3109/08039489509011929.

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Brezar, Nina. "Prevajanje neologizmov v znanstvenofantastičnih romanih Douglasa Adamsa." Journal for Foreign Languages 8, no. 1 (December 22, 2016): 41–55. http://dx.doi.org/10.4312/vestnik.8.41-55.

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Namen članka je predstaviti rezultate analize prevajanja neologizmov v znanstvenofantastičnih romanih Douglasa Adamsa, in sicer v seriji romanov Štoparskega vodnika po Galaksiji in v knjigi Losos dvoma. Želeli smo ugotoviti, kako so prevedeni določeni izrazi in katere prevajalske postopke je pri tem uporabil prevajalec. V teoretičnem delu se posvetimo neologizmom in znanstveni fantastiki ter prevajanju le-teh. Obravnavamo tudi prevajalske strategije po Newmarku. V analitičnem delu so predstavljeni izsledki predhodne raziskave: prevodi 57 neologizmov so analizirani na podlagi uporabljenih prevodnih postopkov in ustreznosti v ciljnem jeziku. Izsledki kažejo, da je prevajalec pogosto uporabil domiselni prevod kot funkcijsko ustreznico, medtem ko kulturnih ustreznic skoraj ni uporabljal. Iz analize je tudi razvidna tudi problematičnost prevajanja znanstvene fantastike v slovenščino.
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Krstić, Predrag. "Enterprajz sa neograničenom odgovornošću: o mapiranju i kolonizovanju svemira." Issues in Ethnology and Anthropology 7, no. 4 (March 4, 2016): 957–78. http://dx.doi.org/10.21301/eap.v7i4.4.

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Tema ovog teksta je odnos prema jednoj posebnoj klasi „drugih“. Dok su u zemnoj istoriji u pitanju bile druge civilizacije i kulture, u naučnoj fantastici je po pravilu reč o drugim vrstama i drugačijim oblicima života. Na primeru serija i filmova Zvezdanih staza pokazuje se da, uprkos značajnom naporu da se „multukulturalizam“ usvoji kao vlastito načelo i uprkos svesnom nastojanju da se poštuje i slavi različitost, „kolonijalni narativ“ ostaje na snazi i u vizijama budućnosti popularne naučne fantastike. Strah i/ili nasilje su tipske reakcije koje manje ili više (ne)skriveno ponavljaju obrazac našeg mišljenja drugosti i postupanja prema drugačijama kad god je reč o tuđinama, bilo da su oni stranci ili vanzemaljci.
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Nugroho, Irfan, and Yusuf Adam Hilman. "SINERGITAS PROGRAM FANTASTIC!PONOROGO DALAM RANGKA PEMBANGUNAN PARIWISATA." Jurnal Ilmiah Wahana Bhakti Praja 10, no. 1 (April 30, 2020): 220–29. http://dx.doi.org/10.33701/jiwbp.v10i1.893.

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ABSTRAK. Fantastic! Ponorogo merupakan program pembangunan pariwisata yang bersinergi antara Visi dan Misi dari Bupati Kabupaten Ponorogo yang telah di di uraikan dalam RPJMD 2016 – 2021. Kajian ini berbicara tentang keterkaitan RPJMN, RPJMD Provinsi Jawa Timur, dan RPJMD Kabupten Ponorogo. 2019 merupakan tahun kunjungan wisata di Provinsi Jawa Timur. Pelaksanaan praktik Collaborative Governance yang menggambarkan proses kemitraan antara pemerintah dengan pihak swasta, bertujuan untuk mengoptimalkan tujuan kegiatan. Tujuan penelitian ini adalah untuk mencari tahu sinergitas program Fantastis!Ponorogo dalam rangka praktik collaborative Governance dalam sektor Pariwisat yang dilakukan di Kabupaten Ponorogo. Dalam studi ini menggunakan metode penelitian kualitatif. Praktik Collaborative Governance memperlihatkan sinergitas yang efektif dan berhasil, karena beberapa faktor, diantaranya: 1) adanya komitmen dari Bupati, Wakil Bupati dan seluruh jajaran Pemerintah Daerah Kabupaten Ponorogo dalam hal ini para kepala dinas yang supportive terhadap pelaksanaan tahun wisata 2019, 2). Terwujudnya: kolaborasi, Conectivity antar stakeholder, 3). Meningkatnya antusias Masyarkaat yang sangat aktif dalam berbagai event yang diselenggarakan, 4). Media pembelajaran bagi pemerintah dalam penyelenggaraan tugas pemerintahan. Kata Kunci: Synergy; Collaborative Governance; Fantastic! Ponorogo; Tourism Development
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Boldy, Steven, Leopoldo Lugones, and Pedro Luis Barcia. "Cuentos fantasticos." Modern Language Review 86, no. 3 (July 1991): 772. http://dx.doi.org/10.2307/3731113.

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Ruiz, Hildebrando, and Elias Miguel munoz. "Viajes Fantasticos." Modern Language Journal 78, no. 4 (1994): 568. http://dx.doi.org/10.2307/328625.

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Mihaela, Bal. "Transformations of the Fantastic Fairy Tale." Incursions into the Imaginary 6, no. 1 (October 15, 2015): 35–41. http://dx.doi.org/10.29302/inimag.2015.6.3.

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Dissertations / Theses on the topic "Fantasticks"

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Soule, Tiffany L. ""The lady must be fond " : perspectives on the comic use of rape and the history of the "Rape song" in the popular musical The Fantasticks /." Connect to resource, 2003. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1260902965.

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Machado, Daniel Leite [UNESP]. "Poe diante do espelho: uma nova leitura da literatura fantástica." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/91525.

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Edgar Allan Poe afirma a respeito de seu poema The raven, em seu ensaio The philosophy of composition, que “[...] nenhum ponto de sua composição se refere ao acaso, ou à intuição, que o trabalho caminhou, passo a passo, até completar-se, com a precisão e a sequência rígida de um problema matemático”, demonstrando, por isso, que ele entendia ser o processo criativo um ato puramente lógico, consciente e analítico. E, de fato, a análise de seus textos comprova a proposição citada. Além disso, o autor americano é considerado por grande parte da crítica literária como o mestre do horror, figurando alguns de seus textos no cânone das obras primas do fantástico, sendo quase que indispensável a presença de algum de seus contos em uma coletânea dessa categoria literária. Partindo-se, então, desses elementos foi possível levantar a hipótese de que, como a obra poeana está tão intimamente relacionada ao fantástico, a análise de seu racional e sistemático método composicional poderá conduzir à inclusão de novos elementos à estrutura já existente da literatura fantástica. Assim, a presente pesquisa procurou sistematizar o peculiar modus operandi de Poe através da análise de seus contos The black cat, The fall of the house of Usher, The oval portrait, The man of the crowd, William Wilson, Ligeia, e ensaios The philosophy of composition Philosophy of furniture e The poetic principle, para em seguida contrastar os resultados obtidos com as teorias do fantástico, em especial a de Todorov, permitindo estabelecer, dessa forma, pouco a pouco, outra leitura da literatura fantástica, sob a ótica da própria teoria pessoal de Edgar Allan Poe
Edgar Allan Poe said about his poem The Raven, in his essay The philosophy of composition, that [...] no one point in its composition is referrible either to accident or intuition - that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. thereby demonstrating that he understood the creative process is a purely logical, conscious and analytical. And indeed, analysis of his texts proves the proposition cited. In addition, the american author is seen by much of literary criticism as the master of horror, featuring some of his texts in the canon of masterpieces of fantastic, with almost indispensable the presence of some of his tales in a collection of this literary category. Starting from those factors, it was possible to hypothesize that as the Poe‟s work is so closely related to the fantastic, the analysis of their rational and systematic compositional method may lead to inclusion of new elements the existing structure of fantastic literature. Thus, this research sought to systematize the peculiar modus operandi of Poe through the analysis of his short stories The black cat, The fall of the house of Usher, The oval portrait, The man of the crowd, William Wilson, Ligeia, and the essays The philosophy of composition, Philosophy of furniture and The poetic principle, then to contrast the results with the theories of fantastic, particularly Todorov‟s, establishing, thus, little by little, another reading of fantastic literature, from the perspective of their own Edgar Allan Poe‟s personal theory
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Carneiro, Nerynei Meira [UNESP]. "O caleidoscópio de José J. Veiga: intersecções estruturais em narrativas insólitas." Universidade Estadual Paulista (UNESP), 2004. http://hdl.handle.net/11449/106354.

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A tese, O caleidoscópio de José J. Veiga: intersecções estruturais em narrativas insólitas, efetiva análises comparativas entre textos de José J. Veiga (1915-1999), a saber, Os do outro lado, inserido em Os cavalinhos de Platiplanto (1995), Sombras de reis barbudos (1995) e os contos: Aladino (anônimo), A chinela turca (1974), de Machado de Assis e Casa Tomada (1980), de Julio Cortázar. Este trabalho compreende, ainda, a análise do romance de Veiga, A casca da serpente (1994). Abordagens imanentistas subjazem os referidos procedimentos, valendo-se de considerações dos seguintes estudiosos: Tzvetan Todorov, Roger Caillois, Lovecraft, Irène Bessière, Wayne C. Booth, Norman Friedman, Gérard Genette, Linda Hutcheon e Bakhtin (em parte). Pressupostos sobre narrativas fantásticas e realistas maravilhosas emergem, principalmente, das reflexões de Filipe Furtado, Harry Belevan, Óscar Hahn, Francisca Coalla, Bella Josef, José Paulo, Alejo Carpentier, Irlemar Chiampi, Jorge Schwartz. Quanto aos conceitos do novo romance histórico, o trabalho firma-se em posicionamentos de Seymour Menton e Fernando Aínsa. Tais experimentos analíticos pretendem demonstrar que, embora a construção literária do sobrenatural implique variabilidades temático-formais, os elementos dominantes se interseccionam. Portanto, narrativas de Veiga e outras correlatas resultam em “imagens caleidoscópicas”, paradoxalmente, múltiplas e equivalentes.
The thesis, O Caleidoscópio de José J. Veiga: structural intersections in unusual narratives, accomplishes comparative analysis among texts of José J. Veiga (1915- 1999), namely, Os do outro lado, inserted in Os Cavalinhos de Platiplanto (1995), Sombras de reis barbudos (1995) and the short stories: Aladino (anonym), A chinela turca (1974) of Machado de Assis and Casa Tomada (1980), of Júlio Cortázar. This study also includes the analysis of Veiga’s novel, A casca da serpente (1994). Immanenet approaches lie in the above-mentioned procedures since considerations of the following scholarly people: Tzvetan Todorov, Roger Caillois, Lovecraft, Irène Bessière, Wayne C. Booth, Norman Friedman, Gerárd Genette, Linda Hutcheon and Bakhtin (partly). Presuppositons about fantastical and amazing realistic narratives arise, mainly from Felipe Furtado, Harry Belevan, Óscar Hahn, Francisca Coalla, Bella Josef, José Paulo Paes, Alejo Carpentier, Irlemar Chiampi and Jorge Schwartz’s reflections. As for the concepts of the new historical novel, the study rilies on Seymour Menton and Fernando Aínsa’s positions. Such analytical experiments intend to show that, though the literary construction of the supernatural thing involves formal-thematic variabilities, the dominant elements meet. So, Veiga’s narratives and correlate other ones result in “kaleidoscope images”, diverse and equivalente ones in a paradoxical way.
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Silva, Frederico Santiago da [UNESP]. "A narrativa fantástica de Fagundes Varela." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/94039.

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Este trabalho tem por objetivo estudar uma faceta ainda hoje pouco conhecida do poeta fluminense Luís Nicolau Fagundes Varela (1841-1875). Apesar de seu nome ser associado principalmente à poesia, Fagundes Varela explorou também a prosa de ficção, em especial um tipo de literatura que dialoga diretamente com os primeiros impulsos do Romantismo europeu. Trata-se da literatura fantástica, termo muitas vezes genericamente usado para se designar um tipo de literatura que tem como principal característica a representação de um mundo declaradamente imaginário, na qual se incluem numa mesma categoria ficção científica e o conto de fadas, por exemplo. O fantástico com o qual Varela flerta em suas publicações de 1861 é de natureza muito mais restritiva, além de ser também bastante representativa de um momento particular na literatura brasileira. Ao publicar As Ruínas da Glória, A Guarida de Pedra e As Bruxas, Varela não foi o primeiro de nossos escritores a se dedicar ao fantástico, nem o que melhor o fez. É patente a influência da Noite na Taverna, de Álvares de Azevedo, em especial, em um dos contos que nos propomos a analisar aqui, bem como se sente o peso de um E. T. A. Hoffmann, mestre do gênero, evocado nas falas das personagens. Assim, com o intento de trazer à luz um Fagundes Varela ficcionista, cultor da literatura fantástica, esperamos contribuir igualmente para os estudos que vão em direção de se buscar uma tradição fantástica no Brasil que não se limite apenas à Noite e ao Macário, do célebre discípulo de Byron, mesmo que sua obra tenha influenciado os escritores brasileiros que trilharam os caminhos da literatura fantástica e, entre eles, Fagundes Varela
This work aims to study a still little-known facet of the poet Luís Nicolau Fagundes Varela (1841-1875). Although mostly known for his poems, Fagundes Varela also explored fiction, particularly a type of literature that converses directly with the first impulses of Romanticism. It is fantastic literature, generic term often used to designate a type of literature that has as main characteristic the depiction of a world avowedly imaginary, which includes in the same category science fiction and fairytale, for example. However, the fantastic with which Varela flirts in his publications of 1861 is much more restrictive in nature, and is also fairly representative of a particular moment in Brazilian literature. With As Ruínas da Glória, A Guarida de Pedra and As Bruxas, Varela was not the first of our writers who devoted to fantastic, nor the one who did it best. The influence of Noite na Taverna, by Álvares de Azevedo, is clear specially in one of the stories that we intend to analyze here, and it feels the weight of an E. T. A. Hoffmann, master of the genre, mentioned in the speeches of the characters. So, with the intent to bring to light a novelist Fagundes Varela, cultivator of fantastic literature, we also hope to contribute to the studies that go towards to seek a fantastic tradition in Brazil, not limited only to Noite na Taverna and Macário, wrote by Byron's famous disciple, even though his work has influenced Brazilian writers who take the paths of fantastic literature and, among them, Fagundes Varela
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Almeida, Marcela Rodrigues Vicente Holtz de [UNESP]. "As manifestações do gótico em Lovecraft: do Castelo de Otranto ao solar de Ward." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/91552.

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A dissertação de mestrado “As manifestações do gótico em H. P. Lovecraft: do castelo de Otranto ao solar de Ward” tem como objetivo analisar os elementos herdados da literatura gótica do século XVIII e adaptados por Howard Phillips Lovecraft em sua obra The case of Charles Dexter Ward (1927) assim como em seus contos The lurking fear e The outsider. No primeiro capítulo foi feito um estudo da literatura gótica como suas origens, características e as obras do período. No segundo capítulo encontra-se o estudo de obras que sucederam as obras góticas e que continuaram a utilizar-se de seus motivos, espaço e temas, adaptando-os. Ainda nesse capítulo há a contraposição das teorias do gótico e do fantástico mostrando que da literatura gótica surge uma literatura fantástica que segue a linha do terror. No terceiro capítulo analisamos as características da literatura fantástica de terror norte-americana, e por fim é feita a análise das obras de Lovecraft, salientando a importância da literatura gótica para a obtenção da atmosfera de terror em suas obras.
The master’s dissertation “The manifestations of gothic in H. P. Lovecraft: from the castle of Otranto to the manor of Ward” aims to analyze the elements inherited from the Gothic literature of the eighteenth century and adapted by Howard Phillips Lovecraft in his work The case of Charles Dexter Ward (1927) as well as his short stories The lurking fear and The outsider. In the first chapter we have done a study of Gothic literature like its origins, features and the works of the period. The second chapter is the study of works that preceded Gothic works and continued to use their motifs, space and themes, adjusting them. Still in this chapter we oppose the theories of Gothic and fantastic showing that from the gothic literature arises the fantastic literature that follows the line of terror. In the third chapter we analyze the characteristics of the fantastic literature of terror in the United States, and lastly we analyze the Lovecraft’s works, stressing the importance of Gothic literature to obtain the atmosphere of terror in his works.
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Wadström, Angelica. "Lyriska vägar i fantastiska världar : En kvalitativ litteraturanalys om lyrik i fantastisk fiktion och lyrikens didaktiska möjligheter i svenskundervisningen på gymnasiet." Thesis, Högskolan i Gävle, Svenska språket och genusvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-30119.

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Undersökningen har som utgångspunkt att studera lyrik i fantastisk fiktion, d.v.s. i skönlitterära verk inom genrerna science fiction och fantasy. Den genomsyras även av syftet att studera fantastisk fiktion som didaktiskt verktyg i lyrikundervisningen på gymnasiet samt utreda lyrikundervisningens bidrag till elevers läs- och skrivutveckling. Arbetet tar avstamp i en kvalitativ litteraturstudie där tolkning av lyriska utdrag är grundläggande. Det material som valts ut för undersökningen är Härskarringen (Tolkien 1992) trilogin, Hungerspelen (Collins 2011) trilogin samt MaddAddam (Atwood 2009-2015) trilogin.Resultatet visar att den lyriska omfattningen i de utvalda skönlitterära verken är stor, att dess funktion är mångfacetterad och att fantastisk fiktion i allra högsta grad kan användas som didaktiskt verktyg i lyrikundervisningen. Vidare ger undersökningen goda argument för lyrikens positiva påverkan på elevers läs- och skrivutveckling. Undersökningen är ett resultat av en vilja att belysa vikten av lyrikundervisning på gymnasiet och att göra det genom skönlitteratur som intresserar ungdomar.
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Dašková, Michaela. "Fantastický okamžik. Na hranici reálného." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-239936.

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In my diploma I continue in the topic which I solved in my theoretical part of diploma. I study that "Fantastical moment" in practise. I am interested in its uprise or creation, in its character in memories of other people and in its evoking. The book is documentation of my collecting work and also of my secret interventions in personal places of my kith and kin which are hardly accesible by spectator. The book (or issue) is set in 4 pieces. In ideal case I would like to edit it in about 100 pieces and distribute it in galerie´s shops. In this way it would be possible to lent it in some chosen places in Brno.
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Nery, Cristiane Gusmão. "Imagens fantasticas do carnaval do Recife." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285146.

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Orientador: Etienne Ghislain Samain
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes.
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Resumo: Esse trabalho teve por finalidade rever e repensar o legendário carnaval do Recife com base em outros parâmetros heurísticos. O objetivo central aqui é arriscar e propor um modelo de estética que possa ser aplicado na editoração e finalização de pesquisas que tratam assuntos do viés da Antropologia Visual. O esquema proposto constitui-se das seguintes etapas: fotografias inseridas entre os parágrafos; fotografias organizadas em pranchas, sob as quais o texto insere-se como legenda; fotografias dispostas sem texto, o que instala uma narrativa visual; interpretação/expressão artística do material etnográfico; montagem de fotografias em suporte audiovisual. Na Introdução, descreve-se o processo de realização do trabalho de campo, desde a seleção das imagens à criação dos desenhos e editoração final. O primeiro capítulo aplica as três primeiras etapas do modelo para tratar do carnaval do Recife propriamente dito. No segundo capítulo, são apresentadas as imagens criadas como interpretação artística do material etnográfico; o terceiro capítulo oferece uma síntese da festa, sob a dupla mediação de sons e imagens fotográficas: imagens e sons que viajam na memória e no imaginário dos vivos.
Abstract: This work had as its purpose to review and rethink the legendary Carnaval of Recife in other heuristical parameters. The central objective is to risk proposing an aethestic model that can be applied in the editing and finalizing of research projects, one which see its subjects through a Visual Anthropology bias. The proposed scheme is made up of the following stages: photographs inserted between the paragraphs; photographs organized in plates where the text are captions; photographs placed without text creating a visual narrative; artistic interpetations/expressions of ethnographic material; assembled photographs with audiovisual support. In the introduction how the fieldwork was accomplished will be explained, from the selection of images to the creation of designs and to the final editing. The first chapter applies the first three stages of the model to examine the Carnaval of Recife. In the second chapter the images are presented as an artistic expression of ethnographic material, and the third chapter offers a review of the celebration that is Carnaval, through the double mediation of sounds and photographic images: images and sounds that travel in the memory and the imagination of the living.
Mestrado
Mestre em Multimeios
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Lundqvist, Johanna. "En Fantastisk Färd." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280580.

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Projektet tog sin början i städers mindre konventionella infrastruktur, och fram växte en fascination för alternativa sätt att förflytta sig. Många transportsystem visades, historiskt, först upp på olika världsutställningar och hamnade snabbt i gränslandet mellan underhållande åkattraktion och del av en stads kollektivtrafiksystem. Gemensamt för de många okonventionella färdsystemen är viljan att på ett bättre sätt överbrygga en fysisk barriär, exempelvis vatten, infrastruktur eller komplex topografi. De är varken de billigaste, enklaste eller snabbaste lösningarna, men de är system som tar dig från en plats till en annan, på ett minnesvärt sätt, och med platsens förutsättningar och utmaningar som generator. Projektet resulterade i ett förslag på hur man kan skapa en fantastisk upplevelse, som fått födas ur en strävan efter att lättare ta sig mellan olika platser. Med inspiration från olika referenser, skapades på Kvarnholmen ett nytt transportsystem, vilket bidrar med oväntade kvaliteter på en plats som tål en ny stark personlighet, en plats som redan präglas av nostalgi. Johanna Lundqvist
This project began with an interest in less conventional infrastructure solutions, from which a fascination for alternative ways to travel emerged. Many transportation systems were, historically, first shown in different world fairs and quickly ended up on the borderline between fun amusement attraction and a part of a city’s public transport system. What many of these unconventional transport systems have in common is the desire to, in better ways, overcome physical barriers, for example water, infrastructure or complex topography. Often they are not the cheapest, simplest or fastest options, but rather systems that take you from one place to another, in a memorable way, and with the preconditions and challenges of the space as a generator. The project resulted in a proposal for how to create a journey to remember, a journey which has been born out of an aspiration to overcome a physical barrier. With inspiration from collected references, a new transport system was placed on Kvarnholmen, Stockholm, which adds unexpected qualities to a place that can handle a new, strong character, a place that is already characterised by nostalgia. Johanna Lundqvist
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Gadell, Mari, and Erica Sandin. "Läsförståelse : ett fantastiskt skådespel?" Thesis, Högskolan i Borås, Institutionen för Pedagogik, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19282.

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BAKGRUND: Det finns flera olika perspektiv på vad begreppet läsförståelse innebärberoende på vilken författare eller forskare som man väljer. Vissa författare menar t.ex. attavkodningen ingår i läsförståelseprocessen, medan andra menar att så inte är fallet. Under1900-talets gång har det pendlat mellan olika uppfattningar. Ett tag var det synen påläsförståelse som en aktiv process som var starkast för att sedan skifta fokus till ordförrådetsbetydelse. Enligt PIRLS-undersökningen har svenska elevers läsförmåga försämrats genomåren, trots detta ligger Sverige fortfarande bra till i jämförelse med andra länder. PIRLS visardock på en negativ trend hos de svenska eleverna. Syftet med de nationella proven är attkontrollera så att eleverna når upp till den kravnivå som ställs i skolan och att alla eleverbedöms utifrån samma förutsättningar, inte minst vad gäller just läsförståelse.SYFTE: Undersökningens syfte har varit att ta reda på hur sju pedagoger förklararbegreppet läsförståelse, hur de jobbar inför de nationella proven i svenska i femte klass samtbedömer elevernas läsförståelse på dessa prov.METOD: Datainsamlingen har gjorts genom self reports och genom kvalitativa intervjuer.RESULTAT: Många av pedagogerna var väldigt överens om vad begreppet läsförståelseinnebär, enligt denna undersökning. Pedagogerna menar att läsförståelsen är en process däreleverna först och främst måste klara avkodningen och dra enkla slutsatser. Därefter kan deutvecklas till att kunna tolka texter och läsa mellan raderna. I jobbet inför de nationella provenframträder två arbetssätt, dels att jobba med förberedelser för proven och dels att jobbamycket och ofta med läsförståelse. Även när det gäller rutinerna vid bedömningen är mångaav pedagogerna eniga. Pedagogerna utgår från det bedömningsunderlag som de har att tillgåoch det är först om det uppstår några problem som de tar hjälp av andra.
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Books on the topic "Fantasticks"

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Schmidt, Harvey. The fantasticks. 3rd ed. New York, N.Y: Applause Theatre Book Publishers, 1990.

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Schmidt, Harvey. The fantasticks. S.l.]: Chappell & Co., 1993.

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Farber, Donald C. The fantasticks: America's longest-running play. Secaucus, NJ: Carol Pub. Group, 1995.

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Rostand, Edmond. The fantasticks: A romantic comedy in three acts. New York: H. Fertig, 1987.

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Rostand, Edmond. The fantasticks: A romantic comedy in three acts. New York: R.H. Russell, 1989.

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Farber, Donald C. The amazing story of The fantasticks: America's longest running play. Pompton Plains, N.J: Limelight Editions, 2004.

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Farber, Donald C. The amazing story of The Fantasticks: America's longest-running play. New York, N.Y: Carol Pub. Group, 1991.

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Jerry Orbach, prince of the city: His way from "The fantasticks" to "Law & order". Montclair, NJ: Applause Theatre & Cinema Books, 2011.

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Koreni moderne srpske fantastike: Fantastika u književnosti srpskog predromantizma. Novi Sad: Matica srpska, 1988.

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Fantasticism: Poetics of fantastic literature : the imaginary and rhetoric. Frankfurt am Main: Peter Lang, 2007.

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Book chapters on the topic "Fantasticks"

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Carvalko, Joseph R. "Fantastic Voyage." In Conserving Humanity at the Dawn of Posthuman Technology, 163–66. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26407-9_23.

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Kosok, Heinz. "Fantastic Locations." In The Theatre of War, 85–88. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230590649_10.

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Harvey, Colin B. "Fantastic Transmedia." In Fantastic Transmedia, 12–39. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137306043_2.

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Baker, Timothy C. "Fantastic Islands." In Contemporary Scottish Gothic, 89–115. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137457202_4.

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Fleischer, Richard. "Fantastic Voyage." In 100 Science Fiction Films, 57–58. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_28.

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Jasper, David. "The Fantastic." In A Handbook to English Romanticism, 103–5. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_27.

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Hull, Richard. "Fantastic Phenomonology." In Ingardeniana III, 335–48. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3762-1_17.

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Kirsner, Inge. "„Captain Fantastic“." In pop.religion: lebensstil – kultur – theologie, 131–35. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30131-6_15.

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Jasper, David. "The Fantastic." In A Handbook to English Romanticism, 103–5. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_27.

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Casanova, Erynn Masi de, and Jeremy Brenner-Levoy. "Fantastic bodies." In The Routledge Companion to Beauty Politics, 133–44. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429283734-16.

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Conference papers on the topic "Fantasticks"

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Miller, Erick, Jeremy Butler, Rudy Grossman, and Russell Pearsall. "Fantastic Four." In ACM SIGGRAPH 2007 sketches. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1278780.1278831.

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Gaye, Lalya, and Peter C. Wright. "Plastic is fantastic!" In the 2012 ACM Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2370216.2370350.

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McGhee, John, Angelica G. Thompson-Butel, Steven Faux, Pascal Bou-Haidar, and John Bailey. "The Fantastic Voyage." In VINCI '15: The 8th International Symposium on Visual Information Communication and Interaction. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2801040.2801051.

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Wiersma, Diederik, Kevin Vynck, Matteo Burresi, and Francesco Riboli. "Trapping the Light Fantastic." In CLEO: Science and Innovations. Washington, D.C.: OSA, 2012. http://dx.doi.org/10.1364/cleo_si.2012.cf2a.1.

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Davis, Hilary, Danielle Wilde, Ferran Altarriba Bertran, and Markéta Dolejšová. "Fantastic(e)ating Food Futures." In DIS '20: Designing Interactive Systems Conference 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3393914.3395906.

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"Session MA1b: FANTASTIC-5G on MTC." In 2015 49th Asilomar Conference on Signals, Systems and Computers. IEEE, 2015. http://dx.doi.org/10.1109/acssc.2015.7421047.

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France, Clare. "The Fantastic Flying Books of Mr. Morris Lessmore." In ACM SIGGRAPH 2011 Computer Animation Festival. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2019001.2019076.

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Massa, Nicholas, Barbara Washburn, Judith Donnelly, and Fenna Hanes. "The light fantastic: PHOTON materials for technician education." In Education and Training in Optics and Photonics. Washington, D.C.: OSA, 2003. http://dx.doi.org/10.1364/etop.2003.ewe3.

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Massa, Nicholas, Barbara Washburn, Judith Donnelly, and Fenna Hanes. "The light fantastic: PHOTON materials for technician education." In Eighth International Topical Meeting on Education and Training in Optics and Photonics, edited by Barry L. Shoop and Grover Swartzlander. SPIE, 2003. http://dx.doi.org/10.1117/12.2207509.

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Gielen, Georges. "The fantastic voyage towards ultra-miniaturized sensing circuits." In 2019 IEEE 8th International Workshop on Advances in Sensors and Interfaces (IWASI). IEEE, 2019. http://dx.doi.org/10.1109/iwasi.2019.8791405.

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Reports on the topic "Fantasticks"

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Weinham, Nathaniel. The Fantastic Machine. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.213.

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Biedermann, Laura B., Blythe G. Clark, Rachel S. Colbert, Amber Lynn Dagel, Vipin P. Gupta, Michael R. Hibbs, David Nikolaus Perkins, and Roger Derek West. Creating Fantastic PI Workshops. Office of Scientific and Technical Information (OSTI), October 2015. http://dx.doi.org/10.2172/1226790.

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Williams, G. Brookhaven Lecture Series: Using the light fantastic: Number 211. Office of Scientific and Technical Information (OSTI), January 1985. http://dx.doi.org/10.2172/6415358.

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