Journal articles on the topic 'Families – drama'
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Khan, Rooh Ul Amin, Ahsan Ul Haq, and Jamal Ud Din. "Portrayal of Families in Prime Time Urdu Drama." Global Sociological Review V, no. III (September 30, 2020): 48–57. http://dx.doi.org/10.31703/gsr.2020(v-iii).06.
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The current study was conducted to analyze the portrayal of families in Urdu drama serials right from the start of television drama to 2016. The Urdu drama serial period was divided in to two eras, pre-cable era and cable era. Through the lens of cultivation theory, message system analysis was done of Urdu drama serial for more than five decades. It was hypothesized that pre-cable era will depict more extended families and cable-era depict more nuclear families. The finding of study revealed that our assumption was not supportive and more nuclear families were found in both the eras. Similarly, the other important variable was sibling in pre-cable and cable era. Maximum dramas showed only two to three children in families of both the eras. More diversity of culture was found in terms of family depiction in pre-cable era, and more homogenous and urban elite class was found in cable era.
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Hsu, Wenhua. "Korean Drama Fever—Expanding English Lexicon through Watching English-Subtitled K-Dramas: The Case of Non-Compositional Multiword Expressions." JET (Journal of English Teaching) 9, no. 2 (June 20, 2023): 269–85. http://dx.doi.org/10.33541/jet.v9i2.4761.
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This research was prompted by the phenomenon of binge-watching Korean television series (K-drama) amongst college students in Taiwan, where English as a foreign language (EFL) is a required course. The researcher-teacher sought to create a pedagogically useful list of the frequent semantically non-compositional multi-word expressions (MWEs) for EFL learners with K-drama fever who often binge-watch K-dramas. A corpus of 25+ million English subtitled words derived from 240 K-dramas across different genres was compiled. Based upon a set of criteria (frequency, range, meaningfulness, well-formedness, non-decomposability and semantic non-compositionality), a total of 326 MWEs of 2 to 6 words were selected. The 326 phrasal expressions are mostly composed of the first 3000 word families. As with other individual word lists, it is hoped that the listing of the non-compositional MWEs may serve as a reference for General English teachers.
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Gursoy, Aysun. "Evaluation of prospective teacher’s attitudes regarding creative drama courses." International Journal of Learning and Teaching 11, no. 4 (October 31, 2019): 136–46. http://dx.doi.org/10.18844/ijlt.v11i4.4295.
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The aim of this study is to examine the attitudes of prospective teachers attending the teaching department in universities in North Cyprus according to various variables such as gender, age, department, class, place of residence of families and type of high school they graduated from. For this purpose, Attitude Scale Towards Creative Drama Course was applied to prospective teachers who took creative drama course in Preschool Teaching and Hearing Impaired Education programs of Near East University. Before and after creative drama education and attitude scores of prospective teachers were examined according to independent variables. At the end of the study, it was seen that the prospective teachers' attitude scores towards creative drama differed significantly in favor of women before education but this difference disappeared after education. In addition, it was found that the attitude scores of the prospective teachers did not show a statistically significant difference according to the variables of age, department, class, place of residence of families, type of high school they graduated from.
Key Words: Creative drama, prospective teacher, Attitude, age, class
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Santos, Cátia Marlene Silva Monteiro. "Entering School: The Drama of Families with Deaf Children." Procedia - Social and Behavioral Sciences 29 (2011): 322–29. http://dx.doi.org/10.1016/j.sbspro.2011.11.246.
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T., Opoola B., and Taofik Olaide Nasir. "Secondary School Students and their Families’ Attitudes toward Schooling in Nigeria." International Journal of Education and Literacy Studies 8, no. 1 (January 31, 2020): 167. http://dx.doi.org/10.7575/aiac.ijels.v.8n.1p.167.
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Using drama as an awareness creation tool, this study examined the influence of gender, age, class, socio-economic status, parent’s level of education and religion on adolescents’ attitude towards schooling. A total of 300 (150 JSS and 150 SS2) students (males=153; females=147) randomly selected from six coeducational secondary schools in Ibadan constituted the sample for the study. The adopted Attitude toward Education Scale by Glassey (1945) and Socio-economic Status Scale by Salami (2015) were used to collect the data. The results indicated that positive significant relationship existed between the adolescents’ attitude towards schooling and gender, age, socioeconomic status, parent’s (father’s) level of education and religion but not with class which is negative. The results indicate the need to include the students’ parental and personal-social factors when counselling students through drama and performances that show students and parents’ negative attitude toward schooling.
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Sugita, I. Wayan. "STRATEGI PEWARISAN SENI PERTUNJUKAN DRAMA GONG KEPADA GENERASI PENERUS." Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra 11, no. 2 (September 30, 2021): 154. http://dx.doi.org/10.25078/klgw.v11i2.2895.
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<p class="abstrak">This article aims to discuss the inheritance of the performing arts of drama gong to the next generation. As a form of qualitative research, data collection was carried out through analysis of four selected drama gong stories, namely (1) Suluh Ikang Praba; (2) Gesing Reed Beads; (3) Nila Warsiki; and (4) Jayaprana produced in 2019 – 2021. Research data were also collected through observation, document studies, and interviews with several informants who understand the performing arts of gong drama in Bali. Data analysis was carried out qualitatively by applying the theory of semiotics and Bourdeau's social practice. The results of the study indicate that the inheritance of drama gongs is very urgent: (a) to preserve drama gongs; (b) regeneration of young Balinese as supporters of the drama gong; (c) drama gongs are part of Balinese cultural identity, and (d) drama gong as a medium for educating Balinese language and culture. The inheritance of the performing arts of drama gong is carried out through a formal strategy, namely through formal education from kindergarten (PAUD) to college in part by the State Hindu University I Gusti Bagus Sugriwa Denpasar, and an informal strategy, namely the role of families and art-culture studios in socializing, enculturating values. cultural values in the art of performing the drama gong to the younger generation of Bali.</p>
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Reiter, Sherry. "Drama therapy with families, groups and individuals waiting in the wings." Arts in Psychotherapy 18, no. 4 (January 1991): 365–66. http://dx.doi.org/10.1016/0197-4556(91)90079-p.
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Hamdani, Agus. "DRAMA “MALAM JAHANAM” KARYA MOTINGGO BUSYE: SEBUAH TELAAH PSIKOLOGIS." Jurnal Pendidikan Bahasa dan Sastra 16, no. 2 (December 19, 2016): 235. http://dx.doi.org/10.17509/bs_jpbsp.v16i2.4485.
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Abstract This article summarizes the results of research that seeks to dismantle the psychological side of the main characters in the drama Hell Night work is Motinggo Busye.Melalui study analysis shows that the main character of this drama named Soleman have a picture of physical and non-physical round. Factors that influence personality Soleman are internal and external factors. Internal factors such as congenital inherited from his father. External factors such as the bitter life experiences Apart from families poor moral, environmental conditions also provide opportunities for Soleman for having an affair with the wife of the lain.Secara indirectly, Soleman personality in the drama that reinforces the opinion of the middle of two opposite schools of psychology (nativism and empiricism), that a person's personality is basically influenced by two factors simultaneously, which is a factor in (hereditary) and external (environmental). Keywords: drama, psychological study, psychology literature.
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Grad én, Lizette. "Dressed in a Present from the Past: The Transfers and Transformations of a Swedish Bridal Crown in the United States." Culture Unbound 2, no. 5 (December 17, 2010): 695–717. http://dx.doi.org/10.3384/cu.2000.1525.10238695.
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Ever since the emigration from the Nordic countries the Old world and the New world have maintained an exchange of ideas, customs, and material culture. This cultural heritage consists of more than remnants of the past. Drawing on theories of material culture and performance this article highlights the role of gifts in materializing relationships between individuals, families and organizations in the wake of migration. First, I build on a suggested coinage of the term heritage gifts as a way of materializing relationships. Thereafter, I map out the numerous roles which a Swedish bridal crown play in the United States: as museum object, object of display and loaned to families for wedding ceremonies in America. The transfers and transformations of the bridal crown enhances a drama of a migration heritage. This dynamic drama brings together kin in Sweden and America and maps specific locations into a flexible space via the trajectory of crown-clad female bodies.
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Yan, Yiting. "Analysis of Cultural Differences in Chinese and American Film and Television Contents: Taking "Shameless" and “Little Reunion” as Examples." Highlights in Business, Economics and Management 22 (December 27, 2023): 213–19. http://dx.doi.org/10.54097/gz66e748.
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This essay aims to study the cultural differences in the content of the Chinese and American film markets in the last five years. Taking the American drama Shameless and the Chinese TV drama Little Reunion as examples, the essay compares and analyses these two works in terms of their plots, characterization, values, social backgrounds, etc., and explores the differences and reasons for their audience reactions in the Chinese and American film markets. Through intensive comparison and analysis of these two works, it explores their similarities and differences in terms of family themes, cultural elements, and audience response. Using the research methods of case study and data statistics, this study compares the two works in several dimensions. It has been found that Shameless focuses on revealing the sorrows and struggles of underclass families in the United States, and emphasizes individual freedom and rights, while A Little Reunion highlights family harmony and traditional values. In terms of audience response, Shameless is highly praised in the American market but may be controversial in the Chinese market due to cultural differences. This study is important for understanding the cultural differences between the Chinese and American film markets and the audience response to family-themed dramas.
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Amalia, Fitria, and Ramadhan Ramadhan. "Konflik Batin Tokoh Utama Dalam Drama Romeo dan Juliet Karya William Shakpeare dan Drama Atas Nama Cinta Karya Agus R. Sarjono." Ascarya: Journal of Islamic Science, Culture, and Social Studies 1, no. 2 (July 14, 2021): 46–65. http://dx.doi.org/10.53754/iscs.v1i2.19.
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This study aims to analyze two literary works and to present the results of the analyzes that the author has reviewed as a consideration or reference for comparative literary studies with the title "The inner conflict of the main character in the drama Romeo and Juliet by William Shakespeare and Atas Nama Cinta by Agus R. Sardjono. "Shows the inner conflict of the story of Romeo and Juliet about love wrapped in a grudge between the two families, which causes the murder and suicide of the main character until the family finally reconciles. As well as the comparison with In the Name of Love, which is a love drama wrapped in comedy that has a deep meaning about love and power and is closely related to the drama Romeo and Juliet because they have similar inner conflicts.This study uses a Literary Psychology approach with Sigmund Freud's theory. The method used in this research is descriptive qualitative. The sources of this research are two drama scripts, namely Romeo and Juliet by William Shakespeare and Atas Nama Cinta by Agus R. Sardjono. From the analysis of the two drama scripts, it can be rejected. The conflict in the two drama scripts Romeo and Juliet by William Shakespeare and Atas Nama Cinta by Agus R. Sarjono experienced an inner conflict with the main character. According to Sigmund Freud's theory, there is an ego in the event of this request. Ego is a psychological responsibility and arises because of the organism's need for good relations (reality).
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Arzikulova, Khurshida. "NATIONALISM OF THE HEROES OF THE TRAGEDY COMEDY “SID”." INTERNATIONAL JOURNAL OF WORD ART 6, no. 3 (June 30, 2020): 213–19. http://dx.doi.org/10.26739/2181-9297-2020-6-29.
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This article shows the heroes of the tragicomedy “Sid” by Pierre Cornell, the great representative of the XVII the century French drama, fulfilling their duty to the family and the homeland, despite the fact that they lost their love. The patriotism of the protagonists shows that Don Rodrigo and Jimena have both fall in love and fulfilled their duty to their families.
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Ariningrum, Pramita. "Representasi Nilai Perjuangan Keluarga dalam Mencapai American Dream pada Film Drama Minari." Jurnal Pembelajaran Sastra 3, no. 2 (April 1, 2023): 95–112. http://dx.doi.org/10.51543/hiskimalang.v3i02.53.
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The basic principle of the American Dream as an opportunity for every individual to generate wealth and start a new beginning is widely discussed in a film. American Dream in Minari departs from struggles of Asian immigrant families in achieving the standard of success in America. The purpose of this study is to describe the meaning and value of family struggles concerning the process of achieving the American Dream in the scene contained in one of the drama films from the United States entitled Minari as a representation of human life. This study uses a qualitative descriptive approach that is interpretive. Data collection techniques in the form of observation, documentation and literature study of each scene/ shot from the film Minari. The data validity technique in this study is in the form of data triangulation. In determining the theory and analysis techniques used critical paradigm. The data analysis technique used is the semiotic analysis of Charles Sander Pierce. The results of this study will show how immigrants from the point of view of Asian families struggle for their lives in the United States.
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Babu, J. Madhu, and K. M. M. Krishna. "A Survey Analysis on TV Viewers: Unethical Issues in Telugu Drama Serials." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 16, no. 3 (July 24, 2020): 68. http://dx.doi.org/10.21013/jmss.v16.n3.p1.
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Television in India has proven a most influential infotainment media powerful and popular among its audience. Television plays a vital role in the telecast entertaining program. Fiction has been a popular genre on Indian Television. A common habit among most of the Indian families is watching drama serials in the evening as one of the best time-pass activities i.e. why serials have become part and parcel of most of its viewer's lives. TV drama serials have become one of the most popular offerings. It affects people irrespective of gender, age, and other demographic variables. The study was conducted to throw light towards various Television viewing habits among the Telugu audience. A sample of 316 respondents from Amravati the new capital of the newly formed state of Andhra Pradesh was selected for survey analysis. Structured questioners were distributed to them and the responses were collected. A Chi-square test is used to analyze the collected data. The study also highlighted the opinions of viewers on Telugu drama serials. Focused group discussions have been conducted.
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Hudgins, Kate, and Francesca Toscani. "Containment = Safety with Action Methods." Journal of Psychodrama, Sociometry, and Group Psychotherapy 62, no. 1 (May 1, 2014): 105–10. http://dx.doi.org/10.12926/0731-1273-62.1.105.
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The containing double (CD) is a clinically modified psychodrama intervention that provides holding, grounding, and safety when used with individual, couples, families, or groups. The latest neurobiological research shows that the classical double can, at times, be retraumatizing, but the CD creates a balance of thinking and feeling for safe progression through a drama. This article presents the theoretical foundations for the clinical modifications and a clinical example for its use.
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Zaveri, Ayesha Anees, Ramsha Mashood, Sarama Shehmir, Misbah Parveen, Naveera Sami, and Mobeen Nazar. "AIRA: An Intelligent Recommendation Agent Application for Movies." Journal of Informatics and Web Engineering 2, no. 2 (September 13, 2023): 72–89. http://dx.doi.org/10.33093/jiwe.2023.2.2.6.
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An intelligent Recommendation App has been developed to assist caregivers. This project's primary objective is to assist parents in determining whether a particular movie/cartoon/drama is adequate for their children by providing ratings that will assist them in identifying age-appropriate content. This application will provide reliable evaluations, reviews, and recommendations to parents. Each rating and review are based on fundamental, essential child development principles. Intelligent Recommendation Agent aids families in making intelligent media selections. It provides the most extensive and reliable database of learning ratings, age recommendations, and content evaluations for films, television series, and dramas. In addition, there will be a list of abusive words from the content with its subtitles so that parents can identify appropriate content for children. By limiting their child's exposure to violent acts, parents can play a positive role in their child's life by using this application. Movies with positive role models can also have a positive effect on children.
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Moore, Joan. "A Story to Tell: Use of Story and Drama in Work with Substitute Families." Dramatherapy 31, no. 3 (December 2009): 3–9. http://dx.doi.org/10.1080/02630672.2010.9689781.
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Sanko, Hélène. "Considering Molière in Oyônô-Mbia's Three Suitors: One Husband." Theatre Research International 21, no. 3 (1996): 239–44. http://dx.doi.org/10.1017/s0307883300015352.
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Juxtaposed these quotations, which are separated by three centuries and two continents, suggest that seventeenth-century classical French drama serves as a model for African theatre of the early post-colonial period. The first quotation is, of course, from Moliere, the Old Regime's brilliant comic writer. The second is taken from a play by Oyônô-Mbia, a contemporary dramatist from Cameroon. Given the powerful grip France held over its colonies, it is not surprising to find residual influence of France's theatrical culture on African drama. By the end of World War One, French authority in sub-Saharan Africa extended from Cape Verde to the Congo river. The Third Republic established French schools in the larger colonial towns which attracted the children of well-to-do urban families. France therefore held strong political and cultural sway over the development of African leaders and writers.
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Rahayu, Lina Meilinawati. "IDENTITAS KEINDONESIAAN DALAM DRAMA NYANYI SUNYI REVOLUSI KARYA AMIR HAMZAH." Diksi 28, no. 2 (October 13, 2020): 114–24. http://dx.doi.org/10.21831/diksi.v28i2.33104.
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(Title: Indonesian Identity in Drama’s Nyanyi Sunyi Revolusi by Amir Hamzah).This paper will examine the beginning period of Indonesia which is represented in the drama. The past events which occurred more than seventy years ago are now retold, not only to re-establish who Amir Hamzah was, but also to explain the Indonesian identity and the roles he played in building a nationality. Amir Hamzah, one of the great authors of Indonesia who also contributed in formulating the archipelago as Indonesia, who advocated Malay language as the language of unity of Indonesia, should be killed by several young men because he was a sultan’s nephew. Those young men considered the Sultans and their families as Dutch henchmen. The tragic story of Amir Hamzah’s life was staged in a drama titled “Nyanyi Sunyi Revolusi” (trans. The Quiet Singing of Revolution)which with the scripts was written by Ahda Imran. Socio-political conditions give rise to the need to define ‘self’. This requires serious rethinking. This drama also illustrates the identity of Indonesia after independence. In other words, literature describes history from a different view. By using the principle of New Historicism, this paper will explain the complex problem that occurred in Indonesia after independence until the 50s. Besides, it also will describe “Indonesian Identity” in the drama “Nyanyi Sunyi Revolusi”. In this context, Indonesian literary texts which reflect Indonesian history can be positioned as historical reading from a different version.Keywords: identity, Indonesian, revolution, new historicism.
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Chihai, Nelea. "The drama of the persecution of Jehovah’s Witnesses from the Moldovan SSR in memory of the deportation victims." Studia Universitatis Moldaviae. Seria Ştiinţe Umanistice, no. 4(174) (October 2023): 59–65. http://dx.doi.org/10.59295/sum4(174)2023_07.
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The creation and consolidation of the Moldavian Soviet Socialist Republic was achieved through a series of heinous crimes that qualifies as a tragedy for our nation, but also for all of humanity. The Soviet state as a promoter of atheism will undermine religious freedom. The religious organization ,,Jehovah’s Witnesses” will be outlawed and declared ,,enemies of the people”. In the Republic of Moldova, there are few memoirs, made public and put into the scientific circuit, that reflect the ordeal of the deportation of Jehovah’s Witnesses. The testimonies of the victims of the Stalinist repressions are of indisputable importance that complement the archival documents, constituting the whole picture of the problem of the persecution of Jehovah’s Witnesses and their families in the Moldavian SSR. The study capitalizes on the accounts of the Mucuța and Timoftica families, whose families were deported to the Gulag. The persecution being multifaceted, based on causes of political, religious, ideological, economic and social origin.
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Moreno, Glaucia De Sousa, and Gutemberg Armando Diniz Guerra. "O DRAMA DA INSTALAÇÃO DE FAMÍLIAS AGRICULTORAS NA MESORREGIÃO SUDESTE PARAENSE (The drama of the installation of farming families in Southeast Mesoregion of Pará)." REVISTA NERA, no. 21 (April 3, 2013): 79–99. http://dx.doi.org/10.47946/rnera.v0i21.2112.
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O presente artigo foi desenvolvido com o objetivo de demonstrar a expressão do sofrimento vivenciada por assentados de reforma agrária do Movimento dos Trabalhadores Rurais Sem Terra (MST), na mesorregião Sudeste Paraense, Brasil. Pretende-se revelar os elementos que permitiram a resistência de 16 famílias de migrantes oriundos principalmente do nordeste brasileiro, durante um ano e nove meses de luta em acampamentos e ocupações para conseguirem um lote de 25 hectares no assentamento Palmares II no qual vivem desde 1996. Para obtermos os elementos contidos nas entrevistas usamos a análise de conteúdo resgatado através de narrativas contadas pelos assentados com o intuito de remontar a história vivenciada por estas famílias durante o processo de conquista e resistência na terra.
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Sampathi, Bharat R. "Asian mental health and use of drama therapy for acculturative family distancing in immigrant families." Mental Illness 10, no. 2 (November 6, 2018): 35. http://dx.doi.org/10.1108/mi.2018.7806.
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Azeharie, Suzy. "Cultural Proximity of Korean and Indonesian in Korean Dramas." WACANA: Jurnal Ilmiah Ilmu Komunikasi 22, no. 1 (June 22, 2023): 131–41. http://dx.doi.org/10.32509/wacana.v22i1.2440.
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This paper, which is a narrative analysis, seeks to explore why Korean drama as a form of hallyu cultural product is favoured by the Indonesian people by using the cultural proximity theory from Joseph Straubhaar. According to this theory the audience will prefer products of their own culture or the same as their culture. This research approach is a qualitative research with narrative analysis method. Audiences will prefer the same production because of elements such as star appeal, local knowledge, topics, issues, the environment, and the ethnicity of people in the media. The author discusses five cultural similarities between the two countries, namely the same history, family relationships based on extended family, language and social norms, family lineage and culinary. The results showed that the historical similarities between Korea and Indonesia which had been colonized by Japan, extended family forms in Indonesian and Korean families, respect for parents and manners of behaviour between Indonesians and Koreans and the same food, namely making rice and side dishes as staple foods made Korean dramas liked by the Indonesian people.
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Blanchard, Kenneth C. "The Enemies of Socrates: Piety and Sophism in the Socratic Drama." Review of Politics 62, no. 3 (2000): 421–49. http://dx.doi.org/10.1017/s0034670500041644.
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The collision between the philosopher and his fellow citizens is the central dramatic event that ties together all three of our primary sources on Socrates. According to the literary, or Straussian, approach to the Socratic problem this collision was paradigmatic of a permanent tension between political life—which is founded on cherished opinions, and philosophy—which tries to replace opinions with knowledge. Socrates dies because he arouses pious indignation. This article concurs in part and dissents in part. Political life is represented not by one but two speeches—the Just and the Unjust. And while the tension between philosophy and the piety that sustains cities and families is quite real, it is not this tension that kills Socrates. He offends not the piety of the Athenians, but their sophism.
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Woods, Faye. "Wainwright's West Yorkshire: Affect and Landscape in the Television Drama of Sally Wainwright." Journal of British Cinema and Television 16, no. 3 (July 2019): 346–66. http://dx.doi.org/10.3366/jbctv.2019.0481.
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Over the past two decades RED Production Company's key presence in British television drama has been grounded in its regional focus on the North of England. It shares this commitment with Sally Wainwright, whose work with and outside of RED is built around a strong affective engagement with its characters’ experiences. These stories offer intimate explorations of family dynamics and female relationships, situated within and interwoven with the spaces and places of West Yorkshire. From her adaptation of Wuthering Heights in Sparkhouse (BBC, 2002) to her 2016 Christmas biopic of the Brontë sisters To Walk Invisible (BBC, 2016), through Last Tango in Halifax (BBC, 2012–16) and Happy Valley (BBC, 2014–) these are distinctly regional narratives whose female-led familial melodrama, psychodrama and romance are embedded within and return to the landscapes of the region, spaces which blend the stolid and torrid. Wide and spectacular aerial shots follow cars that track through the green and brown expanses between the Harrogate and Halifax families of the elderly couple in Last Tango, the beauty of the Calder Valley pens in the stark bleakness that is foundational to Happy Valley, and the Brontë sisters stride across heathered hills and are silhouetted against grey skies in To Walk Invisible. This article explores the visual dynamics of Wainwright's work and her engagement with the landscapes of the region in both her writing and direction, evoking their numerous literary and cultural connotations in her interweaving of West Yorkshire's stark, dynamic beauty with her stories of intimate female affect.
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Deeny, Pat, Alphy Johnson, Jennifer Boore, Catherine Leyden, and Ellis McCaughan. "Drama as an Experiential Technique in Learning How to Cope with Dying Patients and their Families." Teaching in Higher Education 6, no. 1 (January 2001): 99–112. http://dx.doi.org/10.1080/13562510124223.
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Gasda SJ, Élio Estanislau. "GLOBALIZAÇÃO E MIGRAÇÃO: IMPLICAÇÕES ÉTICO-TEOLÓGICAS." Perspectiva Teológica 38, no. 106 (January 6, 2010): 191. http://dx.doi.org/10.20911/21768757v41n114p191/2009.
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Estamos diante de um fenômeno estrutural da sociedade contemporânea, intenso, denso, complexo. As migrações são uma das faces mais impactantes do atual processo de globalização. Refletir sobre o drama destes pobres universais despojados de suas terras e de seu trabalho, afastados de suas famílias, extraídos de sua cultura, nos obriga a reconsiderar os atuais modelos de sociedade, os valores morais e certos conceitos determinantes da modernidade, como o de cidadania. Realidades e conceitos que afetam profundamente a consciência, a reflexão e a práxis humano-cristã.ABSTRACT: We are faced with a structural phenomenon of contemporary society; intense, dense, complex. The migrations are one of the most shocking aspects of the actual globalization process. To reflect upon the drama of these universal poor deprived of their land and of their work, separated from their families, extracted from their culture, forces us to reconsider the actual models of society, the moral values and certain determining concepts of modern time, such as citizenship. These are realities and concepts that profoundly affect the conscience, the reflection and the human-christian praxis.
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Oliogu, Tunde Obado. "Exploring the Socio-Cultural Effects of Poor Parenting: An Appraisal of Ahmed Yerima’s No Pennies for Mama." International Journal of Interdisciplinary Research Methods 10, no. 1 (January 15, 2023): 15–28. http://dx.doi.org/10.37745/ijirm.14/vol10n11528.
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Parenting is a cardinal part of social orientation and it plays a very critical role in a child’s developments and the character and traits that he forms during this process. Parenting is a guiding compass to engineer what the child eventually turns out to be in society and how he contributes to the society that he is in. This study examines the socio-cultural effects of the lack of proper parenting, using the drama, No Pennies for Mama by Ahmed Yerima. Through the lens of this drama, we are able to see these socio-cultural effects on the victims of lack of proper parenting. This study uses the content analysis methods of gathering and analyzing data. It finds that the effect of poor patenting has a dastardly devastating impact on both the child, his or her family and the society These children who are victims of poor parenting grow up with values that are both culturally and socially anomalous causing pain to both themselves, their families and society. This study recommends that would-be parents should learn the art and science of parenting before embarking on its journey, learning what works and what does not work. Dramatists should write more drama that emphasize the detrimental effects of poor parenting and they should be performed to audiences in as many cities as possible, so that people can learn to take parenting as seriously as it should be taken.
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Gürgan, Uğur. "The Effect of Psychodrama Integrated Psycho-Education Program on Resilience and Divorce Adjustment of Children of Divorced Families." World Journal of Education 10, no. 1 (February 14, 2020): 56. http://dx.doi.org/10.5430/wje.v10n1p56.
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The aim of this study is to determine the effect of Psycho-drama Integrated Psycho-Education Program (PIPP) on divorce adaptation and resilience scores of children of divorced families. In this study, a 2x3 design with experimental and control groups and having pre-test, post-test and follow-up measurements was used. Nonparametric statistics were used in the analysis of the obtained data. Mann Whitney U test was adopted to determine the significance of the difference between the groups and Wilcoxon Signed-Ranks Test was utilized to find the significance of the difference between the measurements. The Child’s Divorce Adjustment Inventory, Child and Youth Resilience Measure and Personal Information Form were used as data collection tools. Based on the results, it was seen that the PIPP had a highly significant effect on the increase in adaptation and resilience scores of children of divorced families and this effect was long-lasting.
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Webb, Stuart. "Selecting Television Programs for Language Learning: Investigating Television Programs from the Same Genre." International Journal of English Studies 11, no. 1 (June 1, 2011): 117. http://dx.doi.org/10.6018/ijes/2011/1/137131.
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The scripts of 288 television episodes were analysed to determine the extent to which vocabulary reoccurs in television programs from the same subgenres and unrelated television programs from different genres. Episodes from two programs from each of the following three subgenres of the American drama genre: medical, spy/action, and criminal forensic investigation were compared with different sets of random episodes. The results showed that although there were an equivalent number of running words in each set of episodes, the episodes from programs within the same subgenre contained fewer word families than random programs. The findings also showed that low frequency word families (4000-14,000 levels) reoccur more often in programs within the same subgenre. Together the results indicate that watching programs within the same subgenre may be an effective approach to language learning with television because it reduces the lexical demands of viewing and increases the potential for vocabulary learning.
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Danja, Muhammad Ibrahim, and Nura Ibrahim. "Infotainment During Pandemic: An Analysis of Gidan Badamasi Television Drama of Arewa 24." Hemispheres.Studies on Cultures and Societies 36 (2021): 99–107. http://dx.doi.org/10.60018/hemi.jlsq8096.
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Media is central in the matrix of communication exchange between people and authorities, especially in the time of unplanned and unexpected crises like the COVID-19 pandemic. This paper investigates the use of infotainment to educate the public about COVID-19 by a leading Hausa language television station Arewa 24 through one of its prominent weekly drama series Gidan Badamasi (“House of Badamasi”). Specifically, this paper analyses how the producer of Gidan Badamasi presented the non-pharmaceutical COVID-19 preventive protocols as outlined by the Nigeria Centre for Disease Control (NCDC) in two specially produced episodes on COVID-19 and aired intermittently on the Arewa 24 Television Station. In its conclusion, the paper acknowledges the display of creativity in presenting the protocols to families and businesses.
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Stewart, Riley S. ""Then their heirs may prosper while mine bleeds": Legal Renege, Witnessing, and Child Corpses in Two Lamentable Tragedies and A Yorkshire Tragedy." Romard 59 (2022): 93–111. http://dx.doi.org/10.32773/nwbc5428.
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There has been a great deal of scholarly focus on the children of William Shakespeare’s plays, where violence to their bodies interrogate history, inheritance, and political ascension. Attending to the drama of Shakespeare’s contemporaries, however, reveals that the staging of children also emphasized the stakes of oath breaking, legal renege, and violence to children within non-royal families. This article examines the didactic legal possibilities of early modern English drama outside the Inns of Court tradition and Shakespearean canon. I examine two early seventeenth-century domestic tragedies that dramatize violent child murders: Robert Yarington’s Two Lamentable Tragedies (1601) and Thomas Middleton’s A Yorkshire Tragedy (1608). The domestic space occupied by both sets of caregivers and children illustrates the effects of crime on the community, the difficulties of law enforcement, and the early modern justice system broadly. I suggest the implied executions of the failed caregivers and their pre-death lamentations stage the legal repercussions of oath-breaking and child violence. Through a combination of rhetorical and performance strategies, these texts implicate playgoers as witnesses to child-murder, interrogating assumptions about the extent that the law can protect children.
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Lobodally, Altobeli. "COMMODIFICATION OF MULTICULTURAL FAMILY IN KIMBAB FAMILY YOUTUBE SHOW." International Journal of Applied Science and Engineering Review 03, no. 03 (2022): 87–96. http://dx.doi.org/10.52267/ijaser.2022.3310.
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A multicultural family with problems in it turns out to be a product that has a high commodity for its creators. No exception for the Kimbab Family. The portrait of the Indonesian Korean multicultural family, which was initially shared through YouTube channels as information for his family in other parts of the world, has become a practice of commodification that can be profitable. This research uses the Commodification Theory. Any audio-visual elements that make up a Kimbab Family show will be considered a sign. So, this study will use semiotics in carrying out the analysis. This research is a qualitative-descriptive study with a critical paradigm. This study found that Multicultural Families are families that must have high adaptive abilities, are fighters, focused, dynamic, and have a high potential to experience alienation. These things appear as a family life drama in the form of audio-visual that has a high potential for profit, whether realized or not by the Kimbab Family themselves. Researchers also found that: Multicultural families are a metamorphic formulation of the third culture, a culture that makes efforts to dominate other cultures, as something new but has marginalized other cultures. The multicultural family is a formulation of the conquest of one culture of another.
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McNamara, Karen, Aisling Smith, Brid Shine, Mairie Cregan, Lucia Prihodova, Ann O’Shaughnessy, Aisling Martin, et al. "Addressing obstetricians’ awareness of compassion, communication, and self-care when caring for families experiencing stillbirth: Evaluation of a novel educational workshop using applied drama techniques." PLOS ONE 17, no. 11 (November 17, 2022): e0277496. http://dx.doi.org/10.1371/journal.pone.0277496.
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Introduction Obstetricians describe feeling shocked and isolated following stillbirth. Few receive adequate training in how to care for bereaved parents or themselves. We developed a novel workshop for trainee obstetricians using applied drama techniques–in collaboration with the National Theatre of Ireland, the national training body for obstetricians and gynaecologists, and patient support groups–to teach obstetricians skills in communication and self-care around the time of stillbirth. Materials and methods Five workshops, delivered January-May 2018, are the focus of this evaluation. Senior trainees in Obstetrics attended and completed a post-workshop evaluation questionnaire. Five-point Likert scales were used to assess participants’ communication and support skills pre- and post- the workshop, and their views on pre-specified attributes needed when caring for families experiencing stillbirth and aspects of the workshop. Quantitative and qualitative data were analysed using descriptive statistics and content analysis, respectively. Results 39/59 (66%) workshop participants completed the questionnaires. Most had received no prior training in caring for families experiencing antenatal (31/39, 80%) or intrapartum (34/39, 87%) stillbirth. Following the workshop there was a significant improvement in trainee’s level of confidence in breaking bad news, communicating clearly with the family when breaking bad news, recognising the emotional needs of the family, recognising their own emotional responses, and supporting their colleagues. Trainees were positive about the workshop content and delivery; 90% stated they would recommend it to a colleague. Discussion Adequate, appropriate, and stimulating education and training in stillbirth care and self-care is clearly needed to improve patient care. Our findings demonstrate that this novel educational workshop using applied drama techniques–developed in collaboration with diverse stakeholders and underpinned by the views of parents and obstetricians who had experience of stillbirth–is an acceptable and appropriate way of training obstetricians in how to care for bereaved parents and/or to engage in self-care.
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Gusnida Rezky Sinaga, Basar Jenius Sinaga, and Syamsul Bahri. "HEDONISM IN EUGENE O NEIL’S: A LONG DAYS JOURNEY INTO NIGHT." International Journal of Education and Literature 1, no. 2 (July 29, 2022): 1–15. http://dx.doi.org/10.55606/ijel.v1i2.19.
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The objective of this study is to investigate Hedonism in the Eugene O’ Neil’s drama A Long Days Journey Into Night. This study uses descriptive qualitative to explore the kind of hedonism on the dialogue utterance of characters in that drama. The results of the data were found that the most frequent types was folk hedonism 24%, value hedonism 10%, motivational hedonism 22%, normative hedonism 16%, egoist hedonism 14% and Utilitarian hedonism 14%. Folk hedonism occurs in the character named James Tyrone because he seeks his own pleasure without thinking about what will happen in the future. Value hedonism occurs in a character named Mary Tyrone, who at that time was looking for her pleasure which she thought was valuable in her life. The motivation states that hedonism was created on the basis of the human desire to relieve the pain experienced by a character named Edmund Tyrone. Normative hedonism was carried out by a character named Mary Tyrone, who at that time was looking for fun as it should be. Egoist hedonism is carried out by characters named James Tyrone and Jamie Tyrone, at that time they were doing pleasure at the expense of others. Utilitarian hedonism was carried out by characters named Mary Tyrone and Edmund Tyrone who at that time were also looking for fun for their families not only for themselves. The final conclusion is folk hedonism is a very dominating problem in the lives of the characters in Eugene O'Neil's drama A Long Days Journey Into Night in accordance with today's life, because humans prefer to seek pleasure but forget the impact that will be obtained in the future.
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Suh, Eunyoung E., Jeonghee Ahn, Jiyoung Kang, and Yoonhee Seok. "The Development and Application of Drama-Combined Nursing Educational Content for Cancer Care." International Journal of Environmental Research and Public Health 18, no. 18 (September 20, 2021): 9891. http://dx.doi.org/10.3390/ijerph18189891.
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With the recent increase in the number of cancer patients, it is important to educate nursing students using pedagogical techniques that nurture understanding and empathy for cancer patients. This study examined nursing students’ experiences caring for cancer patients after receiving drama-combined nursing education for cancer care (DCC), which consisted of three elements: lectures, dramatic scenarios, and debriefing. The lectures dealt with cancer statistics, diseases, and nursing, and the dramatic scenarios depicted both breast cancer patients and lung cancer patients. Sixty-seven junior-year nursing students attended a 90 min DCC session developed by the authors. Focus group interviews were conducted to explore students’ educational experiences, and the following three themes were derived using the thematic analysis method: ‘understanding the lives of patients with severe diseases and their families’, ‘seeing a nursing role model provide patient-centered care’, and ‘projecting an image of oneself as a future nurse’. Using drama in nursing education for cancer patients provided an opportunity for students to imagine the clinical experiences of cancer patients, helping them to understand patients’ points of view and reflect on their self-images as future nurses. The DCC developed for nursing students in this study is a promising way to deliver distinctive and meaningful learning experiences.
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Adebayo, Mojisola, Valerie Mason-John, and Deirdre Osborne. "‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes." New Theatre Quarterly 25, no. 1 (February 2009): 6–21. http://dx.doi.org/10.1017/s0266464x09000025.
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Mojisola Adebayo and Valerie Mason-John are two distinctive voices in contemporary writing and performance, representing an Afro-Queer diasporic heritage through the specific experience of being black, British, and lesbian. Creating continuities from contorted or erased histories (personal, social, and cultural), their drama demonstrates both Afro-centric and European theatrical influences, which in Mason-John's case is further consolidated in her polemic, poetry, and prose. Like Britain's most innovative and prominent contemporary black woman dramatist, debbie tucker green, they reach beyond local or national identity politics to represent universal themes and to centralize black women's experiences. With subject matter that includes royal families, the care system, racial cross-dressing, and global ecology, Adebayo and Mason-John have individually forged a unique aesthetic and perspective in work which links environmental degradation with social disenfranchisement and travels to the heart of whiteness along black-affirming imaginative routes. Deirdre Osborne is a lecturer in drama at Goldsmiths College, University of London, and has published essays on the work of black British dramatists and poets, including Kwame Kwei-Armah, Dona Daley, debbie tucker green, Lennie James, Lemn Sissay, SuAndi, and Roy Williams. She is the editor of Hidden Gems (London: Oberon Books, 2008), a collection of plays by black British dramatists.
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Allen, Todd J., and Xiangdong Liu. "The Sociopragmatic Activities and Cultural Significance of an Izakaya." Journal on Asian Linguistic Anthropology 4, no. 1 (January 1, 2022): 29–51. http://dx.doi.org/10.47298/jala.v4-i1-a2.
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The izakaya is a ubiquitous destination in Japan for professionals, families, university students, and tourists alike. They are places for socialising, eating, doing business, making friends, and celebrating life, typically with the help of alcohol. While these places are found in every corner of Japan, they have been seldom analysed in light of the sociopragmatic activities that occur in them or their cultural significance. Thus, this study investigates the Japanese izakaya-based Netflix drama, 深夜食堂 Shin’ya Shokudō (‘midnight diner’). Through a sociopragmatic analysis of ten episodes of this drama, this study explores the progressivity of service encounters and describes other social activities that occur in this space. Other social activities include telling jokes and taking offense and alternative uses of the izakaya. In addition, this study proposes a contextual schema for initial service encounters and demonstrates how the izakaya can be used as a resource for mitigating stress and community support. The results show the significance of these spaces in Japanese society. The types of sociolinguistic activities that occur in an izakaya may not take place in other social settings in Japan, making them unique and offering researchers an opportunity to view particular sociolinguistic activities in a dramatic setting.
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Herlambang, Clara Agnesia, and Rewindinar. "Korean Dramas and Construction of Career Woman Symbols in Post Modern Era." Asian Journal of Education and Social Studies 47, no. 4 (July 26, 2023): 18–27. http://dx.doi.org/10.9734/ajess/2023/v47i41030.
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Objectives: This study aimed to explore how the simulacra that occur in binge-watching and uncover symbols constructed in career woman fans of Korean Dramas.
Study Design: The critical constructivist approach was used by applying Baudrillard's Simulacra Theory, which looks at simulations that occur in career women and construct symbols from sign receptions through the media.
Place and Duration of Study: Jakarta, Indonesia, from January – June 2023.
Methodology: This study used critical reflection. The interviews were conducted with ten informants who are careerwomen in Jakarta. The characteristics are having worked for at least three years, having at least one child who is a maximum of 12 years old, and watching Korean dramas for at least 2 hours a day.
Results: As a part of the media, the movie has become a simulation space for individuals. They get experiences that they do not get in their daily lives. Media builds a simulation space that eventually creates a symbol. It occurs in career women who are burdened with their job and managing their families, yet still setting time aside to watch Korean dramas continuously. Career women derive meaning from movies based on the emptiness and lack in their lives. They hope that in real life, they can be such a character in the story. Therefore, Baudrillard stated that individual misreads signs. They cannot distinguish between reality and fantasy. Meanwhile, the media has a magic formula for constructing symbol, in which career women's symbol is constructed through simulation space in binge-watching practice.
Conclusion: Korean Drama has become a simulation space in binge-watching practice by career women. Career women symbol constructed by media is working women with constructed beauty and relation that can raise their social status.
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Jakubowska-Krawczyk, Katarzyna. "„Інколи жах і обстріли – історією народження твоєї дитини…” Obraz dziecka w reportażach Jelizawety Honczarowej Десь поруч війна." Studia Ucrainica Varsoviensia 7 (November 27, 2019): 61–75. http://dx.doi.org/10.5604/01.3001.0013.6012.
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The article analyzes a volume of literary reports by Ê. Gončarova Desʹ poruč vìjna. The texts that the writers come out from under the pen are deeply rooted in the described reality, not only thought out but also lived. Jelizaweta Honcharova writes reports from the war which brutally invaded her life (she comes from Artemivsk herself). In the texts, however, we will not fi nd despair, complaint or grief and pictures of the life of the areas through which the war is swept. The protagonists of the reports Desʹ poruč vìjna are people repeatedly subjected to war. The writer looks at their reactions to the next challenges, the struggle for survival, the safety of his family, and fi nally the normal living conditions. Jelizaweta Honcharova notices their confusion, the doubts on which side of the confl ict should be told. Without pathos and judgment, it shows the drama of political divisions and choices in which the boundary between being a patriot and a traitor is often not sharp clear może. He leans over a drama of broken families, confl icts and despair that break out in them. The author presents a war that kills childhood. It takes your big and smaller dreams away irretrievably. The drama of war presented by the writer takes place on many levels. The most important of them is probably the sphere of family life. War violates the basic tissue of relationships for children. Thanks to the reports of Honcharova, the reader notices the whole range of problems that a young man encounters. The reports are full of pain but also the awareness of the good that happens between people even in such inhuman times. They constitute a kind of testimony of history, designed to protect against possible attempts to manipulate it in the future. Thus, Honcharova gives them supra-regional and timeless dimension.
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Prichard, Andreana C. "‘LET US SWIM IN THE POOL OF LOVE’: LOVE LETTERS AND DISCOURSES OF COMMUNITY COMPOSITION IN TWENTIETH-CENTURY TANZANIA." Journal of African History 54, no. 1 (March 2013): 103–22. http://dx.doi.org/10.1017/s0021853713000017.
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AbstractThis article uses a series of love letters exchanged between an African Anglican priest and a teacher-in-training before their marriage to investigate the relationship between the fashioning of the individual self, marriage, and community at the dawn of Tanganyika's independence. When seen through marriage's historical position as an institution central to community composition, these letters illustrate how the family – and the intimate process of building families – could become an alternate site of national imagination. These two young lovers understood their marriage as an explicitly political act of community composition, and cast themselves as characters in the drama of national imagination. In negotiating their twentieth-century marriage, Rose and Gideon became political innovators, selecting, producing, and testing the content and boundaries of the nation.
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Wyatt, Bethany. "‘You wish to follow your heart, and I wish to nurture my mind’: The figures of the spinster and widow in Bridgerton." Journal of Popular Television, The 11, no. 1 (April 12, 2023): 45–53. http://dx.doi.org/10.1386/jptv_00092_1.
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As a romantic drama fictionalizing the Regency marriage mart, Bridgerton () is a series which privileges women’s experiences. From the debutantes entering society, to their ‘ambitious mamas’, feminine narratives play out across the two seasons which have aired to date. Warranting particular attention are the figures of the widow and the ‘spinster’, whose representations this article explores. Bridgerton’s widows are presented as dynamic characters at the centre of their families and the ‘bon ton’, embodying the freedoms elite widows could enjoy. In contrast, the spinster is a topic of (negative) discussion but absent physically, despite the many elite Georgian women who never married. Ideals of independence are explored in some of Bridgerton’s young protagonists, but these are ultimately limited in the constraints of the drama’s romanticized Regency world.
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González-Torres, Rolando. "ALTERNATIVE OUTLINES OF IMMIGRATION: A CASE OF REPOPULATION OF EXISTING ABANDONED SPANISH TOWNS." Journal of Architecture and Urbanism 40, no. 1 (April 6, 2016): 29–34. http://dx.doi.org/10.3846/20297955.2016.1150221.
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One of the most sensitive tragic situations today, in regards to human relations in Europe is the illegal immigrants’ issue. But it is no longer mainly a subject of borders’ transgression, obsolete sovereignties, or labor-hand marketing. Huge population masses without fixed course are driven by different urgent motives from their countries of origin – North Africa, sub-Saharan Africa, Middle East, Eastern Europe,– they have no choice but to move in search of places to settle and provide a decent home for their families. In the form of another drama in this case of heritage and environment, some old rural villages of Spain – as there are in other southern European countries – have been completely abandoned and their current status, in ruins, results of the economic, political and urban trends of the past 75 years. Connecting these issues, it could be considered a promising future for those homeless families as well as for those dying towns through integrated solutions of mutual benefit. This research examines the resurgence of human being’s value over any other concept of relative temporarily value, and where a town’s roots are more important than any commercial interest and real estate speculation.
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Hopkalo, Yu. "USING OF BODY-ORIENTED PSYCHOTHERAPY AS ONE OF THE METHODS IN WORKING WITH CHILDREN AND FAMILIES WHO HAVE SURVIVED TRAUMATIC EVENTS." PSYCHOLOGY AND SOCIAL WORK, no. 1(51) (June 15, 2020): 54–68. http://dx.doi.org/10.18524/2707-0409.2020.1(51).225374.
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In the article it has been considered and substantiated the theoretical and methodological foundations of the organization of group forms of work with psychotrauma in persons who have suffered as a result of hostilities, based on the introduction of methods of body-oriented psychotherapy. Body-oriented psychotherapy expands the possibilities of psychotherapeutic influence by considering the individual in the unity of its psychosocial and biological functioning. Group methods in working with post-traumatic stress disorders in working with children and families in difficult life situations due to hostilities are a system of psychotherapeutic influence that optimally combines body-oriented psychotherapy with elements of symbol drama, psychological debriefing, behavioral methods of psychotherapy, dancemovement psychotherapy, art therapy, psycho training, pharmacotherapy and other methods aimed at working with clinical manifestations of psychotrauma. The method of body-oriented psychotherapy in work with children and families affected by traumatic events can be a leader, both in working with distant clinical manifestations and to prevent the development of PTSD, in dealing with mental and physical aspects of functioning, resolving intrapersonal conflicts; determining the level of adequacy of self-perception and self-esteem; reducing the level of personal anxiety, mental tension, emotional lability. Its using helps children and families who have experienced traumatic events, with the help of motor psychotechnics to more accurately recognize and verbalize their own emotions, relive their past emotional experiences, thereby expanding the scope of self-knowledge and forming a more emotionally beneficial attitude. In addition, it makes a significant contribution to the further development of ideas about the mechanism of therapeutic action of psychotherapy, as changes that occur with clients (children and families who have experienced traumatic actions) and are the ultimate goal of psychotherapeutic effects affect different levels of body and personality.
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Steigerwald, Jörn. "Von der Liebestragödie zur Tragödie der Liebe: Jean Racines Phèdre." Volume 62 · 2021 62, no. 1 (October 1, 2021): 181–210. http://dx.doi.org/10.3790/ljb.62.1.181.
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From Love Tragedy to the Tragedy of Love: Jean Racine’s Phèdre The article focuses on Jean Racine’s last secular tragedy Phèdre and argues that the drama is based, on the one hand, on the French concept of love tragedy, established in the 1630s and reconfigured in the 1650s as a gallant tragedy. On the other hand, Racine radicalises this dramatic concept and fulfils it by combining different models of this dramatic concept in one tragedy. Instead of a modern gallant love tragedy, like Nicolas Pradon’s Phèdre et Hippolyte, Racine stages a tragedy of love that ends with the decline of two (royal) families, produced by the revenge of the goddess of love, Venus. According to this, Phèdre is not an exemplary tragedy of French classicism but rather a radical endpoint of French tragedy in the 17th century.
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Hajowary, Tapasi. "THE DANCE FORMS OF A DOUDINI IN KHERAI FESTIVAL OF THE BODOS OF ASSAM: AN ANALYTICAL STUDY FROM RELIGIOUS PERSPECTIVE." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (July 14, 2022): 22–30. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.148.
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The Bodos are important tribes of the North-Eastern India, particularly Assam. They belong to the Indo-Mongolian group of tribes and are inducted as Kiratas. They are mainly scattered in the districts of Kokrajhar, Goalpara, Barpeta, Bongaigaon, Baksa, Dhubri etc. The traditional Bodos celebrate Kherai as one of their significant religious festivals Brahma (2008) 14. They perform Kherai for well-being of their families, to yield good harvest and prosperity of the society. Kherai is a religious custom in which the primitive spiritual almighty is prayed earnestly. It is a prayer institution of Bwrai Bathou or Sibrai, the supreme deity of Kherai festival. Though there are mainly eighteen types of dances associated with Kherai puja but there are some additional dance-drama forms which are also counted after those eighteen dances and the main dancer of the puja is the doudini Brahma (2003) 20.
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Farajallah, Hana Fathi, and Amal Riyadh Kitishat. "The Self and the Other in Philip Massinger’s “The Renegado, the Gentleman of Venice”: A Structural View." Theory and Practice in Language Studies 9, no. 1 (January 1, 2019): 118. http://dx.doi.org/10.17507/tpls.0901.17.
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Renaissance England (1500-1660) is the most flourishing era of English history which testified the emergence of classical humanistic arts. Of course, drama is a literary genre that prospered, then, to entertain the interests of the Royal ruling families, especially Queen Elizabeth 1 (1558-1603) and her successor King James 1 (1603-25), as theatres were built in London along with dramatic performances held in the courts like masquerades. This study aims at showing the distortion of Islam in Philip Massinger’s “The Renegado or The Gentleman of Venice”, via tackling the theme of “the self and the other” and analyzing the structure of the play. Why not, and English Renaissance citizens love to watch the non-Christians, the misbelievers, humiliated and undermined. Massinger, among other Elizabethan dramatists like William Shakespeare, uses the art of tragicomedy to show the Western hatred, which is “the self”, of the Oriental Islam that is in turn “the other”.
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Rodgers, Michael P. H., and Stuart Webb. "Incidental vocabulary learning through viewing television." ITL - International Journal of Applied Linguistics 171, no. 2 (June 25, 2019): 191–220. http://dx.doi.org/10.1075/itl.18034.rod.
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Abstract Previous research investigating L2 incidental vocabulary learning from video has primarily focused on short videos from genres that may be conducive to vocabulary learning. The research provides evidence that L2 incidental vocabulary learning can occur through video. However, it is uncertain whether viewing episodes of full-length television programs can contribute to incidental learning. This study investigated the effects of viewing 7+ hours of television on incidental vocabulary learning as well as the effects of the frequency and range. One-hundred and eighty-seven Japanese university students viewed ten 42-minute episodes of an American drama. Two vocabulary tests at differing sensitivities were used in a pre- and post-test design measuring receptive knowledge of the form-meaning connection of 60 word-families. The results indicated that (a) viewing television contributed to significant gains in vocabulary knowledge and (b) there was a positive relationship between frequency of occurrence and vocabulary learning. Pedagogical implications are discussed in detail.
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Yarushina, Ksenia. "Anthropological Description of a Modern Urban Wedding." Ideas and Ideals 13, no. 3-2 (September 30, 2021): 373–88. http://dx.doi.org/10.17212/2075-0862-2021-13.3.2-373-388.
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The article applies K. Geertz scientific approach of ‘detailed description’ to a modern urban wedding. The work is based on materials of field research into the marriage practices among young Perm families. The research techniques included semi-formal interviews and case-studies of 26 persons (13 families) during the period 2016–2020. These qualitative methods were necessary to get information about an important life event: from the first meeting a future partner to the wedding ceremony. Such methods helped identify cultural bases for the bride and groom’s practices. The paper provides a detailed interpretation of only one case, consisting of several narrative sections. Every narrative is a personal view of the participant at the wedding ceremony. The narrative “wedding as a drama” shows a woman’s interpretation of the celebration. The bride’s story has some negative connotations. The bride expresses rejection of the wedding procedure and some of its attributes. The narrative “wedding as a holiday” represents the man’s view. The groom’s comments contain mostly positive connotations. His story highlights the status elements of the celebration. He stresses his family’s contribution to the wedding ceremony. Analyzing both narratives, an additional aspect of the topic was explored: “wedding as a parents’ project”. It shows the older generation’s role in the organization of the wedding. In addition, the paper describes some stories which are repeated in the narratives, including various forms of objectification, gender roles in the young family, and shifting of social roles.
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Haryati, Tatat. "KONSTRUKSI SOSIAL KELUARGA JEPANG KONTEMPORER PADA DRAMA TONARI NO KAZOKU WA AOKU MIERU." LINGUA : JURNAL ILMIAH 17, no. 1 (April 29, 2021): 1–32. http://dx.doi.org/10.35962/lingua.v17i1.68.
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ABSTRACT
This paper contains the social construction to objective reality in the family model that is featured in the TV series Tonari no Kazoku wa Aoku Mieru. The research problem focused on how is the form of social construction to the objective reality of each contemporary family model. The social construction is obtained through externalization, objectivation, and internalization is used to describe the problem patterns of each model of the Contemporary Japanese family in storytelling. The data was collected by observing, taking notes, interpreting, analyzing, and describing the results.This study is conducted through a library research. The analysis is carried out based on Peter L Berger's social construction theory which is grouped based on problem patterns. The results showed that the pattern of problems in single families, married couples, couples without blood relations, and couples of parents and children showed variations in the pattern of problems that were similar, namely 3 simultaneous Berger dialectical moments which created a new objective reality. The conclusion from this research is that the rate and form of objectivation of new social realities is influenced by the background of social construction that has been carried out by each family model.
Keyword: contemporary family model, social construction, objective reality, TV series
ABSTRAK
Tulisan ini berisi tentang konstruksi sosial terhadap realitas objektif pada model keluarga yang ditampilkan dalam drama serial TV Tonari no Kazoku wa Aoku Mieru. Bagaimana bentuk konstruksi sosial terhadap realitas objektif setiap model keluarga kontemporer tersebut merupakan permasalahan dalam tulisan ini. Analisis dilakukan berdasarkan teori konstruksi sosial Peter L Berger yang dikelompokkan berdasarkan pola permasalahan. Tulisan ini disajikan melalui metode kajian pustaka dengan teknik pengumpulan data simak, catat, interpretasi, analisis, dan deskripsi hasil. Konstruksi sosial yang diperoleh melalui eksternalisasi, objektivasi, dan internalisasi dimanfaatkan untuk menguraikan pola permasalahan setiap model keluarga Jepang Kontemporer dalam kisahan. Hasil penelitian menunjukkan bahwa pola permasalahan pada keluarga tunggal, pasangan suami istri, pasangan tanpa hubungan darah, dan pasangan orang tua dan anak menunjukkan variasi pola permasalahan yang memiliki kemiripan, yaitu 3 momen dialektis simultan Berger yang menciptakan realitas objektif baru. Simpulan dari penelitian ini adalah laju dan bentuk objektivasi realitas sosial baru dipengaruhi oleh latar belakang konstruksi sosial yang pernah dilakukan setiap model keluarga.
Kata Kunci: model keluarga kontemporer, konstruksi sosial, realitas objektif, drama seri TV