Academic literature on the topic 'Famiglia nel cinema'
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Journal articles on the topic "Famiglia nel cinema"
Selvaggi, Caterina. "Potere e affetti nel cinema di Marco Bellocchio fino a "Vincere": il contrappunto." PSICOBIETTIVO, no. 2 (March 2010): 157–78. http://dx.doi.org/10.3280/psob2009-002011.
Full textMocci, Maria Lucia. "Cinema, PTSD e trauma in etŕ evolutiva." IPNOSI, no. 1 (August 2011): 69–74. http://dx.doi.org/10.3280/ipn-2011-001009.
Full textNicoletto, Meris. "Bambini infelici e famiglie infrante nel cinema di regime." Quaderni d'italianistica 34, no. 2 (March 25, 2014): 29–46. http://dx.doi.org/10.33137/q.i..v34i2.21033.
Full textVisintin, Giulia. "Nuovo cinema Buie." SPONDE 2, no. 2 (December 28, 2023). http://dx.doi.org/10.15291/sponde.4370.
Full textDissertations / Theses on the topic "Famiglia nel cinema"
CATI, ALICE. "Pellicole di ricordi. Figure della memoria nel cinema amatoriale italiano, 1926 - 1942." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/106.
Full textIn Italy as abroad, the Twenties saw the establishment of new technological devices for the production and vision of amateur films. Analysing ten Italian collections of private films and home movies, made by cine-amateurs between 1926 and 1942, my research examines both the linguistic codes of representation and the social practise of realisation and reception of these films. In particular, it addresses amateur cinematography as a cultural practise of conservation of private memory. Following both a theoretical and semiotic approach, I use the concept of filmic memory as THE intersection for this new historiography. In this sense, I am establishing a new field of cinematic research, whilst offering a theoretical reflection upon the inscription of the intimate and familiar memory into film.
CATI, ALICE. "Pellicole di ricordi. Figure della memoria nel cinema amatoriale italiano, 1926 - 1942." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/106.
Full textIn Italy as abroad, the Twenties saw the establishment of new technological devices for the production and vision of amateur films. Analysing ten Italian collections of private films and home movies, made by cine-amateurs between 1926 and 1942, my research examines both the linguistic codes of representation and the social practise of realisation and reception of these films. In particular, it addresses amateur cinematography as a cultural practise of conservation of private memory. Following both a theoretical and semiotic approach, I use the concept of filmic memory as THE intersection for this new historiography. In this sense, I am establishing a new field of cinematic research, whilst offering a theoretical reflection upon the inscription of the intimate and familiar memory into film.
Calligione, Sara <1987>. ""La famiglia Cinese, aspetti di continuità e cambiamento nei rapporti intergenerazionali”." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4032.
Full textBooks on the topic "Famiglia nel cinema"
Perugini, Sergio. Istantanee di famiglia: La famiglia nel cinema degli anni Duemila. Cantalupa (Torino): Effatà, 2012.
Find full textPerugini, Sergio. Istantanee di famiglia: La famiglia nel cinema degli anni Duemila. Cantalupa (Torino): Effatà, 2012.
Find full textLa famiglia nel cinema: Un oggetto della psicoanalisi applicata. Napoli: Liguori, 2010.
Find full textCarotti, Carlo. Le donne, la famiglia, il lavoro nel cinema di Pietro Germi. Milano: Lampi di stampa, 2011.
Find full textBarozzi, Laura. Italienisches Capriccio di Glauco Pellegrini. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-452-3.
Full textBook chapters on the topic "Famiglia nel cinema"
D’Attoma, Sara. "4 • Peculiarità dei divorzi per violenza domestica." In Sinica venetiana. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-602-2/004.
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