Journal articles: 'Fahrenheit 451'

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McGiveron, Rafeeq O. "Bradbury's Fahrenheit 451." Explicator 54, no. 3 (April 1996): 177–80. http://dx.doi.org/10.1080/00144940.1996.9934107.

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Block, Walter, and Matthew Seaman. "Fahrenheit 451 and the Education System." Dialogi Polityczne, no. 27 (December 31, 2019): 55. http://dx.doi.org/10.12775/dp.2019.010.

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Gebreen, Hayder Ali Kadhim. "Dystopian World of Ray Bradbury's Fahrenheit 451." International Journal of Linguistics, Literature and Translation 3, no. 7 (July 31, 2020): 215–22. http://dx.doi.org/10.32996/ijllt.2020.3.7.24.

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Ray Bradbury explores in his dystopian novel Fahrenheit 451 (henceforth F451), the destructive side of technology and totalitarianism, which can deny individuals of their basic rights. This article gives a critical, contextual analysis of F451(1953) by Ray Bradbury. It investigates the dystopian elements to show how an authoritarian government projected in the novel that blocks mind and awareness. The protagonist of the novel is Guy Montag who takes a key role in revealing the tyrannical system and the potential consequences of disobedience. This article examines the manipulation and control of the state and its ill use of technology and its banning of books to shackle knowledge and mind. However, this article aims to show the effect of autobiographical elements, McCarthyism's censorship and the fear of communism during the postwar era and their effects on writing the novel. It also shows how in this dystopian world, an oppressive government is not successful in controlling all citizens. There are opposing characters whose consciousness is awakened and they are successful to show the failure of the system although they are becoming lonely outsiders by that system. The literature review has paved the way by providing the theoretical basis for the analysis of the novel. Thus, this short study sheds the light on how the totalitarian state affects Montag’s change, but it is demonstrating the dystopian world of the novel.

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Pendery, David. "Transformational Quest in Ray Bradbury’s Fahrenheit 451." International Journal of English Literature and Social Sciences 2, no. 3 (2017): 50–62. http://dx.doi.org/10.24001/ijels.2.3.7.

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Yoon, Cheong-Ok. "A Study on Fahrenheit 451 As 'One Book'." Journal of the Korean Society for Library and Information Science 49, no. 3 (August 30, 2015): 185–208. http://dx.doi.org/10.4275/kslis.2015.49.3.185.

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Fernandes, Marcela Penaforte. "FAHRENHEIT 451: diálogos com a filosofia de Deleuze." Cadernos CESPUC de Pesquisa Série Ensaios, no. 37 (December 2, 2020): 236–48. http://dx.doi.org/10.5752/p.2358-3231.2020n37p236-248.

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Este artigo pretende identificar na história em quadrinhos FAHRENHEIT 451, de Tim Hamilton (2019), traços da filosofia de Deleuze, tendo em vista a construção de uma linguagem da multiplicidade que envolve tecnologia e imaginário cultural. Uma experimentação que pretende ler a ficção norte-america sob o olhar do desejo em contraste com uma sociedade de controle. O conhecimento como ameaça ao assujeitamento na esteira do pensamento sem imagem, da criação dentro do universo marcado pela transitoriedade. O livro como recurso de combate à máquina despótica. O fogo dos bombeiros como signo da ordem. Apontamentos que constatam as ações de liberdade e opressão numa dada sociedade do controle.

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Del Castillo, Ramón. "Jardines en llamas. A vueltas con Fahrenheit 451." Quaderns de Filosofia 7, no. 2 (February 9, 2021): 83. http://dx.doi.org/10.7203/qfia.7.2.18800.

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Gardens on Fire. Fahrenheit 451 Revisited Resumen: En este trabajo proponemos una reconsideración de una de las historias distópicas más populares y discutidas desde mediados del siglo XX, Fahrenheit 451, del escritor y ensayista estadounidense Ray Bradbury. Aunque esta historia ha atraído desde su publicación la atención del pensamiento político y social, creemos que ha sido ampliamente simplificada. A diferencia de ciertos críticos, no creemos que la fábula política de Bradbury fomente, como muchas otras distopías, una falta de perspectiva histórica o una insuficiente comprensión del presente. Si la visión política y cultural de Bradbury es criticable no lo es por su evasión de la historia, sino más bien por una visión histórica demasiado optimista. También queremos mostrar que Bradbury no fue un humanista enemigo de la cultura de masas, ni de la tecnología. El examen en profundidad de su novela y de numeroso material complementario (otros escritos, entrevistas y documentos) permitirá explicar porqué su historia sobre el sombrío futuro de la sociedad industrial también contenía elementos para imaginar un futuro alternativo. Gracias a ese examen, finalmente, concluiremos que en el caso de Bradbury la ciencia-ficción no solo sirve para imaginar un futuro indeseable, sino, sobre todo, para mantener vivas y transformar tradiciones con las que fabricar un futuro deseable. Abstract: In this paper we propose a reconsideration of one of the most popular and discussed dystopian stories since the mid-20th century, Fahrenheit 451, by the American writer and essayist Ray Bradbury. Although this novel attracted the attention of political and social thought since its publication, we think that it has been largely simplified. Unlike some critics, we do not consider that Bradbury's political fable, like many other dystopias, fosters a lack of historical perspective or an insufficient understanding of the present. If Bradbury's political and cultural vision is open to criticism, it is not only for his evasion of history, but rather for an overly optimistic historical vision. We also make clear that Bradbury was not a humanist enemy of mass culture and technology. A close reading of his novel and numerous supplementary material (other writings, interviews and documents) make us to elucidate why his story about the bleak future of industrial society also contains elements to envisage an alternative future. Thanks to this examination we will conclude that, in the case of Bradbury, science-fiction does not serve just to foretell an undesirable future, but it significantly helps to keep alive and to transform traditions with which to manufacture a desirable future. Palabras clave: distopía, tecnologías, libros, memoria, Bradbury. Keywords: dystopia, technologies, books, memory, Bradbury.

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Silva, Willy Nascimento, Juan Ignacio Jurado Centurión Lopez, and Luciane Alves Santos. "Mito e distopia: os ritos de “Fahrenheit 451”." Revista Letras Raras 10, no. 1 (January 31, 2021): 35. http://dx.doi.org/10.35572/rlr.v1i1.1924.

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Esse artigo objetiva verificar a manifestação do mito como mecanismo de poder na ficção utópica/distópica a partir do exame de suas práticas litúrgicas (ritos). Para tanto, discutir-se-á a relação entre utopia e mito, partindo da reflexão proposta por Hilário Franco Júnior (1992; 2018) a respeito das utopias medievais e de sua ligação com as noções de ideologia e liturgia; em seguida, tratar-se-á do conceito de rito, destacando sua importância para a consolidação e manutenção da narrativa mítica como elemento estruturante da diegese utópica/distópica; e, por fim, examinar-se-á a função que o mito (materializado por meio das práticas litúrgicas de um grupo) exerce enquanto expressão de uma estrutura de poder na utopia/distopia. Os argumentos construídos no decurso das seções teóricas serão ilustrados por meio de uma análise de Fahrenheit 451, de Ray Bradbury (obra selecionada com a finalidade de ratificar a hipótese sustentada por essa pesquisa de que utopia e distopia são conceitos equivalentes).

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Fernandes, Marcela Penaforte. "FAHRENHEIT 451: diálogos com a filosofia de Deleuze." Cadernos CESPUC de Pesquisa Série Ensaios, no. 37 (December 2, 2020): 236–48. http://dx.doi.org/10.5752/p.2358-3231.2020n37p236-248.

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Este artigo pretende identificar na história em quadrinhos FAHRENHEIT 451, de Tim Hamilton (2019), traços da filosofia de Deleuze, tendo em vista a construção de uma linguagem da multiplicidade que envolve tecnologia e imaginário cultural. Uma experimentação que pretende ler a ficção norte-america sob o olhar do desejo em contraste com uma sociedade de controle. O conhecimento como ameaça ao assujeitamento na esteira do pensamento sem imagem, da criação dentro do universo marcado pela transitoriedade. O livro como recurso de combate à máquina despótica. O fogo dos bombeiros como signo da ordem. Apontamentos que constatam as ações de liberdade e opressão numa dada sociedade do controle.

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Kamysheva, Olga Sergeevna. "Musical metaphors in R. Bradbury's novel “Fahrenheit 451”." Вестник Шадринского государственного педагогического университета, no. 2 (2021): 257–61. http://dx.doi.org/10.52772/25420291_2021_2_257.

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Nasson, Bill. "Fahrenheit 451 in the era of 36 °C." Safundi 22, no. 3 (July 3, 2021): 210–12. http://dx.doi.org/10.1080/17533171.2021.2013641.

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Locchi, Maria Chiara. ""Fahrenheit 451" e il dibattito sui limiti alla libertà di espressione." ANAMORPHOSIS - Revista Internacional de Direito e Literatura 2, no. 1 (August 24, 2016): 33. http://dx.doi.org/10.21119/anamps.21.33-52.

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Considerado um clássico da literatura distópica do século XX, Fahrenheit 451 ainda se revela um texto repleto de questões para os juristas, possibilitando diversos percursos de leitura. Se, tradicionalmente, a queima de livros pelos “Bombeiros do Fogo” remete à censura dos Estados autoritários ou totalitários, a obra de Ray Bradbury também é capaz de suscitar a reflexão jurídica sobre o tema – crucial – dos limites à liberdade de expessão nos Estados democrático-pluralistas, com destaque para problemas centrais e de grande atualidade como a liberdade de ensino nas escolas públicas e a criminalização do hate speech para tutelar as minorias nos ordenamentos constitucionais ocidentais. A questão que Fahrenheit 451 parece dirigir ao direito, em última análise, gira em torno da relação entre liberdade e autoridade e da determinação das condições de convivência diante da diversidade nas sociedades plurais contemporâneas.

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Ebbers, Frances A., and Ann Brant-Kemezis. "A Unit on "Fahrenheit 451" That Uses Cooperative Learning." English Journal 80, no. 6 (October 1991): 100. http://dx.doi.org/10.2307/818594.

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Rayhert, Konstantin. "RAY BRADBURY’S “CRITICAL THEORY” IN THE NOVEL “FAHRENHEIT 451”." Visnyk of the Lviv University, no. 29 (2020): 139–46. http://dx.doi.org/10.30970/pps.2020.29.19.

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황은주. "Ray Bradbury’s Fahrenheit 451 and Society of Controlled Knowledge." Journal of English Language and Literature 58, no. 4 (September 2012): 589–609. http://dx.doi.org/10.15794/jell.2012.58.4.002.

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Mosolkova, Marina Germanovna, Anisa Amirovna Khusainova, and Marina Gennadievna Kudryavtseva. "Features of Translating Colour Terms, Zoonyms and Lacunae from R. Bradbury’s Novel “Fahrenheit 451” from English into Russian." Filologičeskie nauki. Voprosy teorii i praktiki 14, no. 4 (April 9, 2021): 1171–75. http://dx.doi.org/10.30853/phil210192.

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The study aims to compare translation of colour terms, zoonyms and lacunae from R. Bradbury’s novel “Fahrenheit 451” as interpreted by T. N. Shinkar and V. T. Babenko. Scientific novelty of the research lies in studying and carrying out a comparative analysis of the methods used for translation of colour terms, zoonyms and lacunae, which make up the linguistic worldview of the novel, in interpretations by T. N. Shinkar and V. T. Babenko, taking into account different generations, the translators’ experience, technological advancements. This is the first time that R. Bradbury’s novel “Fahrenheit 451” is studied in such an aspect. The results of the study have shown that V. T. Babenko’s version of translation is the closest to the original, he has managed to convey the message and emotional sentiment of the work more effectively. The analysis of the translations helped the researchers to identify the ideas refracted through the lens of the author’s perception.

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Borah, Rashmi Rekha, Bhuvaneswari G, and Moon Moon Hussain. "When Worlds Collide: Using Films to Understand the Heterotopic Overlaps of Multiple Worlds." ECS Transactions 107, no. 1 (April 24, 2022): 2363–70. http://dx.doi.org/10.1149/10701.2363ecst.

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Heterotopia is an idea as put forward by Michel Foucault, from the notion of place and non-place as disruptive elements. This article explores the fascination with Foucault's brief and sketchy idea of heterotopia in the context of cinema. We examine how the elements of heterotopias are most productively understood through the narrative of popular cinema as quintessential traits of film industry across the globe. Films like Caparhnaum, Fahrenheit 451, Interstellar, Stalker (1979), Avatar, Gulabo Sitabo(Hindi) and many more are examples of heterotopic films. These films stimulated utopian as well as dystopian affects in their audiences. The notion of heterotopia has been extensively deployed in media studies. In this paper, we discuss Caparhnaum and Fahrenheit 451 as a richly heterotopic films in which cinema worked with spaces within spaces. Using the heterotopic dichotomy the authors examine filmmaking as it reconstructs the simulated spaces. The authors also want to underscore, in cinema, what the space consists of, who occupies it, and in what ways.

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Feneja, Fernanda Luísa. "Promethean Rebellion in Ray Bradbury's "Fahrenheit 451": The Protagonist's Quest." Amaltea. Revista de mitocrítica 4 (November 15, 2012): 1–20. http://dx.doi.org/10.5209/rev_amal.2012.v4.40586.

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The article aims to reflect on the role of the myth in science fiction narrative, namely on the specific forms it may take in utopian/dystopian fiction, such as Fahrenheit 451 (1953) by Ray Bradbury. The personal development of the main character, Guy Montag, constitutes the focus of this analysis, by which we aim to shed some light on the relation between the meaning of the novel and the Promethean features he evinces in the context of a dystropian novel. The symbolic power of fire and of books is also of core relevance to this study, not only because the highlight the hero's inheritance of the Promethean myth, but also because the provide a deeper insight into exegetic possibilities of dystopsian fiction

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Cantarela, Roberta, and Acir Dias da Silva. "Fahrenheit 451: o vazio da memória num mundo sem livros." Uniletras 32, no. 1 (July 21, 2010): 137–53. http://dx.doi.org/10.5212/uniletras.v.32i1.137153.

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TAŞ, Seda. "YENİDEN ÇEVİRİLERİN KAYNAK METNE DÖNÜŞÜ: FAHRENHEİT 451'İN FARKLI ÇEVİRİLERİ." Journal of Academic Social Science Studies 7, Number: 37 (January 1, 2015): 387. http://dx.doi.org/10.9761/jasss3015.

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Lee, Sunjoo. "To Be Shocked to Life Again: Ray Bradbury's FAHRENHEIT 451." Explicator 72, no. 2 (April 3, 2014): 142–45. http://dx.doi.org/10.1080/00144940.2014.905433.

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Ersöz Koç, Evrim. "Subject and State: Ideology, State Apparatuses and Interpellation in "Fahrenheit 451"." Belgrade English Language and Literature Studies 7 (2015): 107–33. http://dx.doi.org/10.18485/bells.2015.7.6.

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Filler, James. "Ascending from the Ashes: Images of Plato in Bradbury’s Fahrenheit 451." Philosophy and Literature 38, no. 2 (2014): 528–48. http://dx.doi.org/10.1353/phl.2014.0048.

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Booth, Andrew. "Fahrenheit 451?: a ‘burning question’ on the evidence for book withdrawal." Health Information & Libraries Journal 26, no. 2 (May 27, 2009): 161–65. http://dx.doi.org/10.1111/j.1471-1842.2009.00844.x.

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Brown, Joseph F. ""As the Constitution Says": Distinguishing Documents in Ray Bradbury's Fahrenheit 451." Explicator 67, no. 1 (September 2008): 55–58. http://dx.doi.org/10.3200/expl.67.1.55-58.

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Shalimova, N. S., and Y. V. Dryangovskaya. "THE NARRATIVE OF FORMATION OF THE CHARACTER IN RAY BRADBURY’S NOVEL „FAHRENHEIT 451”." Siberian philological forum 7, no. 3 (August 30, 2019): 80–86. http://dx.doi.org/10.25146/2587-7844-2019-7-3-20.

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Gonçalves, Davi Silva. "“Of course i’m happy”: an analysis of Animal farm (Orwell, 1945) and Fahrenheit 451 (Bradbury, 1953) dystopian modernity." Letrônica 10, no. 2 (March 23, 2018): 850. http://dx.doi.org/10.15448/1984-4301.2017.2.26605.

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*“É claro que sou feliz”: uma análise da modernidade distópica de Animal farm (Orwell, 1945) e Fahrenheit 451 (Bradbury, 1953)*Utopias e distopias, trazendo aos leitores possibilidades distintas de futuro, sempre nos ofereceram ferramentas para repensar a sociedade.Isto porque, apesar dos textos estarem inseridos em seus devidos contextos, eles são também empoderados com a possibilidade de dar forma à novos contextos – a literatura é informada e informa a realidade, operando como receptáculo e resposta à comoções sociais e políticas. Tendo isto em mente, este estudo analisa como Animal Farm (ORWELL, 1945) e Fahrenheit 451 (BRADBURY, 1953) reagem aos epistemes com os quais nós, leitores, viemos equipados. O que ambas novelas demonstram é que existe a possibilidade de aceitação e de subversão – isso quando estamos cientes que a segunda opção é de fato factível. Abordando questões como a alienação dos sujeitos e a ausência de suas habilidades críticas para interagir socialmente de maneira frutífera em vistas de alterar sua condição, as duas narrativas nos dão indicações da arena política para a qual discursos literários podem ser trazidos. Afinal, pensar politicamente acerca de produções literárias pode até ser uma opção, mas o fato de que a literatura consiste, por si só, em uma instituição política não é.

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Connor, George. "Spelunking with Ray Bradbury: The Allegory of the Cave in Fahrenheit 451." Extrapolation 45, no. 4 (January 2004): 408–18. http://dx.doi.org/10.3828/extr.2004.45.4.7.

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Friesen, Doug, and Rob Simon. "Making Fahrenheit 451 “Come to Life”: Sound Inquiries with Youth and Teachers." Journal of Adolescent & Adult Literacy 65, no. 1 (June 21, 2021): 47–54. http://dx.doi.org/10.1002/jaal.1168.

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Emrah, ATASOY. "Impediment to Knowledge and Imagination in Ray Bradbury’s Dystopian Novel, Fahrenheit 451." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 55, no. 1 (2015): 399–414. http://dx.doi.org/10.1501/dtcfder_0000001440.

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Golub, Yulia, and Anastasiia Batychenko. "Means of creating genre peculiarities of the novel “451 degrees Fahrenheit” by Ray Bradbury." Nova fìlologìâ, no. 76 (2019): 39–43. http://dx.doi.org/10.26661/2414-1135/2019-76-06.

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Simões, Maria João, Antónia do Carmo Barriga, Nuno Amaral Jerónimo, and Fábio Rafael Augusto. "Fahrenheit 451 ou “a new café”? Velhas e novas questões sobre participação política." SOCIOLOGIA ON LINE, no. 23 (August 2020): 51–73. http://dx.doi.org/10.30553/sociologiaonline.2020.23.3.

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McCorry, Seán. "Literacy, Bêtise, and the Production of Species Difference in Ray Bradbury’s Fahrenheit 451." Extrapolation 59, no. 1 (April 2018): 25–46. http://dx.doi.org/10.3828/extr.2018.3.

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Sokolova, Elena N. "The Colour Vocabulary in Fahrenheit 451 by Ray Bradbury and its Russian Translation." Izvestia of the Ural federal university. Series 2. Humanities and Arts 20, no. 4 (181) (2018): 212–21. http://dx.doi.org/10.15826/izv2.2018.20.4.077.

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Rocha, Mariane Pereira, Ariane Ávila Neto de Farias, and Ânderson Martins Pereira. "A MEMÓRIA EM (VIAS DE) EXTINÇÃO: A SOCIEDADE DE CONTROLE EM FAHRENHEIT 451." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 17, no. 27 (November 22, 2018): 58–69. http://dx.doi.org/10.12957/palimpsesto.2018.38357.

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O presente artigo busca refletir sobre arelação entre memória e controle na obraFahrenheit 451 de Ray Bradbury e discutirsobre como essas questões se atrelam àsmazelas da sociedade moderna. Para tal,este estudo utiliza-se das contribuições deBenjamin (1996), Claeys (2010), Hobbes(1904 [1651]) e Ribeiro (2015). Este artigojustifica-se por contribuir com os estudossobre a memória e com a literaturadistópica, os quais têm se destacado nasúltimas décadas e têm tornado disponíveisnovas ferramentas para melhor entendera atualidade, bem como as sociedades dasquais eles se originam.

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Gracia Gómez, Alfonso A. "Posverdad y propaganda en Fahrenheit 451 de Ray Bradbury: sobre la constitución “informativa” de un sujeto manipulable." Badebec 11, no. 22 (March 28, 2022): 1–21. http://dx.doi.org/10.35305/b.v11i22.537.

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En el siguiente artículo se analizan algunos de los significados clave que se han articulado recientemente en los discursos filosóficos, políticos o periodísticos, entre otros, en torno a un concepto de máxima actualidad en el debate político contemporáneo como es el de “posverdad”. Para ello se recurre a un clásico de la literatura de ciencia ficción como es Fahrenheit 451, aprovechando una sugerencia de Ramin Bahrani, director de su adaptación cinematográfica más reciente, según el cual la novela de Bradbury “representa nuestra era de redes sociales”.

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Dolabela, Marcelo. "Quando a poesia (NÃO) é música? "Christine Keeler", Divergência Socialista (Som)." Em Tese 19, no. 2 (August 31, 2013): 309. http://dx.doi.org/10.17851/1982-0739.19.2.309-313.

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Apresentam-se quatro músicas (letras) do poeta Marcelo Dolabela gravadas pela banda Divergência Socialista em K7 – Christine Keeler, Belo Horizonte: Câmbio negro, 1986. As obras “Fahrenheit 451 / Jeanne Seberg”, “AídaC. Calúnias”, “Colt 45” e “Cu de comunista” dialogam de perto com a Poesia Marginal dos anos 1970 e primam pela matéria significante do texto, tornando escrita, voz e imagem indissociáveis – aspectos formais peculiares herdados da tradição verbivocovisual e nonsense do Dadaísmo.

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К. С. ПОДСЄВАК. "LEXICO-SEMANTIC AND STYLISTIC MEANS OF THE BINARY OPPOSITIONS’ VERBALIZATION (in Ray Bradbury’s texts)." MESSENGER of Kyiv National Linguistic University. Series Philology 22, no. 2 (December 26, 2019): 69–78. http://dx.doi.org/10.32589/2311-0821.2.2019.192196.

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Introduction. The study focuses on the analysis of lexico-semantic and stylistic means of oppositions’ verbalization in Ray Bradbury’s texts.Purpose. The aim of this paper is to examine the basic views of scholars on the linguistic means of expressing oppositions and illustrate them with examples from Ray Bradbury’s novel“Fahrenheit 451”.Methods. The paper applied the methods of stylistic analysis, semantic and contextual analysis.Results. Systemic relation in language representing oppositions of different kinds have been studied by many scholars in different genres of texts but fiction. In Ray Bradbury’s science fiction novel “Fahrenheit 451” opposition relations are created with the help of such lexical means as synonymy, antonymy on the levels of separate words, lexical and semantic groups and lexical and thematic fields. The study of lexico-semantic and stylistic means of opposiitons’verbalization approved that among the dominant means there are antithesis, metaphor and metonymy as stylistic means to represent the conceptual opposition “HUMAN BEING – TECHNOLOGY” which is one of the crucial in creating the unique idiostyle of the writer.Conclusions. Oppositions on the lexico-semantic level are verbalized through the synonymic and antonymic relations of the separate words, lexical and semantic groups, lexical and thematic fields. The stylistic means manifesting the oppositions in the Ray Bradbury’s woks are antithesis to show the contrast; metaphor and metonymy to create opposition on the basis of common characteristics. The further research will be aimed at the in-depth analysis of the verbalization means of the conceptual opposition “HUMAN BEING – TECHNOLOGY” in Ray Bradbury’s works for classifying the peculiarities of the writer’s idiostyle.

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Jerrin, Neil Beeto, and G. Bhuvaneswari. "Distortion of ‘Self-Image’: Effects of Mental Delirium in Fahrenheit 451 by Ray Bradbury." Theory and Practice in Language Studies 12, no. 8 (August 1, 2022): 1634–40. http://dx.doi.org/10.17507/tpls.1208.21.

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The Mountain State Centers for Independent Living states the Self- image is how one perceives oneself. The existence of Self- image is twisted and devoid of human feelings in Bradbury’s future-narrated Post literature universe. It is several numbers of self-impressions that develop over time that creates positive and concurrently unfavourable impacts. In the realm of psychology, Self-image is a pivotal factor in leading a fortunate life. An individual’s impression of himself forms the collective depiction of his strength and weakness. It is quintessential to talk about and compare the Self-image that Bradbury’s era had lived because self-image comprises not only one’s perception but also the intervention of the culture in which they lived. He lived in a timeline with World wars, Nazi book-burning, Stalin’s Great Purge, Nuclear warfare, and the technological development of radio and television. Bradbury found that these elements be disrupting the Self of an individual. This same connection can also be seen developing in the novel, where the government brainwashes the characters and makes them live a pre-programmed life. The interactions between the individuals are artificial and rare; they do not share any sense of feelings or the need to communicate. This diminishing effect of life is the disintegration of Self-image in the novel.

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Thygesen, Bente. "The Islands of the Blest or Fahrenheit 451. Response to Lecture by Jane Campbell." Group Analysis 43, no. 4 (December 2010): 440–49. http://dx.doi.org/10.1177/0533316410378642.

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Dmytrenko, V. I. "The Realities of 2020 through the Prism of the Reception of "Fahrenheit 451" by Ray Bradbury." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (334) (2020): 157–63. http://dx.doi.org/10.12958/2227-2844-2019-3(334)-157-163.

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Pereira, Isabella, and Renata Patricia Forain de Valentim. "Análise das relações sociais através da literatura distópica." Revista Pesquisa Qualitativa 6, no. 11 (August 1, 2018): 351. http://dx.doi.org/10.33361/rpq.2018.v.6.n.11.174.

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Resumo: Após ganhar força no período pós-guerra, a literatura distópica ressurge na pós-modernidade, como discurso voltado ao público adolescente e jovem adulto. Neste artigo é feita uma revisão bibliográfica das seguintes obras de ambos os momentos históricos: 1984, Fahrenheit 451, trilogia Jogos Vorazes e trilogia Destino. Os romances foram analisados qualitativamente através da análise de conteúdo de Bardin, que identifica “unidades temáticas”, elementos significantes comuns. Através das categorias “A influência social na vida privada”: “Vida familiar e social” e “Vida amorosa” examina-se como se relacionam as subjetividades destes jovens com o futuro e a realidade que os cerca, como eles se identificam com as produções literárias e como estas representam o discurso produzido na sociedade em que estão inseridos.Palavras-chave: Literatura distópica; Pós-Guerra; Pós-Modernidade; Relações sociais; Análise de conteúdo. Analysis of social relations through dystopian literatureAbstract: After gaining strength in the post-war period, dystopian literature resurfaced in postmodernity, as a discourse aimed at the adolescent and young adult public. In this article a bibliographical revision of the following works from both historical moments is made: 1984, Fahrenheit 451, Hunger Games trilogy and Destiny trilogy. The novels were analyzed qualitatively through the content analysis of Bardin, which identifies "thematic units", significant elements in common. Through the categories "Social influence in private life": "Family and social life" and "Love life" it’s examined how the youth subjectivities relate to the future and their social reality, how they identify themselves to the literary productions and how these ones represent the discourse produced in the society in which they are inserted.Keywords: Dystopian literature; Post-war; Postmodernity; Social relations; Content analysis.

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Grakholskaya, Marina. "Phonetic Characteristics of the Verbal Vocabulary in the Dystopian Novel «Fahrenheit 451» by R. Bradbury." Izvestia of Smolensk State University, no. 2(50) (July 2, 2020): 103–12. http://dx.doi.org/10.35785/2072-9464-2020-50-2-103-112.

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The interaction of multi-aspect and multi-level features as well as their relationshas been the subject of a number of studies in the field of quantitative linguistics. However, these studies were conducted mainly on language material. It is interesting to apply a similar analysis aimed at establishing the ratio of the parameters characterizing one of the linguistic levels to the speech. For example, this article discusses the phonetic features of the verbs used in the novel «Fahrenheit 451» by Ray Bradbury. Each of the verbs is assigned a number of phonetic characteristics (syllabic, accent, phonological ones). The relations of the declared parameters at the phonetic level are revealed due to the application of statistical methods, viz. Cole’scorrelation coefficient and Jaccard’ssimilarity coefficient. The obtained data are compared with the corresponding parameters of high-frequency verbal vocabulary. As a result, it is noted that the verbs appearing in the novel, have their own characteristics in the space of phonetic features and it also shows their level of similarity with highfrequency lexical units in connection with the ratio of phonetic characteristics.

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Seed, David. "The Flight from the Good Life: Fahrenheit 451 in the Context of Postwar American Dystopias." Journal of American Studies 28, no. 2 (August 1994): 225–40. http://dx.doi.org/10.1017/s0021875800025470.

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Surveying the American scene in 1958, Aldous Huxley recorded his dismay over the speed with which Brave New World was becoming realized in contemporary developments: “The nightmare of total organization, which I had situated in the seventh century After Ford, has emerged from the safe, remote future and is now awaiting us, just around the next corner.” Having struck a keynote of urgency Huxley then lines up a series of oppositions between limited disorder, individuality and freedom on the one hand, and order, automatism and subjection on the other in order to express his liberal anxieties that political and social organization might hypertrophy. Huxley sums up an abiding fear which runs through American dystopian fiction of the 1950s that individuals will lose their identity and become the two-dimensional stereotypes indicated in two catch-phrases of the period: the “organization man” and the “man in the grey flannel suit. ” William H. Whyte's 1956 study diagnoses the demise of the Protestant ethic in American life and its replacement by a corporate one which privileges “belongingness. ” The result might be, he warns, not a world controlled by self-evident enemies familiar from Nineteen Eighty-Four, but an antiseptic regime presided over by a “mild-looking group of therapists who, like the Grand Inquisitor, would be doing what they did to help you.”

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Magno, Maria Ignês Carlos. "Fahrenheit 451 e Escritores da Liberdade: uma discussão sobre leitura, escrita, imaginação, resistência e liberdade." Comunicação & Educação 14, no. 1 (April 30, 2009): 127. http://dx.doi.org/10.11606/issn.2316-9125.v14i1p127-136.

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Helder, Jørn. "Har du talt med dit demokrati i dag? - overvågning, kontrol/disciplinering, demokrati, sprog og etik i fagre ny verden." Samfundslederskab i Skandinavien 33, no. 3 (July 3, 2018): 193–221. http://dx.doi.org/10.22439/sis.v33i3.5550.

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Artiklen vil med udgangspunkt i de to dystopiske romaner ”1984” og ”Fahrenheit 451” fokusere på den demokratiske og den teknologiske udvikling og bl.a. diskutere overvågning, kontrol/disciplinering, demokrati, sprog og etik i et samfundsmæssigt og individuelt perspektiv og muligheden for at genoprette en demokratisk dialog. Den i artiklen adresserede optimistiske mulighed/forhåbning om at genoprette en demokratisk dialog er baseret på en antagelse, der diskuteres i artiklen om, at demokratiet er i krise i forhold til at demokratiske processer kontinuert og i stadig stigende omfang kortsluttes af både politikere og øvrige magthavere. Den demokratiske dialog kan skabes af mennesket i samfundet, hvis de kan se, opleve og forholde sig til håbet gennem samtale, refleksion, dannelse og bevidst stræben.

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Silnitsky, Anton, and Natalya Dedova. "The Analysis of the Image-Metaphor Semantic Field Structure in R. Bradbury’s Novel «Fahrenheit 451»." Izvestia of Smolensk State University, no. 4 (56) (January 26, 2022): 174–89. http://dx.doi.org/10.35785/2072-9464-2021-56-4-174-189.

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This article is devoted to identification of the image-metaphor semantic field in R. Bradbury’s anti-utopian novel «Fahrenheit 451». The reserch applies cluster analysis aimed at the classification of multi-level features that are identi- fied by qualitative methods within the framework of a single classification scheme. Firstly, we distinguished a list of semantic features, organized within five semantic plans: «categorical» (substantive, verbal, adverbial, adjective features), «anthropological» (anthropo-somatic, anthropo-mental features), «social» (socio-personal, socio-non-personal features), «naturalistic» (natural-biogenic, natural-abiogenic features) and «ontological» (onto-material, onto-non-material features). These semantic features are independently defined according to the di- rect and figurative subject of image-metaphors. Then, with the help of the cluster analysis, we are able to group all the previously identified semantic features into clusters and select the corresponding typical metaphors

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Park, Kyung-seo. "Digital Totalitarianism and Archival Politics : The Destruction and Reconstruction of Archive in Nineteen Eighty-Four and Fahrenheit 451." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 74 (November 30, 2019): 71–99. http://dx.doi.org/10.21087/nsell.2019.11.74.71.

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Spencer, Susan. "The Post-Apocalyptic Library: Oral and Literate Culture in Fahrenheit 451 and A Canticle for Leibowitz." Extrapolation 32, no. 4 (January 1991): 331–42. http://dx.doi.org/10.3828/extr.1991.32.4.331.

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Mcgiveron, Rafeeq O. "What “Carried the Trick”? Mass Exploitation and the Decline of Thought in Ray Bradbury’s Fahrenheit 451." Extrapolation 37, no. 3 (October 1996): 245–56. http://dx.doi.org/10.3828/extr.1996.37.3.245.

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Journal articles on the topic 'Fahrenheit 451'

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