Dissertations / Theses on the topic 'Faciès céramique'
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Le, Boulaire Christian. "La céramique antique du Mans (Ier siècle a. C. -IIIe siècle p. C. ) : dynamique d'un faciès céramique régional." Paris 1, 2013. http://www.theses.fr/2013PA010510.
Barral, Philippe. "Céramique indigène et faciès culturels à la Tène finale dans la Vallée de la Saône." Besançon, 1994. http://www.theses.fr/1994BESA1021.
Sacilotto, Charlotte. "La céramique de l'âge du Fer dans le Bas-Aragon (Espagne) à l'Ibérique Moyen et Récent : production, distribution, usages." Electronic Thesis or Diss., Toulouse 2, 2021. http://www.theses.fr/2021TOU20111.
The light-paste and red painted Iberian ceramics was made by Iberian populations between the 6th and the end of the 1st century B.C. During the 3rd century B.C., those ceramics were enriched with geometric, vegetal and figurative patterns, which made it possible to distinguished several regional groups, including the Lower-Aragon. According to the important ceramics discovered in the Cabezo de Alcalá (Azaila), the name of the site was given to the regional style. Since then, other sites have delivered material characteristic of this phenomenon, but the iconography remained the only defining element. In this study, the notion of style will be set aside in favour of “faciès céramique”, in order to integrate different aspects from a ceramic study: technic, technology, morphology and iconography. By renewing this material approach, it is possible to submit an update of the definition of the “faciès céramique” of the Lower-Aragon between the 3rd and the 1st centuries B.C. Some material sets chosen in different contexts make it possible to analyse these aspects from different perspectives. The Mas de Moreno (Foz-Calanda) workshop is the start of our investigation. The material from domestic contexts enable to extend the reflection on a regional scale with the sites of Azaila, Alloza, Alcorisa and Oliete. Some iconographic specificities enable to identify local or regional particularities. A new classification system adapted to the study of production waste from a pottery workshop was implemented by retaining only the morphometric attributes. All the stages of the “chaîne opératoire” are analyzed. Various files, which relate both to production players and to users, open discussions about the dynamics of constitution, development and distribution methods
Orgeval, Maxime. "La céramique fontbuxienne des plaines du Languedoc oriental." Thesis, Montpellier 3, 2013. http://www.theses.fr/2013MON30078.
In eastern Languedoc, during the late Neolithic, there has been a significant increase in prehistoric settlements, especially in the late Neolithic 3 (Fontbouisse culture). This area has been divided in cultural facies, mainly on the basis of ceramic production (Gutherz, 1975; 1990). Research has mostly focused on the garrigue’s dry stone villages from the 1950s to the early 1990s. Indeed, from those years, archaeological surveys have focused in plain, on ditch system settlements over several hectares. The abundant ceramicware deserved further analysis. This work will focus on several plain ceramic series dated to late Neolithic 3. The massive amount of ceramicware will make it possible to assess whether patterns in ceramic production can be observed. The value of this work is twofold: outline stylistic trends emerging from the sets studied, use the context of stratigraphic successions of fillings to refine the chronology of ceramic production and its evolution during late Neolithic 3
François, Pascale. "Les productions céramiques du Chasséen de Villeneuve-Tolosane : évolution stylistique et comparaisons avec les autres faciès chasséens d'Europe occidentale." Paris, EHESS, 2002. http://www.theses.fr/2002EHES0053.
Scarcella, Simona. "Les productions céramiques des faciès de Stentinello et Ghar Dalam : savoirs techniques et interactions culturelles en Méditerranée centrale au Néolithique ancien." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0595.
This thesis focuses on the Early Neolithic, around the VI millenium BC, in the central Mediterranean. Two principal cultures have been identified: Stentinello in Sicily and in Calabria, and Ghar Dalam, in the Maltese archipelago. The methodology of this research relied two levels of investigation: the analysis of pottery production and the study of contacts between the territories. The analysis of 14 ceramic complexes focused on the correlation between decorative chaînes opératoires and the archaeometrical results, and allow to define the spatio-temporal variables of the pottery productions. So, we determined the characteristics of different local productions and we proposed three phases of evolution of the Stentinello style and two phases of evolution of the Ghar dalam style. Concerning the contacts between the territories of the Central Mediterranean, beyond a comparison of pottery productionzs we also conducted an analysis of the circulation and distribution of obsidian. It was thus possible to highlights the different roles played by each island, or achipelago, in the network of the central Mediterranean during the Early neolithic
Boisson, Hugues. "La céramique non tournée du premier age du fer en Languedoc occidental : caractérisation d'un faciès culturel et impacts des premiers échanges méditerranéens." Montpellier 3, 2004. http://www.theses.fr/2004MON30003.
Several cultural groups are linked to the many geographic territory on Mediterranean coast during Bronze and Iron Ages. In the western part of Languedoc, one of these human community has been distinguished through the vestiges of indigenous potteries made without potter's wheel. During the first Iron Age, the Mediterranean trade is beginning with the indigenous populations. Therefore, many social changes are perceivable through material culture. Indeed, most of these archaeological artefacts had to been studied. The purpose of this work is to complete the typological and chronological sequences of these potteries, as well as ascertaining the technological process of production. This analysis is linked to the problematic of social and technological acculturation process during Early Iron Age in the Western Mediterranean area
Motta, Lucie. "La céramique tardo-républicaine en Italie centro-tyrrhénienne : établissement et confrontation des faciès du Latium septentrional et d'Etrurie méridionale entre le IIe s. et le Ier s. av.n.è." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2005/document.
Pottery artifacts are now considered without any doubts as essential elements of our knowledge in ancient worlds in chronological, economical or cultural points of view. Indeed, beyond its use as a dating guide in which so many studies are limited, it's one of the most important source of information beeing a direct product of the society who made it. Itsomnipresence in the archaeological rests and the hight quantity of sherds are linked to the solididy of the material. Indeed, even if the objects are easily breakable, the material – the fired clay – is particularly resistant and destroyable only with difficulty, whether it is by the ground and its nature, the time, the human action or the combination of these various factors. Moreover,it's not recyclable as can be it the glass or the metals, and even less perishable as the organic matters.The choice to focus this research on Late republican centro-Tyrrhenian Italy is not obviously harmless and results from the observation of a blatant gap in our knowledge of its ceramic, although it is about an anchoring, so chronological as geographical, hinge of the Roman History. So, the guideline of this work aims at constituting a first attempt of characterization of the ceramic faciès, as well in its uniformity as in its regional specificities and to determine its internal evolution, whether it is regarding classes, categories, forms and types.To do it, a rigorous methodology was organized to have a corpus compound of enoughsimilar elements to establish a reliable argument. Three axes were in particular at the heart ofthis reflection : the nature of contexts, the possibility of having all the rests and thequantification.The present study focus on two very precise geographical areas - the northern Lazio and the southern Etruria - for which it was necessary to establish the respective faciès and their evolutions by questionning the reports of classes, categories, forms, types and proveniance, through three chronological erae - the first half of IIth s, the second half of IIth s, and Ier s B.C. Macroscopic studies were also realized on clays of the material from two case studies. The technical groups were then confronted with the already existing data to highlight the zones of supply, the questions of trade, imports and local or regional productions.More modestly, this study also tried to open the research to the food practices by confronting the results, in particular morphological and functional, obtained during the establishment of the faciès with the literary sources and the studies already led on the subject. Finally this work, far from being definitive, must be fed by other researches to increase to confirm or counter the proposed hypotheses
Ravoire, Fabienne. "La vaisselle de terre cuite en Ile-de-France entre la fin du XVe et la première moitié du XVIIe siècle : définition d'un faciès régional." Paris 1, 1997. http://www.theses.fr/1997PA010547.
Corsiez, Amélie. "La céramique romaine de cinq pagi du Nord de la Gaule (p. Laudunensis, Suessionensis, Tardunensis, Noviomensis et Vermandensis) : caractérisation, chronologie, fonctions et économie." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30016.
The purpose of this thesis is to study the ceramic who has a definite antique geographic entity, in order to uncertain the fascia and to confront it to the function analysis and approvisionements. The investigation territory is situated on the antique pagi of the Laonnois, of Soissonnais, of Tardenois, of Noyonnais and of Vermandois (in Latin in the title), comprised in the territory of the three cities of Belgian Gaul (City of Remes, of Suessions and of Viromanduens)The study is relying on a catalogue of 36 sites of habitats (rural and cities) and 8 funeral sites, reunited with personal studies and counting of excavation reports done by various actors of preventive archaeology. Eighty five site-horizons have then served as a base to the constitution for a chronology composed of thirteen synthesis horizons. These have been detailed within Chapter II, whereas chapter III characterises the principle categories of the ceramics and their evolution through time. Finally, chapter IV starts with an analysis of the conventional fascia of the 5 pagi, focusing its remarks between town and county. It continues with a comparison between fascia, notably through the dark ceramic commons and concludes with a global analysis of approvisionements and the economy with a detail point of the simian ware, the terra nigra and the dark common ceramic
Bardel, David. "Société, économie et territoires à l'âge de Fer dans le centre-est de la France : analyse des corpus céramiques des habitats du Hallstatt D - La Tène A (VIIe - Ve siècle av. J.-C.)." Thesis, Dijon, 2012. http://www.theses.fr/2012DIJOL043/document.
This thesis examines pottery dating from the middle of the 6th to the end of the 5th century BC, from Central-Eastern France, an area located between Northern Burgundy and the western confines of the Ile de France region. Confronted by the absence of pottery in well dated funerary contexts, the focus of this study is on settlement contexts, the documentation of which has multiplied in the last 30 years thanks to a systematic approach to archaeology and its professionalization. The pottery assemblages of Vix are of course included in this work and they are compared to assemblages from other regional settlement sites. 67 sites have been selected from a corpus of 414. Tens of thousands of sherds and over 7000 vessels are presented, analyzed and subsequently replaced into context. The catalogue (two volumes) has been developed to be used as a reference tool; it includes documentation on each site, pottery studies and illustrations of the vessels. The volume 1 presents the different stages of this analysis. After the presentation of the study’s framework and methodology, the chrono-cultural analysis uses a pre-determined descriptive system and a typological classification of what is known as the “traditional” hand thrown pottery production and of the “new” productions of wheel thrown pottery. This has led to the elaboration of a quantitative and qualitative examination of the sites and the pottery assemblages. The chronological approach is based on the definition of characteristic assemblage facies using statistical analysis and computerized serialization. This approach highlights a progressive evolution of pottery that can be divided into five phases, thus sequencing pottery for the whole period. The position of each phase is defined by comparison with objects such as jewelry or other metallic objects, imported pottery, etc. in order to correlate them with the Ha D1, Ha D1/2, Ha D2, Ha D3 and LTA1 periods of the conventional German chronology. The variation in pottery typology has brought to the fore the specifics of regional productions from as early as the Hallstatt period. These productions can be distinguished from the Atlantic and Northern (Aisne-Marne domain) cultural entities but also from the North-Alpine zone to the East and South-East. The distribution of the “Vix” painted motifs is emblematic of these productions. The phenomena of local influences and cultural fringes are also studied. Other regional originalities appear more visible during the LTA and are particularly present in the Sénon area announcing the cultural territories of the end of the Middle and Late Iron Age. Using the chrono-cultural framework other aspects of pottery production, diffusion and consumption have been studied and used to determine the hierarchy of certain pottery services. We can consider that hand thrown pottery corresponds to the many local productions defined by their limited diffusion and their standardization for common use, which is intrinsic to a traditional rural society. Wheel-thrown pottery can however be seen as an innovation, a specialized production and a sign of luxury that first appears during the Hallstat D2/3 in aristocratic residences such as Vix. Using the information from settlements and the results of this study, different settlement types have been placed within a hierarchical framework taking into account the plurality of the input and elements is proposed. These different aspects are employed in defining the social and cultural interactions that prevail over the organisation and the historical development of Celtic communities
Pinto-Guillaume, Ezequiel. "La vaisselle sur le site de la Villa de Livie à Prima Porta : faciès céramiques, interprétation historique et modèles culturels (IIe s. av. J.-C.-Ve s. ap. J.-C.)." Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10006.
Bouchet, Marion. "Dynamique spatiale et temporelle des agglomérations de la fin du Second âge du Fer dans la cité des Bituriges Cubes : Etude céramique des ensembles de Châteaumeillant, Bourges et Levroux (IIe- Ier s. av. J.C.)." Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2003/document.
This research offers an overview of the Bituriges Cubi's ceramic during the two centuries before AD. It is based on the detailed analysis of new material originate from Chateaumeillant/Medio/anum and Bourges/Avaricum (Cher). These two urban sites have also been put into perspective in published sets of Levroux (lndre). A dual objective is pursued through the establishment of a regional typology and the functional and technical analysis of ceramics material. On one hand, it is about comprehending the chronological dynamic of the bituriges grouped settlements, since the emergence of the opened urban area to the creation of oppida and their evolution to the Biturige's city integration to the Roman Empire. On the other hand, it broaches the different socio-economic and cultural aspects perceptible through ceramological data. Thus, this multi-faceted approach sheds a new light on the Biturige society during this transitional period where central Gaul is subject on contacts and influence of the Mediterranean world
Chabert, Sandra. "Les céramiques en territoire arverne et sur ses marges de l'antiquité tardive au haut moyen âge (fin IIIe - milieu VIIIe siècle) : approche chrono-typologique, économique et culturelle." Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20013/document.
The sparse knowledge of the late antiquity in Auvergne is partly due to the absence of chronological typology for this period. The recent uncovering of significant ceramic assemblages and the reassessment of pastdata make it possible today to fill this research gap. This thesis attempts to bring new light to the Arverne territory, its economy and culture, in the late antiquity and the early middle ages (from the late 3rd century to the mid-8th century), through the study of its pottery. The evolution observed in the repertory shows that the antique facies remained until the 6th century, as well as the culinary practices and table manners. Until the 5th century,forms and types of ceramics are very varied, becoming more standardized in the next century, and finally starting in the 7th century, closed culinary vessels are predominant.The study of funerary assemblages from the 4th and 5th centuries, demonstrates how the Arverne territory participated in the general evolution of funerary practices in Gaul. However the Auvergne region stands out by the considerable number of ceramic vases found in tombs and the clear preference for solid food vessels in funerary repasts.The presence of imported goods is evidence that the Arverne territory was part of the commercial routes by the end of Antiquity. However the small amounts of importations imply a parsimonious procurement, which would mean that the Auvergne region was actually located on the outer limits of the distribution areas of most industrial productions. The correlations established with 4th and 5th century pottery from other areas of Central Gaul could be proof of a common tradition of production, and how such territories could have possibly belonged to a same cultural and economic entity. The South of the Arverne territory seemed however more influenced by southern Gaul as shown by the study of 6th and 7th century pottery from the lozerian site of La Malène
Réchin, François. "La vaisselle commune d'Aquitaine méridionale à l'époque romaine : contexte céramique, typologie, facies de consommation." Pau, 1994. http://www.theses.fr/1994PAUU1001.
The aim of this work is the study of common earthware from a range of more than fifteen settlements situated in Southern Aquitaine, inside present departments of Pyrénées-Atlantiques, Hautes-Pyrénées, Landes, Gers, and south-west of Haute-Garonne. Three priorities have directed this research : first, to state the data we are confronted to (datations, quantitative datas). Consequently, I elaborated a catalog of those potteries divided in subdivisions corresponding to their original settlement, ceramologic contestants stratigraphy. Then to specify the chronology and the diffusion of each pattern inside its fabric. The datation of a lot of patterns was more precisely stated, especially among cooking and conserving wares. Without neglecting production pattern (primacy of household production ?) and trade (complexity of handling scales and partners), the question is enlarged to social and cultural identity of aquitain's inhabitants
Varennes, Guillaume. "Dynamiques et formes de peuplement dans la plaine de la Valloire (Drôme/Isère) : de la Protohistoire récente au haut Moyen Âge." Phd thesis, Université de Provence - Aix-Marseille I, 2010. http://tel.archives-ouvertes.fr/tel-00662389.