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Books on the topic 'Experimental theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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1

Walsh, Ian R. Experimental Irish Theatre. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368.

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2

Shank, Theodore. American alternative theatre. New York: St. Martin's Press, 1988.

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3

Walsh, Ian R. Experimental Irish theatre: After W.B. Yeats. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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4

Experimental Irish theatre: After W.B. Yeats. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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5

Kirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.

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6

A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.

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7

Kirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.

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8

Innes, C. D. Avant Garde Theatre. London: Taylor & Francis Inc, 2004.

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9

Kirby, Michael. A formalist theatre. Philadelphia: University of Pennsylvania Press, 1987.

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10

Queer theatre. New York: Methuen, 1986.

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11

Finburgh, Clare. Contemporary French theatre and performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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12

The new radical theatre notebook. New York: Applause, 1997.

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13

Other theatres: The development of alternative and experimental theatre in Britain. London: Macmillan Education, 1987.

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14

Andrew, Davies. Other theatres: The development of alternative and experimental theatre in Britain. Totowa, N.J: Barnes & Noble, 1987.

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15

Etchells, Tim. Experimental theatre: A submission to ACE Drama. [U.K.]: Forced Entertainment, 1995.

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16

Experimental theatre: From Stanislavsky to Peter Brook. 4th ed. London: Routledge, 1989.

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17

Graham, Holderness, ed. The Politics of theatre and drama. New York: St. Martin's Press, 1992.

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18

D, Innes C., ed. Avant garde theatre, 1892-1992. London: Routledge, 1993.

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19

Postdramatic theatre. Abingdon, [England]: Routledge, 2006.

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20

Katarzyna, Szustow, Preston Virginia, and Instytut Teatralny im. Zbigniewa Raszewskiego, eds. Between anthropology and politics: Two strands of Polish alternative theatre. Warsaw: Zbigniew Raszewski Theatre Institute in cooperation with Ministry of Foregin [sic] Affairs, 2007.

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21

Astle, Robert. Theatre without borders. Winnipeg, MB: Signature Editions, 2002.

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22

Astle, Robert. Theatre without borders. Winnipeg, MB: Signature Editions, 2003.

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23

Ian, Watson. Towards a third theatre: Eugenio Barba and the Odin Teatret. London: Routledge, 1993.

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24

Fringe first: Pioneers of fringe theatre on record. London: Oberon Books, 1992.

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25

Revolutionary theatre. London: Routledge, 1994.

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26

Theatre of deconstruction Kaitaisha (1991-2001): Gekidan Kaitaisha (1991-2001). Tōkyō: Gekidan Kaitaisha, 2001.

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27

Phillips, Sue. Making RE make sense: Theatre of learning, experimental RE. Bristol: Standards for Education, 2003.

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28

Claude, Schumacher, ed. Artaud on theatre. London: Methuen Drama, 1989.

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29

Artaud, Antonin. Artaud on theatre. London: Methuen Drama, 2001.

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30

Claude, Schumacher, and Singleton Brian 1960-, eds. Artaud on theatre. Chicago: I.R. Dee, 2004.

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31

Claude, Schumacher, ed. Artaud on theatre. London: Methuen Drama, 1991.

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32

Morrow, Martin. Wild theatre: The history of One Yellow Rabbit. Banff, AB: Banff Centre Press, 2003.

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33

Das Spiel mit dem Zuschauer: Die Bedeutungsgbenerierung im polnischen Bildertheater am Beispiel von "Szczelina" Leszek Mądziks, "Replika" Józef Szajnas und "Niech sczezną artyści" Tadeusz Kantors. München: O. Sagner, 1999.

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34

Dobrowlanska-Sobczak, Monika Joanna. Das Spiel mit dem Zuschauer: Die Bedeutungsgenerierung im polnischen Bildertheater am Beispiel von "Szczelina" Leszek Madziks, "Replika" Józef Szajnas und "Niech sczezna artyści" Tadeusz Kantors. Bern: Peter Lang International Academic Publishers, 1999.

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35

Theatre, performance, and the historical avant-garde. New York: Palgrave Macmillan, 2005.

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36

Roose-Evans, James. Experimental Theatre. Routledge, 1989.

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37

Roose-Evans, James. Experimental Theatre. Routledge, 2013. http://dx.doi.org/10.4324/9781315001951.

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38

Shank, Theodore. Experimental Theatre. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199731497.013.029.

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39

Whitmire, Ethelene. The Harlem Experimental Theatre. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0006.

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This chapter explores Regina's involvement with the Harlem Experimental Theatre. Regina's participation in the little theater movement began with her involvement with the theater company founded by her friend W. E. B. Du Bois. Sometime during 1924, Du Bois contacted Supervising Librarian Ernestine Rose and asked for permission to use the basement of the 135th Street Branch for a theater group, named the CRIGWA (Crisis Guild of Writers and Artists) Players—which was later changed to KRIGWA. Du Bois wanted to use the basement stage to produce three or four plays in 1926 and from four to six plays in 1927. Both Regina and her husband Bill were members of the KRIGWA Players board.

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40

Magdalena: International women's experimental theatre. Oxford, UK: Berg, 1989.

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41

Formalist Theatre. Univ.Pennsylvania P., 1990.

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42

Experimental Theatre: Creating and Staging Texts. Waveland Press, 1996.

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43

Community theatre in Australia. North Ryde, NSW: Methuen Australia, 1987.

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44

Puchner, Martin. Against Theatre. Palgrave Macmillan, 2014.

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45

Bastard Or Playmate Adapting Theatre Mutating Media And Contemporary Performing Arts. Amsterdam University Press, 2012.

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46

Acting In Documentary Theatre. Palgrave Macmillan, 2013.

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47

Roose-Evans, Jam. Experimental Theatre: From Stanislavsky to Peter Brook. Routledge, 1996.

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48

Experimental Theatre from Stanislavsky to Peter Brook. Routledge, 2002.

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49

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2013.

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50

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2013.

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