Log in

Relevant bibliographies by topics / Exoticism in art Australia / Journal articles

Journal articles on the topic 'Exoticism in art Australia'

To see the other types of publications on this topic, follow the link: Exoticism in art Australia.

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Exoticism in art Australia.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

YANG, MINA. "Moulin Rouge! and the Undoing of Opera." Cambridge Opera Journal 20, no. 3 (November 2008): 269–82. http://dx.doi.org/10.1017/s095458670999005x.

Full text

Abstract:

AbstractWhile Moulin Rouge! (2001) riffs on and even exaggerates conventions from classic Hollywood backstage musicals, it owes a clear debt to an even earlier musico-dramatic genre – the opera. Combining operatic and film musical elements with those of pop videos, contemporary cinema and the rave scene, Baz Luhrmann's film engages with many of the thorny issues that have concerned opera critics of late, such as power, gender, exoticism, authorship, and identity construction and performance. The spotlight on the central love triangle of a consumptive courtesan, a writer and a wealthy patron makes possible a deeper scrutiny of traditional gender roles in the production and reception of Western art. The film's formulaic plot and the backstage musical format render transparent the commercial impetus behind the creative process and demystify the role of the Romantic artist-genius. Finally, the transnational and transhistorical elements of the film – a mostly Australian production team and crew, American and British pop songs, a Parisian backdrop, the Bollywood-inspired show-within-a-show, numerous anachronisms that refuse to stay confined within the specified time setting of the late nineteenth century – disrupt the Classical ideals of artistic unity and integrity and suggest new postmodern geographies and temporalities. This article considers how Luhrmann, by simultaneously paying homage to and critiquing operatic practices in Moulin Rouge!, deconstructs and reinvents opera for the postmodern age.

APA, Harvard, Vancouver, ISO, and other styles

2

Khoo, Olivia. "Folding Chinese boxes: Asian exoticism in Australia." Journal of Australian Studies 24, no. 65 (January 2000): 200–208. http://dx.doi.org/10.1080/14443050009387604.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Locke, Ralph P. "On Exoticism, Western Art Music, and the Words We Use." Archiv für Musikwissenschaft 69, no. 4 (2012): 318–28. http://dx.doi.org/10.25162/afmw-2012-0028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Keshmirshekan, Hamid. "The Question of Identity vis-à-vis Exoticism in Contemporary Iranian Art." Iranian Studies 43, no. 4 (September 2010): 489–512. http://dx.doi.org/10.1080/00210862.2010.495566.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Teodorski, Marko. "Book Review: Aleksandra Mančić, Egzotizam i kanibalizam. Transmisije drugog i avangardni oblici prevođenja [Exoticism and Cannibalism. Transmissions of the Other and the Avant-Garde Forms of Translation]. Beograd: Službeni glasnik, 2017." AM Journal of Art and Media Studies, no. 17 (October 16, 2018): 165. http://dx.doi.org/10.25038/am.v0i17.280.

Full text

Abstract:

How to cite this article: Teodorski, Marko. "Book Review: Aleksandra Mančić, Egzotizam i kanibalizam. Transmisije drugog i avangardni oblici prevođenja [Exoticism and Cannibalism. Transmissions of the Other and the Avant-Garde Forms of Translation]. Beograd: Službeni glasnik, 2017, 204 pp., ISBN 978-86-519-2096-0." AM Journal of Art and Media Studies 17 (2018): 165−168. doi: 10.25038/am.v0i17.280

APA, Harvard, Vancouver, ISO, and other styles

6

Lovings-Gomez, Lauren. "Antiquity, Exoticism, and Nature in Gold “Lotus and Dragon-fly” Comb with Cyprian Glass Fragment." Athanor 37 (October 23, 2019): 109–26. http://dx.doi.org/10.33009/fsu_athanor116679.

Full text

Abstract:

In this paper, I aim to reconstruct the life of Ornamental Comb, with emphasis on its materiality. I argue that the centerpiece of ancient glass, framed in Art Nouveau ornamentation, transforms into a modern jewel in accordance with avant-garde notions of looking to the past to create something new. Finally, I will contend that decorative art objects, like the CMA’s Ornamental Comb, disrupt the perceived hierarchy between what is deemed “high” and “low” art at the fin-de-siècle.

APA, Harvard, Vancouver, ISO, and other styles

7

Parrott, June. "Art Education in Australia." Journal of Aesthetic Education 21, no. 3 (1987): 114. http://dx.doi.org/10.2307/3332877.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hornshaw, B. L. "Primitive Art in Australia." Mankind 1, no. 1 (February 10, 2009): 21–22. http://dx.doi.org/10.1111/j.1835-9310.1931.tb00841.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

SIDRI, Samira. "ART ET ARTIFICES DE LA PRÉFACE VIATIQUE : VOYAGEURS EN ORIENT." Analele Universității din Craiova, Seria Ştiinte Filologice, Langues et littératures romanes 25, no. 1 (January 24, 2022): 287–306. http://dx.doi.org/10.52846/aucllr.2021.01.20.

Full text

Abstract:

This study aims to investigate the many forms of the preface in relation to the conditions of its production and the profile of the preface writer in certain travel accounts in Morocco, Algeria, Egypt, or Turkey from the seventeenth to the twentieth centuries. It is interesting to see the diversity of the construction of the self in the prolegomenes, intended to enhance the good reception of the narrative. From the simple traveller in search of exoticism to the passionate missionary, the prefaces of travel relationships offer an array of discursive strategies where the narrator's ethos underpins a rhetoric specific to the travel literature. Lady Montagu, Bugéja, Eberhardt, Montesquieu, Loti and other travellers invite the reader not only to explore a travel experience, but also to grasp the secrets of a rhetorical approach consciously undertaken.

APA, Harvard, Vancouver, ISO, and other styles

10

Loges, Natasha. "Exoticism, Artifice and the Supernatural in the Brahmsian Lied." Nineteenth-Century Music Review 3, no. 2 (November 2006): 137–68. http://dx.doi.org/10.1017/s147940980000063x.

Full text

Abstract:

Perhaps as a consequence of the late-nineteenth-century tendency to differentiate Brahms from the Wagnerian coterie at all costs, his enduring interest in exoticism has received little attention. This is not unreasonable, since his untexted works show no evidence of any foreign links further than Hungary. In addition, for obvious reasons, the specific tropes associated with exoticism, or more specifically orientalism, manifested themselves most clearly through art-forms better equipped to portray specific verbal content, such as opera, literature and painting, none of which is strongly associated with Brahms. Biographically, it is even harder to reconcile Brahms with exoticism, since the connotations of sensuality sit oddly with the bürgerlich North German Protestant work ethic that generally defines perceptions of him. Still, the effect of over 30 years in cosmopolitan Vienna cannot be overlooked; also Brahms was a friend and supporter of artists as well as of musicians. Although Max Klinger and Adolf von Menzel spring primarily to mind, his interest in German painters dated from his early twenties, following his visit to the Schumanns in Düsseldorf. In particular, from the mid-1860s onwards he expressed constant interest in the works of the painter Anselm Feuerbach. Interestingly, both Brahms's and Feuerbach's concept of orientalism, specifically through the Persian poet Hafis, was mediated by the poetry of Georg Friedrich Daumer. This study will explore the simultaneous burgeoning of interest shown by Brahms in his Hafis settings and Feuerbach in his works Hafis vor der Schenke and Hafis am Brunnen in the mid-1860s, as well as the background of the poet who inspired them both.

APA, Harvard, Vancouver, ISO, and other styles

11

Hauser, Jakub. "Exiled Russian and Ukrainian Artists in Prague during the Interwar Period." Experiment 23, no. 1 (October 11, 2017): 127–41. http://dx.doi.org/10.1163/2211730x-12341306.

Full text

Abstract:

Abstract Through several examples of the representation of Russian art in the milieu of interwar Czechoslovakia, the article shows the specificity of the local Russian cultural community which was exiled there following the October Revolution and the ensuing civil war. It examines the community’s international contacts and the role its strong institutional background played in establishing several art collections—most importantly at the Slavonic Institute and the Russian Cultural-Historical Museum in Prague—as it attempted to capture and preserve for the future the art production of Russian artists abroad. It also looks at a remarkable artistic strategy used by The Scythians artist group, which was based on an alleged otherness and even exoticism of the Russian artists residing in Prague and drew on the ideology of Eurasianism promoted in the Russian exiled community of the period.

APA, Harvard, Vancouver, ISO, and other styles

12

Gamble, Clive. "Brilliant — rock art and art rock in Australia." Nature 351, no. 6328 (June 1991): 608. http://dx.doi.org/10.1038/351608a0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

MAYER, Raymond. "Art and Exoticism. An anthropology of the yearning for authenticity de Paul Van Der Grijp." Journal de la société des océanistes, no. 129 (December 15, 2009): 339–40. http://dx.doi.org/10.4000/jso.5981.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Bednarik, Robert G. "Pleistocene Rock Art in Australia." Anthropos 105, no. 1 (2010): 3–12. http://dx.doi.org/10.5771/0257-9774-2010-1-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Mundine, John. "Aboriginal art in Australia today." Third Text 3, no. 6 (March 1989): 33–42. http://dx.doi.org/10.1080/09528828908576212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bennett, James. "Islamic Art at The Art Gallery of South Australia." SUHUF 2, no. 2 (November 21, 2015): 285–90. http://dx.doi.org/10.22548/shf.v2i2.93.

Full text

Abstract:

OVERÂ the past ten years, Australia has increasingly aware of Muslim cultures yet today there is still only one permanent public display dedicated to Islamic art in this country.Â Perhaps it is not surprising that the Art Gallery of South Australia in Adelaide made the pioneer decision in 2003 to present Islamic art as a special feature for visitors to this art museum. Adelaide has a long history of contact with Islam. Following the Art Galleryâ€™s establishment in 1881, the oldest mosque in Australia was opened in 1888 in the city for use by Afghan cameleers who were important in assisting in the early European colonization of the harsh interior of the Australian continent

APA, Harvard, Vancouver, ISO, and other styles

17

Berlo, Janet Catherine. "Australian Art Exhibition Catalog:Dreamings; The Art of Aboriginal Australia." Museum Anthropology 14, no. 2 (May 1990): 31. http://dx.doi.org/10.1525/mua.1990.14.2.31.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Tayyab, Areeba. "Grotesque Literary Caricatures of Exotic Orientals in Tariq Ali's Play Iranian Nights." International Journal of Linguistics, Literature and Translation 3, no. 10 (2020): 140–47. http://dx.doi.org/10.32996/ijllt.2020.3.10.16.

Full text

Abstract:

The paper analyzes grotesque literary caricature of the exotic Orientals in Tariq Ali and Howard Brenton's play Iranian Nights. The focus is to elucidate how the writer market margins by creating caricatural and exotic characters that generate laughter and comical wit for the international readership. The research has two folds i.e. on one level it will discuss the caricatural features in characters to understand the underline meaning for the use of such distorted and exaggerated art form in a modern play. On the other hand, the paper will have an investigative stance into the dramatic techniques used ancient grotesque plays to find out the significance of such a dramaturgy in the business of exoticism. The research broadens the scope as it presents an art form that depicts a grotesque caricature exoticizing the third world's other Orientals to market margins.

APA, Harvard, Vancouver, ISO, and other styles

19

Laberge, Yves. "Vanishing Paradise: Art and Exoticism in Colonial Tahiti Elizabeth C.Childs. Oakland: University of California Press, 2013." Journal of American Culture 38, no. 3 (September 2015): 326–27. http://dx.doi.org/10.1111/jacc.12407.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Smith, Bernard. "On Writing Art History in Australia." Thesis Eleven 82, no. 1 (August 2005): 5–15. http://dx.doi.org/10.1177/0725513605054354.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Boaden, Sue. "Education for art librarianship in Australia." Art Libraries Journal 19, no. 2 (1994): 5–6. http://dx.doi.org/10.1017/s0307472200008725.

Full text

Abstract:

The growth of art history and art practice courses in Australia has been remarkable over the last 20 years. Unfortunately training for art librarianship has not matched this growth. There are eleven universities in Australia offering graduate degrees and post-graduate diplomas in librarianship but none offer specific courses leading towards a specialisation in art librarianship. ARLIS/ANZ provides opportunities for training and education. Advances in scholarly art research and publishing in Australia, the development of Australian-related electronic art databases, the growth of specialist collections in State and public libraries, and the increased demand by the general community for art-related information, confirm the need for well-developed skills in the management and dissemination of art information.

APA, Harvard, Vancouver, ISO, and other styles

22

Farr, Francine. "Dreamings: The Art of Aboriginal Australia." African Arts 22, no. 3 (May 1989): 84. http://dx.doi.org/10.2307/3336788.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Fry, Tony, and Peter Sutton. "Dreamings: The Art of Aboriginal Australia." African Arts 23, no. 3 (July 1990): 91. http://dx.doi.org/10.2307/3336838.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Zurbrugg, Nicholas. "Sound art, radio art, and post‐radio performance in Australia." Continuum 2, no. 2 (January 1989): 26–49. http://dx.doi.org/10.1080/10304318909359363.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Scherbinina, Olga I. "Northern Cheyenne Exodus and Negroes Lynching: Historical Novels of Howard Fast in the USSR." RUDN Journal of Studies in Literature and Journalism 26, no. 2 (December 15, 2021): 217–26. http://dx.doi.org/10.22363/2312-9220-2021-26-2-217-226.

Full text

Abstract:

The article deals with the historical novels reception of Howard Fast (a writer who was extremely popular in the 1950s, though he is almost forgotten now) in the Soviet Union. Once a USA Communist Party member loyal to the USSR, he became a fierce opponent of Soviet communism. The analysis of the American context uncovers the reasons why the author of left-wing beliefs turned to the genre of a historical novel and peculiarities of the literary market he faced. A close study of Soviet reviews demonstrates that the novels The Last Frontier and The Freedom Road were perceived by Soviet literary critics as Fasts protest against racial discrimination and growing right-wing sentiment. These problems were a matter of urgency against the background of the McCarthy campaign, which Fast fell victim to in 1947. His novel The Freedom Road was put on the stage in Moscow theaters. According to Soviet reviewers, the absence of decadent primitivism set Fast apart from other once-friendly Soviet writers such as Richard Wright and Claude McKay. Within this tradition of exoticism criticism, dating back to the 1920s and 1930s, novels about distant lands were highly appreciated only when ethnographic descriptions were used for consistent social criticism. Being a committed supporter of the concept art as a weapon developed in the Soviet Union, Fast perceived exaggerated exoticism, top-heavy descriptions of historical novels as a sign of escapist literature that ignores the method of dialectical materialism.

APA, Harvard, Vancouver, ISO, and other styles

26

Li, Shuangyi. "Novel, Film and the Art of Translational Storytelling: Dai Sijie's Balzac et la petite tailleuse chinoise." Forum for Modern Language Studies 55, no. 4 (July 13, 2019): 359–79. http://dx.doi.org/10.1093/fmls/cqz019.

Full text

Abstract:

Abstract This article examines the novel and film Balzac et la Petite Tailleuse chinoise, by the Franco-Chinese writer and filmmaker Dai Sijie, the story of which takes place against the background of the Cultural Revolution. The first part of my analysis will make clear how the film illuminates and dramatizes the special texture, aesthetic and structure of the novel, highlighting the cinematic sensibility of Dai’s literary aesthetic. I then move on to investigate the linguistic aspects of the various translations between the novel and the film in French, Mandarin Chinese and Sichuanese. The aesthetic effects of dubbing, in particular, will allow me to investigate new possibilities of reading exophone literature. Finally, this paper highlights the central role of oral storytelling in the Chinese tradition in/through various forms of translation: interlingual as well as intermedial. In so doing, this article aims to add nuance to and enrich current debates on issues such as intercultural misreading and exoticism in Dai’s works.

APA, Harvard, Vancouver, ISO, and other styles

27

HABA, Myroslava, and Julia POGRANICHNA. "PROSPECTIVE DIRECTIONS OF THE DEVELOPMENT OF EXOTIC TOURISM IN UKRAINE." Herald of Khmelnytskyi National University. Economic sciences 310, no. 5(1) (September 29, 2022): 77–81. http://dx.doi.org/10.31891/2307-5740-2022-310-5(1)-12.

Full text

Abstract:

The article examines the use of exoticism and exotic tourism in Ukraine. Nature, art and culture of African and Asian countries are often associated with exoticism. However, exoticism is not only about the sun, the sea, the beach, unusual fruits, kangaroos or the culture of eating sushi. In fact, everything that is unusual for a tourist’s place of ordinary residence, interesting and unusual for him can be called exotic in tourist trips. Therefore, Ukraine can also be considered an exotic country for foreign visitors. So, in our country, foreigners are attracted by the authentic traditional crafts of Ukrainians, their culture, unusual customs and traditions, unique culinary traditions, health practices, intangible cultural heritage. It has been established that at the current stage of the dynamic development of tourism, exotic tours are in particular demand among tourists. Usual tour programs have lost their relevance, therefore, in search of new experiences, tourists discover a new direction of tourism – exotic trips. It was found that exotic tourism in the country has every chance to become a popular and competitive tourism field, which will provide an opportunity to increase the state’s income from the tourism industry and create an additional source of foreign exchange earnings, which will be especially relevant in the post-war period. It was determined that it is expedient for the development of exotic tourism in Ukraine to support, popularize and finance promising “young” tourist destinations. Such, for example, are unusual SPAs – procedures with bees and wine therapy, these are the directions that will be promising for the development of exotic tourism in Ukraine, namely in the Ivano-Frankivsk, Chernivtsi and Zakarpattia regions. The outlined directions for the development of exotic tourism in Ukraine are among the important exotic tourist resources, the use of which in exotic and other tours will give the opportunity to expand the range of offers to travel companies, attract new potential tourists (both foreign and domestic), popularize Ukraine as an exotic country that in turn, will contribute to the development of new types of tourism and bring income to the tourism sphere of Ukraine.

APA, Harvard, Vancouver, ISO, and other styles

28

Welch, David. "Plant motifs in Kimberley rock-art, Australia." Before Farming 2003, no. 4 (January 2003): 1–13. http://dx.doi.org/10.3828/bfarm.2003.4.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Speck, Catherine. "Camouflage Australia: Art, Nature, Science and War." Australian Historical Studies 44, no. 1 (March 2013): 162–63. http://dx.doi.org/10.1080/1031461x.2013.761649.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Young, Duane C. "Camouflage Australia: Art, Nature, Science and War." Global War Studies 10, no. 2 (August 1, 2013): 88–90. http://dx.doi.org/10.5893/19498489.10.02.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Morwood, M. J., and C. E. Smith. "Rock Art Research In Australia 1974-94." Australian Archaeology 39, no. 1 (January 1994): 19–38. http://dx.doi.org/10.1080/03122417.1994.11681525.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Denholm, Michael. "The Role of Art Journals in Australia." Australian & New Zealand Journal of Serials Librarianship 2, no. 4 (March 9, 1992): 17–28. http://dx.doi.org/10.1300/j252v02n04_03.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Bessant, Judith, and Rob Watts. "Indigenous Digital Art as Politics in Australia." Culture, Theory and Critique 58, no. 3 (July 19, 2016): 306–19. http://dx.doi.org/10.1080/14735784.2016.1203810.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Rosenfeld, Andree. "Rock-Art Research: World Congress in Australia." Current Anthropology 30, no. 3 (June 1989): 410–11. http://dx.doi.org/10.1086/203760.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Maravillas, Francis. "Constellations of the contemporary: Art / Asia / Australia." Journal of Australian Studies 32, no. 4 (December 2008): 433–44. http://dx.doi.org/10.1080/14443050802471335.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Willis, Anne‐Marie, and Tony Fry. "Art as ethnocide∗: The case of Australia." Third Text 2, no. 5 (December 1988): 3–20. http://dx.doi.org/10.1080/09528828808576200.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Campanelli, Michael, and Frances F. Kaplan. "Art therapy in OZ: Report from Australia." Arts in Psychotherapy 23, no. 1 (January 1996): 61–67. http://dx.doi.org/10.1016/0197-4556(95)00045-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Parker, Lawrence. "Not going 'pop': the aesthetic criticism of early British Maoism." Twentieth Century Communism 22, no. 22 (September 12, 2022): 141–65. http://dx.doi.org/10.3898/175864322835917900.

Full text

Abstract:

If people think about Maoist/anti-revisionist groups in countries such as Britain, they are often seduced by an impression of exoticism and the incompatibility of such groups with a more humdrum native left-wing culture. What is also significant about such groups is the depth of their ideological inheritance from the Soviet-inspired world communist movement. This is particularly clear in relation to such groups' cultural criticism. Cultural products such as folk or pop music tended to be reduced to simplistic class designations (i.e.bourgeois art) and were often ruthlessly dismissed, sometimes for an apparent propensity to lead to fascism. Maoists called for a more political, communist art as an alternative, focused on serving the struggle for proletarian revolution. It's important to grasp that such criticism wasn't set apart from previous inner-CPGB debates on cultural issues, where the oppositional left that had been apparent in the party since the Second World War had retained the thrust of the Zhdanov doctrine emphasised by the party majority in the immediate post-war years. This article explores the aesthetic responses of a number of groups that developed during the first wave of international Maoism in the 1960s and measures them against inner-CPGB differences on art and culture.

APA, Harvard, Vancouver, ISO, and other styles

39

Mithen, Steven, Jo McDonald, Ivan P. Haskovec, M. J. Morwood, D. R. Hobbs, and Graeme K. Ward. "State of the Art: Regional Rock Art Studies in Australia and Melanesia." Man 29, no. 4 (December 1994): 986. http://dx.doi.org/10.2307/3033982.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Aarons, Lisette. "Art Theft: An Exploratory Study of the Illegitimate Art Market in Australia." Australian & New Zealand Journal of Criminology 34, no. 1 (April 2001): 17–37. http://dx.doi.org/10.1177/000486580103400102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Charlton, Thomas H. "Art on the rocks: Contemporary and prehistoric indigenous rock art in Australia." Reviews in Anthropology 27, no. 2 (January 1998): 123–39. http://dx.doi.org/10.1080/00988157.1998.9978194.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Thomson, John, and Joye Volker. "Australian visual arts: libraries and the new technologies." Art Libraries Journal 21, no. 1 (1996): 4–7. http://dx.doi.org/10.1017/s0307472200009676.

Full text

Abstract:

Electronic networking has been welcomed in Australia not least because of its potential to help solve problems of distances within Australia and of the isolation of Australia. In the world as a whole, the Internet, and the World Wide Web in particular, is transforming the communication of art information and access to art images. Three Australian Web servers focus on the visual arts: Art Serve, Diva, and AusArts. A number of initiatives intended to provide online bibliographic databases devoted to Australian art were launched in the 1980s. More recently a number of CD-ROMs have been published. As elsewhere, art librarians in Australia need new skills to integrate these products of new technology into the art library, and to transform the latter into a multimedia resource centre.

APA, Harvard, Vancouver, ISO, and other styles

43

McLean, Ian. "Post-Western Poetics: Postmodern Appropriation Art in Australia." Art History 37, no. 4 (August 14, 2014): 628–47. http://dx.doi.org/10.1111/1467-8365.12107.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Campanelli, Michael. "Pioneering in Perth: Art Therapy in Western Australia." Art Therapy 13, no. 2 (April 1996): 131–35. http://dx.doi.org/10.1080/07421656.1996.10759209.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

STANFORD, JON. "RETURNS TO CONTEMPORARY ART IN AUSTRALIA 1972/1989." Economic Papers: A journal of applied economics and policy 12, no. 4 (December 1993): 107–15. http://dx.doi.org/10.1111/j.1759-3441.1993.tb00906.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Randolph, P. J. "MANAGEMENT OF ROCK ART LOCATIONS IN WESTERN AUSTRALIA." AICCM Bulletin 14, no. 1-2 (January 1988): 3–8. http://dx.doi.org/10.1179/bac.1988.14.1-2.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

McKay, Duncan. "The labour of visual art in Western Australia." Economic and Labour Relations Review 25, no. 1 (January 20, 2014): 99–114. http://dx.doi.org/10.1177/1035304613519049.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Beaulieu, Jill. "President of The Art Association of Australia: Preface." Australian Journal of Art 12, no. 1 (January 1994): 4. http://dx.doi.org/10.1080/03146464.1994.11432823.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Afflerbach, Ian. "On the Literary History of Selling Out: Craft, Identity, and Commercial Recognition." PMLA/Publications of the Modern Language Association of America 137, no. 2 (March 2022): 230–45. http://dx.doi.org/10.1632/s0030812922000098.

Full text

Abstract:

AbstractThis essay identifies “selling out” as an enduring yet evolving concern in anglophone literary history, from the late nineteenth century's divided literary field to the “program era” to the increasingly global circuits of contemporary literary commerce. It begins with Henry James, showing how his canonical statements on modern narrative form emerged from commercial negotiations—an economic prehistory of “craft.” Selling out becomes a salient concern as intellectuals come to see commercial success as antithetical to modern art. This cultural anxiety changes, however, once creative writing programs begin systematically reconciling craft and commerce. Turning to Nam Le's celebrated short story collection The Boat, the second section shows how selling out came to entail a fear that minority writers might betray group solidarity through reductive or essentialist portrayals of identity. Finally, the essay's third section closes by situating Le within a global market for postcolonial fiction and its attendant concerns over commodifying exoticism.

APA, Harvard, Vancouver, ISO, and other styles

50

Sambrani, Chaitanya. "Art, Nation and World: Reflections on Teaching Indonesian Art in South-Eastern Australia." Southeast of Now: Directions in Contemporary and Modern Art in Asia 4, no. 1 (2020): 181–86. http://dx.doi.org/10.1353/sen.2020.0021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!