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Books on the topic 'EXIT chart'

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Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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1

1952-, Hanzo Lajos, ed. Near-capacity variable length coding: Regular and exit-chart aided irregular designs. Chichester, West Sussex, U.K: Wiley, 2010.

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2

Turbo coding, turbo equalisation, and space-time coding: Exit-chart aided near-capacity designs for wireless channels. 2nd ed. Chichester, West Sussex, U.K: Wiley, 2011.

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3

Wang, Jin, Lie-Liang Yang, Lajos Hanzo, and Robert G. Maunder. Near-Capacity Variable-Length Coding: Regular and EXIT-Chart-Aided Irregular Designs. Wiley & Sons, Incorporated, John, 2010.

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4

Wang, Jin, Lie-Liang Yang, Lajos Hanzo, and Robert G. Maunder. Near-Capacity Variable-Length Coding: Regular and EXIT-Chart-Aided Irregular Designs. Wiley & Sons, Incorporated, John, 2011.

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5

Wang, Jin, Lie-Liang Yang, Lajos Hanzo, and Robert G. Maunder. Near-Capacity Variable-Length Coding: Regular and EXIT-Chart-Aided Irregular Designs. Wiley & Sons, Incorporated, John, 2011.

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6

Wang, Jin, Lie-Liang Yang, Robert G. Maunder, and Lajos L. Hanzo. Near-Capacity Variable-Length Coding: Regular and Exit-Chart-Aided Irregular Designs. Wiley & Sons, Limited, John, 2010.

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7

Ng, Soon Xin, T. H. Liew, B. L. Yeap, Lajos Hanzo, and R. Y. S. Tee. Turbo Coding, Turbo Equalisation and Space-Time Coding: EXIT-Chart-Aided near-Capacity Designs for Wireless Channels. Wiley & Sons, Incorporated, John, 2011.

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8

Ng, Soon Xin, T. H. Liew, B. L. Yeap, R. Y. S. Tee, and Lajos L. Hanzo. Turbo Coding, Turbo Equalisation and Space-Time Coding: Exit-Chart-Aided Near-Capacity Designs for Wireless Channels. Wiley & Sons, Limited, John, 2011.

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9

Ng, Soon Xin, T. H. Liew, B. L. Yeap, Lajos Hanzo, and R. Y. S. Tee. Turbo Coding, Turbo Equalisation and Space-Time Coding: EXIT-Chart-Aided near-Capacity Designs for Wireless Channels. Wiley & Sons, Incorporated, John, 2011.

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10

Ng, Soon Xin, T. H. Liew, B. L. Yeap, Lajos Hanzo, and R. Y. S. Tee. Turbo Coding, Turbo Equalisation and Space-Time Coding: EXIT-Chart-Aided near-Capacity Designs for Wireless Channels. Wiley & Sons, Incorporated, John, 2011.

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11

Florida Road Map: Including Cape Coral, Daytona Beach ... West Palm Beach, Featuring City to City Mileage Chart ... Updated Exit Numbers. UniversalMAP, 2005.

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12

Welsh, Mary Sue. A Silent Exit. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0013.

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This chapter describes Stoki's All-American Youth Orchestra. As the war began to overtake Europe in 1939, and German and Italian influence threatened to take hold in South America, the Berlin Philharmonic Orchestra and performers from La Scala made tours through South America, winning friends for their respective countries. Alarmed, the Roosevelt administration wanted to counter those successes by sending U.S. cultural emissaries to Latin America. However, little government money was available to finance such projects. Stokowski stepped up to offer one solution to the dilemma. What better way to challenge the cultural impact that the Berlin Philharmonic and La Scala made on South America and counter the propaganda then circulating about the Hitler Youth Movement than by forming an orchestra of fresh-faced and highly talented young Americans as goodwill emissaries? To do this, he proposed to form an orchestra of young people from all over the United States. It would forge cultural ties with South Americans through the universal language of music and the charm of youth. Stoki also chose thirteen players from the Philadelphia Orchestra and set them strategically within his new ensemble to provide a backbone of expertise for the final product so that it could be brought together quickly. One of them was harpist Edna Phillips.
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13

Klugman, Matthew. “Get excited, people!”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0007.

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This chapter examines how sport fansites can be mined by sport historians as “a wonderfully rich resource.” Each week, “thousands, if not millions” of sport fans congregate online to “read, chat, and blog” about their favorite teams. Importantly, these sites exist as free-standing histories produced and consumed voraciously by contributors in collaboration with one another and subject to their own internal rules, protocols, and modes of expression and meaning. As such, engaging with this massive digital archive of fan postings and discussion can offer insight into new communities surrounding sports teams, fantasy engagement, and humor, as well as gendered, racial, and sexualized aspects of spectator sports culture. Indeed, sport fansites provide opportunities to consider questions of sporting memory and popular history.
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14

Beck, Colin J., Mlada Bukovansky, Erica Chenoweth, George Lawson, Sharon Erickson Nepstad, and Daniel P. Ritter. On Revolutions. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197638354.001.0001.

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On Revolutions integrates insights from diverse fields—civil resistance studies, international relations, social movements, terrorism—to offes new ways of thinking about the study of revolution. Conventional lines of thought draw on a number of categorical distinctions: social versus political revolutions, structure versus agency, violent versus nonviolent strategies, domestic versus international factors, and success versus failure. In contrast, the book outlines an approach that reaches beyond these dichotomies. Revolutions are not just political or social—they feature many types of change. Structure and agency are not mutually distinct—they are mutually reinforcing processes. Contention is not just violent or nonviolent—it is a messy process that usually involves both strategies. Revolutions do not just succeed or fail—they achieve and simultaneously fall short. And causal conditions are not just domestic or international—they are dependent on the interplay of each. The merit of this approach is demonstrated through consideration of a wide range of cases. The volume also explores new opportunities for conceptual thinking about revolution, provides methodological advice, and engages with the ethical issues that exist at the nexus of scholarship and activism. Taken together, these innovations chart a new path for revolution studies.
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15

Smith, Nicola J. Capitalism's Sexual History. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197530276.001.0001.

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What is the relationship between capitalism and sexuality, and why are they so often assumed to be antithetical? The book interrogates these questions by bringing together insights from two fields that have often overlooked each other, international political economy and queer theory. It develops a queer political economy lens to understand how the history of capitalism has been intimately entangled with the history of sexuality. Yet central to this story has been the construction of sexuality as something that needs to be protected from capitalism’s adulterating influence at all costs. As the author examines, this is no accident since capitalism profits greatly from the illusion that economic and sexual relations exist in distinct realms that can and must be kept apart. Focusing on the specific site of sex work in Britain, the volume draws on wide-ranging archival research to chart a genealogy of capitalist development from the Middle Ages to the present day. It shows that capitalism has long been organized around the extraction of unpaid sexual labor that, in turn, has been made possible by the creation and maintenance of a dualism between sex and work. By exposing the historical mechanisms through which the economy/sexuality dichotomy has been constituted, the book opens up new space for critical inquiry into the intersections between sex, work, and economic and sexual injustice.
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16

Trinkaus, Erik, Alexandra P. Buzhilova, Maria B. Mednikova, and Maria V. Dobrovolskaya. The People of Sunghir. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199381050.001.0001.

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In this latest volume in the Human Evolution Series, Erik Trinkaus and his co-authors synthesize the research and findings concerning the human remains found at the Sunghir archaeological site. It has long been apparent to those in the field of paleoanthropology that the human fossil remains from the site of Sunghir are an important part of the human paleoanthropological record, and that these fossil remains have the potential to provide substantial data and inferences concerning human biology and behavior, both during the earlier Upper Paleolithic and concerning the early phases of human occupation of high latitude continental Eurasia. But despite many separate investigations and published studies on the site and its findings, a single and definitive volume does not yet exist on the subject. This book combines the expertise of four paleoanthropologists to provide a comprehensive description and paleobiological analysis of the Sunghir human remains. Since 1990, Trinkaus et al. have had access to the Sunghir site and its findings, and the authors have published frequently on the topic. The book places these human fossil remains in context with other Late Pleistocene humans, utilizing numerous comparative charts, graphs, and figures. As such, the book is highly illustrated, in color. Trinkaus and his co-authors outline the many advances in paleoanthropology that these remains have helped to bring about, examining the Sunghir site from all angles.
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17

Raev, Ada, and Susanne Marten-Finnis, eds. Kreativität und Migration : Positionierung und Ambiguität im Œuvre des russlanddeutschen Künstlers Georg Schlicht (1886-1964). University of Bamberg Press, 2021. http://dx.doi.org/10.20378/irb-50462.

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The phrase “German by passport, Russian by heart” summarizes, but at the same time simplifies the complex artistic legacy of Georg Schlicht. Schlicht was born into a family of Volga Germans, brought up in Saratov and educated in Moscow, but was forced to leave Russia in the aftermath of the 1917 upheavals. His creativity reflects the ideological twists and turns of his lifetime and his legacy mirrors his belonging, in the sense of his whereabouts in Germany, the land of his fathers, and the longing for his spiritual home in Tsarist Russia, a country that had ceased to exist. The aesthetic dichotomy of his oeuvre is the theme of this volume, in which an international team of researchers from Britain, Germany, Russia, Belarus and the Netherlands have undertaken, for the first time, to chart and illuminate the various stations of Schlicht’s life and art – an existence that swayed between his Russian motherland and his German fatherland. Rather than applying the (received) reflectionalist model of the relationship between history and culture, they argue in favour of categories such as settlement and mobility, appreciation and neglect, positioning and ambiguity as three modes characteristic of the artistic legacy of migrating people and ideologies. Der Band „Kreativität und Migration. Positionierung und Ambiguität im OEuvre des russlanddeutschen Künstlers Georg Schlicht (1886-1964)“ thematisiert das Außenseiter- und Grenzgängertum einer von dramatischen politischen Umbrüchen gezeichneten Existenz in der Diaspora und deren komplexe und widerspruchsvolle künstlerische Verarbeitung. Schlicht wuchs in Saratov als Sohn eines wolgadeutschen Vaters und einer russischen Mutter auf. Seine künstlerische Ausbildung erhielt er in Moskau. Doch als Reichsdeutscher mit deutschem Pass musste er Russland nach der Revolution von 1917 verlassen und gelangte nach Berlin. Später gehörten Eisenach und Hamburg zu seinen Wohn- und Arbeitsorten und in der NS- und Nachkriegszeit wieder Berlin. Dem Vermächtnis dieses Künstlers widmet sich nun erstmals ein internationales Forscherteam aus Belarus, Deutschland, Großbritannien, den Niederlanden und Russland. Die hier versammelten Beiträge von Ada Raev, Tat’jana Savickaja, Olga Litzenberger, Victor Dönninghaus, Igor Dukhan, Susanne Marten-Finnis, Albert Lemmens, Serge Stommels und Nicolas Dreyer beleuchten den Werdegang von Georg Schlicht aus transkultureller Perspektive. Sie orientieren sich an den Parametern Positionierung und Ambiguität, Mobilität und Sesshaftigkeit, Zuspruch und Ablehnung. Damit erkundet der vorliegende Band Schlichts Prägungen als Russlanddeutscher und verortet das Festhalten dieses Künstlers am Althergebrachten – seine facettenreiche Rückwärtsgewandtheit und Kritik der Moderne – sowohl im Kontext der Russischen Emigration als auch der europäischen Geistes- und Ideengeschichte.
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