Books on the topic 'Exilic artists'

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1

El exilio de Artigas. Montevideo, Uruguay: Rumbo Editorial, 2012.

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2

Vae victis!: Los artistas del exilio y sus museos. Somonte-Cenero, Gijón, Asturias: Trea, 2009.

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3

La Andalucía del exilio. Sevilla: Fundación José Manuel Lara, 2008.

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4

Koudelka, Josef. Exiles. New York, N.Y: Aperture Foundation, 1997.

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5

Koudelka, Josef. Exiles. London: Thames & Hudson, 1997.

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6

Koudelka, Josef. Exiles. New York, N.Y: Aperture Foundation, 1988.

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7

Elvira Gascon: La linea de una artista en el exilio. México, D.F: El Colegio de México, 2014.

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8

Czesław, Miłosz, ed. Exiles. New York, N.Y: Aperture Foundation, 1997.

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9

Koudelka, Josef. Exiles: Photographs. London: Thames and Hudson, 1988.

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10

Koudelka, Josef. Exiles: Photographs. London: Thames and Hudson, 1988.

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11

Koudelka, Josef. Exiles: Photographs. [New York: Aperture Foundation, 1988.

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12

Sonia, Chamorro, ed. "L": Memoria gráfica del exilio chileno : 1973-1989. Santiago: Ocho LIbros, 2008.

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13

Woolson, Constance Fenimore. Women artists, women exiles: "Miss Grief" and other stories. New Brunswick: Rutgers University Press, 1988.

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14

El exilio violeta: Escritoras y artistas catalanas exiliadas en 1939. Barcelona: Meteora, 2010.

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15

Ana Ma Arias de Cossío. Después de la alambrada: El arte español en el exilio, 1939-1960. [Madrid: Sociedad Estatal de Conmemoraciones Culturales, 2009.

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16

Cossío, Ana Ma Arias de. Después de la alambrada: El arte español en el exilio, 1939-1960. Madrid: Sociedad Estatal de Conmemoraciones Culturales, 2009.

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17

Villes d'exil. Paris: Harmattan, 2003.

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18

Encuentro Internacional sobre Creación y Exilio con Cuba en la Distancia (4th : 2008 : Valencia, Spain), ed. Cuba: Arte y literatura en exilio. Valencia: Legua Editorial, 2011.

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19

María del Pilar González Lamela. El exilio artístico español en el Caribe: Cuba, Santo Domingo y Puerto Rico 1936-1960. Sada, A Coruña: Edicios do Castro, 1999.

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20

El exilio artístico español en el Caribe: Cuba, Santo Domingo y Puerto Rico 1936-1960. Sada (a coruña): Edicios do Castro, 1999.

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21

Czaplicka, John. Emigrants and exiles: A lost generation of Austrian artists in America, 1920-1950. [Evanston, Ill: Mary and Leigh Block Gallery, Northwestern University, 1996.

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22

Exiles in America. New York: William Morrow, 2006.

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23

Bram, Christopher. Exiles in America. New York: HarperCollins, 2007.

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24

István, Vámosi Nagy. Száműzött és bebörtönzött géniuszok Dantétól Bartókig. Szeged: Universum, 1991.

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25

Olivier, Antje. Anpassung oder Verbot: Künstlerinnen und die 30er Jahre. Düsseldorf: Droste, 1998.

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26

1960-, Martínez Montón Rosa, ed. Pasos y sombras: Autopsia. Sevilla: Renacimiento, 2011.

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27

The love-artist. London: Allison & Busby, 2003.

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28

Alison, Jane. The love-artist. New York: Picador, 2002.

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29

The love-artist. New York: Farrar Straus Giroux, 2001.

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30

Ernst, Martin. Exil in Deutschland: Verfolgte Künstler berichten. [Germany]: Inter Nationes, 1999.

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31

Heilbut, Anthony. Exiled in paradise: German refugee artists and intellectuals in America, from the 1930s to the present. Berkeley, Calif: University of California Press, 1997.

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32

Retrato del artista en el destierro. Palma de Mallorca: Cort, 2004.

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33

Fontserè, Carles. París, Mèxic, Nova York: Memòries 1945-1951. Barcelona: Proa, 2004.

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34

Centre culturel international de Cerisy-la-Salle, ed. Dans le dehors du monde: Exils d'écrivains et d'artistes au XXe siècle : actes du colloque de Cerisy, 14-21 août 2006. Paris: Presses Sorbonne nouvelle, 2010.

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35

Fontserè, Carles. Un exiliat de tercera: A París durant la Segona Guerra Mundial. Barcelona: Proa, 1999.

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36

Leopold, Reidemeister, and Roland Berthold 1928-, eds. Verfemte Kunst: Bildende Künstler der inneren und äusseren Emigration in der Zeit des Nationalsozialismus. Köln: DuMont, 1986.

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37

Loyer, Emmanuelle. Paris à New York: Intellectuels et artistes français en exil (1940-1947). Paris: Bernard Grasset, 2005.

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38

Paris à New York: Intellectuels et artistes français en exil (1940-1947). Paris: Bernard Grasset, 2005.

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39

Entfernt: Frauen des Bauhauses während der NS-Zeit : Verfolgung und Exil. München: ET+K, Edition Text + Kritik, 2012.

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40

Torrens, Francisco Zueras. La gran aportación cultural del exilio español (1939): Poesía, narrativa, ensayo, pintura, arquitectura, música, teatro, cine. [Córdoba]: Excma. Diputación Provincial de Córdoba, 1990.

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41

editor, González-Allende Iker, ed. Epistolario de Pilar de Zubiaurre (1906-1970). Woodbridge, Suffolk, UK: Tamesis, 2014.

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42

Helga, Schreckenberger, ed. Aesthetiken des exils. Amsterdam: Rodopi, 2003.

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43

Leopold, Reidemeister, Roland Berthold 1928-, and Reidemeister Leopold, eds. Banned and persecuted: Dictatorship of art under Hitler. Cologne: DuMont, 1986.

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44

Român, Institutul Cultural, ed. Povestea zilelor noastre: Artiști români plecați în lume. București: Institutul Cultural Român, 2009.

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45

Wirth, Günther. Verbotene Kunst 1933-1945: Verfolgte Künstler im deutschen Südwesten. Stuttgart: Hatje, 1987.

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46

Sabine, Eckmann, and Koepnick Lutz P, eds. Caught by politics: Hitler exiles and American visual culture. New York: Palgrave Macmillan, 2007.

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47

aut, Cassou Jean 1897-1986, Vauthier Bénédicte 1968 prel, and Unamuno Miguel de 1864-1936, eds. Manual de quijotismo: Cómo se hace una novela : epistolario Miguel de Unamuno/Jean Cassou. [Salamanca]: Ediciones Universidad de Salamanca, 2005.

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48

Paradies in schwerer Zeit: Künstler und Denker im Exil in Pacific Palisades und Umgebung. München: Elisabeth Sandmann, 2011.

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49

1939-, Suleiman Susan Rubin, ed. Exile and creativity: Signposts, travelers, outsiders, backward glances. Durham: Duke University Press, 1998.

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50

Elswit, Kate. The Micropolitics of Exchange. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.18.

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Abstract:
Exile has received relatively little attention in dance studies, although forced migration in the mid-twentieth century reconfigured artistic and intellectual landscapes on multiple continents. This chapter turns to German dance during and after the Third Reich, while drawing on theoretical and historical treatments of exile developed in other disciplines, as well as constructions of national identity. Such perspectives on displacement suggest that it is not the place of exiled artists, which needs to be reassessed within national dance histories; rather, these artists offer an opportunity to assess the contours of the historical narrations themselves and, with them, other forms of belonging. The case studies of Valeska Gert and Kurt Jooss highlight the micropolitics of exile’s transnational exchange. These intricate, personalized crosscurrents were catalyzed by survival strategies that registered in the work itself and left traces in history, which can only be seen by engaging with multiple forms of otherness.
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