Relevant bibliographies by topics / Exhibition project

Academic literature on the topic 'Exhibition project'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Exhibition project.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Exhibition project"

1

Kampschulte, Lorenz, and Ilka Parchmann. "The student-curated exhibition - A new approach to getting in touch with science." Lumat: International Journal of Math, Science and Technology Education 3, no. 4 (September 30, 2015): 462–82. http://dx.doi.org/10.31129/lumat.v3i4.1017.

Full text
Abstract:
Exhibitions provide a great variety of opportunities for shedding light on a scientific topic. By visiting an exhibition, and even more so by curating an exhibition, students gain great insights into scientific topics. Developing an exhibition offers students multiple ways of engaging with a topic, and presents a multifaceted learning environment, in which skills believed to be highly relevant for individuals’ development into active, well-educated citizens can be developed. These skills support individuals in their private and working life, as well as enabling them to participate in a global society – with some of them (such as project management) being rarely addressed at school at all. To empower teachers to unfold this potential and create professional-like exhibitions within the tight time and budget frame of today’s school life, a simple exhibition framework (EXPOneer) is presented in this article. Its design will be used in the EU-funded project IRRESISTIBLE. Using IKEA shelves, the system allows students to build their own professional-like exhibitions at school based on available knowledge and everyday resources, without distinctive craftsmanship or special tools. The incorporation of student-curated exhibitions (SCEs) into school practice will also be discussed, based on examples of current exhibition projects. After briefly sketching the theoretical background in the first part of this article, the second part aims to enable teachers, as well as other people working with students, to start their own professional-like exhibition project.
APA, Harvard, Vancouver, ISO, and other styles
2

Treit, Dominika, and Kamila Hyska. "Wdrażanie narzędzi zarządzania projektowego do procesu organizacji wystaw. Studium przypadku Muzeum Narodowego w Krakowie (2016–2019)." Zarządzanie w Kulturze 22, no. 1 (2021): 41–67. http://dx.doi.org/10.4467/20843976zk.21.005.13633.

Full text
Abstract:
Implementation of Project Management Tools to the Exhibition Organization Process. Case Study of the National Museum in Krakow (2016–2019) How to thoroughly improve the process of organizing exhibitions in a cultural institution? Is project management in a museum possible? How to implement new tools? What to do after initiating a change? This article provides answers to these questions through a case study prepared by the Head of the Exhibition Organization Department and the Head of the Coordinators Section of the National Museum in Krakow, directly responsible for the exhibition organization process. The article describes the events from 2016 to 2019. This includes an audit of the existing process of exhibition organization, implementation of corrective measures, introduction of new tools, their updating and verification, taking into account such solutions as treating the exhibition as a project, PRINCE2 and Scrum methods, a detailed description of the process, and creating standardized templates of project documents, i.e. a list of objects, project charter, project schedule, partial schedule, project budget, evaluation. These activities resulted in the improvement of team cooperation, the elimination of avoidable delays, the automation and acceleration of the process of preparing project documentation, making the obligations of individual team members public, submitting project data to the stakeholders of a given project on an ongoing basis, reducing the amount of manual work, and reducing the cost of the implementation of individual projects.
APA, Harvard, Vancouver, ISO, and other styles
3

Wang, Xi Yuan, Xiang Wu, Ya Nan Wang, and Jian Chenn Han. "Study on Circulation Application and Energy-Conservation Management Based on Exhibition Project." Applied Mechanics and Materials 121-126 (October 2011): 2906–10. http://dx.doi.org/10.4028/www.scientific.net/amm.121-126.2906.

Full text
Abstract:
Through the analysis of energy-consumption in the link of design–setup–buildup–withdrawal-transportation in exhibition process; exhibition’s circulation application has been discussed; the characteristics of energy-consumption in modern exhibition management, implementation and material application has been comparatively analyzed; then, suggestions are proposed to establish the influence model of material and ecological environment and the circulation application model of modularized building elements. The account method of energy consumption in exhibition application has proved the value of the application of circulative energy-conservation in exhibition project, providing the theoretical basis for sustainable development of exhibition business.
APA, Harvard, Vancouver, ISO, and other styles
4

Balash, A. N. "Modern art exhibition as interdisciplinary project." Vestnik of Saint Petersburg State University of Culture, no. 2 (2019): 16–21. http://dx.doi.org/10.30725/2619-0303-2019-2-16-21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Duncan, Derek. "Transnationalizing Modern Languages: The Project Exhibition." Italian Studies 74, no. 4 (August 28, 2019): 381–86. http://dx.doi.org/10.1080/00751634.2019.1658947.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Leśniak, Kamila. "The Family of Man in Poland: An Exhibition as a Democratic Space?" Ikonotheka 26 (June 26, 2017): 213–38. http://dx.doi.org/10.5604/01.3001.0010.1679.

Full text
Abstract:
The exhibition entitled The Family of Man, which was designed by Edward Steichen and presented for the fi rst time in 1955 at the Museum of Modern Art in New York, belongs to the most famous and most controversial photographic expositions of the 20th century. Usually perceived in the light of the anachronistic, West-centric vision of humanism, i.e. as an embodiment of Modernist views on photography, it constitutes a good example of the museum’s infl uence as a Modernist “social instrument”. However, contemporary theories in exhibition studies offer a more complex interpretation. The present work provides insight into this process by referring to the views of Mieke Bal (on the “cinematic effect” of photographic exhibitions, the narrative and relational aspect of expositions), Fred Turner (on the space of an avant-garde exhibition as the realisation of the political and social idea of a “democratic personality”) and Ariella Azoulay (on exhibition space as a “visual declaration of human rights” and the fi eld for a “photographic social contract”). The primary aim of the present article is to set The Family of Man within the framework of Polish exhibition practices. The complex origins of the American project can be traced back to avant-garde experiments with exhibition space conducted in the Bauhaus movement and in Soviet Constructivism (the psychology of perception, “photo-murals”); the analysis focuses on the political and propagandistic aspects. An analysis of the above issues provides the starting point for considering the signifi cance and probable reception of the exhibition’s spatial arrangement in the milieu of Polish architects and designers as well as its Polish variant as prepared by Stanisław Zamecznik and Wojciech Fangor. It was therefore useful to refer to Oskar Hansen and his theory of Open Form, as he cooperated with Zamecznik and Fangor at the time. Models of avant-garde and Modernist “utopian thinking” are juxtaposed, thus making it possible to perceive the process of reception in the light of its effectiveness. The article also discusses The Family of Man as a model for projects with propaganda undertones, i.e. the so-called “problem-oriented exhibitions”. It mentions attempts at adapting Steichen’s design of exhibition space to the needs of the offi cial narrative in the People’s Republic of Poland. Finally, it uncovers the ambivalent nature of the infl uence of The Family of Man and the dual status of the exhibition as both a propagandistic project and as an anti-systemic space supporting the ideal of a creative, free individual.
APA, Harvard, Vancouver, ISO, and other styles
7

Khamadi, Khamadi, and Agus Setiawan. "TATA KELOLA PAMERAN BERBASIS PROJECT LEARNING PROGRAM STUDI DESAIN KOMUNIKASI VISUAL UNIVERSITAS DIAN NUSWANTORO." JADECS (Journal of Art, Design, Art Education and Culture Studies) 5, no. 1 (June 22, 2020): 30. http://dx.doi.org/10.17977/um034v5i1p30-37.

Full text
Abstract:
Cultivating exhibitions for visual communication design students is to increase the drive to create and enhance the spirit of student appreciation for the work of students to achieve quality and character in the work. The research objective is to know and understand the governance of project learning-based exhibits to improve the quality of learning and build a climate of appreciation for artwork among Udinus visual communication design students. The research method uses qualitative methods which are more emphasized on observation, interviews, documentation. Through the implementation of project learning-based exhibition governance, learning outcomes in improving quality can be achieved.Key Words: Exhibition, Management, Project Learning
APA, Harvard, Vancouver, ISO, and other styles
8

Khamadi, Khamadi, and Agus Setiawan. "TATA KELOLA PAMERAN BERBASIS PROJECT LEARNING PROGRAM STUDI DESAIN KOMUNIKASI VISUAL UNIVERSITAS DIAN NUSWANTORO." JADECS (Jurnal of Art, Design, Art Education & Cultural Studies) 5, no. 1 (June 22, 2020): 30. http://dx.doi.org/10.17977/um037v5i1p30-37.

Full text
Abstract:
Cultivating exhibitions for visual communication design students is to increase the drive to create and enhance the spirit of student appreciation for the work of students to achieve quality and character in the work. The research objective is to know and understand the governance of project learning-based exhibits to improve the quality of learning and build a climate of appreciation for artwork among Udinus visual communication design students. The research method uses qualitative methods which are more emphasized on observation, interviews, documentation. Through the implementation of project learning-based exhibition governance, learning outcomes in improving quality can be achieved.Key Words: Exhibition, Management, Project Learning
APA, Harvard, Vancouver, ISO, and other styles
9

Gawlak, Agata, Paulina Kowalczyk, and Joanna Stefańska. "Unconventional exhibition spaces as an example of the synergy of architecture and art." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 1 (March 31, 2020): 20–27. http://dx.doi.org/10.35784/teka.2414.

Full text
Abstract:
The article pertains to the relationship between an artwork (painting) and architectural space, as well as the issue of adapting unconventional architectural spaces for an exhibition function in relation to the author's exhibitions presenting the paintings from the same painting series. Different exhibition concepts of each of the exhibitions emphasize the role of a painting in shaping the architectural space and the quality of this space. An artwork becomes a tool that organizes space and influences its quality. At the Faculty of Architecture of Poznań University of Technology, as part of the research project of Professor A.M. Łubowski and J. Stefańska, D.Sc., titled "Artwork in Architecture", there has been research conducted on the correlation of architecture and art. The author was invited to participate in three exhibitions carried out as part of this project. The experiences connected with the project have been described in this article. The problem of using the interiors of buildings whose original purpose was different from exhibiting art , became a part of the author's research carried out in the form of individual and collective exhibitions. Two of them, which took place between 2017 and 2018, showcased paintings from the same series, entitled " I Have Been to Hel(l) and Back. And: Let me Tell you, It Was Wonderful ”, highlighted the importance of the dialogue between architecture and art and created awareness how much this interdependence influences the transformation of the perception of both art and architecture. Appropriate compositional solutions and an appropriate selection of artworks contribute to the complete visual satisfaction of the recipient. Ill-considered combinations cause visual discomfort, which detracts from the potential of both works of art and architectural space. Therefore, it is a need to perform an in-depth analysis of the relationship between the artwork and architectural space, and to avoid conventional, schematic exhibition solutions. The same works placed in various spaces affect the viewer in a different way. The change of the environment influences the change of perception, which creates new interpretative possibilities for the painting’s narrative, while the architectural space gains a wider context of reception through its individualization and increased accessibility. The emotional and intellectual aspect of painting enriches the space with new meanings.
APA, Harvard, Vancouver, ISO, and other styles
10

Iuga, Anamaria. "“Coming into the World: From Spirits to the Spirit”. The First Childhood Museum in Romania." Folklore: Electronic Journal of Folklore 80 (December 2020): 215–30. http://dx.doi.org/10.7592/fejf2020.80.iuga.

Full text
Abstract:
The present paper follows the National Museum of the Romanian Peasant (Romania) in its endeavour to display the Virtual Museum of Childhood. The context prior to exhibiting material and intangible heritage related to childhood is analysed, and the curatorial challenges of this project are mentioned. This article also refers to the museum’s activities dedicated to childbirth (exhibitions, cultural activities), from 1990 to the present day, but it especially focuses on the first exhibition of the Museum of Childhood, “Coming into the world: From spirits to the Spirit”, dedicated to birth.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Exhibition project"

1

Chen, Yun Ru. "Reconstructing Macau identity :a multi-media exhibition project of Macau's communication memory." Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690753.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Strauss, Jill. "Communities of Interest : An Intergenerational, Cross Community Oral History and Visual Art Project with Exhibition." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525432.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Boutan, Nicolas. "Quand le design crée l'événement : esthétique du curating." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30077.

Full text
Abstract:
Qu’est-ce que le curating ? Quel ensemble de pratiques et de représentations ce terme évoque-t-il ? Cette thèse se propose de répondre à ces questions en envisageant la pratique curatoriale sous l’angle du design, entendu ici comme discipline du projet. Face à la confusion des termes pour qualifier les acteurs du curating, il convient d’abord d’en préciser la définition en observant les différentes acceptions favorisées par la discipline et leurs effets. C’est pourquoi la première partie propose une archéologie de la pratique curatoriale en analysant la variété des dispositifs et des acteurs animés par le souci de l’art. Cette approche transhistorique permet de mettre en évidence la complexité des enjeux que soulève l’exposition à l’heure de la cohabitation des conservateurs, commissaires et curateurs. En s’appuyant sur une expérience de terrain en médiation, la seconde partie aborde la mise en œuvre de l’exposition comme une activité de projets portée de main de maître par la figure du curator. Occupé à proposer des bouquets d’œuvres aux couleurs variées selon les cahiers des charges et les contextes dans lesquels il intervient, ce dernier se comporte in fine comme un designer capable de proposer des réponses aux problèmes de l’hypermodernité. En tant que discipline, le design est ici d’un double secours : De la conception à la réception d’une exposition, il permet de mesurer le dessein essentiel à tout projet ; et dans un second temps, il permet de dessiner des portraits que ces acteurs véhiculent en variant les poses et les postures. La troisième partie propose enfin de comprendre le curating à travers le prisme du dispositif oraculaire delphique. Son but est d’élargir la réflexion en opérant un recul plus à même d’éclairer la problématique contemporaine de l’autorité curatoriale. Cette relecture à partir de l’oracle antique initie une nouvelle compréhension des expositions et des plis de la création contemporaine, en interrogeant le processus de transformation d'un display en produit touristique séduisant, capable de mobiliser des foules aux quatre coins de la planète autour de visions enjouées, pour un temps de l’art qui semble passé de la contemplation béate à une attention distraite
What is curating? What kind of practices and representations does it bring up? This PHD propose to answer those questions by imagining curatorial practise under design perspective. Curating actors being hard to name from each others, a definition must be given while observing names used by different discipline and their effects. That is why the first part propose an archeology of curatorial practice analysing the diversity of displays and of caregivers. This transhistorical approach underlines the complexity of what's at stake in exhibition nowadays. As for the second part, a field work in museum public relations helps to analyse the set up ofan exhibition from a project point of view, the curator being the conductor. Busy proposing sets of pieces of art responding to contexts and shaped by constraints of the field in which he works, he finally behave just like a designer able to answer the different questions of an hypermodern world. As a study subject, design here can help in two different ways : From conception to final installment of an exhibition, it helps understand what lies beneath the very beginning of the project and draws portraits of curatorial actors. Finally the third part propose to understand curating through the lens of delphic oracular practices. It aims at widening the perpectives of study to better understand curatorial problematics. This reinterpretation from antic oracle perspective allows a new understanding of contemporary exhibition and creation and questions transformation processes that turns an exhibition into an appealing touristic product, in a time where art seems gone from mute contemplation to a zapping attitude
APA, Harvard, Vancouver, ISO, and other styles
4

Müllerová, Barbora. "Organizace neziskového kulturního projektu / fotografické výstavy." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-150377.

Full text
Abstract:
This Thesis deals with the organization of a non-profit cultural project -- a photographic exhibition. It is based on the theory of project management and arts marketing, which is compared with the experience of Jan Foltán, an experienced organizer of such exhibitions. The Thesis is divided into seven chapters; the first one presents the person himself, his work and experience which forms the practical part of the following chapters. In the second chapter, I present the principles of project management, which form the theoretical ground of the Thesis. Another chapter is devoted to marketing of a cultural project where the emphasis is on Public and Media Relations. Part of that chapter is also devoted to the organization of openings of exhibitions and charity auctions of art works. The research of factors that influence the attendance of artwork exhibitions is also included in this chapter. An important part of PR and funding is sponsoring, the importance of which is evident from the chapter on financing. The fifth chapter deals with the realization of exhibitions including theme selection, ensurance of locations, logistics, and schedule. The following section is devoted to the connection of cultural projects with charity and human motivation to help others through their work. The last chapter deals with branding of artists; thus creating their brand which is also another very important part for ensuring the attendance at the exhibitions.
APA, Harvard, Vancouver, ISO, and other styles
5

Terheide, Sarah E. "Restorative Exhibition Practices: Foregrounding the Cultural and Archaeological Destruction of 19th Century Pothunting through a Web-Based Virtual Exhibit of Three-Dimensional Models of Southeastern Ceramics within a NAGPRA Remediation Project." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595849396122411.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hořejší, Anna. "Projektový management v oblasti kultury - mezinárodní výstava." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-15383.

Full text
Abstract:
The topic of the thesis is project management in the cultural organizations. The general levels of this topic are desribed in the theoretical part. This part analysis the sphere of the contemporary Czech cultural institutions, their cooperation and their position between the traditional roles and the modern management. Specific aspects of the project management for the exhibition project are also described. The aim of the analytical part is to describe and analyse the concrete project of the exhibition "Tschechische Fotografie des 20. Jahrhunderts" (Czech Photography of 20th Century) in Bonn (organised in the international cooperation of two different cultural organizations), to analyse the project processes, strenghts and risks and to give some recommendations to the project. The key topic for all these aspects is the coordination or synchronisation of the organizators and the positive aspects and complications of this cooperation.
APA, Harvard, Vancouver, ISO, and other styles
7

Delay, Vincent Ray. "Improving and enhancing art education and multicultural education using technology as a vehicle." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1778.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

McKenzie, Anna, and n/a. "An Investment in Being Human EXPLORING YEAR 9 STUDENT EXHIBITIONS AN ACT CASE STUDY." University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20081216.140527.

Full text
Abstract:
ACT Year 9 Exhibitions Program aligns curriculum, pedagogy and assessment in the design and implementation of rich learning tasks, which are focussed on transdisciplinary, problem-based, community-centred issues. It provides an authentic assessment model through a panel assessment process of demonstrated student achievement. This case study research examines the uptake of an Exhibitions approach in three ACT high schools. It discovers, through their own telling, what inspires commitment by participants to the program and the ways that they measure success. The study draws on a rich data set of narrative inquiry and semi-structured interviews with teachers and students from the case study schools. Analysis of the 'lived experiences' of the participants indicates that how individuals profit by the program is determined by five critical factors which are realized differently for them. Further, for the Year 9 Student Exhibitions Program to succeed in meeting its goals of providing for teacher renewal and improved student learning outcomes, and of promoting high school reform, certain conditions must prevail. These conditions converge around the support afforded teachers to build their capacity for curriculum and pedagogical change, and the opportunities for engagement and agency of both teachers and students in the design of the Exhibition task and its implementation. This study investigates the realities of implementing change in schools and its findings augment what theorists would predict for school change. It indicates that the extent to which Exhibitions can drive a wedge into the 'business-as-usual' approach of the ACT's more traditional high schools, and provide an alternative view of what it means to educate for the 21st century, depends ultimately upon the human and structural conditions created in the school, and the authenticity of the approach to uptake. This study contains important recommendations for government and education systems alike as they pursue school change.
APA, Harvard, Vancouver, ISO, and other styles
9

Ziganshina, Madina. "Art-Map: concept of moving curatorial project and its practical realization in Aveiro." Master's thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/15905.

Full text
Abstract:
Mestrado em Criação Artística Contemporânea
In this dissertation, I present the results of a project which aim was to find out and try an effective model of independent curatorial project executable in small and medium cities in Portugal. The concept of Moving Curatorial Project ARTMAP is a result of theoretical research and reflection about municipal exhibition spaces and possibility of presentation of the contemporary art in these spaces. To test if this curatorial project is realizable and if there are conditions to continue it, a first trial was implemented in Aveiro. A curated international exhibition, entitled “A Poética do Visual" occupied two municipal and two private gallery spaces and brought together 111 artists from 25 different countries. The art event was carried out in collaboration with the Municipality of Aveiro and the University of Aveiro, and involved several private cultural spaces in the city. This first experience showed that there are all conditions for the presentation of contemporary art in small and medium size locations in Portugal, and for this project to be replicated in other regions of the country.
Nesta dissertação, apresento os resultados de um projecto cujo objectivo era desenvolver e experimentar um modelo eficaz e executável de projecto de curadoria em cidades de pequena e média dimensão em Portugal. O conceito de ART-MAP (Moving Curatorial Project) é resultado de pesquisa teórica e reflexão sobre os espaços municipais de exposição e sobre a possibilidade da apresentação de arte contemporânea nesses lugares. Para testar se esse projecto de curadoria é realizável e se existem condições para continuá-lo, a primeira experiência foi desenvolvida em Aveiro. A exposição internacional, intitulada "A Poética do Visual” ocupou dois espaços municipais e dois espaços culturais privados na cidade, e reuniu 111 artistas de 25 países diferentes. O evento de arte foi realizado em colaboração com a Câmara Municipal de Aveiro e a Universidade de Aveiro. Esta primeira experiência mostrou que existem todas as condições para a apresentação de arte contemporânea nas cidades de Portugal, e que este projecto pode ser replicado em outras regiões do país.
APA, Harvard, Vancouver, ISO, and other styles
10

Lundell, Linnéa. "Gränslöst. En global utställning på Historiska museet." Thesis, Uppsala universitet, Institutionen för ABM, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154557.

Full text
Abstract:
This thesis is a report concerning the practical aspects on exhibition techniques. During an internship at the National History Museum in Stockholm I participated in the work with their new, temporary exhibition Gränslöst - en global utställning på Historiska museet [Boundless - a global voyage of discovery at the National Historical Museum]. I was part of a small project team of museum staff. The purpose of this exhibition was to show how cultures have met and influenced each other throughout history. The National Historical Museum has in its collections and exhibitions several examples of objects that has been imported from or inspired by other cultural areas. The primary goal was to give the visitors a new perspective, to show that these “Swedish” objects have a long history of trading and cultural exchange. Additionally, Gränslöst is an attempt to draw the visitors into the permanent exhibitions; it is not an independent production and shares some characteristics with so- called “Hot spot” exhibitions. My ambition is to describe the planning, implementation and delivery of the exhibition and highlight problems and solutions that arise during that process.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Exhibition project"

1

Gallery, Bond. Spaghetti Junction project exhibition, Nov.1st-23rd 1990. Birmingham: [s.n.], 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Authority, Massachusetts Convention Center. Boston Convention and Exhibition Center: Construction project management assessment. Boston, MA: KPMG, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lim, Kien-Peng, and Vanya Ivanova. History project 2004: "Remember for the Future" : the travelling exhibition. Sofia: Institute for International Cooperation of the German Adult Education Association SEE Regional Office, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Oppenheim, Dennis. Dennis Oppenheim, project drawings: (exhibition) 28 February-30 March 1985. NY (i.e. New York), N.Y. (51 Greene St., New York 10013): Sander Gallery, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Washington State Public Stadium Authority. Football/soccer stadium and exhibition center project: Draft environmental impact statement. Seattle, Wash: The Authority, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Washington State Public Stadium Authority. Football/soccer stadium and exhibition center project: Final environmental impact statement. Seattle, Wash: The Authority, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Washington State Public Stadium Authority. Football/soccer stadium and exhibition center project: Draft environmental impact statement. Seattle, Wash: The Authority, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Architecture, International Exhibition of, and Biennale di Venezia, eds. Terza Mostra Internazionale di Architettura =: Third International Exhibition of Architecture : Venice project. Milano: Electa Editrice, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Washington State Public Stadium Authority. Football/soccer stadium and exhibition center project: Addendum to the final environmental impact statement. Seattle, Wash: The Authority, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Johnson, Claudette. Portraits from a small room: Including "A Closer Look" an education through exhibition project. London: 198 Gallery, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Exhibition project"

1

Erbay, Nuri Özer. "The Hagia Sophia Soup-Kitchen Furnishing Exhibition Project." In Caring and Sharing: The Cultural Heritage Environment as an Agent for Change, 361–65. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89468-3_31.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Pomaska, Günter. "Under Construction — Interactive Project Presentation of a Horticultural Exhibition." In Virtual and Augmented Architecture (VAA’01), 133–38. London: Springer London, 2001. http://dx.doi.org/10.1007/978-1-4471-0337-0_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lupacchini, A., A. C. Daniso, and M. Palpacelli. "Active Paintings. Design Project for a Portable Exhibition for People with Dementia or Cognitive Impairment." In Lecture Notes in Electrical Engineering, 313–22. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63107-9_24.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Harsritanto, Bangun I. R., Hana F. S. Rusyda, Gentina Pratama Putra, and Aditya Rio Prabowo. "University Student’s Knowledge Toward Energy Conservation and the Implementation on Their Design Project." In Proceedings of the 6th International Conference and Exhibition on Sustainable Energy and Advanced Materials, 329–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4481-1_33.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Stanley, Todd. "Exhibition." In 10 Performance-Based Projects for the Science Classroom, 83–94. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003232506-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stanley, Todd. "Exhibition." In 10 Performance-Based Projects for the Math Classroom, 95–104. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003232490-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Boştenaru Dan, Maria, and Alex Dill. "Digital Art Conservation: Review of the Book and an Itinerant Exhibition Resulting from a European Project." In Space and Time Visualisation, 141–48. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24942-1_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Saura, Angeles. "Enredadas Exhibitions Project." In Comparative and International Education, 197–215. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-423-7_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Stanley, Todd. "Exhibition." In 10 Performance-Based Projects for the Language Arts Classroom Grades 3-5, 69–82. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003232483-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Han, Dong, Xujie Li, and Tianjiao Zhao. "The Application of Augmented Reality Technology on Museum Exhibition—A Museum Display Project in Mawangdui Han Dynasty Tombs." In Lecture Notes in Computer Science, 394–403. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57987-0_32.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Exhibition project"

1

Kalenov, Nikolay Evgenievich, Sergey Alexandrovich Kirillov, Irina Nikolaevna Sobolevskaya, Alexandr Nikolaevich Sotnikov, and Yuliya Vadimovna Shubina. "Garden of Life: a joint exhibition project." In 18th Scientific Conference “Scientific Services & Internet – 2016”. Keldysh Institute of Applied Mathematics, 2016. http://dx.doi.org/10.20948/abrau-2016-15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mallibhat, Kaushik, Nandish Humbi, Doddabasappa Marebal, Gopalkrishna Joshi, and Madhwacharya Kolhar. "Project Exhibition In Engineering: A Case Study Of Design and Implementation Of Virtual Exhibition In First-Year Project-Based Learning Course." In 2021 International Conference on Advanced Learning Technologies (ICALT). IEEE, 2021. http://dx.doi.org/10.1109/icalt52272.2021.00132.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Salur, Nilgun. "Exhibition project for “Grafist 13”: 3D+1." In 2010 16th International Conference on Virtual Systems and Multimedia (VSMM). IEEE, 2010. http://dx.doi.org/10.1109/vsmm.2010.5665946.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Xu, Yajie, and Lin Li. "The Research on the Goodwill Evaluation of Exhibition Project." In 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/essaeme-15.2015.178.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Borkhoche, Roy. "Reactivation Project." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2010. http://dx.doi.org/10.2118/141245-stu.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pushkarna, A., R. Mathew, A. S. Al-Suwaidi, U. N. Malhotra, A. Mukhtar, and F. Belbissi. "Excellence in Projects: Path Breaking Approach to Project Management." In Abu Dhabi International Petroleum Exhibition and Conference. Society of Petroleum Engineers, 2015. http://dx.doi.org/10.2118/177506-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

El-Reedy, Mohamed Abdallah. "New Project Management Approach for Offshore Facilities Rehabilitation Projects." In Abu Dhabi International Petroleum Conference and Exhibition. Society of Petroleum Engineers, 2012. http://dx.doi.org/10.2118/160794-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Al-Awadhi, Rima, and Abdul Jaleel Tharayil. "Project Knowledge Harvesting: The Case of Improving Project Performance through Project Knowledge Sharing Framework." In Abu Dhabi International Petroleum Exhibition & Conference. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/192667-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Skszek, Timothy W., Matthew Zaluzec, Jeff Conklin, and David Wagner. "MMLV: Project Overview." In SAE 2015 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2015. http://dx.doi.org/10.4271/2015-01-0407.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Zaver, Mohamud. "An Integrated Approach to Project Management, Wainwright West Project." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 1998. http://dx.doi.org/10.2118/49064-ms.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Exhibition project"

1

Morais, Carla, António Coelho, Alexandre Jacinto, and Marta Varzim, eds. The I SEA Project: Digital Publications. Faculdade de Ciências da Universidade do Porto, October 2020. http://dx.doi.org/10.24840/2020/978-989-746-279-5.

Full text
Abstract:
The I SEA project aimed at the development of a non-obtrusive, valid and replicable method to evaluate audience attitudes about science communication projects through an immersive virtual reality environment that can improve exhibitions while educating and empowering citizens. To achieve the objectives of this highly complex, highly interdisciplinary, and innovative project, a permanent articulation of the scientific approach with the technical and design development took place, aiming the construction of the non- invasive evaluation method. Because it is an intricate project, it required constant iterations and interactions among the team members. So, we’ve learned somehow to consider limitations as engines for developing the project, instead of seeing them as obstacles.
APA, Harvard, Vancouver, ISO, and other styles
2

Bracewell, Jeff. Shoreline change at Gulf Islands National Seashore, Florida and Mississippi: 2018–2021 data summary. National Park Service, March 2022. http://dx.doi.org/10.36967/nrr-2293103.

Full text
Abstract:
In May and June 2018, and April 2021, the Gulf Coast Network (GULN) surveyed shoreline position at Gulf Islands National Seashore (GUIS) as a part of the NPS Vital Signs Monitoring Program. Monitoring was conducted following methods detailed in Monitoring Shoreline Position at Gulf Coast Network Parks: Protocol Implementation Plan (PIP; Bracewell 2017). Shoreline change was calculated using the Digital Shoreline Analysis System developed by USGS (Theiler et al. 2008). Key findings from this effort are as follows: In Florida, the mean shoreline change rate from 2018 to 2021 was -7.10 meters/year (-23.3 feet[ft]/year) with a standard deviation of 5.01 meters (16.4 ft) with approximately 95% of transects exhibiting landward retreat. In Mississippi, the mean change in island width from 2018 to 2021 was -7.46 meters/year (-24.5 ft/year) with a standard deviation of 12.49 meters (41.0 ft) with approximately 73% of transects exhibiting a loss in width. This project is in the early phases of implementation and will benefit from future surveys to better understand the influence of slight changes in survey timing and other environmental variations.
APA, Harvard, Vancouver, ISO, and other styles
3

DeSantis, John, and Jeffery Roesler. Performance Evaluation of Stabilized Support Layers for Concrete Pavements. Illinois Center for Transportation, February 2022. http://dx.doi.org/10.36501/0197-9191/22-003.

Full text
Abstract:
A research investigation was conducted on the erosion potential of stabilized subbases under concrete pavements and asphalt layers supporting concrete overlays. Through field surveys and testing in Illinois, this project evaluated if existing concrete pavements with stabilized subbases and concrete overlays were exhibiting potential erosion of the underlying support layer. The field evaluation testing included falling weight deflectometer testing, distress surveys, coring, and ultrasonic tomography scanning. A laboratory performance test was also established using the Hamburg wheel-tracking device to assess the erodibility of the various stabilized subbase layers for new construction and existing asphalt layers available for a concrete overlay. The analyzed field test results were coupled together with the laboratory performance testing to provide recommendations for updating the Illinois Department of Transportation’s “Bureau of Design and Environment Manual” guidance. No changes were recommended for hot-mix asphalt stabilized subbases, but testing using the Hamburg wheel-tracking device should be considered for Portland cement concrete stabilized support layers (e.g., CAM II) under concrete pavements. For testing of asphalt support layers for concrete pavement overlays, the Hamburg wheel-tracking device is recommended with performance criteria similar to flexible pavements for appropriate functional classes.
APA, Harvard, Vancouver, ISO, and other styles
4

Firon, Nurit, Prem Chourey, Etan Pressman, Allen Hartwell, and Kenneth J. Boote. Molecular Identification and Characterization of Heat-Stress-Responsive Microgametogenesis Genes in Tomato and Sorghum - A Feasibility Study. United States Department of Agriculture, October 2007. http://dx.doi.org/10.32747/2007.7591741.bard.

Full text
Abstract:
Exposure to higher than optimal temperatures - heat-stress (HS) - is becoming increasingly common to all crop plants worldwide. Heat stress coinciding with microgametogenesis, especially during the post-meiotic phase that is marked by starch biosynthesis, is often associated with starch-deficient pollen and male sterility and ultimately, greatly reduced crop yields. The molecular basis for the high sensitivity of developing pollen grains, on one hand, and factors involved in pollen heat-tolerance, on the other, is poorly understood. The long-term goal of this project is to provide a better understanding of the genes that control pollen quality under heat-stress conditions. The specific objectives of this project were: (1) Determination of the threshold heat stress temperature(s) that affects tomato and sorghum pollen quality whether: a) Chronic mild heat stress conditions (CMHS), or b) Acute heat stress (AHS). (2) Isolation of heat-responsive, microgametogenesis-specific sequences. During our one-year feasibility project, we have accomplished the proposed objectives as follows: Objectrive 1: We have determined the threshold HS conditions in tomato and sorghum. This was essential for achieving the 2nd objective, since our accumulated experience (both Israeli and US labs) indicate that when temperature is raised too high above "threshold HS levels" it may cause massive death of the developing pollen grains. Above-threshold conditions have additional major disadvantages including the "noise" caused by induced expression of genes involved in cell death and masking of the differences between heatsensitive and heat-tolerant pollen grains. Two different types of HS conditions were determined: a) Season-long CMHS conditions: 32/26°C day/night temperatures confirmed in tomato and 36/26°C day maximum/night minimum temperatures in sorghum. b) Short-term AHS: In tomato, 2 hour exposure to 42-45°C (at 7 to 3 days before anthesis) followed by transfer to 28/22±2oC day/night temperatures until flower opening and pollen maturation, caused 50% reduced germinating pollen in the heat-sensitive 3017 cv.. In sorghum, 36/26°C day/night temperatures 10 to 5 days prior to panicle emergence, occurring at 35 days after sowing (DAS) in cv. DeKalb28E, produced starch-deficient and sterile pollen. Objective 2: We have established protocols for the high throughput transcriptomic approach, cDNA-AFLP, for identifying and isolating genes exhibiting differential expression in developing microspores exposed to either ambient or HS conditions and created a databank of HS-responsivemicrogametogenesis-expressed genes. A subset of differentially displayed Transcript-Derived Fragments (TDFs) that were cloned and sequenced (35 & 23 TDFs in tomato and sorghum, respectively) show close sequence similarities with metabolic genes, genes involved in regulation of carbohydrate metabolism, genes implicated in thermotolerance (heat shock proteins), genes involved in long chain fatty acids elongation, genes involved in proteolysis, in oxidation-reduction, vesicle-mediated transport, cell division and transcription factors. T-DNA-tagged Arabidopsis mutants for part of these genes were obtained to be used for their functional analysis. These studies are planned for a continuation project. Following functional analyses of these genes under HS – a valuable resource of genes, engaged in the HS-response of developing pollen grains, that could be modulated for the improvement of pollen quality under HS in both dicots and monocots and/or used to look for natural variability of such genes for selecting heat-tolerant germplasm - is expected.
APA, Harvard, Vancouver, ISO, and other styles
5

Droby, Samir, Joseph W. Eckert, Shulamit Manulis, and Rajesh K. Mehra. Ecology, Population Dynamics and Genetic Diversity of Epiphytic Yeast Antagonists of Postharvest Diseases of Fruits. United States Department of Agriculture, October 1994. http://dx.doi.org/10.32747/1994.7568777.bard.

Full text
Abstract:
One of the emerging technologies is the use of microbial agents for the control of postharvest diseases of fruits and vegetables. A number of antagonistic microorganisms have been discovered which have the potential to effectively control postharvest diseases. Some of this technology has been patented and commercial products such as AspireTM (Ecogen Corporatin, Langhorne, PA, USA), Biosave 10TM and Biosave 11TM (Ecoscience Inc., Worchester, MA, USA) have been registered for commercial use. The principal investigator of this project was involved in developing the yeast-based biofungicide-AspireTM and testing its efficacy under commercial conditions. This research project was initiated to fill the gap between the knowledge available on development and commercial implementation of yeast biocontrol agents and basic understanding of various aspects related to introducing yeast antagonists to fruit surfaces, along with verification of population genetics. The main objectives of this study were: Study ecology, population dynamics and genetic diversity of the yeast antagonists Candida guilliermondii, C. oleophila, and Debaryomyces hansenii, and study the effect of preharvest application of the yeast antagonist C. oleophila naturally occurring epiphytic microbial population and on the development of postharvest diseases of citrus fruit during storage. Our findings, which were detailed in several publications, have shown that an epiphytic yeast population of grapefruit able to grow under high osmotic conditions and a wide range of temperatures was isolated and characterized for its biocontrol activity against green mold decay caused by Penicillium digitatum. Techniques based on random amplified polymorphic DNA (RAPD) and arbitrary primed polymerase chain reaction (ap-PCR), as well as homologies between sequences of the rDNA internal transcribed spacers (ITS) and 5.8S gene, were used to characterize the composition of the yeast population and to determine the genetic relationship among predominant yeast species. Epiphytic yeasts exhibiting the highest biocontrol activity against P. digitatum on grapefruit were identified as Candida guilliermondii, C. oleophila, C. sake, and Debaryomyces hansenii, while C. guilliermondii was the most predominant species. RAPD and ap-PCR analysis of the osmotolerant yeast population showed two different, major groups. The sequences of the ITS regions and the 5.8S gene of the yeast isolates, previously identified as belonging to different species, were found to be identical. Following the need to develop a genetically marked strain of the yeast C. oleophila, to be used in population dynamics studies, a transformation system for the yeast was developed. Histidine auxotrophy of C. oloephila produced using ethyl methanesulfonate were transformed with plasmids containing HIS3, HIS4 and HIS5 genes from Saccharomyces cerevisiae. In one mutant histidin auxotrophy was complemented by the HIS5 gene of S. cerevisiae is functionally homologous to the HIS5 gene in V. oleophila. Southern blot analysis showed that the plasmid containing the S. cerevisiae HIS5 gene was integrated at a different location every C. oleophila HIS+ transformant. There were no detectable physiological differences between C. oleophila strain I-182 and the transformants. The biological control ability of C. oleophila was not affected by the transformation. A genetically marked (with b-glucuronidase gene) transformant of C. oleophila colonized wounds on orange fruits and its population increased under field conditions. Effect of preharvest application of the yeast C. oleophila on population dynamics of epiphytic microbial population on wounded and unwounded grapefruit surface in the orchard and after harvest was also studied. In addition, the effect of preharvest application of the yeast C. oleophila on the development of postharvest decay was evaluated. Population studies conducted in the orchard showed that in control, non-treated fruit, colonization of wounded and unwounded grapefruit surface by naturally occurring filamentous fungi did not vary throughout the incubation period on the tree. On the other hand, colonization of intact and wounded fruit surface by naturally occurring yeasts was different. Yeasts colonized wounded surface rapidly and increased in numbers to about two orders of magnitude as compared to unwounded surface. On fruit treated with the yeast and kept on the tree, a different picture of fungal and yeast population had emerged. The detected fungal population on the yeast-treated intact surface was dramatically reduced and in treated wounds no fungi was detected. Yeast population on intact surface was relatively high immediately after the application of AspireTM and decreased to than 70% of that detected initially. In wounds, yeast population increased from 2.5 x 104 to about 4x106 after 72 hours of incubation at 20oC. Results of tests conducted to evaluate the effect of preharvest application of AspireTM on the development of postharvest decay indicated the validity of the approach.
APA, Harvard, Vancouver, ISO, and other styles
6

Lers, Amnon, Majid R. Foolad, and Haya Friedman. genetic basis for postharvest chilling tolerance in tomato fruit. United States Department of Agriculture, January 2014. http://dx.doi.org/10.32747/2014.7600014.bard.

Full text
Abstract:
ABSTRACT Postharvest losses of fresh produce are estimated globally to be around 30%. Reducing these losses is considered a major solution to ensure global food security. Storage at low temperatures is an efficient practice to prolong postharvest performance of crops with minimal negative impact on produce quality or human health and the environment. However, many fresh produce commodities are susceptible to chilling temperatures, and the application of cold storage is limited as it would cause physiological chilling injury (CI) leading to reduced produce quality. Further, the primary CI becomes a preferred site for pathogens leading to decay and massive produce losses. Thus, chilling sensitive crops should be stored at higher minimal temperatures, which curtails their marketing life and in some cases necessitates the use of other storage strategies. Development of new knowledge about the biological basis for chilling tolerance in fruits and vegetables should allow development of both new varieties more tolerant to cold, and more efficient postharvest storage treatments and storage conditions. In order to improve the agricultural performance of modern crop varieties, including tomato, there is great potential in introgression of marker-defined genomic regions from wild species onto the background of elite breeding lines. To exploit this potential for improving tomato fruit chilling tolerance during postharvest storage, we have used in this research a recombinant inbred line (RIL) population derived from a cross between the red-fruited tomato wild species SolanumpimpinellifoliumL. accession LA2093 and an advanced Solanum lycopersicumL. tomato breeding line NCEBR-1, developed in the laboratory of the US co-PI. The original specific objectives were: 1) Screening of RIL population resulting from the cross NCEBR1 X LA2093 for fruit chilling response during postharvest storage and estimation of its heritability; 2) Perform a transcriptopmic and bioinformatics analysis for the two parental lines following exposure to chilling storage. During the course of the project, we learned that we could measure greater differences in chilling responses among specific RILs compared to that observed between the two parental lines, and thus we decided not to perform transcriptomic analysis and instead invest our efforts more on characterization of the RILs. Performing the transcriptomic analysis for several RILs, which significantly differ in their chilling tolerance/sensitivity, at a later stage could result with more significant insights. The RIL population, (172 lines), was used in field experiment in which fruits were examined for chilling sensitivity by determining CI severity. Following the field experiments, including 4 harvest days and CI measurements, two extreme tails of the response distribution, each consisting of 11 RILs exhibiting either high sensitivity or tolerance to chilling stress, were identified and were further examined for chilling response in greenhouse experiments. Across the RILs, we found significant (P < 0.01) correlation between field and greenhouse grown plants in fruit CI. Two groups of 5 RILs, whose fruits exhibited reproducible chilling tolerant/sensitive phenotypes in both field and greenhouse experiments, were selected for further analyses. Numerous genetic, physiological, biochemical and molecular variations were investigated in response to postharvest chilling stress in the selected RILs. We confirmed the differential response of the parental lines of the RIL population to chilling stress, and examined the extent of variation in the RIL population in response to chilling treatment. We determined parameters which would be useful for further characterization of chilling response in the RIL population. These included chlorophyll fluorescence Fv/Fm, water loss, total non-enzymatic potential of antioxidant activity, ascorbate and proline content, and expression of LeCBF1 gene, known to be associated with cold acclimation. These parameters could be used in continuation studies for the identification and genetic mapping of loci contributing to chilling tolerance in this population, and identifying genetic markers associated with chilling tolerance in tomato. Once genetic markers associated with chilling tolerance are identified, the trait could be transferred to different genetic background via marker-assisted selection (MAS) and breeding. The collaborative research established in this program has resulted in new information and insights in this area of research and the collaboration will be continued to obtain further insights into the genetic, molecular biology and physiology of postharvest chilling tolerance in tomato fruit. The US Co-PI, developed the RIL population that was used for screening and measurement of the relevant chilling stress responses and conducted statistical analyses of the data. Because we were not able to grow the RIL population under field conditions in two successive generations, we could not estimate heritability of response to chilling temperatures. However, we plan to continue the research, grow the RIL progeny in the field again, and determine heritability of chilling tolerance in a near future. The IS and US investigators interacted regularly and plan to continue and expand on this study, since combing the expertise of the Co-PI in genetics and breeding with that of the PI in postharvest physiology and molecular biology will have great impact on this line of research, given the significant findings of this one-year feasibility project.
APA, Harvard, Vancouver, ISO, and other styles
7

Ohad, Itzhak, and Himadri Pakrasi. Role of Cytochrome B559 in Photoinhibition. United States Department of Agriculture, December 1995. http://dx.doi.org/10.32747/1995.7613031.bard.

Full text
Abstract:
The aim of this research project was to obtain information on the role of the cytochrome b559 in the function of Photosystem-II (PSII) with special emphasis on the light induced photo inactivation of PSII and turnover of the photochemical reaction center II protein subunit RCII-D1. The major goals of this project were: 1) Isolation and sequencing of the Chlamydomonas chloroplast psbE and psbF genes encoding the cytochrome b559 a and b subunits respectively; 2) Generation of site directed mutants and testing the effect of such mutation on the function of PSII under various light conditions; 3) To obtain further information on the mechanism of the light induced degradation and replacement of the PSII core proteins. This information shall serve as a basis for the understanding of the role of the cytochrome b559 in the process of photoinhibition and recovery of photosynthetic activity as well as during low light induced turnover of the D1 protein. Unlike in other organisms in which the psbE and psbF genes encoding the a and b subunits of cytochrome b559, are part of an operon which also includes the psbL and psbJ genes, in Chlamydomonas these genes are transcribed from different regions of the chloroplast chromosome. The charge distribution of the derived amino-acid sequences of psbE and psbF gene products differs from that of the corresponding genes in other organisms as far as the rule of "positive charge in" is concerned relative to the process of the polypeptide insertion in the thylakoid membrane. However, the sum of the charges of both subunits corresponds to the above rule possibly indicating co-insertion of both subunits in the process of cytochrome b559 assembly. A plasmid designed for the introduction of site-specific mutations into the psbF gene of C. reinhardtii. was constructed. The vector consists of a DNA fragment from the chromosome of C. reinhardtii which spans the region of the psbF gene, upstream of which the spectinomycin-resistance-conferring aadA cassette was inserted. This vector was successfully used to transform wild type C. reinhardtii cells. The spectinomycin resistant strain thus obtained can grow autotrophically and does not show significant changes as compared to the wild-type strain in PSII activity. The following mutations have been introduced in the psbF gene: H23M; H23Y; W19L and W19. The replacement of H23 involved in the heme binding to M and Y was meant to permit heme binding but eventually alter some or all of the electron transport properties of the mutated cytochrome. Tryptophane W19, a strictly conserved residue, is proximal to the heme and may interact with the tetrapyrole ring. Therefore its replacement may effect the heme properties. A change to tyrosine may have a lesser affect on the potential or electron transfer rate while a replacement of W19 by leucine is meant to introduce a more prominent disturbance in these parameters. Two of the mutants, FW19L and FH23M have segregated already and are homoplasmic. The rest are still grown under selection conditions until complete segregation will be obtained. All mutants contain assembled and functional PSII exhibiting an increased sensitivity of PSII to the light. Work is still in progress for the detailed characterization of the mutants PSII properties. A tobacco mutant, S6, obtained by Maliga and coworkers harboring the F26S mutation in the b subunit was made available to us and was characterized. Measurements of PSII charge separation and recombination, polypeptide content and electron flow indicates that this mutation indeed results in light sensitivity. Presently further work is in progress in the detailed characterization of the properties of all the above mutants. Information was obtained demonstrating that photoinactivation of PSII in vivo initiates a series of progressive changes in the properties of RCII which result in an irreversible modification of the RCII-D1 protein leading to its degradation and replacement. The cleavage process of the modified RCII-D1 protein is regulated by the occupancy of the QB site of RCII by plastoquinone. Newly synthesized D1 protein is not accumulated in a stable form unless integrated in reassembled RCII. Thus the degradation of the irreversibly modified RCII-D1 protein is essential for the recovery process. The light induced degradation of the RCII-D1 protein is rapid in mutants lacking the pD1 processing protease such as in the LF-1 mutant of the unicellular alga Scenedesmus obliquus. In this case the Mn binding site of PSII is abolished, the water oxidation process is inhibited and harmful cation radicals are formed following light induced electron flow in PSII. In such mutants photo-inactivation of PSII is rapid, it is not protected by ligands binding at the QB site and the degradation of the inactivated RCII-D1 occurs rapidly also in the dark. Furthermore the degraded D1 protein can be replaced in the dark in absence of light driven redox controlled reactions. The replacement of the RCII-D1 protein involves the de novo synthesis of the precursor protein, pD1, and its processing at the C-terminus end by an unknown processing protease. In the frame of this work, a gene previously isolated and sequenced by Dr. Pakrasi's group has been identified as encoding the RCII-pD1 C-terminus processing protease in the cyanobacterium Synechocystis sp. PCC 6803. The deduced sequence of the ctpA protein shows significant similarity to the bovine, human and insect interphotoreceptor retinoid-binding proteins. Results obtained using C. reinhardtii cells exposes to low light or series of single turnover light flashes have been also obtained indicating that the process of RCII-D1 protein turnover under non-photoinactivating conditions (low light) may be related to charge recombination in RCII due to back electron flow from the semiquinone QB- to the oxidised S2,3 states of the Mn cluster involved in the water oxidation process.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Exhibition project' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography