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1
May, Vanessa, and Stewart Muir. "Everyday Belonging and Ageing: Place and Generational Change." Sociological Research Online 20, no. 1 (February 2015): 72–82. http://dx.doi.org/10.5153/sro.3555.
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In this paper, we discuss findings from a study on intergenerational relationalities in order to examine some aspects of how people over 50 years of age experience belonging in their everyday lives. Belonging emerged not as a single unitary ‘thing’, but a complex intersecting of relational, cultural and sensory experiences. We explore how people, place, time and cultural context intertwined in people's sense of belonging to place. Although much previous research on belonging has largely focused on geographical movement, we found that temporal movement, at an individual level in the form of ageing and at a collective level in terms of generational change, proved to be an important layer of our participants’ experiences of belonging and not belonging. Furthermore, we argue that people often come to understand and speak of temporal shifts in belonging in embodied terms, based on their sensory engagement with the world. The paper concludes by considering the consequences of this additional aspect of the experience of belonging for the study of belonging as a social and personal process, and how our findings contribute to debates around ‘ageing well’.
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Gayler, Tom, Corina Sas, and Vaiva Kalnikaitė. "Exploring the Design Space for Human-Food-Technology Interaction: An Approach from the Lens of Eating Experiences." ACM Transactions on Computer-Human Interaction 29, no. 2 (April 30, 2022): 1–52. http://dx.doi.org/10.1145/3484439.
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Embedded in everyday practices, food can be a rich resource for interaction design. This article focuses on eating experiences to uncover how bodily, sensory, and socio-cultural aspects of eating can be better leveraged for the design of user experience. We report a systematic literature review of 109 papers, and interviews with 18 professional chefs, providing new understandings of prior HFI research, as well as how professional chefs creatively design eating experiences. The findings inform a conceptual framework of designing for user experience leveraging eating experiences. These findings also inform implications for HFI design suggesting the value of multisensory flavor experiences, external and internal sensory stimulation and deprivation, aspects of eating for communicating meaning, and designing with contrasting pleasurable and uncomfortable experiences. The article concludes with six charts as novel generative design tools for HFI experiences focused on sensory, emotional, communicative, performative, and temporal experiences.
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Sumartojo, Shanti, and Sarah Pink. "Moving Through the Lit World: The Emergent Experience of Urban Paths." Space and Culture 21, no. 4 (November 12, 2017): 358–74. http://dx.doi.org/10.1177/1206331217741079.
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There is growing scholarship both on how light (and darkness) shapes our perception and experience of our surroundings and coalesces particular affective experiences. In this article, we build on this emerging field to address a fundamental but unexplored question for understanding urban experience: how is the experience of everyday movement through the city constituted in relation to automated urban lighting. We argue that the affective and sensory aspects of the “lit world” need to be accounted for, an aspect of quotidian urban experience that remains underexplored. In doing so, we discuss a mobile sensory ethnography of public urban “light routes” by drawing on the words and photographs of people moving through the city of Melbourne, Australia on their journeys home at the end of the day. Their stories about automated lighting reveal how particular affective intensities, responses to urban complexity and aesthetic experiences emerged on the move, and begin to account for the role of the “lit world” in everyday experience.
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Kangur, Karina, Michal Toth, Julie Harris, and Constanze Hesse. "Everyday haptic experiences influence visual perception of material roughness." Journal of Vision 19, no. 10 (September 6, 2019): 300a. http://dx.doi.org/10.1167/19.10.300a.
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Wood, Abigail. "Sound, Narrative and the Spaces in between: Disruptive Listening in Jerusalem’s Old City." Middle East Journal of Culture and Communication 6, no. 3 (2013): 286–307. http://dx.doi.org/10.1163/18739865-00603003.
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This article explores the intertwined roles of sound performance, listening and narration as agentive modes of parsing conflicted spaces in Jerusalem’s Old City. Via a series of ethnographic case studies, I illustrate some of the everyday ways in which overlapping geographies are constructed and communicated in public and semi-public ‘civil’ spaces at the contested seams of Israel and Palestine. In performing music in the city, citing poetry or pronouncing judgments on the soundscape, inhabitants and visitors draw upon both sensory experiences and a broad corpus of literary, artistic, historical and narrative commentary on the city. Drawing on the work of Michael Jackson and Davide Panagia, I suggest that unnarratable sensory experiences such as these might expose moments when political subjectivity is reconfigured, challenging unitary narratives by highlighting the inherent complexity and ambiguity of everyday experience.
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McGuire, Meredith B. "Individual sensory experiences, socialized senses, and everyday lived religion in practice." Social Compass 63, no. 2 (June 2016): 152–62. http://dx.doi.org/10.1177/0037768616628789.
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Kuehni, Rolf. "Does the basic color terms discussion su er from the stimulus error?" Journal of Cognition and Culture 7, no. 1-2 (2007): 113–17. http://dx.doi.org/10.1163/156853707x171838.
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AbstractThis commentary raises the possibility of recent discussion on the issue of basic color terms suffering from the "stimulus error," first described by the English psychologist E. B. Titchener. It refers to confusion of the psychological experience with the physical description of the stimulus. Such confusion is routine in everyday language in situations where private sensory experiences are involved that cannot be objectively described, but is harmful in fundamental discussions about experiences.
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Vannini, Phillip: Taggart. "Off-grid Mobilities." Transfers 2, no. 1 (March 1, 2012): 10–31. http://dx.doi.org/10.3167/trans.2012.020103.
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Drawing from sensory ethnography, the present multimodal writing—accompanied by photography and digital video—documents and interprets the mobilities of off-grid living on Lasqueti Island, British Columbia, Canada. The data presentation focuses in particular on the embodied experience of off-grid inhabitation, highlighting the sensory and kinetic experiences and practices of everyday life in a community disconnected from the North American electrical grid and highway network. The mobilities of fuel and energy are presented in unison with ethnographic attention to the taskscape of everyday activities and movements in which off-grid islanders routinely engage. The analysis, based on Tim Ingold's non-representational theory on place, movement, and inhabitation, focuses on how the material and corporeal mobilities of off-grid life body forth a unique sense of place.
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Faire, Lucy, and Denise McHugh. "The Everyday Usage of City-Centre Streets: Urban Behaviour in Provincial Britain ca. 1930–1970." Articles 42, no. 2 (June 23, 2014): 18–28. http://dx.doi.org/10.7202/1025697ar.
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This article examines the user experience in the city-centre street space, focusing on three main themes: space usage; the behaviour of users and interventions to direct behaviour by urban authorities; and the sensory and emotional experiences of being on the street. The emphasis is on people’s interaction with the city centre and their perceptions of it. These interactions generated multi-dimensional perspectives linked to individual socio-demographic characteristics producing place-specific experiences. The article uses film, photography and testimony to provide insights into street usage and, while acknowledging that the retail function of the city centre was fundamental, argues that this space generated wider experiences beyond the acquisition of goods and services in commercial transactions. The article concludes that the user experience, behaviour and relationship with the city-centre street are as important to understanding urban function as capital investment and city planning.
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Stronciwilk, Agata. "Sensing the Future in the Anthropocene: Multisensory Artworks and Climate Change." Roczniki Kulturoznawcze 15, no. 1 (March 29, 2024): 89–106. http://dx.doi.org/10.18290/rkult24151.5.
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The article analyzes artworks by Dagna Jakubowska, Diana Lelonek, and Peter de Cupere in the context of sensory perception and environmental engagement. The analyzed projects propose various speculative narratives and sensory stimuli that allow the audience to have an embodied experience of those narratives. Artists encourage us to listen to the melting glaciers, taste the dishes of the apocalyptic future or smell the polluted air in order to materialize the vision of climate change, which for some still remains an abstract concept rather than an ongoing reality. The empirical sensory experiences become arguments in the discussions about the anthropogenic roots of climate change. The article examines the role of senses and art in breaching the gap between scientific evidence and everyday experience regarding climate change.
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Pohl, Patricia S., Winnie Dunn, and Catana Brown. "The Role of Sensory Processing in the Everyday Lives of Older Adults." OTJR: Occupation, Participation and Health 23, no. 3 (July 2003): 99–106. http://dx.doi.org/10.1177/153944920302300303.
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This study investigated whether there are age-related differences in sensory processing within daily life. Participants included 404 community-dwelling adults divided into three age groups: 19 to 34 years old (127 individuals), 35 to 64 years old (126 individuals), and 65 years and older (151 individuals). Each participant completed the Adolescent/Adult Sensory Profile. There was a difference in sensory processing between the three groups (p = .000), with the older adults noticing sensory input less than the young and middle aged adults (p = .002 for both groups). Both middle aged and older adults engaged in less sensory seeking behaviors than did young adults (p = .012 and p = .000, respectively). In an additional analysis, the older group was subdivided into four age groups (65 to 69 years, 70 to 74 years, 75 to 79 years, and 80 years and older). There was an age-related difference between the four groups (p = .000). Those 75 to 79 years old and those 80 years and older noticed sensory input less than did those younger than 70 years (p = .002 and p = .001, respectively). Those 80 years and older were also less apt to seek sensory experiences than were those younger than 70 years (p = .011). The authors propose hypotheses about the meaning of these findings and provide recommendations for the application of this knowledge to support older adults to age in place successfully.
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Bauchner, Joshua. "Fechner on a Walk." Historical Studies in the Natural Sciences 51, no. 1 (February 1, 2021): 1–47. http://dx.doi.org/10.1525/hsns.2021.51.1.1.
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The Leipzig physicist Gustav Theodor Fechner (1801–88) is best known for his introduction of psychophysics, an exact, empirical science of the relations between mind and body and a crucial part of nineteenth-century sensory physiology and experimental psychology. Based on an extensive and close reading of Fechner’s diaries, this article considers psychophysics from the vantage of his everyday life, specifically the experience of taking a walk. This experience was not mere fodder for his scientific practice, as backdrop, object, or tool. Rather, on foot, Fechner pursued an investigation of the mind-body parallel to his natural-scientific one; in each domain, he strove to render the mind-body graspable, each in its own idiom, here everyday and there scientific. I give an account of Fechner’s walks as experiences that he both undertook and underwent, that shaped and were shaped by the surrounding everyday cacophony, and that carried a number of competing meanings for Fechner himself; the attendant analysis draws on his major scientific work, Elemente der Psychophysik (1860; Elements of Psychophysics), as the thick context that renders the walks legible as an everyday investigation. What results are three modes of walking—physiopsychical, interpersonal, and universal—each engaging the mind-body at a different level, as also engaged separately in Elemente’s three major sections, outer psychophysics, inner psychophysics, and general psychophysics beyond the human. This analysis ultimately leads to a new view of Fechner’s belief in a God who was “omnipresent and conscious in nature” and whom Fechner encountered daily on his walks in the budding of new blooms and rustling of the wind. More broadly, I aim to bring the analysis of everyday experiences as experiences into the historiography of science.
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Pink, Sarah, and Kerstin Leder Mackley. "Video and a Sense of the Invisible: Approaching Domestic Energy Consumption through the Sensory Home." Sociological Research Online 17, no. 1 (January 29, 2012): 87–105. http://dx.doi.org/10.5153/sro.2583.
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This article proposes and demonstrates an approach to understanding everyday life that takes as its starting point the sensory aesthetics of place. In doing so it advances a video-ethnography approach to studying ‘invisible’ elements of everyday domestic life through the prism of the sensory home. Our concern is chiefly methodological: first, we take a biography of method approach to explain and identify the status of the research knowledge this approach can produce; second, we outline how the video tour as a multisensorial and collaborative research encounter can open up understandings of home as place-event; finally, we probe the status of video as ethnographic description by inviting the reader/viewer to access ways of knowing as they are inscribed in embedded clips, in relation to our written argument. To demonstrate this we discuss and embed clips from a pilot video tour developed as part of an interdisciplinary research project, seeking to understand domestic energy consumption as entangled in everyday practices, experiences and creativities.
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ROBINSON, EMILY. "THE AUTHORITY OF FEELING IN MID-TWENTIETH-CENTURY ENGLISH CONSERVATISM." Historical Journal 63, no. 5 (February 12, 2020): 1303–24. http://dx.doi.org/10.1017/s0018246x19000682.
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AbstractConservatism claims to be a philosophy of common sense and everyday experience, in which sensation takes priority over reason. This article asks how this was understood by both Conservative thinkers and grassroots members in mid-twentieth-century England, and how it sat alongside other ways of understanding the feelings and experiences of ordinary people, in a period in which these came to be regarded as a privileged form of political authority. The article shows that the Conservative everyday was rooted in individual sensory experiences, but always underpinned by the collective evocation of reverence, majesty, and awe. It traces understandings of the everyday and the awesome through political texts and grassroots publications, showing that the tension between them is what gives Conservatism its distinctive character. This is conceptualized in Burkean terms as the beautiful and the sublime. The latter guarantees order, hierarchy, and allegiance, while the former works to soften and socialize power – making it seem a matter of custom and common sense. The article suggests that this combination enabled Conservatism to adapt to the challenges of mass democracy but became ever harder to sustain in the emotional culture of post-war England, when feelings became a marker of personal authenticity, rather than cultural authority.
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Pellegrini, Robert J., Edward B. Noffsinger, Randy T. Caldwell, and Thomas A. Tutko. "Exploring the Everyday Life Incidence of Déjà Connu Experiences in Impression Formation." Perceptual and Motor Skills 76, no. 3_suppl (June 1993): 1243–50. http://dx.doi.org/10.2466/pms.1993.76.3c.1243.
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This study explored the everyday life incidence and nature of what we refer to as déjà connu experiences, i.e., situations where a newly encountered individual reminds the perceiver of someone else. The data were obtained in a survey of (250 women and 250 men) college students. The universality of déjà connu was indicated by significant differences in selection of the Very Often (9.4%), Often (25 8%), Occasionally (50.6%), Rarely (14.2%), and Never (0%) categories on a forced-choice item concerning frequency of such experiences. An inverted-U hypothesis is suggested as an heuristic model to describe the relationship between familiarity with any given individual and that person's “remembered other” referent value for the perceiver.
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Rura, Przemysław. "Doświadczenia zmysłowe w życiu codziennym: autoetnografia wielozmysłowa." Kultura i Społeczeństwo 61, no. 3 (July 10, 2017): 149–60. http://dx.doi.org/10.35757/kis.2017.61.3.9.
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The author presents a research approach that he defines as multisensory autoeth-nography. He proposes that it should be used for the study of sensory experiences ineveryday life, as an important aspect of micropractices. The article is composed of threeparts. In the first, the research context is described in reference to the tradition of thesociology of everyday life. The second part discussed the theoretical and methodolo-gical approaches that are the basis for autoethnography in general. The third part con-tains a description of the method proposed by the author. The three assumptions of themethod are (1) the personal experience of the researcher, (2) interpersonal commu-nication abilities, and (3) the attempt to grasp the fullest picture of the practices andsensory experiences of the researcher and the persons studied.
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Fregonese, Sara. "Shockwaves." Conflict and Society 7, no. 1 (June 1, 2021): 26–41. http://dx.doi.org/10.3167/arcs.2021.070103.
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Urban conflict literature has attempted new comparisons between contested cities in conflict zones and cities with no armed conflict. This literature tends to use representational frameworks around defensive planning and normative government discourses. In this article, I propose to expand these frameworks and to engage with epistemologies of lived experience to produce new relational accounts linking “conflict cities” with “ordinary cities”. The article accounts for the lived, sensory and atmospheric in exploring the legacies of conflict on the everyday urban environments. It then reflects on the everyday and experiential effects of counterterrorism in ordinary cities. While this is designed to minimize threat, it also alters urban spatiality in a way reminiscent of urban conflict zones. It then explores the unequal impacts of counterterrorism across urban publics, and their experiential connections with practices of counterinsurgency. The article is structured around two ‘shockwaves’ entwining lived experiences across seemingly unrelatable urban settings.
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Ceraso, Steph. "(Re)Educating the Senses: Multimodal Listening, Bodily Learning, and the Composition of Sonic Experiences." College English 77, no. 2 (November 1, 2014): 102–23. http://dx.doi.org/10.58680/ce201426145.
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This essay reimagines the way that listening is taught in the multimodal composition classroom. In contrast to listening to sonic content for meaning, the listening pedagogy I introduce is based on my concept of multimodal listening—a practice that involves attending to the sensory, material, and contextual aspects that comprise and shape a sonic event. I argue that cultivating multimodal listening practices will enable students to become more savvy consumers and producers of sound in the composition classroom and in their everyday lives.
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Candy, Fiona Jane. "The Fabric of Society: An Investigation of the Emotional and Sensory Experience of Wearing Denim Clothing." Sociological Research Online 10, no. 1 (June 2005): 124–40. http://dx.doi.org/10.5153/sro.965.
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This article aims to open up the realms of sensory experience and affect in connection with the wearing of clothing. By creating a visual focus on denim, an ‘ordinary’ everyday style of generic urban dress, my intention is to present a new approach to the study of clothing in general. This approach is concerned with the study of the clothed body and the experiences of wearers, rather than as fashion, which tends to take up only the onlooker's viewpoint. This article intends to establish the need for such an approach, to stimulate the reader's sensibilities in relevant ways and to report on path finding experiments that indicate ways forward for future work.
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Kruger, J.-L. "William Carlos Williams’ cubism: The sensory dimension." Literator 16, no. 2 (May 2, 1995): 195–214. http://dx.doi.org/10.4102/lit.v16i2.630.
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In this article the cubism of the American poet William Carlos Williams is discussed as a product of sensory elements combined with techniques derived from the work of the visual artists associated with this style. Through the study o f a number of poems written in the period between 1917 and 1923 it is shown that Williams employs the cubist intersection of sensory planes in particular to create a sensory dimension that not only renews the traditions and mode of poetry, but also reveals the cubist concern with the defamiliarization and foregrounding of fragments of everyday experiences. Ultimately the article is an attempt to indicate Williams’ incorporation o f a sensual dimension in creating a style that achieves modernist presentation revealing an independence from both traditional literary and visual styles.
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Meckin, Robert, and Andrew Balmer. "Situating anticipation in everyday life: Using sensory methods to explore public expectations of synthetic biology." Public Understanding of Science 28, no. 3 (October 25, 2018): 290–304. http://dx.doi.org/10.1177/0963662518808694.
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Public involvement in technological anticipation is a common feature of contemporary sociotechnical innovation. However, most engagements abstract sociotechnical futures, rather than situating them in the everyday practices in which people are routinely engaged. Recent developments in synthetic biology have established the potential for ‘drop in’ replacements for ingredients in consumer products, particularly in flavour and fragrance markets. This article explains how a sensory methodology can be used to explore citizens’ everyday experiences and how these can be used to ground anticipation of possible sociotechnical futures. The article uses a socio-historical approach to analyse and compare two practice domains – caring for families and hygiene and personal care – to show how biosynthetic futures can disrupt existing relations between people, objects and ideas. The implications for conceptualising publics in synthetic biology and for approaches to public engagement and participation are discussed more broadly.
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Øien, Turid Borgestrand, Senja Maarit Ruohonen, Nanet Mathiasen, Anne Kathrine Frandsen, and Anette Bredmose. "Situating the light: Methodology for sensory and spatial fieldwork." IOP Conference Series: Earth and Environmental Science 1320, no. 1 (March 1, 2024): 012030. http://dx.doi.org/10.1088/1755-1315/1320/1/012030.
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Abstract Sensory perceptions are a novel point of departure for lighting research, where human factors have long been approached through isolated variables and controlled environments. However, informed by philosophy and social sciences and supported by ethnographical methods, researchers and practitioners are gaining new ground in understanding human-environment relations by approaching user perspectives in empirical inquiries. Situating the lighting in spatial settings and sensory experiences is crucial when exploring the dynamics of the changing visual perception of aging and vision loss, and how these phenomena can affect everyday life. Although spatial and sensory perceptions have typically been approached from different positions represented by architects or anthropologists, the following question remains: How can we develop a methodological framework for exploring entwined sensory and spatial experiences? This paper presents the method development process for our upcoming sensory and spatial fieldwork in the project “The role of light when vision changes.” The process is described in autoethnographic narratives, analysis of the technological frames, approaches, and understandings of light represented in the project, and the knowledge gained from testing the developed tools and schemes hands-on in a home environment. The initial findings indicate that both spatial and sensory experiences are interactional, as experiences situated in a specific body interacting with the specific environment it is situated in. Furthermore, in addition to the changes in visual perception, the spatial and luminous characteristics of the indoor and outdoor environments are also dynamic and changing, making the aspects of transitions and thresholds relevant for our upcoming fieldwork. Our hypothesis is that the shared technological frame developed in the project includes the relevant qualitative and quantitative measures that will allow us to make the knowledge of visually impaired participants explicit in ways that will inform and improve future lighting design.
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White, Kai. "Addressing auditory processing challenges and accessibility in live music settings." Journal of the Acoustical Society of America 153, no. 3_supplement (March 1, 2023): A156. http://dx.doi.org/10.1121/10.0018486.
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With the social media boom connecting people worldwide and easing the sharing of experiences, the everyday lives and struggles of people who are considered neurodivergent as well as those with invisible disabilities suddenly became widely known and the accessibility of even casual excursions such as grocery shopping and movie viewings came into question. As understanding of sensory processing disorders increases and disability advocacy moves to the forefront of conversations about public spaces, it's not surprising that live music and the entertainment industry would become the next target of scrutiny. While the creation of sensory-friendly concerts is beneficial and highly valuable as a stepping stone to a greater and more widespread understanding of accessibility for those whose needs are often ignored by society, the limited scope and availability of these events largely excludes a multitude of music enthusiasts. This study aims to highlight the experiences and desires of concertgoers who have auditory sensitivities while also providing potential solutions to these barriers to entry.
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Hoffman, R. E., M. Varanko, J. Gilmore, and A. L. Mishara. "Experiential features used by patients with schizophrenia to differentiate ‘voices’ from ordinary verbal thought." Psychological Medicine 38, no. 8 (November 30, 2007): 1167–76. http://dx.doi.org/10.1017/s0033291707002395.
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BackgroundDetermining how patients distinguish auditory verbal hallucinations (AVHs) from their everyday thoughts may shed light on neurocognitive processes leading to these symptoms.MethodFifty patients reporting active AVHs (‘voices’) with a diagnosis of schizophrenia or schizo-affective disorder were surveyed using a structured questionnaire. Data were collected to determine: (a) the degree to which patients distinguished voices from their own thoughts; (b) the degree to which their thoughts had verbal form; and (c) the experiential basis for identifying experiences as voices versus their own verbal thoughts. Six characteristics of acoustic/verbal images were considered: (1) non-self speaking voice, (2) loudness, (3) clarity, (4) verbal content, (5) repetition of verbal content, and (6) sense of control.ResultsFour subjects were eliminated from the analysis because they reported absent verbal thought or a total inability to differentiate their own verbal thoughts from voices. For the remaining 46 patients, verbal content and sense of control were rated as most salient in distinguishing voices from everyday thoughts. With regard to sensory/perceptual features, identification of speaking voice as non-self was more important in differentiating voices from thought than either loudness or clarity of sound images.ConclusionsMost patients with schizophrenia and persistent AVHs clearly distinguish these experiences from their everyday thoughts. An adequate mechanistic model of AVHs should account for distinctive content, recognizable non-self speaking voices, and diminished sense of control relative to ordinary thought. Loudness and clarity of sound images appear to be of secondary importance in demarcating these hallucination experiences.
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Mustafa, Kobeen R., and Zeki S. Ali Hamawand. "The Notion of Image Schemas in Kurdish Proverbs." Journal of University of Human Development 10, no. 1 (January 21, 2024): 59–64. http://dx.doi.org/10.21928/juhd.v10n1y2024.pp59-64.
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This study examines the notion of image schemas in selected Kurdish proverbs. As used in Cognitive Semantics, image schemas refer to conceptual structures that represent recurring patterns in our experience of the physical and psychological world. They are abstract concepts consisting of patterns emerging from repeated instances of embodied experience. Examples of image schemas include CONTAINER, PATH, FORCE, SCALE and CYCLE schemas. Applied to Kurdish proverbs, it is argued that image schemas serve as the basis for organizing knowledge and reasoning about the world. They are derived from concrete physical experiences that are projected onto abstract concepts. The aim of the study then is to show how image schemas provide the basis for richly detailed lexical concepts. One interesting finding is that image schemas arise directly from sensory and perceptual experience. They are functions of Kurdish speakers’ everyday interaction with and observation of the world around them.
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Meckin, Robert, and Andrew Balmer. "Everyday Uncertainty Work: Making Sense of Biosynthetic Menthol." Engaging Science, Technology, and Society 4 (September 6, 2018): 458. http://dx.doi.org/10.17351/ests2018.250.
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Although much public engagement with the field of “synthetic biology” has been conducted, there remains little work that develops an appreciation of how people make sense of this field and its concomitant promised futures from within their everyday lives. Using a case study, based on the compound “menthol” (a terpenoid from plants) which synthetic biologists have developed for production in E. coli, we explore how people make sense of uncertainties in promised or feared futures. Menthol is already an ingredient in many consumer products and the pre-existing use of such products may frame people’s everyday techniques for understanding biosynthetic menthol, with implications for their appreciation of synthetic biology more generally. We adopted a range of sensory methods, including “pop-up” stalls, sketch research, object elicitation interviews and home tours, to explore the everyday situations in which menthol already figures. Participants used a range of strategies, including deferring judgment, invoking other actors as mediators, using their own bodily experiences and using existing moral repertoires, to respond to biosynthetic possibilities. We deploy the concept of “everyday uncertainty work” and show that it is a useful one for understanding how people’s everyday epistemic cultures of uncertainty are routinely adapted to the anticipation of sociotechnical uncertainties, such as those that accompany promissory accounts of science. The implications for these findings for public engagement with technoscience and uncertainty are discussed.
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Haggard, Patrick, and Manos Tsakiris. "The Experience of Agency." Current Directions in Psychological Science 18, no. 4 (August 2009): 242–46. http://dx.doi.org/10.1111/j.1467-8721.2009.01644.x.
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The experience of agency refers to the experience of being in control both of one's own actions and, through them, of events in the external world. Recent experimental studies have investigated how people recognise a particular event as being caused by their own action or by that of another person. These studies suggest that people match sensory inputs to a prediction based on the action they are performing. Other studies have contrasted voluntary actions to physically similar but passive body movements. These studies suggest that voluntary action triggers wide-ranging changes in the spatial and temporal experience not only of one's own body but also of external events. Prediction and monitoring of the consequences of one's own motor commands produces characteristic experiences that form our normal, everyday feeling of being in control of our life. We conclude by discussing the implications of recent psychological work for our notions of responsibility for action.
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Arkell, Daisy, Isabelle Groves, Emma R. Wood, and Oliver Hardt. "The Black Box effect: sensory stimulation after learning interferes with the retention of long-term object location memory in rats." Learning & Memory 28, no. 10 (September 15, 2021): 390–99. http://dx.doi.org/10.1101/lm.053256.120.
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Reducing sensory experiences during the period that immediately follows learning improves long-term memory retention in healthy humans, and even preserves memory in patients with amnesia. To date, it is entirely unclear why this is the case, and identifying the neurobiological mechanisms underpinning this effect requires suitable animal models, which are currently lacking. Here, we describe a straightforward experimental procedure in rats that future studies can use to directly address this issue. Using this method, we replicated the central findings on quiet wakefulness obtained in humans: We show that rats that spent 1 h alone in a familiar dark and quiet chamber (the Black Box) after exploring two objects in an open field expressed long-term memory for the object locations 6 h later, while rats that instead directly went back into their home cage with their cage mates did not. We discovered that both visual stimulation and being together with conspecifics contributed to the memory loss in the home cage, as exposing rats either to light or to a cage mate in the Black Box was sufficient to disrupt memory for object locations. Our results suggest that in both rats and humans, everyday sensory experiences that normally follow learning in natural settings can interfere with processes that promote long-term memory retention, thereby causing forgetting in form of retroactive interference. The processes involved in this effect are not sleep-dependent because we prevented sleep in periods of reduced sensory experience. Our findings, which also have implications for research practices, describe a potentially useful method to study the neurobiological mechanisms that might explain why normal sensory processing after learning impairs memory both in healthy humans and in patients suffering from amnesia.
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BUSE, CHRISTINA, and JULIA TWIGG. "Materialising memories: exploring the stories of people with dementia through dress." Ageing and Society 36, no. 06 (May 11, 2015): 1115–35. http://dx.doi.org/10.1017/s0144686x15000185.
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ABSTRACTIn this article, we use clothes as a tool for exploring the life stories and narratives of people with dementia, eliciting memories through the sensory and material dimensions of dress. The article draws on an Economic and Social Research Council-funded study, ‘Dementia and Dress’, which explored everyday experiences of clothing for carers, care workers and people with dementia, using qualitative and ethnographic methods including: ‘wardrobe interviews’, observations, and visual and sensory approaches. In our analysis, we use three dimensions of dress as a device for exploring the experiences of people with dementia:kept clothes, as a way of retaining connections to memories and identity;discarded clothes, and their implications for understanding change and loss in relation to the ‘dementia journey’; andabsent clothes, invoked through the sensory imagination, recalling images of former selves, and carrying identity forward into the context of care. The article contributes to understandings of narrative, identity and dementia, drawing attention to the potential of material objects for evoking narratives, and maintaining biographical continuity for both men and women. The paper has larger implications for understandings of ageing and care practice; as well as contributing to the wider Material Turn in gerontology, showing how cultural analyses can be applied even to frail older groups who are often excluded from such approaches.
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Twinley, Rebecca. "Actually Autistic at Forty." Auto/Biography Review 3, no. 1 (August 29, 2022): 62–76. http://dx.doi.org/10.56740/abrev.v3i1.3.
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In October 2019, two months after my 40th birthday, I received a formal diagnosis that I was autistic. I joined all those other thousands of late-diagnosed women in the UK, previously undiagnosed and overlooked. I had spent my years being mislabelled, misunderstood, or misinterpreted. I dealt with feelings I did not understand and sensory experiences I could not bear to process. I felt a need to cope with the ‘normal’ aspects of everyday life. I never knew why I experienced these troubles and troubling feelings for all those years. The discourse surrounding autism is referred to as the cost of camouflaging. In this article, I critically discuss predominant discourses on autism and gender as I reflect on my auto/biographical troubles from my newly confirmed, acquired identity and perspective as an autistic, now 40-something-year-old woman.
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Hibberd, Lynne, and Zoë Tew-Thompson. "Constructing memories of Holmfirth through Last of the Summer Wine." Memory Studies 11, no. 2 (December 7, 2016): 245–56. http://dx.doi.org/10.1177/1750698016679222.
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Last of the Summer Wine (BBC, 1973–2010) was filmed in Holmfirth, West Yorkshire, UK, for 37 years. Consequently, it has affected collective memories of the space and place of the region. Summer Wine has become embedded into the area and exists as part of everyday communicative memory in which fictional representations, oral histories, embodied practices, sensory engagements and lived experiences collide. In examining Summer Wine’s continued presence in Holmfirth even after it has ceased production, we investigate how the series as a text, institution and brand serves to spatially inform Holmfirth and construct, embed and inform cultural memory.
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Lupu, Mary Nicoleta, Magdalena Miulescu, Madalina Nina Sandu, Iulia Filip, Laura Rebegea, Octavian Ciobotaru, Gabriela Stoleriu, Kamel Earar, Carina Doina Voinescu, and Oana Roxana Ciobotaru. "Cannabinoids: Chemical Structure, Mechanisms of Action, Toxicity and Implications in Everyday Life." Revista de Chimie 70, no. 2 (March 15, 2019): 627–29. http://dx.doi.org/10.37358/rc.19.2.6971.
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In the human body there is an endocannabinoid system consisting of cannabinoid receptors and endogenous transmitters - the endocannabinoids (anandamides).This cannabinoid system works by certain principles: the presynaptic neuron releases the neurotransmitter that reaches the postsynaptic neuron, activating it; at this level endocannabinoids are synthesized, whichhave retrograde transmission through the synaptic gap, reaching the cannabinoid receptors where they can inhibit the anterograde release of neurotransmitters. At the same level, certain exogenous substances, derived from plants and called phytocannabinoids may also work, the most known one being tetrahydrocannabinol. 9-D-Tetrahydrocannabinol is a component extracted from hemp plant with intense psychotic action but also with some medical applications. The result of the cannabinoid system activity is to obtain certain psychoactive effects, euphoria, relaxation, intense sensory experiences, pain relief but also changes in perception, attention deficit, etc. Synthetic cannabinoids are obtained to mimic the effects of marijuana, are major cannabinoid receptor agonists and are at increased risk of toxicity. Chronic consumption of such substances can cause memory disorders, pulmonary disorders and, most importantly, addiction.
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Bogdashina, Irina V. "Leisure and Recreation in the Socio-Cultural Memory of Urban Women in the 1950 and 1960s Based on Materials from Volgograd." RUDN Journal of Russian History 20, no. 2 (December 15, 2021): 295–304. http://dx.doi.org/10.22363/2312-8674-2021-20-2-295-304.
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The article examines everyday practices of rest and leisure among urban women living in the city of Volgograd (Stalingrad) - a city that had been completely destroyed during the war. The goal of the present study is to identify specific characteristics in the everyday practices of women. The methodology combines comparative historical, biographical and aggregate methods. Interviews conducted along the empathy method made it possible to identify the sensual and emotional sides of the respondents' lives. The research is based on ego-documents (diaries, oral history), periodicals (magazines, newspapers), and statistics. The article discusses the concepts of free time and rest as preserved in the memory of townspeople, and also private and public forms of leisure. A major finding is that women's memory and texts reveal sensory and emotional experiences that can be used for the history of everyday life. This allows for an imagination of everyday life from a new angle. Domestic work took away the vast majority of women's free time, and given the cultural potential of the region was still underdeveloped, most city dwellers concentrated pastime activities on their homes. However, with the high workload of women at home and at work, it was leisure outside the home that remained one of the few ways for women to relax and recover from mental and physical stress. The everyday life of urban women in the 1950s and 1960s was characterized by a division of leisure in private and public forms.
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Spence, Charles. "Analysing stereotypical food consumption behaviours: ‘This way up?’ Is there really a ‘right’ way to eat a biscuit?" International Journal of Food Design 6, no. 2 (October 1, 2021): 213–31. http://dx.doi.org/10.1386/ijfd_00031_1.
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Many of the mundane foods that we eat on an everyday basis are consumed in a manner that may be considered stereotypical, conventional, habitual or, on occasion, even a playful ritual. There are a number of reasons for such behaviours, and the potential benefits for the consumer are discussed in the case of vertically asymmetrical foods where the upper and lower surfaces differ. Maximizing the eye appeal of the food product, maximizing the multisensory flavour experience and the ubiquitous benefits of ritual to the enjoyment of consumption experiences are all put forward as possible explanations for such behaviours in this opinion piece. Ultimately, however, the paucity of empirical evidence concerning the influence of the manner of eating such ubiquitous foods (right way-up or upside-down) on the multisensory tasting experience is highlighted. This is a seemingly important lacuna in the food science literature, given the multiple competing explanations concerning how such experiences might be affected, if at all, that suggest themselves. Looking to the future, it would clearly be of great interest, given the growing global obesity crisis, to understand whether it might be possible to increase sensory enjoyment and/or satiety by the better/optimized design of foods and/or food consumption behaviours.
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Driver, Paul. "Pervasive Games and Mobile Technologies for Embodied Language Learning." International Journal of Computer-Assisted Language Learning and Teaching 2, no. 4 (October 2012): 50–63. http://dx.doi.org/10.4018/ijcallt.2012100104.
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Thanks to the rapidly increasing adoption of mobile communications and wireless technologies, language educators are now empowered to sculpt interactions and design learning experiences using the real world as their canvas. City streets, shopping centres, cafés, and cemeteries can be augmented with new layers of meaning and narrative as learner-players use their language skills to navigate the chaotic and unpredictable environment of everyday life and achieve their objectives. Spatially expanded games provide a natural way to situate language production in context-rich, authentic settings, in contrast to the comparatively sterile confines of the traditional classroom. They are multimodal, multi-sensory, and highly personal immersive experiences. This paper explores the potential of technology-enhanced pervasive urban games for language learning and the pedagogic and philosophical foundations upon which these ideas are based. Examples are provided from an ongoing location-based research project.
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Jaffe, Rivke, Eveline Dürr, Gareth A. Jones, Alessandro Angelini, Alana Osbourne, and Barbara Vodopivec. "What does poverty feel like? Urban inequality and the politics of sensation." Urban Studies 57, no. 5 (March 19, 2019): 1015–31. http://dx.doi.org/10.1177/0042098018820177.
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The emergent field of ‘sensory urbanism’ studies how socio-spatial boundaries are policed through sensorial means. Such studies have tended to focus on either formal policies that seek to control territories and populations through a governance of the senses, or on more everyday micro-politics of exclusion where conflicts are articulated in a sensory form. This article seeks to extend this work by concentrating on contexts where people deliberately seek out sensory experiences that disturb their own physical sense of comfort and belonging. While engagement across lines of sensorial difference may often be antagonistic, we argue for a more nuanced exploration of sense disruption that attends to the complex political potential of sensory urbanism. Specifically, we focus on the politics of sensation in tours of low-income urban areas. Tourists enter these areas to immerse themselves in a different environment, to be moved by urban deprivation and to feel its affective force. What embodied experiences do tourists and residents associate with urban poverty? How do guides mobilise these sensations in tourism encounters, and what is their potential to disrupt established hierarchies of socio-spatial value? Drawing on a collaborative research project in Kingston, Mexico City, New Orleans and Rio de Janeiro, the article explores how tours offer tourists a sense of what poverty feels like. Experiencing these neighbourhoods in an intimate, embodied fashion often allows tourists to feel empathy and solidarity, yet these feelings are balanced by a sense of discomfort and distance, reminding tourists in a visceral way that they do not belong.
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Groth, Stefan, and Yonca Krahn. "Sensing Athletes: Sensory Dimensions of Recreational Endurance Sports." Journal of Ethnology and Folkloristics 11, no. 2 (December 1, 2017): 3–23. http://dx.doi.org/10.1515/jef-2017-0011.
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AbstractSport has become increasingly popular with recreational athletes over the last couple of decades. This has only gained minimal attention so far from scholars interested in the relations between recreational sports and everyday culture. With this paper, we seek to contribute to this field by scrutinising the sensory dimensions of recreational sport. Rather than probing into or highlighting isolated senses, we look at sensory dimensions understood as a combination of different, non-separable sensory experiences featured in recreational endurance sports. We are interested in how the senses play a role for recreational endurance athletes in running, triathlon and cycling both in training and competition. We start by examining how cultural and social dimensions are inextricably linked to doing sports. Secondly, we show how different configurations of the senses and their communicative mediation are contingent on sport disciplines, specific settings, technology, development and change as sensory careers over time. Thirdly, we discuss the kinaesthetic dimensions of doing sports in relation to the senses and the role of atmospheres. We conclude by arguing that highlighting specific senses by athletes is a cultural practice that calls for a holistic analysis of senses in sport, and outline some methodological implications for research on the senses.
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Ott, Brian. "Minimum-wage Connoisseurship and Everyday Boundary Maintenance: Brewing Inequality in Third Wave Coffee." Humanity & Society 44, no. 4 (July 7, 2020): 469–91. http://dx.doi.org/10.1177/0160597620932898.
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The shift from Fordism to post-Fordism in the United States introduced vast changes to production and consumption practices. In contrast to the commercial enterprises of Fordism, the post-Fordist economy relies on fast-changing tastes and small, niche markets along with new cultural forms for inducing consumption and anchoring identities. This article focuses on the specialty (or “third wave”) coffee industry, where coffee is treated similarly to wine, which I argue is emblematic of a post-Fordist economy. Relying on data collected from over a year of ethnographic fieldwork, I argue that the specialty coffee industry represents a qualitative shift in the coffee industry, one that produces a new niche market and consumer base that commoditizes sensory experiences as embodied class dispositions. I argue that baristas perform a kind of labor that I term “minimum-wage connoisseurship,” where they receive minimum wage (and tips) along with additional payment in cultural and social capital that elevates their status as well as manufacture’s consent for dedicating their time, in and outside of work, and their bodies to the organization.
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Millei, Zsuzsa. "Distant places in children’s everyday activities: Multiple worlds in an Australian preschool." Journal of Pedagogy 9, no. 1 (June 1, 2018): 133–53. http://dx.doi.org/10.2478/jped-2018-0007.
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Abstract Global flows and their geopolitical power relations powerfully shape the environments in which children lead their everyday lives. Children’s images, imaginations and ideas of distant places are part of these global flows and the everyday activities children perform in preschool. Research explores how through curricula young children are moulded into global and cosmopolitan citizens and how children make sense of distant places through globally circulating ideas, images and imaginations. How these ideas, images and imaginations form an unproblematised part of young children’s everyday preschool activities and identity formation has been much less explored, if at all. I use Massey’s (2005) concept of a ‘global sense of place’ in my analysis of ethnographic data collected in an Australian preschool to explore how children produce global qualities of preschool places and form and perform identities by relating to distant places. I pay special attention to how place, objects and children become entangled, and to the sensory aspects of their emplaced experiences, as distant spatialities embed in and as children’s bodies inhabit the preschool place. To conclude, I call for critical pedagogies to engage with children’s use of these constructions to draw similarities or contrast aspects of distant places and self, potentially reproducing global power relations by fixing representations of places and through uncritically enacting stereotypes.
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Allen-Collinson, Jacquelyn, George Jennings, Anu Vaittinen, and Helen Owton. "Weather-wise? Sporting embodiment, weather work and weather learning in running and triathlon." International Review for the Sociology of Sport 54, no. 7 (March 15, 2018): 777–92. http://dx.doi.org/10.1177/1012690218761985.
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Weather experiences are currently surprisingly under-explored and under-theorised in sociology and sport sociology, despite the importance of weather in both routine, everyday life and in recreational sporting and physical–cultural contexts. To address this lacuna, we examine here the lived experience of weather, including ‘weather work’ and ‘weather learning’, in our specific physical–cultural worlds of distance-running, triathlon and jogging in the United Kingdom. Drawing on a theoretical framework of phenomenological sociology, and the findings from five separate auto/ethnographic projects, we explore the ‘weather-worlds’ and weather work involved in our physical–cultural engagement. In so doing, we address ongoing sport sociological concerns about embodiment and somatic, sensory learning and ways of knowing. We highlight how weather work provides a key example of the phenomenological conceptualisation of the mind–body–world nexus in action, with key findings delineating weather learning across the meteorological seasons that contour our British weather-related training.
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Radeev, A. E. "О трудной проблеме в эстетике." Studia Culturae, no. 58 (March 21, 2024): 56. http://dx.doi.org/10.31312/2310-1245-2023-58-56-66.
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<p>Aesthetics, like other branches of philosophy, has its fundamental problems. At different points in the history of aesthetics, such problems have been taste as a form of aesthetic judgment, the limits of art, the possibilities of aesthetic method, and others. Today we can distinguish at least three fundamental problems that are solved in aesthetics with varying degrees of success. The first is a set of problems of aesthetic experience, including the problem of its existence and the problem of its analysis. The second is the problem of art as a special object of aesthetic experience. The third has not yet been clearly defined, but today it is labeled as the problem of the everyday aesthetics, the aesthetics of the environment, or the aesthetics of atmosphere. Within a problem field there may be a problem that is the essence of the field but has not been solved yet. Within the set of problems of aesthetic experience there is a hard problem. It is based on the distinction between sensory and aesthetic experiences. The essence of this problem: what is the necessity of the existence of aesthetic experience on a par with sensory xperience? This problem seems to be unsolved. But if we do not solve this problem, we will have to admit that aesthetic experience is accidental, that there is no need for its existence, that it is reducible to other forms of experience, and that it has no characteristic of its own.</p>
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Brodoehl, Stefan, Carsten Klingner, Denise Schaller, and Otto W. Witte. "Plasticity During Short-Term Visual Deprivation." Zeitschrift für Psychologie 224, no. 2 (April 2016): 125–32. http://dx.doi.org/10.1027/2151-2604/a000246.
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Abstract. During everyday experiences, people sometimes close their eyes to better understand spoken words, to listen to music, or when touching textures and objects. A plausible explanation for this observation is that a reversible loss of vision changes the perceptual function of the remaining non-deprived sensory modalities. Within this work, we discuss general aspects of the effects of visual deprivation on the perceptual performance of the non-deprived sensory modalities with a focus on the time dependency of these modifications. In light of ambiguous findings concerning the effects of short-term visual deprivation and because recent literature provides evidence that the act of blindfolding can change the function of the non-deprived senses within seconds, we performed additional psychophysiological and functional magnetic resonance imaging (fMRI) analysis to provide new insight into this matter. Eye closure for several seconds led to a substantial impact on tactile perception probably caused by an unmasking of preformed neuronal pathways.
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Doshi, Marissa Joanna. "Tales of Precarious Digital Empowerment." International Review of Qualitative Research 13, no. 3 (July 21, 2020): 280–96. http://dx.doi.org/10.1177/1940844720939849.
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This critical cyber-autoethnography delves into the processes of adopting a wearable device, specifically a smartwatch. As I contemplate various moments during which my foreign body (by virtue of being an immigrant) relies on another foreign body (smartwatch) to feel at “home” in spaces ranging from hostile to uncomfortable, I articulate how the status of the wearable shifts from that of an accessory to an intimate interface. The narratives presented here center intersectionality by exploring the racialized and gendered dimensions of my immigrant experience in the United States by focusing on how my brown, female body processes/filters everyday microaggressions through my smartwatch. By joining my body with a digital device, that is, becoming a cyborg, I explain how my experiences of marginalization are qualitatively modified. Articulating the shifting privileges I enjoy in the form of economic stability and linguistic competency prevents fetishizing the digital and avoids technological determinism. In conclusion, this autoethnography uses the concept of the cyborg to map the connections between embodied experience; symbolic, sensory potential of digital devices; and intersectional identities.
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Jones, James W. "How ritual might create religion: A neuropsychological exploration." Archive for the Psychology of Religion 42, no. 1 (February 6, 2020): 29–45. http://dx.doi.org/10.1177/0084672420903112.
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Several models of the evolution of religion claim that ritual creates “religion” and gives it a positive evolutionary role. Robert Bellah suggests that the evolutionary roots of ritual lay in the play of animals. For Homo sapiens, Bellah argues, rituals generate a world of experience different from the world of everyday life, and that different world of experience is the foundation of later religious developments. Robin Dunbar points to trance dancing as the original religious behavior. Trance dancing both alters ordinary consciousness and generates trance experiences that will give rise to religious concepts and also, through the production of endorphins, bonds people into tight-knit social groups whose social bonding gives them a survival advantage. The role of ritual in social bonding has been well established through the research on the production of endorphins by synchronized activity and the role of endorphins in social bonding. The role of ritual in generating religious experience has been much less developed. Drawing on the extensive research on the ways in which bodily activity can impact and transform our sensory and cognitive processes, and the ways in which sensory and cognitive processes are neurologically connected with somatic processes, this article will propose one neuropsychological model of how ritual activity might give rise to religion. Starting from bodily activity means that here religion will be understood more as a set of practices and less as a set of beliefs. Theological implications of this model will be discussed.
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Gallagher, John. "The Italian London of John North: Cultural Contact and Linguistic Encounter in Early Modern England." Renaissance Quarterly 70, no. 1 (2017): 88–131. http://dx.doi.org/10.1086/691831.
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AbstractThis article takes as its subject the remarkable diary kept by a young English gentleman named John North from 1575 to 1579. On his journey home from Italy in 1575–77, North changed the language of his diary from English to Italian. On his return to London, he continued to keep a record of his everyday life in Italian. This article uses North’s diary as a starting point from which to reconstruct the social and sensory worlds of a returned traveler and Italianate gentleman. In doing so, it offers a way of bridging the gap between individual experiences and personal networks on the one hand, and the wider processes of cultural encounter and linguistic contact on the other.
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Zadra, Antonio L., Tore A. Nielsen, Anne Germain, Gilles Lavigne, and DC Donderi. "The Nature and Prevalence of Pain in Dreams." Pain Research and Management 3, no. 3 (1998): 155–61. http://dx.doi.org/10.1155/1998/946171.
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BACKGROUND: Little is known about the frequency and nature of pain in dreams. Several authors have suggested that pain may be beyond the representational capability of dreaming.OBJECTIVE: To obtain more detailed information on the nature and prevalence of pain in a larger sample of everyday dreams collected through home logs. To examine the context within which dreamed pain occurs and to assess participants' retrospective recall of past experiences of pain in dreams.METHOD: One hundred and eighty-five participants completed a battery of questionnaires and recorded their dreams for two consecutive weeks.RESULTS: Retrospective responses to the questionnaire indicate that close to 50% of individuals report having experienced pain in their dreams at least once. A total of 3045 dreams were reported in the home dream logs. Eighteen of these dreams contained unambiguous references to the subject experiencing pain.DISCUSSION: Pain sensations in dreams are reported as being realistic, localized to a specific area of the body, typically resulting from violent encounters with other characters and often accompanied by intense affect. A model is proposed to explain how sensory experiences such as pain can be produced in the dream state.CONCLUSION: Cognitive systems that contribute to the representation of pain imagery are sometimes functional during dreaming.
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Cheetham, Fiona, Morven G. McEachern, and Gary Warnaby. "A kaleidoscopic view of the territorialized consumption of place." Marketing Theory 18, no. 4 (March 28, 2018): 473–92. http://dx.doi.org/10.1177/1470593117724608.
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Drawing on Brighenti’s (2010, 2014) theoretical exposition of territorology, we extend current conceptualizations of place within the marketing literature by demonstrating that place is relationally constructed through territorializing consumption practices which continuously produce and sustain multifarious versions of place. In our fieldwork, we embrace a non-representational sensitivity and employ a multi-sensory ethnography, thus helping to illuminate the performative aspects of everyday life relating to people who use urban green spaces. Our analysis articulates three key facets relating to the process of territorializing consumption practices: (1) tangible and intangible elements of boundary making, (2) synchronicity of activities, and (3) sensual experiences. Taken together, these facets advance a kaleidoscopic perspective in which spatial, temporal and affective dimensions of the micro-practices of consumption territories-in-the-making are brought into view. Moreover, our empirical research adds an affective dimension to Brighenti’s theoretical elucidation of the formation and dissolution of territories, thereby incorporating sensual imaginations and bodily experiences into the assemblages of heterogeneous materials that sustain territories.
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Areh, Igor, and Barbara Pia Jenič. "The Art of Immersion with Smell and Sensorial Theatre Language." Amfiteater 9, no. 2021-2 (December 5, 2021): 100–119. http://dx.doi.org/10.51937/amfiteater-2021-2/100-119.
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In recent decades, the trend or the need for an experience of the effect of immersion into theatre events, other branches of art, tourism, everyday business and private life has become quite evident. We are used to audio-visual communication, which, from the Renaissance onwards, became the dominant channel for delivering messages, while other senses became less important. Until the middle of the 20th century, the role of smell in theatre practices was neglected, and more important senses took over the place of communication and staging. Rarely it was used as a direct prop, but always very carefully, because, according to many experts, it cannot be controlled like sound and light. However, we have forgotten that the smell, especially in combination with the sound, can have a strong emotional impact on a spectator. Like the other senses, the scent recreates the context of memories and can evoke an intense reliving of emotions and events. It can also provoke an evaluation or re-evaluation of the past, thereby affecting the perception of the present. Reality is perceived through the adaptation of sensory information, which is shaped and interpreted under the influence of past experiences. Experiences create expectations, and expectations create our subjective reality considering everyday life and theatrical performance. This relationship is especially noticeable in sensorial theatre. In the last decade, an effort has been made to bring scents and other tools of sensorial theatre back to the stage, just as – according to foreign sources – they were an important part of events in antiquity. In this way, the stage can be enriched with an additional dimension of communication and expression. The paper presents various methods and experiments on the use of scent and other tools of sensorial theatre, evaluating their phenomenology and effectiveness from the perspective of the performing arts and psychological science.
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Burstein, Joyce. "Integrating Arts: Cultural Anthropology and Expressive Culture in the Social Studies Curriculum." Social Studies Research and Practice 9, no. 2 (July 1, 2014): 132–44. http://dx.doi.org/10.1108/ssrp-02-2014-b0010.
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Social studies is the combined study of several disciplines including cultural anthropology where expressive culture is defined and described. Expressive culture is the processes, emotions, and ideas bound within the social production of aesthetic forms and performances in everyday life. It is a way to embody culture and to express culture through sensory experiences such as dance, music, literature, visual media, and theater. By integrating the arts into social studies, students are introduced to cultural ideals, traditions, and norms inherent in their own lives. This article describes the use of cultural anthropology as a vehicle to teach social studies concepts with visual and performing arts. Two examples of coequal social studies and arts units are examined in second and sixth grades.
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Manley, Andrew, and Michael Silk. "Remembering the City: Changing Conceptions of Community in Urban China." City & Community 18, no. 4 (December 2019): 1240–66. http://dx.doi.org/10.1111/cico.12466.
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Adopting complimentary integrative research methodologies, this article examines changing conceptions of community among urban residents within the city of Suzhou, Jiangsu province, China. Through local residents’ past memories, “everyday” experiences of (former) urban communities, and reflections on a particular way of life, we focus upon the subjective/affective meanings and memories attached to processes of urban change. We place emphasis on the manner in which residents make sense of sociospatial transformations in relation to the (re)making of community, local social interaction, and a sense of belonging. Discussion centers on the affective and embodied notions of a particular way of life in (older) communities; sensory performances that were deemed difficult to replicate within modern development zones and the broader field of contemporary Chinese society.