Relevant bibliographies by topics / Eva Hesse

Academic literature on the topic 'Eva Hesse'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Eva Hesse"

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Loughery, John, and Bill Barrette. "Eva Hesse Sculpture." Woman's Art Journal 11, no. 1 (1990): 52. http://dx.doi.org/10.2307/1358393.

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Jackson, Anne. "Eva Hesse: Studiowork." TEXTILE 9, no. 2 (July 2011): 240–47. http://dx.doi.org/10.2752/175183511x13055600095653.

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Reeve, Charles. "Diaries by Eva Hesse." Biography 40, no. 3 (2017): 512–17. http://dx.doi.org/10.1353/bio.2017.0037.

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FER, BRIONY. "Eva Hesse and Color." October 119 (January 2007): 21–36. http://dx.doi.org/10.1162/octo.2007.119.1.21.

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Swenson, Kirsten. "Eva Hesse, Abstract Expressionist Painter." Konsthistorisk tidskrift/Journal of Art History 83, no. 2 (April 3, 2014): 82–95. http://dx.doi.org/10.1080/00233609.2014.901412.

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Tipton, Gemma. "San Francisco: Eva Hesse at SFMOMA." Circa, no. 101 (2002): 92. http://dx.doi.org/10.2307/25563861.

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Fer, Briony. "Bordering on Blank: Eva Hesse and Minimalism." Art History 17, no. 3 (September 1994): 424–49. http://dx.doi.org/10.1111/j.1467-8365.1994.tb00586.x.

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Nixon, Mignon. "Eva Hesse Retrospective: A Note on Milieu." October 104 (April 2003): 149–56. http://dx.doi.org/10.1162/016228703322031758.

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Alcântara, Luiza, and Rachel Cecília de Oliveira. "Absurdo! A repetição na obra de Eva Hesse." ARS (São Paulo) 19, no. 42 (November 29, 2021): 797–833. http://dx.doi.org/10.11606/issn.2178-0447.ars.2021.183733.

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Este artigo analisa a obra de Eva Hesse sem recair nos vícios que parte da crítica de arte e da historiografia reproduzem ao abordar obras de arte feitas por mulheres. Isso é feito mostrando como as obras de Eva Hesse corroboram uma ideia de gesto livre, do gesto como sua intencionalidade, uma forma de vestígio de corpo, de presença. Por meio dos conceitos de índice, repetição e gesto, traçamos diferenças entre a artista e seus contemporâneos, enfatizando os movimentos aos quais sua obra é tradicionalmente associada: o minimalismo e a arte conceitual.
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APPLIN, JO. "EVA HESSE: SCULPTURE BY ELISABETH SUSSMAN AND FRED WASSERMAN (ED.) AND EVA HESSE: DRAWING BY CATHERINE DE ZEGHER (ED.)." Art Book 14, no. 4 (November 2007): 31–32. http://dx.doi.org/10.1111/j.1467-8357.2007.00863_9.x.

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Dissertations / Theses on the topic "Eva Hesse"

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Cavagnaro, Loretta Maureen. "Eva Hesse in exhibition : contexts and categories /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Corby, Vanessa Jane. "'Establishing losses encountered' : towards a detail of Eva Hesse." Thesis, University of Leeds, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412738.

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Tong, Kim Christina. "The sur(real) sublime : Bourgeois, Hesse and contemporary sculptural practice." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314306.

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Millard, Michèle. "An analysis of the critical discourse on the work of Eva Hesse /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61138.

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This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse and their underlying methodologies and theoretical assumptions. Its purpose is to determine in a general way how and why the nature of criticism has changed from positions strongly influenced by Modernism as defined by Clement Greenberg to those that involved a separation of criticism from consideration of artworks as individual phenomena.
For the most part, Chapter One concerns critics' Modernist analyses of Hesse's relationship to Minimalism and their progression towards a criticism based on non-formalist, non-hierarchical theories of style. There is also a short discussion on the linkage created between Hesse's art and specific psychological traumas in her life. Included as well is an explanation of the changing conception of originality and the critic's dilemma in confronting private content through the strictures of public dialogue.
Chapter Two investigates critical discussions of experience, how art was apprehended and how meaning was transmitted.
Chapter III involves a feminist debate on the issues of gender. The content of Hesse's work was analyzed in psycho-biographical terms and within the framework of her identity as a female artist in western culture.
And finally, the thesis concludes by pointing out the evolution of criticism into a distinct, independent discipline whereby the critic articulates the theoretical contexts in which the artwork exists, but then extends in into a broader cultural setting where the critic analyzes the significance of such positions taken, its relationship to the past and future implications.
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Conley, Christine Louise. "Love among the runes : allegory, gender and the symbolics of loss in the work of three twentieth century women." Thesis, University of Essex, 1998. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242256.

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Kosoi, Natalie. "Nothingness in art : Mark Rothko, Yves Klein, Robert Ryman, Anish Kapoor and Eva Hesse." Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343551.

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Feldhaus, Reinhild. "Der Ort von Künstlerinnen im Diskurs der Avantgarde zur Rezeption von Paula Modersohn-Becker, Frida Kahlo und Eva Hesse." Berlin dissertation.de, 2002. http://d-nb.info/999377647/04.

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Nurmi, Kaela L. "Challenges Surrounding the Conservation and Replication of Eva Hesse’s Sculpture." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/709.

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The sculpture of German-born American artist, Eva Hesse (1936-1970), presents many conservation challenges. Hesse’s experimentations with latex and fiberglass created stunningly innovative works of art in the late 1960s bringing these unorthodox materials into the world of fine art; but now these materials are creating major conservation problems. Her artwork is an extreme example of the conservation challenges of contemporary art. This thesis examines the challenges surrounding the conservation and replication of Eva Hesse’s large-scale latex and fiberglass sculptures. The latex and fiberglass materials that captivated Hesse are compromising the structural integrity of her large-scale sculptures today. Hesse’s art forces conservators to establish conservation practices specific to modern and contemporary art. Although replication pushes conservators to re-examine their usual practices and violates the standard notion of minimal intervention, the replication of Hesse’s sculptural works is necessary to represent her artistic vision.
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Woithe, Gabriele. "Das Kunstwerk als Lebensgeschichte zur autobiographischen Dimension bildender Kunst." Berlin Logos-Verl, 2007. http://d-nb.info/991379152/04.

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John, Anna. "Stages for Objects." Thesis, The University of Sydney, 2015. https://hdl.handle.net/2123/22299.

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After relational aesthetics, the performative and relational qualities of sculpture are understood as an event or result of a social engagement, rendering the art object as an obstruction to these qualities, rather than a gateway. Stages for Objects examines a select history of the art object as a medium and a site for correspondence, and a lineage of artists who activate and evidence performativity and relational thinking in the privacy of the studio, rather than in the public eye.
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Books on the topic "Eva Hesse"

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1962-, Folie Sabine, Kunsthalle Wien, and Galerie Hauser & Wirth., eds. Eva Hesse. [Wien]: Kunsthalle Wien, 2004.

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Hesse, Eva. Eva Hesse. Paris: Galerie nationale du Jeu de Paume, 1993.

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Hesse, Eva. Eva Hesse. Köln: Walther König, 2004.

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Lippard, Lucy R. Eva Hesse. New York: Da Capo Press, 1992.

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1939-, Sussman Elisabeth, San Francisco Museum of Modern Art., and Museum Wiesbaden, eds. Eva Hesse. San Francisco: San Francisco Museum of Modern Art, 2002.

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de, Zegher M. Catherine, Sussman Elisabeth, Drawing Center (New York, N.Y.), Menil Collection (Houston, Tex.), Museum of Contemporary Art (Los Angeles, Calif.), and Walker Art Center, eds. Eva Hesse drawing. New York: The Drawing Center, 2006.

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1936-1970, Hesse Eva, Wasserman Fred, Bois Yve Alain, Godfrey Mark, and Jewish Museum (New York, N.Y.), eds. Eva Hesse: Sculpture. New York: Jewish Museum, 2006.

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A, Cooper Helen, Berger Maurice 1956-, Baier Lesley K, and Yale University Art Gallery, eds. Eva Hesse: A retrospective. New Haven: Yale University Art Gallery, 1992.

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1943-, Petzinger Renate, and Rosen Barry, eds. Eva Hesse: Catalogue raisonné. [Wiesbaden]: Museum Wiesbaden, 2006.

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Hesse, Eva. Eva Hesse, 1936-1970. New York: Pat Hearn Gallery, 1987.

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Book chapters on the topic "Eva Hesse"

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Davie, Donald. "A First Epistle To Eva Hesse." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 469–76. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-154.

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Loss, Hans-Jürgen, and Anke Trischler. "CSR und SDGs im All-Tag der ESA-Forschung. Interview mit Dr. Thomas Reiter, European Space Agency." In CSR in Hessen, 211–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63004-4_15.

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Luzzi, Sabino, Mattia Del Maestro, and Renato Galzio. "Posterior Circulation Aneurysms: A Critical Appraisal of a Surgical Series in Endovascular Era." In Acta Neurochirurgica Supplement, 39–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63453-7_6.

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AbstractThe advent of the endovascular era has apparently decreased the role of microneurosurgery for many of the posterior circulation aneurysms. This study consists of a critical appraisal of a retrospective surgical series regarding posterior circulation aneurysms, targeted to define whether microneurosurgery still has a role for some of these. In 28 years, 157 aneurysms were surgically treated, 98 of which ruptured. The Average patient age was 56.7 ± 14.2 years, while in hemorrhagic cases, the mean Hunt-Hess score was 2.17 ± 0.8. Basilar tip, vertebral artery and proximal posterior inferior cerebellar artery were the most frequently involved sites. The treatment consisted of 128 clippings, 19 trappings, 7 wrappings, and 3 bypasses. A total exclusion was achieved in 88.5% of the aneurysms. An average follow-up of 67.1 ± 61.3 months proved no recurrences. The best results were observed in patients <65 years old who harbored small-to-regular aneurysms of the basilar tip, distal cerebellar arteries, or vertebral artery.Clipping proved to be a definitive and durable treatment for a large part of posterior circulation aneurysms, whereas bypass allows for treating aneurysms not amenable for coiling, stenting, or clipping. The present study confirms that microneurosurgery continues to have a paramount role within neurovascular pathology.
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"EVA HESSE." In Modern Sculpture, 246–50. University of California Press, 2022. http://dx.doi.org/10.2307/j.ctv2vr8v47.71.

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"Eva Hesse." In Bachelors. The MIT Press, 1999. http://dx.doi.org/10.7551/mitpress/1504.003.0004.

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"Introduction." In Eva Hesse. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755604036.0006.

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"In Place of a Conclusion." In Eva Hesse. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755604036.0007.

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"Notes." In Eva Hesse. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755604036.0008.

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"Bibliography." In Eva Hesse. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755604036.0009.

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"Plates." In Eva Hesse. I.B.Tauris, 2010. http://dx.doi.org/10.5040/9780755604036.0011.

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