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Books on the topic 'European Union – Albania'

Author: Grafiati

Published: 10 March 2023

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1

John, Loughlin, ed. Albania and the European Union: European integration and the prospect of accession. Tirana: [publisher not identified], 2004.

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2

Fera, Giuseppe. Il ponte Italia-Albania tra l'Unione europea e i Balcani. Torino: G. Giappichelli, 2011.

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3

Nicola, Mai, Dalipaj Mirela, and Fabian Society (Great Britain), eds. Exploding the migration myths: Analysis and recommendations for the European Union, the UK and Albania. London: Fabian Society, 2003.

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4

Phillips, David L. Albania: From fragile state to viable international partner. New York, N.Y: National Committee on American Foreign Policy, 2008.

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5

Tough Love: The European Union's relations with the Western Balkans. The Hague: Cambridge Univ Press, 2007.

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6

United States. Congress. Commission on Security and Cooperation in Europe. Implementation of the Helsinki accords: Hearing before the Commission on Security and Cooperation in Europe, One Hundred Second Congress, first session, democratic developments in Albania, May 22, 1991. Washington: U.S. G.P.O., 1991.

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7

Vŭlkov, Petʹo. Albanskii︠a︡t faktor v Republika Severna Makedonii︠a︡: Znachenie za sigurnostta i evroatlanticheskata perspektiva na Zapadnite Balkani = The Albanian factor in the Republic of North Macedonia : its importance for the security and Euroatlantic perspective of the Western Balkans. Sofii︠a︡: Makedonski nauchen institut, 2021.

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8

Albania and the European Union: The Tumultuous Journey Towards Integration and Accession (Library of European Studies). I. B. Tauris, 2007.

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9

(Editor), Russell King, Nicola Mai (Editor), and Mirela Dalipaj (Editor), eds. Exploding the Migration Myths: Analysis and Recommendations for the European Union, the UK and Albania. Oxfam Publishing, 2004.

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10

Schubert, Peter. Albanische Identitatssuche Im Spannungsfeld Zwischen Nationaler Eigenstaatlichkeit Und Europaischer Integration (Strategische Kultur Europas). Peter Lang Pub Inc, 2005.

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11

Karini, Artan. International Aid, Administrative Reform and the Politics of EU Accession: The Case of Albania. Palgrave Pivot, 2019.

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12

Karini, Artan. International Aid, Administrative Reform and the Politics of EU Accession: The Case of Albania. Palgrave Pivot, 2018.

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13

Conditioning Democratization: Institutional Reforms and EU Membership Conditionality in Albania and Macedonia. Anthem Press, 2014.

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14

Peshkopia, Ridvan. Conditioning Democratization: Institutional Reforms and EU Membership Conditionality in Albania and Macedonia. Anthem Press, 2015.

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15

Peshkopia, Ridvan. Conditioning Democratization: Institutional Reforms and Eu Membership Conditionality in Albania and Macedonia. Anthem Press, 2014.

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16

Peshkopia, Ridvan. Conditioning Democratization: Institutional Reforms and EU Membership Conditionality in Albania and Macedonia. Anthem Press, 2014.

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17

Keil, Soeren, Jelena Džankić, and Marko Kmezić. The Europeanisation of the Western Balkans: A Failure of EU Conditionality? Palgrave Macmillan, 2018.

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18

Keil, Soeren, Jelena Džankić, and Marko Kmezić. The Europeanisation of the Western Balkans: A Failure of EU Conditionality? Palgrave Macmillan, 2018.

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19

Comparative Tables of Social Security Schemes in Council of Europe Member States Not Members of the European Union, and in Albania, Australia, Canada, ... Scheme (Employees in Industry and Commerce). Council of Europe Publishing, 1995.

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20

(Editor), Paul Siegelbaum, ed. Structural Adjustment in the Transition: Case Studies from Albania, Azerbaijan, Kyrgyz Republic, and Moldova (World Bank Discussion Paper). World Bank Publications, 2002.

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21

Stamenkoviç, Marko, ed. Resistance. 2nd ed. punctum books, 2021. http://dx.doi.org/10.53288/0384.1.00.

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esistance features a selection of overtly non-conformist positions in the contemporary visual art scene of Albania vis-à-vis the most recent social, political, and economic turmoils in the Western Balkans – a region marked by the dark side of political governances that have remained “democratic” in their outward appearance (especially toward the European Union), while dramatically leaning toward autocratic regimes in the eyes of their own citizens. Regardless of their citizens’ primary interests, and despite some positive signals surfacing in the international media, almost every attempt to establish lasting conditions for democratic governance in the Western Balkans has been shrouded in the veil of profit-driven political scandals, personal greed for more and more power over the people’s rights, and the extinction of public property in pursuit of social elite’s corporate and private interests. Additionally, and more specifically related to Tirana, artists and citizens have, over the years, been involved in various types of revolt, expressing their disagreements with the ongoing destruction of public property in the name of “modernization and development”: a movement led by local political powers through financially and strategically motivated processes of architectural cannibalism – not only at the expense of erasing Albanian cultural heritage or long-term residents’ habitats, but also at the expense of taking human lives under the pretext of “urbanization.” The most obvious instance of this economy of destruction was the complex of buildings linked to the National Theater of Albania in downtown Tirana that has served as a symbolic and material place of citizens’ resistance: for more than two years, together with local artists, they have been opposing the government’s plans to demolish the old complex in order to build a new one – until this finally happened in Spring 2020, in the midst of the ongoing COVID19 pandemic. Rooted in the atmosphere of the National Theater Protests in Tirana, RESISTANCE was conceived in Summer 2019 by ZETA Center for Contemporary Art as the International Artists-in-Residence Program, in cooperation with three partner organizations from Kosovo, Serbia and North Macedonia (Stacion – Center for Contemporary Art in Prishtina; Ilija & Mangelos Foundation in Novi Sad; and Faculty of Things That Can’t Be Learned in Bitola) and supported by Swiss Cultural Fund in Albania, a project of the Swiss Agency for Development and Cooperation. Gradually, the project expanded into an exhibition (Heterotopias of Resistance, curated by Blerta Hoçia and featuring works by Lori Lako, Fatlum Doçi, Edona Kryeziu, Nina Galiç, Darko Vukiç, Nikola Slavevski, and Natasha Nedelkova) and a series of interviews and panel discussions (with contributions by Lindita Komani, Edmond Budina, Ervin Goci, Ergin Zaloshnja, Pleurad Xhafa, Gentian Shkurti, Stefano Romano, Luçjan Bedeni, HAVEIT, Leonard Qylafi, Jonida Gashi, and Fatmira Nikolli). The results of both have been collected and presented in the format of a publication that, besides serving as an indispensable reading material concerning visual arts and politics in contemporary Albania, especially to those abroad, functions by itself as a form of resistance against contagious cultural policies in weak post-socialist “democracies” in Southeastern Europe.

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22

van, Selm Joanne, ed. Kosovo's refugees in the European Union. London: Pinter, 2000.

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23

Papadimitriou, Lydia, and Ana Grgić, eds. Contemporary Balkan Cinema. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458436.001.0001.

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The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars working within and beyond the region to explore its industrial contexts and textual dimensions. Exploring both mainstream and arthouse cinemas, the authors identify patterns, trends and common characteristics in the subject matter and aesthetics of films produced and distributed since the global economic crisis. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. Through critical and comprehensive profiles of the cinematic output in each Balkan country, and with an equal focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of ‘Balkan cinema’. This study conceptualizes Contemporary Balkan Cinema as a hybrid, trans-national encounter that offers multifarious responses to political and social challenges in the region: gravitation and/or disillusionment toward the European Union; migration; political and social instability; and economic recession.

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24

Judah, Tim. Kosovo. Oxford University Press, 2008. http://dx.doi.org/10.1093/wentk/9780195376739.001.0001.

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On February 17, 2008, Kosovo declared its independence, becoming the seventh state to emerge from the break-up of the former Yugoslavia. A tiny country of just two million people, 90% of whom are ethnic Albanians, Kosovo is central - geographically, historically, and politically - to the future of the Western Balkans and, in turn, its potential future within the European Union. But the fate of both Kosovo, condemned by Serbian leaders as a “fake state” and the region as a whole, remains uncertain. In Kosovo: What Everyone Needs to Know, Tim Judah provides a straight-forward guide to the complicated place that is Kosovo. Judah, who has spent years covering the region, offers succinct, penetrating answers to a wide range of questions: Why is Kosovo important? Who are the Albanians? Who are the Serbs? Why is Kosovo so important to Serbs? What role does Kosovo play in the region and in the world? Judah reveals how things stand now and presents the history and geopolitical dynamics that have led to it. The most important of these is the question of the right to self-determination, invoked by the Kosovo Albanians, as opposed to right of territorial integrity invoked by the Serbs. For many Serbs, Kosovo's declaration of independence and subsequent recognition has been traumatic, a savage blow to national pride. Albanians, on the other hand, believe their independence rights an historical wrong: the Serbian conquest (Serbs say “liberation”) of Kosovo in 1912. For anyone wishing to understand both the history and possible future of Kosovo at this pivotal moment in its history, this book offers a wealth of insight and information in a uniquely accessible format.

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25

Lulushi, Albert. Operation Valuable Fiend: The CIA's First Paramilitary Strike Against the Iron Curtain. Skyhorse Publishing Company, Incorporated, 2014.

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26

Operation Valuable Fiend: The CIA's first paramilitary strike against the Iron Curtain. 2014.

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