Dissertations / Theses on the topic 'European literature – 17th century – history and criticism'
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Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
Full textJackson, Simon John. "The literary and musical activities of the Herbert family." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
Full textLangford, Charles K. "Le utopie rinascimentali : esempli moderni di polis perfetta." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.
Full textThe utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those considered in this thesis, besides Utopia, are: Francesco Doni's Il mondo savio e pazzo (1552), Francesco Patrizi's La Citta felice (1553), Ludovico Agostini's La Repubblica immaginaria (1580), Tommaso Campanella's La Citta del Sole (The City of the Sun) (1602) and Lodovico Zuccolo's Il Belluzzi (1621).
The thesis examines these six main literary works according to the concept of uchronie and escapism, the definitions of utopia by Karl Mannheim, J.C. Davis and Mikhail Bakhtin, the religious and Arcadian elements and the relationship between utopia and satire. The thesis analyzes three essential aspects of the utopian tales: city planning, relationship between man and woman, and education. The utopias of the Renaissance also reveal two different visions: one innovative if compared to the society of the time, and another, post-tridentina, oriented towards a return to more traditional values. The thesis examines the influence of More's work on the utopias of the Renaissance by analyzing and comparing a series of topics, like the title of the work, the narrator, fantastical names and ideas, the role of Plato, property and inequity, the choice of woman and the concept of beauty, daily labor, the function of God, and the concept of law.
The utopias of the Renaissance have various modern aspects: a utilitarian justice, a better place of woman in the society, the laicity of the government, the "rationality" of war, secularism, education, health, social justice, assistance to elderly. They also contain myopias, like an unrealistic economic model and a static society.
Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.
Full textPatterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.
Full textMonette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.
Full textXu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.
Full textChapter 1 provides an overview of the social-cultural context in which late Ming courtesans flourished. I emphasize office-holding as losing its appeal for late Ming nonconformists who sought other alternative means of self-realization. Chapter 2 examines the importance of poetry by courtesans in literati culture as demonstrated by their visible inclusion in late Ming and early Qing anthologies of women's writings. Chapter 3 examines the life and poetry of individual courtesans through three case studies. Together, these three chapters illustrate the strong identification between nonconformist literati and the courtesans they extolled at both collective and individual levels.
In Chapter 4, by focusing on the context and texts of the poetry collection of the courtesan Chen Susu and on writings about her, I illustrate the efforts by both male and female literati in the early Qing to reproduce the cultural glory of late Ming courtesans. However, despite their cooperative efforts, courtesans became inevitably marginalized in literati culture as talented women of the gentry flourished.
This dissertation as a whole explores how male literati and courtesans responded to the social and literary milieu of late Ming Jiangnan to shed light on aspects of the intersection of self and society in this floating world. This courtesan culture was a counterculture in that: (1) it was deep-rooted in male poetry societies, a cultural space that was formed in opposition to government office; (2) in valuing romantic relationship and friendship, the promoters of this culture deliberately deemphasized the most primary human relations as defined in the Confucian tradition; (3) this culture conditioned, motivated, and promoted serious relationships between literati and courtesans, which fundamentally undermined orthodox values.
Laverick, Jane A. "A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.
Full textHone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Full textKwong, Jessica Mun-Ling. "Playing the whore : representations of whoredom in early modern English comedy." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
Full textWilton-Godberfforde, Emilia Eleni Rachel. "Mendacity and the figure of the liar in seventeenth-century French comedy." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609698.
Full textJones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Full textReynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.
Full textChattopadhyay, Sayan. "Foreign selves : Indian self-fashioning as European and twentieth-century Indian English literature." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648897.
Full textRoth, Jenny. "Law, gender and culture : representations of the female legal subject in selected Jacobean texts." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14658.
Full textHiggins, Benjamin David Robert. "We have a constant will to publish : the publishers of Shakespeare's First Folio." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.
Full textHirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture." University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Full textBender, Ashley Brookner. "Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12081/.
Full textJennings, Emily. "Prophetic rhetoric in the early Stuart period." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.
Full textGomez, Clemente Jr. "Manhood in Spain: Feminine Perspectives of Masculinity in the Seventeenth Century." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849616/.
Full textOh, Seiwoong. "The Scholarly Trickster in Jacobean Drama: Characterology and Culture." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.
Full textBerg, Dorothea Daria. "The Xingshi yinyuan zhuan : a study of utopia and the perception of the world in seventeenth-century Chinese discourse." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:a4525902-e40f-4ae9-85d9-7dd256568d69.
Full textPickard, Claire. "Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.
Full textTrehearne, Brian 1957. "Aestheticism and the Canadian modernists : aspects of a poetic influence." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72831.
Full textKershaw, Alison. "The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'." University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Full textTanner, Jane Hinkle. "Sharing the Light: Feminine Power in Tudor and Stuart Comedy." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Full textAbunasser, Rima Jamil. "Corporate Christians and Terrible Turks: Economics, Aesthetics, and the Representation of Empire in the Early British Travel Narrative, 1630 - 1780." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4444/.
Full textRibeiro, Ana Claudia Romano. "Sou do país superior : utopia e alegoria na libertina Terra Austral conhecida (1676), de Gabriel de Foigny : tradução e estudo." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269938.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-10-02T19:50:58Z (GMT). No. of bitstreams: 1 Ribeiro_AnaClaudiaRomano_D.pdf: 462497191 bytes, checksum: 95a1bcb4a0a455fe962de04edb99c491 (MD5) Previous issue date: 2010
Conteudo: v.1. Estudo ; v.2. Tradução
Resumo: Analisar e traduzir La Terre Australe connue são os objetivos desta tese de doutorado. Segundo "G. de F", narrador do prefácio, La Terre Australe connue é a tradução do relato da viagem de Nicolas Sadeur ao último continente ainda desconhecido no século XVII, chamado nos mapas da época de terra australis incógnita, um lugar aprazível, habitado e totalmente planejado - em todos os seus aspectos - por hermafroditas perfeitamente racionais. Este pseudodocumento é uma utopia literária que foi, em realidade, escrita por Gabriel de Foigny e publicada em Genebra, em 1676, sob falso nome de editor e de cidade. O trabalho está dividido em dois volumes. O volume 1 é dedicado à análise da obra e contém dois capítulos principais. O primeiro trata da definição da utopia como gênero literário partindo do texto paradigmático de Thomas Morus, A Utopia. No segundo capítulo, apresento uma biografia de Gabriel de Foigny, faço uma revisão bibliográfica da crítica já publicada sobre sua utopia para, em seguida, desenvolver minha interpretação da figura do hermafrodita como alegoria da hibridização 1) do poder real absoluto, 2) do Estado absolutista e 3) do panorama religioso francês desta época. Passo em seguida à análise da figura do hermafrodita tal como ela é descrita pelo autor, percebendo que ela se insere na tradição menipéia e luciânica. Na parte seguinte, estudo outros temas relevantes para a compreensão desta utopia: a questão religiosa no capítulo VI ("Da religião dos austrais"), a ciência e a técnica na Terra Austral, o prefácio e o narrador-editor, a temática das línguas e da tradução nesta utopia e, por fim, o libertinismo. Um apêndice é dedicado ao estudo das fontes gregas da utopia. No volume 2 está a tradução para o português, organizada numa edição bilíngue acompanhada de notas.
Abstract: The aim of this doctoral thesis is to analyze and translate La Terre Australe connue. According to "G. de F. ", the narrator of the preface, La Terre Australe connue is the translation of Nicolas Sadeur's voyage account to the last continent still unknown in the 17th Century, called terra australis incognita on the maps of the period, an inhabited place, in all aspects pleasing and totally planned by perfectly rational hermaphrodites. This pseudodocument is a literary Utopia. It was, in fact, written by Gabriel Foigny and published in Geneva in 1676, under a false name of city and editor. The work is divided into two volumes. Volume 1 is dedicated to the analysis of the text and contains two main chapters. The first one deals with the definition of Utopia as a literary genre starting from the paradigmatic text of Thomas More, Utopia. The second brings a biography of Gabriel de Foigny, a review of the published criticism about his Utopia with the purpose of, afterwards, presenting my personal reading of it, based on the figure of the hermaphrodite as an allegory of the hybridization of 1) the absolute royal power, 2) the absolutist state and 3) the religious panorama of 17th Century France. I examine, then, the figure of the hermaphrodite as it is described by the author, observing that it continues the menippean and lucianic tradition. After that, I study other relevant subjects to the understanding of this Utopia: the religious question in Chapter VI ("The religion of the Southern"), science and technology in the Southern Land, the preface and the narrator-editor, the thematics of language and translation in this Utopia and, eventually, the philosophical libertinism. An appendix is devoted to the study of Greek sources of Utopia. In volume 2 we present the Portuguese translation, organized in a bilingual edition, accompanied by notes.
Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
Sutton, Peter David. "'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.
Full textHjul, Lauren Martha. "The family in Shakespeare's plays: a study of South African revisions." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001832.
Full textGaubert, Benoit Céline. "Le goût d'écrire et de lire dans le conte de fées français des 17° et 18° siècles. Fantaisies de l'écriture, du livre, de la bibliothèque et de la lecture." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA086.
Full textThe study of the fairy tale over the years 1690-1789, when the genre was in fashion in France, shows that, from its inception, the subject matter grew up with elements of realistic literary practice which were largely reshaped by imagination. The first storytellers (1690-1704) set up the literary genre according to a complex poetics allying the orality of naive times with literacy, which is the mark of a social and cultural practice of the story. The contributions of the forthcoming storytellers are imitations, parodies or are tinged with Orientalism. All the writers are affected, but to varying degrees: Perrault, Choisy and Fénelon are less inventive in this respect than Madame d’Aulnoy, Pétis de la Croix or the Chevalier de Mailly. The wonderland reveals its mysteries and the secret of its metatextual layout through more or less fleeting scenes of book reading or writing conjuring up a magical library
De, Craim Alexandre. "L'unité narrative de L'Astrée: structures architextuelle, textuelle et thématique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209749.
Full textDoctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Jeffrey, Anthony Cole. "The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Full textMcCann, Michael Charles 1959. "Occult Invention: The Rebirth of Rhetorical Heuresis in Early Modern British Literature from Chapman to Swift." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12081.
Full textThe twentieth-century project of American rhetorician Kenneth Burke, grounded in a magic-based theory of language, reveals a path to the origins of what I am going to call occult invention. The occult, which I define as a symbol set of natural terms derived from supernatural terms, employs a method of heuresis based on a metaphor-like process I call analogic extension. Traditional invention fell from use shortly after the Liberal Arts reforms of Peter Ramus, around 1550. Occult invention emerged nearly simultaneously, when Early Modern British authors began using occult symbols as tropes in what I refer to as the Occult Mode. I use six of these authors--George Chapman, William Shakespeare, John Donne, Abraham Cowley, John Dryden, and Jonathan Swift--as examples of how occult invention arises. In appropriating occult symbolism, authors in the Occult Mode began using the invention methods of the occult arts of magic, alchemy, astrology, and cabala to derive new meanings, transform language, develop characters and plots, and reorient social perspectives. As we learn in tracking Burke's project, occult invention combines the principles of Aristotle's rhetoric and metaphysics with the techniques and principles of the occult arts. Occult invention fell from use around the end of the eighteenth century, but its rhetorical influence reemerged through the work of Burke. In this study I seek to contextualize and explicate some of the literary sources and rhetorical implications of occult invention as an emergent field for further research.
Committee in charge: Dianne Dugaw, Co-Chairperson; John T. Gage, Co-Chairperson; Kenneth Calhoon, Member; Steven Shankman, Member; Jeffrey Librett,Outside Member
Taylor, Helena. "The lives of Ovid : secrets, exile and galanterie in writing of the ‘Grand Siècle’." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4571c071-a499-44e7-a870-ed747d69bdc5.
Full textGaubert, Benoit Céline. "Le goût d'écrire et de lire dans le conte de fées français des 17° et 18° siècles. Fantaisies de l'écriture, du livre, de la bibliothèque et de la lecture." Electronic Thesis or Diss., Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA086.
Full textThe study of the fairy tale over the years 1690-1789, when the genre was in fashion in France, shows that, from its inception, the subject matter grew up with elements of realistic literary practice which were largely reshaped by imagination. The first storytellers (1690-1704) set up the literary genre according to a complex poetics allying the orality of naive times with literacy, which is the mark of a social and cultural practice of the story. The contributions of the forthcoming storytellers are imitations, parodies or are tinged with Orientalism. All the writers are affected, but to varying degrees: Perrault, Choisy and Fénelon are less inventive in this respect than Madame d’Aulnoy, Pétis de la Croix or the Chevalier de Mailly. The wonderland reveals its mysteries and the secret of its metatextual layout through more or less fleeting scenes of book reading or writing conjuring up a magical library
Benson, Fiona. "The Ophelia versions : representations of a dramatic type, 1600-1633." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/478.
Full text"裂變之後的桃源建構: 清初陶學研究." 2013. http://library.cuhk.edu.hk/record=b5549700.
Full text基於上述的研究,筆者認為以往學術界把清初陶學只理解為「忠憤」的表現是不夠全面的,尤其是清初關於陶淵明的討論,除了遺民文人有熱烈的參與外,非遺民文人亦有相當數量的研究,而且他們之間還存在着不少的交流,互相回應。正因如此,清初和陶風氣盛極一時,並且出現了一種嶄新、「反其致」的和陶現象--〈反乞食〉詩。
這種借用陶淵明的意象互相交流與回應,更多反映在詩歌方面。清初文人借讀陶、評陶、和陶等方法抒發他們於易代間的鬱悶。這種詩歌世界,重現了陶淵明筆下的桃源,在這裏,他們「不知有漢,無論魏晉」,思想上可以暫時脫離現實的痛苦,悠然人間。這也使得清初《陶集》評注本的編撰,一改南宋以來十卷本的「全集」形式,而偏重於四卷本,只收錄詩作的體制。
The author intends to discuss the reception of Tao Yuanming in the Early Qing Dynasty from the aspects such as the emotions of poets, the changes of poetics, the intentions of poetries, the poetic imageries and the differences of the editions. And, it is the first work focusing solely on the reception of Tao Yuanming in the Early Qing Dynasty. Regarding the research methods, this dissertation not only studies the critiques through the existed methods, but also analyses the existed materials in a different manner. By comparing the literary allusions of Tao Yuanming’s life of 40 scholars lived in Early Qing who had different social background, the thesis discusses how these people constructed the images of Tao Yuanming and how they selected from Tao’s qualities. The thesis also tries to sort out the different attitudes of Tao among scholars of Early Qing and its changes with regard to the historical context.
Based on the research, the author finds out that the existed understanding of the reception of Tao Yuanming in the Early Qing, which focuses on the leftover citizen’s aspect, and which portrays Tao image as a rebellion was largely incomplete. Apart from the vigorous discussions regarding the images of Tao among the leftover citizen, the non-leftover citizen also discussed Tao with great enthusiasm. Under this circumstance, a new form of He Tao Shi(和陶詩) “poems written to match Tao’s , was found in opposite mode in order to response to those leftover citizen.
By appropriation of Tao’s images in their communication and responding each other especially in poems, scholars lived in Early Qing expressed their uneasiness and pain as in the change of the regime through reading, commentary and writing of Tao’s collections. Thus, this special kind of poem allowed the Early Qing scholars to escape from the distress of the reality to an ideal world, a typical example of which was “Peach-Blossom Spring created by Tao Yuanming. This tendency reflected in the editions of Tao’s works in Early Qing Dynasty that Tao’s poems received much attention while other forms of works were not included in the collections of works.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
梁樹風.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references (leaves 331-376)
Abstracts in Chinese and English.
Abstracts in English and Chinese.
Liang Shufeng.
提要 --- p.I
目錄 --- p.III
Chapter 第一章 --- 緒論 --- p.1
Chapter 第一節 --- 研究範圍 --- p.1
Chapter 第二節 --- 研究旨趣 --- p.7
Chapter 第三節 --- 相關文獻回顧 --- p.14
Chapter 第四節 --- 論文架構與研究方法 --- p.17
Chapter 第二章 --- 清初陶學背景 --- p.24
Chapter 第一節 --- 明清易代與文人「生死」的抉擇 --- p.24
Chapter 第二節 --- 陶淵明生存方式對清初文人的啟示 --- p.29
Chapter 第三節 --- 清初文人寄情陶淵明的表現 --- p.37
Chapter 第四節 --- 清初遺民的逃禪與蓮社之約 --- p.56
Chapter 第三章 --- 清初詩學與陶詩評價的關係 --- p.91
Chapter 第一節 --- 清初詩壇尋「真」對陶詩評價的影響 --- p.91
Chapter 第二節 --- 清初「詩史」的重視與陶淵明甲子紀年之義 --- p.115
Chapter 第三節 --- 清初田園詩的復興與陶淵明田園詩內涵的解讀 --- p.130
Chapter 第四章 --- 清初的擬陶、集陶與和陶 --- p.151
Chapter 第一節 --- 清初擬陶與集陶的表現與陶文詩意的賞讀 --- p.152
Chapter 第二節 --- 清初和陶詩的表現與其意義 --- p.162
Chapter 第三節 --- 清初擬陶、和陶的觴濫--陶淵明〈酒二十首〉 --- p.169
Chapter 第四節 --- 清初的「反乞食詩」 --- p.184
Chapter 第五章 --- 清初的陶淵明意象與繪事 --- p.206
Chapter 第一節 --- 清初陶淵明與菊的意象與繪事 --- p.207
Chapter 第二節 --- 清初桃源的意象與繪事 --- p.228
Chapter 第六章 --- 清初《陶集》評注本 --- p.257
Chapter 第一節 --- 《陶淵明集》版本源流與清初的《陶淵明集》 --- p.257
Chapter 第二節 --- 清初的《陶淵明集》注釋 --- p.277
Chapter 第三節 --- 清初《陶集》評注的特色 --- p.319
Chapter 第七章 --- 結論 --- p.328
參考書目 --- p.331
Chapter 附錄一 --- 清初文人詩作用陶淵明典故語句輯錄 --- p.1
Chapter 附錄二 --- 清初文人用陶淵明典故的創作時間與數量分佈 --- p.105
Chapter 附錄三 --- 歷代書目所錄《陶淵明集》 --- p.106
Chapter 附錄四 --- 宋代《陶集》注本研究 --- p.119
Chapter 附錄五 --- 清初文人和陶詩附表 --- p.147
Whitted, Brent Edward. "Legal play : the literary culture of the Inns of Court, 1572-1634." Thesis, 1999. http://hdl.handle.net/2429/10139.
Full textKeim, Charles Andrew. "Milton’s God and the Sacred imagination." Thesis, 2004. http://hdl.handle.net/2429/15835.
Full textArts, Faculty of
English, Department of
Graduate
"Clothes make the wo/man: cross-dressing and gender on the English renaissance stage and in the late Imperial Chinese theatre." 2004. http://library.cuhk.edu.hk/record=b6073650.
Full text"August 2004."
Thesis (Ph.D.)--Chinese University of Hong Kong, 2004.
Includes bibliographical references (p. 249-268).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in English and Chinese.