Relevant bibliographies by topics / Europe, Central – Literatures – History and criticism

Academic literature on the topic 'Europe, Central – Literatures – History and criticism'

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Published: 10 March 2023

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Journal articles on the topic "Europe, Central – Literatures – History and criticism"

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Saldívar, Ramón. "Criticism on the Border and the Decolonization of Knowledge." American Literary History 34, no. 1 (February 1, 2022): 327–41. http://dx.doi.org/10.1093/alh/ajab078.

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Abstract Structures of hierarchy and domination are never represented in transborder literature as singular effects of social conditions. Instead, they arise from multiple historical factors. Unlike writings that assume a racial binary, literature on the border does not posit one kind of domination and hierarchy as barriers to creating a just, democratic society. In recent literary works from the transborder regions, the yearning for justice within the layered social systems on the border is central, even while its attainment through social transformation remains an attenuated hope. This essay outlines a paradigm for studying the relations between global and local areas of study, such as those in the transborder regions of the Americas. Invoking models for literary critical work in a globally bordered form, it posits the need for a larger view based on how knowledge is generated and human resources used, while acknowledging the reservoir of knowledge that exists beyond Europe and the US in the Global South. The function of the rebordered criticism described here is to respond to issues raised by African philosopher Achille Mbembe, Latin American sociologist Enrique Dussel and other decolonial thinkers concerning different ways of conceiving the achievement of an antiracist and socially just future. In the face of [the] compromised hopefulness [for justice on the border], what kind of criticism could best [respond to and] … help enact projects of social change?
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Tychinina, Alyona. "The Interconnections between the Czech Methodological Platform and the Ideas of Modern Ukrainian Literature Studies." Pitannâ lìteraturoznavstva, no. 102 (December 28, 2020): 195–221. http://dx.doi.org/10.31861/pytlit2020.102.195.

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The article under studies identifies the methodological ties between modern Czech and Ukrainian literary studies on the example of Ivo Pospišil’s monograph “Methodology and Theory of Literary Slavic Studies and Central Europe” (2015). The methodological platform of the scientist is shown in dynamics: comparative studies, phenomenology, historical poetics, genre studies and areal studies. Areal (spatial) philology becomes the methodological framework and “cognitive tool” in the above work. Within the specific features of the hermeneutic circle, I. Pospišil outlines the methodological principles of Brno areal studies, as well as substantiates the powers of areal methodology. Hence, by means of deduction, he narrows the areas of its application and eventually connects spatial poetics to the analysis of specific texts of modern Czech literature. In this respect, areal studies are consonant with the methodology of the N. Kopystyanska’s scientific school. From the standpoint of literary axiology, I. Pospišil characterizes the literary process of 1960–1970 in the way that coincides with the ideas of D. Zatonsky and T. Hundorova. The interpretation of the tropical nature of allegory and symbol, within the areal issues, resonates with a number of Ukrainian investigations. I. Pospišil’s speculations on the problem of auto-reflection and auto-axiology of creativity is based mainly on the concepts of O. Potebnja, on whose methodological reputation rely the works of most Ukrainian researchers. The phenomenon of Central Europe is regarded in the context of “Central European centrism” and multiculturalism, which conceptually brings the scientific research closer to the American studies by N. Vysotska and T. Denysova. I. Pospišil emphasizes the influence of Central European university traditions of the first half of the XX century on the formation of the Prague Linguistic Circle, as well as on the scientific growth of F. Wallman, S. Vilinsky, R Jacobson and R. Wellek. The concept of the history of Russian literature, proposed by I. Pospišil, leads to the profound analysis of the scientific figure of D. Chyzhevsky, which is being widely studied in Ukraine. It is concluded that the “methodological balance” of Czech and Ukrainian literary criticism is ensured by common “pendulum movements” in the history of the literary process, common theoretical and literary basis (works by O. Potebnja, M. Bakhtin, D. Chyzhevsky, D. Ďurišin), parallel influences of Western European literary criticism, as well as collective conference events and consensual research optics.
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Kozlov, Alexey E. "“Enslavement” and “liberation” art in nicolay aksharumov'es aesthetic criticism." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 45 (2022): 124–35. http://dx.doi.org/10.17223/22220836/45/12.

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The article analyzes the key papers and referents of the critic and writer Nicolay Akhsharumov, who appeared in the Russian press as one of the first theoreticians of “enslaved art”. The research concludes tracing the evolution of his views from the “program” article “On the enslavement of art” (1857) to art criticism and abstracts written specifically for the periodical edition of the “Vestnik of Arts” (1884-1885). At the same time, the descriptive-interpretation method, chosen by the critic, is closely connected with Sh. Sainte-Beuve and I. Taine (on whom, in particular, his contemporary, P.D. Boborykin was oriented), but also to F. Schleiermacher, who put forward the idea of the hermeneutic circle, built on a constant return from part to the whole, from the whole to a part. A special attention is paid to the article “ The Tasks of Painting in the Period of the Formation of the Russian National School”. Based on his own memories, testimonies of contemporaries and program articles published earlier in the “Bulletin of Europe”, Akhsharumov recreates the evolution of plastic art in Russia in the XIX century. Following V.V. Stasov, he connects the first triumph of Russian painting - the art paintings of Bryullov - with “blossoming time” A.S. Pushkin, “the first significant successes” Lermontov and Gogol. Talking about the false path of the artist Fedotov and the catastrophe, which, in the opinion of the critic, befell Ivanov'es picture, Akhsharumov draws a parallel with Gogol, recalling the “glory and sense of friends about his great significance,” who so quickly managed to “turn his head”. Akhsharumov shows how literature “outstripped painting” by solving the question of depicting Russian life through the works of Gogol, Ostrovsky, Turgenev and Saltykov-Shchedrin. The central subject of the study is the interpretation by Ahsharumov of N. Ge's “The Last Supper” (1863). Highlighting the canvas Ge in a note reflecting the impressions of 1863, among other paintings of his contemporaries, Akhsharumov differently estimates the picture in the 1880th. In both cases, referring to the meaning of the picture, the critic carries out a revision of his own views, constantly conceptualizing and clarifying the essence of the “enslaved” and “liberated art”. Thus, the Aksharumov'es aesthetic criticism his articles on the history of Russian painting, on the whole correlating with similar works of V.V. Stasova, A.I. Somova, P.D. Boborykin, etc., constitute not only an important testimony of his literary and critical activity spanning more than 30 years, but also open a forgotten page in the history of Russian art criticism. Of course, Akhsharumov was not alone in his aesthetic search. The description of new figures and the reconstruction of a number of articles by critics and art historians constitutes a perspective of interdisciplinary studies that unite the history of Russian criticism and art history.
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Paluch, Agata. "Intentionality and Kabbalistic Practices in Early Modern East-Central Europe." Aries 19, no. 1 (January 2, 2019): 83–111. http://dx.doi.org/10.1163/15700593-01901004.

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Abstract Kavanot, or mystical intentions, have acquired varied meanings and interpretations in kabbalistic literatures, from the practice of harmonising one’s mind with the requirement of performed ritual to elaborate processes of mental focus, exercised during prayer and other ritual acts, on divine attributes signified by divine names and stipulated meticulously in kabbalistic prayer-books. Early modern practical kabbalistic manuals also, to no surprise, abound with instructions which recommend a variety of kavanot. In many of these manuals and books of recipes, it is the intention that enables extending of one’s mind toward matter, and builds a new type of continuity between the practitioner and the outside world. Intentionality in kabbalistic practice thus channels the emergence of the performing, knowledgeable self, engaged in shaping the material world, a development which runs parallel to the emergence of new configurations of knowledge in the early modern period. This rise of intentional self, manifest in kabbalistic practices as expressed in early modern handwritten books of recipes of East-Central European provenance, will be the focus of this article.
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Cooper, David L. "Competing Languages of Czech Nation-Building: Jan Kollár and the Melodiousness of Czech." Slavic Review 67, no. 2 (2008): 301–20. http://dx.doi.org/10.1017/s0037677900023548.

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In the modern era, the institution of literature is being reconceived across Europe as a national institution. But the new paradigm of national literatures requires a remaking of literary discourse, including the transformation of critical terminology, and this results in literary discourse becoming politicized. By analyzing the history of the term libozvučnost (melodiousness) in the Czech national literary revival, David L. Cooper demonstrates how this seemingly innocent literary term became a political lightening rod for friends pursuing the same national program. This strongly suggests that, in the formative era of national literatures, using literary issues to discuss politics is not simply a matter of instrumentalizing literary criticism for covert political activity but that discussing literary values is directly political. The example of libozvučnost also reveals how the “borrowed“ discourses of Romanticism and nationalism were fundamentally remade to respond to the modern Czech situation.
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Heim, M. "History of the Literatures of East-Central Europe. Junctures and Disjunctures in the 19th and 20th Centuries." Comparative Literature 58, no. 3 (January 1, 2006): 261–63. http://dx.doi.org/10.1215/-58-3-261.

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McKay, Belinda. "Living in the End Time: Ecstasy and Apocalypse in the Work of H.D. and Janette Turner Hospital." Queensland Review 17, no. 2 (July 2010): 75–87. http://dx.doi.org/10.1017/s1321816600005432.

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Despite the current preoccupation with globalisation, literary criticism remains heavily focused on national cultures. In the context of Australian literature, comparisons are regularly made with the literatures of other British Commonwealth nations, but surprisingly infrequently with that of Britain's first and most successful colony, the United States. This article explores thematic and cultural connections between the work of American-born modernist poet and novelist H.D. (1886–1961) and the Australian-born postmodern novelist Janette Turner Hospital (born 1942). It suggests that the transnational phenomenon of ecstatic Protestantism, which originated in northern Europe and was disseminated widely around the globe along the channels of commerce and colonisation, has been a key influence in shaping the literary imaginations of these writers. Indeed, Protestantism – far from being a spent or reactive force – continues to generate new forms of modernity as its emphasis on transformation is exported from somewhat inward-looking religious communities into broader cultural domains.
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Surman, Jan. "Wielokulturowość: lekcje przeszłości." Sprawy Narodowościowe, no. 48 (August 2, 2016): 245–50. http://dx.doi.org/10.11649/sn.2016.015.

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Multiculturalism: lessons from the pastReview: Understanding Multiculturalism. The Habsburg Central European Experience, ed. Johannes Feichtinger, Gary B. Cohen, Berghahn, Oxford–New York, 2014 (Austrian and Habsburg Studies 17), pp. 246While recently the concept of multiculturalism has been an object of strong criticism from the political side, the book under review takes another turn scrutinizing and historicizing it. Looking at Central Europe through the lenses of nonessentialism, postcolonialism or national indifference, multiple authors propose not only new ways of reading the history of the region, but also of establishing categories for the future research in historical cultural studies. Wielokulturowość: lekcje przeszłościRecenzja: Understanding Multiculturalism. The Habsburg Central European Experience, red. Johannes Feichtinger, Gary B. Cohen, Berghahn, Oxford–New York, 2014 (Austrian and Habsburg Studies 17), ss. 246.Podczas gdy koncept wielokulturowości był w ostatnim czasie obiektem mocnej krytyki, szczególnie ze strony polityki, recenzowana książka obiera inną pozycję, analizując i historyzując go. Spoglądając na Europe Środkową z użyciem nieesecjalizujących czy postkolonialnych koncepcji, autorzy proponują nie tylko nowe sposoby odczytania historii regionu, lecz także nowe kategorie dla przyszłych badań historii kulturowej.
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Kwiatkowski, Fryderyk. "A Critical Analysis of the Concept of “Gnosticism” in Polish Literary Studies." Canadian-American Slavic Studies 52, no. 1 (March 22, 2018): 50–66. http://dx.doi.org/10.1163/22102396-05201003.

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Abstract In Polish literary-historical criticism, the concept of Gnosticism has been used most frequently as a hermeneutical category that makes it possible to understand better the oeuvre of authors from Central and Eastern Europe. Polish scholars have successfully identified (neo)gnostic ideas present in the works of Jerzy Hulewicz, Tadeusz Miciński, and Franz Kafka. By referring to the works of Hans Jonas, Kurt Rudolph, and Jerzy Prokopiuk, many of them, unfortunately, have reproduced stereotypes on Gnosticism. In light of more recent studies on Gnosticism, the conclusions of their inquiries have become problematic. The main goal of this paper, therefore, is to highlight the most common errors present in the examination of Polish literary scholars from the perspective of Gnostic studies, as well as the inaccuracies in their methodology that stem from outdated scholarly materials.
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Sisa, József. "Neo-Gothic Architecture and Restoration of Historic Buildings in Central Europe: Friedrich Schmidt and His School." Journal of the Society of Architectural Historians 61, no. 2 (June 1, 2002): 170–87. http://dx.doi.org/10.2307/991838.

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Friedrich Schmidt, the foremost Gothicist of Austria, exerted seminal influence in central Europe through his activities as architect, restorer of historic buildings, and professor at the Vienna Academy of Fine Arts. His unorthodox teaching methods included personal tuition near the drawing board and study trips to examine medieval buildings, attended by students of different ethnic, religious, and cultural backgrounds from all corners of the monarchy and even beyond. The students' school society, called Wiener Bauhütte, or Vienna Building Lodge, published their drawings in albums under the same name. The reception of Gothic in the countries of the Austro-Hungarian Monarchy differed according to local traditions, historical associations, and political circumstances. Revived Gothic best suited church building, in which Schmidt's pupils, often relying on their teacher's models, excelled. Gothic did not fare so well in monumental public architecture, though in the Budapest Parliament House by Imre Steindl, Schmidt's school witnessed the summation of its ambitions and the transcendence of its limitations. Schmidt's orientation in his later life toward German Neo-Renaissance and Neo-Romanesque found echo in several of his pupils' work; these styles again carried national connotations, which were nowhere more apparent than in German- and Czech-inhabited Bohemia. Schmidt and his pupils virtually monopolized the restoration of historic buildings in the monarchy, though their puristic and often destructive practices gave rise to severe criticism as a new century dawned.
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Dissertations / Theses on the topic "Europe, Central – Literatures – History and criticism"

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TOBIASZ, Aleksandra Helena. "Central European literary escapes from history : Vladimir Bartol, Witold Gombrowicz, Sándor Márai." Doctoral thesis, European University Institute, 2022. http://hdl.handle.net/1814/74597.

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Defence date: 10 June 2022
Examining Board: Prof. Pavel Kolář (European University Institute/ Universität Konstanz, Supervisor); Prof. Alexander Etkind (European University Institute, Supervisor); Prof. Paweł Rodak (Institute of Polish Culture, University of Warsaw, External Supervisor); Prof. Simona Škrabec, Universitat Oberta de Catalunya (External Supervisor)
The dissertation titled “Central European Literary ‘Escapes’ from History (Vladimir Bartol, Witold Gombrowicz, Sándor Márai)” is an outcome of the interdisciplinary research project conducted at the crossroads of literary studies, history, and anthropology. Inspired by contemporary methodology exploring the category of experience, the author aims to provide new insights into the writers’ narrative self-identifications, diaristic practices, and their common background of a Central European community of historical fate. This comparative study attempts to replace geopolitical conceptualisations of Central Europe in terms of regional identity with a geopoetic map of this area focusing on self-identifications of writers and their sensual experiences of this space. Whereas geopolitical Central Europe has been a laboratory of ideologies nourished by modernist dialectical tradition, the geopoetic Central European condition can be articulated in life writing and particularly in a diary. The dissertation’s overarching theme regards the three writers’ attitudes to the History of the twentieth century, its accelerated pace as well as the changeable spatial coordinates of Central Europe and temporary places of stay in exile. The author argues that to the post-war historical circumstances enclosed within the ideologised dialectical thought and thus reverberating with the absurd overtone, Bartol, Gombrowicz and Márai responded with a hermeneutic laboratory of self, explored in diary and exile. They embarked on an exilic odyssey and diaristicwriting which allowed them not only to maintain a certain distance from History (with a specific exception for Bartol) but also to reconfigure their experience of time and in the end also self-identifications. The main sources are analysed using the anthropological approach which regards the diaries in terms of practice, existentially crucial for their authors in the process of redefining their selves in the face of rapidly shifting spatiotemporal contexts. The diaristic reconfiguration of time puts the kairotic dimension of temporality to the foreground which consequently undermines for a while its chronological, impersonal side.
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Bonfiglio, Emilio. "John Chrysostom's discourses on his first exile : Prolegomena to a Critical Edition of the Sermo antequam iret in exsilium and of the Sermo cum iret in exsilium." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:df828fcd-dc2a-47b9-8bb1-c957c9199fb1.

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The Sermo antequam iret in exilium and the Sermo cum iret in exsilium are two homilies allegedly pronounced by John Chrysostom in Constantinople at the end of summer 403, some time between the verdict of the Synod of the Oak and the day he left the city for his first exile. The aim of the thesis is to demonstrate that a new critical edition of these texts is needed before any study of their literary and historical value can be conducted. Chapter one sketches the historical background to which the text of the homilies refers and a concise survey about previous scholarship on the homilies on the first exile, from the time of Montfaucon’s edition until our days. The problem of the authenticity occupies the last part of the chapter. Chapter two investigates the history of the texts and takes into account both the direct and indirect traditions. It discusses the existence of double recensions hitherto unknown and provides the prefatory material for the new critical edition of recensio α of Sermo antequam iret in exilium and of the Sermo cum iret in exsilium. Chapter three comprises the Greek editions of the two homilies, as well as a provisional edition of the Latin version of the Sermo antequam iret in exilium. Chapter four is divided into two parts, each presenting a philological commentary on the text of the new editions. Systematic analysis of all the most important variant readings is offered. The final chapter summarizes the new findings and assesses the validity of previous criteria used for discerning the authenticity of the homilies on the exile.
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Langdell, Sebastian James. "Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8.

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This study considers Thomas Hoccleve’s role, throughout his works, as a “religious” writer: as an individual who engages seriously with the dynamics of heresy and ecclesiastical reform, who contributes to traditions of vernacular devotional writing, and who raises the question of how Christianity manifests on personal as well as political levels – and in environments that are at once London-based, national, and international. The chapters focus, respectively, on the role of reading and moralization in the Series; the language of “vice and virtue” in the Epistle of Cupid; the moral version of Chaucer introduced in the Regiment of Princes; the construction of the Hoccleve persona in the Regiment; and the representation of the Eucharist throughout Hoccleve’s works. One main focus of the study is Hoccleve’s mediating influence in presenting a moral version of Chaucer in his Regiment. This study argues that Hoccleve’s Chaucer is not a pre-established artifact, but rather a Hocclevian invention, and it indicates the transnational literary, political, and religious contexts that align in Hoccleve’s presentation of his poetic predecessor. Rather than posit the Hoccleve-Chaucer relationship as one of Oedipal anxiety, as other critics have done, this study indicates the way in which Hoccleve’s Chaucer evolves in response to poetic anxiety not towards Chaucer himself, but rather towards an increasingly restrictive intellectual and ecclesiastical climate. This thesis contributes to the recently revitalized critical dialogue surrounding the role and function of fifteenth-century English literature, and the effect on poetry of heresy, the church’s response to heresy, and ecclesiastical reform both in England and in Europe. It also advances critical narratives regarding Hoccleve’s response to contemporary French poetry; the role of confession, sacramental discourse, and devotional images in Hoccleve’s work; and Hoccleve’s impact on literary tradition.
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Books on the topic "Europe, Central – Literatures – History and criticism"

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Agnieszka, Gutthy, ed. Literature of exile of East and Central Europe. New York: Peter Lang, 2009.

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Marketa, Goetz-Stankiewicz, and Miller Leslie, eds. Literature and politics in Central Europe: Studies in honour of Markéta Goetz-Stankiewicz. Columbia, SC: Camden House, 1993.

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Katkus, Laurynas. Grotesque revisited: Grotesque and satire in the post/modern literature of Central and Eastern Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.

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Lopičić, Vesna. Migrating memories: Central Europe in Canada. Brno: Central European Association for Canadian Studies, 2010.

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Bernd, Clifford A. Poetic realism in Scandinavia and Central Europe, 1820-1895. Columbia, SC, USA: Camden House, 1995.

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Marko, Pavlyshyn, ed. Glasnostʹ in context: On the recurrence of liberalizations in Central and East European literatures and cultures. New York: Berg, 1990.

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Wollman, Slavomír. Slovanské literatury ve střední Evropě: Slavonic literatures in Central Europe = Slavi︠a︡nskie literatury v T︠S︡entralʹnoĭ Evrope. Brno: Masarykova univerzita, 2013.

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L, Bulakhovsʹka I͡U︡, Instytut literatury im. T.H. Shevchenka., T͡S︡entralʹna naukova biblioteka im. V.I. Vernadsʹkoho., and Lʹvivsʹka naukova biblioteka im. V. Stefanyka., eds. Literatury kraïn T͡S︡entralʹnoï i Pivdenno-Skhidnoï I͡E︡vropy na Ukraïni: Materialy do bibliohrafiï (pochatok XIX st.-1980 r.). Kyïv: Nauk. dumka, 1991.

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1920-, Verves H. D., and Instytut literatury im. T.H. Shevchenka., eds. Ukraïnsʹka literatura v zahalʹno-slov'i︠a︡nsʹkomu i svitovomu literaturnomu konteksti. Kyïv: Naukova dumka, 1987.

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Tötösy de Zepetnek, Steven, 1950-, ed. Comparative Central European culture. West Lafayette, Ind: Purdue University Press, 2002.

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Book chapters on the topic "Europe, Central – Literatures – History and criticism"

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Neubauer, John. "National operas in East-Central Europe." In Comparative History of Literatures in European Languages, 514–23. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.63neu.

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Mitosek, Zofia. "The family novel in East-Central Europe." In Comparative History of Literatures in European Languages, 505–11. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.60mit.

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Leerssen, J. Th, John Neubauer, Marcel Cornis-Pope, Dragan Klaić, and Biljana Markovic. "The Rural Outlaws of East-Central Europe." In Comparative History of Literatures in European Languages, 407–40. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxv.37lee.

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Cornis-Pope, Marcel, and John Neubauer. "Revolt, suppression, and liberalization in Post-Stalinist East-Central Europe." In Comparative History of Literatures in European Languages, 83–105. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.15cor.

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Tihanov, Galin. "The birth of modern literary theory in East-Central Europe." In Comparative History of Literatures in European Languages, 416–24. Amsterdam: John Benjamins Publishing Company, 2004. http://dx.doi.org/10.1075/chlel.xix.49tih.

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Wolitz, Seth L. "Ashkenaz or the Jewish Cultural Presence in Central and Eastern Europe." In Comparative History of Literatures in European Languages, 314–31. Amsterdam: John Benjamins Publishing Company, 2006. http://dx.doi.org/10.1075/chlel.xx.31wol.

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Bojtar, Endre. "Pitfalls in Writing a Regional Literary History of East-Central Europe." In Comparative History of Literatures in European Languages, 419. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxii.93boj.

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Petković, Nikola. "Kafka, Švejk, and the Butcher’s Wife, or Postcommunism/ Postcolonialism and Central Europe." In Comparative History of Literatures in European Languages, 376–90. Amsterdam: John Benjamins Publishing Company, 2006. http://dx.doi.org/10.1075/chlel.xx.39pet.

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Sheshken, Alla G. "The role of literary journals of the 1945–1960s in the formation of literary critical thought in Macedonia." In Modern Literatures of Central and South-Eastern Europe, 216–33. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/2618-8554.2020.13.

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Macedonian literary criticism appeared at the turn of 1930-1940s in the articles by Kocho Racin, the founder of literature in the national language. That literature developed during the period of 1945-1960s in parallel with the national artistic word as an integral part of the literary process. The key role was played by literary magazines such as: “Nov Den”, “Sovremenost”, “Razgledi” and others. On their 217 pages there were published the program articles by Blazhe Konesky, Dimitar Mitrev, Dimitar Solev, Milan Gyurchinov. Literary controversy that unfolded in the 1950-1960s on issues of realism and modernism, ideology and artistry, engagement in art and on specific aspects of the work of Macedonian writers contributed to the effective development of criticism, raising its professional level.
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Shatko, Evgenia V. "Slavic literary journals of Serbia after 1991." In Modern Literatures of Central and South-Eastern Europe, 203–15. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/2618-8554.2020.12.

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The purpose of this study is to review the current state of scientific periodicals in Serbia, dealing with issues of Slavic literary criticism. The first part is the review of reputable scientific institutes periodicals, while the second part is about new players and new forms of communication within the scientific community.
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Conference papers on the topic "Europe, Central – Literatures – History and criticism"

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Nikolić, Nenad. "PROBLEM IDENTITETA NACIONALNE KNjIŽEVNOSTI U MEĐUNARODNOM KONTEKSTU." In IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.025n.

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Abstract:
The paper analyses the global tendency of conceptualizing transnational and regional literature in order to suppress national literatures at first, and then to completely replace them. The analysis is based on History of the Literary Cultures of East-Central Europe: Junctures and disjunctures in the 19th and 20th centuries (Eds. M. Cornis-Pope and J. Neubauer, Vol. I 2004, Vol. II 2006, Vol. III 2007, Vol. IV 2010). The tendency to replace national literatures with the transnational one is depicted within the framework of broader cultural, social, and political circumstances. Based on the ideology of “Western liberalism, global capitalism, and George Soros” – which was stated as the core idea of the History of the Literary Cultures of East-Central Europe by its editors – this tendency leads to a general weakening of traditional identities framework: from personal to national identity. Therefore, the suppression of national literature is simultaneous with the suppression of nationality in general, and with changing the notion of literature as it existed in the age of national states since that notion was correspondent with the personal identity which also undergoes through changes.
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