Academic literature on the topic 'Etruscan Coins'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Contents
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Etruscan Coins.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Etruscan Coins"
Arias, Claudio, Stefano Bani, Fiorenzo Catalli, Giulia Lorenzetti, Emanuela Grifoni, Stefano Legnaioli, Stefano Pagnotta, and Vincenzo Palleschi. "X-Ray Fluorescence Analysis and Self-Organizing Maps Classification of the Etruscan Gold Coin Collection at the Monetiere of Florence." Applied Spectroscopy 71, no. 5 (May 6, 2016): 817–22. http://dx.doi.org/10.1177/0003702816641421.
Full textLuley, Benjamin P. "Coinage at Lattara. Using archaeological context to understand ancient coins." Archaeological Dialogues 15, no. 2 (December 2008): 174–95. http://dx.doi.org/10.1017/s1380203808002663.
Full textАндриевский, Д. В. "IMPORTED COINS OF THE “SCYTHIAN WARS” TIMES IN MOUNTAIN CRIMEA." Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, S1 (December 9, 2022): 221–27. http://dx.doi.org/10.53737/2713-2021.2022.44.54.010.
Full textDissertations / Theses on the topic "Etruscan Coins"
Aubry, Sébastien. "Les inscriptions grecques et latines des pierres gravées antiques : abréviations, configurations, interprétations et lectures." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2090.
Full textFor more than a century, style and iconography of engraved gems have been studied, but not inscriptions on them. This thesis aims at examining greek and latin legends, their forms and nature, and eventually to give a reading table and to bring some interpretation keys. In order to draw up a coherent overview of these abbreviations, initals, terms and formulas, which occur on engraved gems, the research spectrum ranges from Greece of the archaic, classical and hellenistic periods to the late antique and early christian time, via republican and imperial Rome. In parallel, the study of etruscan and italic gems serve as a pivot between the epigraphical traditions of both mediterranean civilizations (Greece and Rome) by highlighting cultural impregnation and interpenetration phenomenons.The study focuses on inscriptions : their spatial arrangement in connection with the engraved image (so called « contrainte de cadre »), forms (abbreviations, initials, nexus, monograms, terms, formulas) and kind (names, greetings, cheers, numbers, captions, etc.). This research is about a general synthesis of the epigraphical dimension of engraved gemstones and, by extension, of metal discs and seals
Szefer, Henry. "The Technology of Copper Alloys, Particularly Leaded Bronze, in Greece, its Colonies, and in Etruria during the Iron Age." Thèse, 2012. http://hdl.handle.net/1866/8414.
Full textThe subject of this study is the development, application and diffusion of the technology of various types of copper alloys, particularly that of leaded bronze, in ancient Greece, its colonies, and in Etruria. Leaded bronze is a mixture of tin, copper and lead in various proportions. The general consensus among archaeometallurgists is that leaded bronze was not commonly used in Greece until the Hellenistic period, and thus this alloy has not received very much attention in archaeological literature. However, metallographic analyses demonstrate that objects composed of leaded bronze had a wide distribution. The analyses also show differentiation in the composition of alloys that were used in the manufacture of various types of bronzes, a tangible indication that metalworkers distinguished between the properties of both tin bronze and leaded bronze. The knowledge of their different working characteristics is what enabled a bronzeworker to choose, in many cases, the appropriate alloy for a specific application. The influence of Near Eastern metallurgical practices produced variations in both the artistic forms as well as alloy compositions of Greek bronzes during the Late Geometric and Orientalizing periods. The use of leaded bronze for particular types of cast objects shows an increasing tendency from the Orientalizing period onwards, culminating in the late Hellenistic period when high-lead bronze became a common alloy. This study analyzes the metallographic data of specific categories of bronze and leaded bronze cast objects, and it will demonstrate that although the use of leaded bronze was not as prevalent as that of tin bronze, it was nevertheless a significant adjunct of ancient metallurgical practices. The periods surveyed range from the Geometric to the Hellenistic periods.
Books on the topic "Etruscan Coins"
A.H. Baldwin & Sons Ltd and Baldwin’s Auctions Ltd. Auction number 99. London: Baldwin's Auctions, 2016.
Find full textVecchi, Italo. Etruscan coinage: A corpus of the struck coinage of the Rasna, together with an historical and economic commentary on the issues (gold, silver and bronze) from . Milano: Ennerre, 2012.
Find full textAmisano, Giuseppe. La moneta: Origine, valori, arte, politica, falsi, ideologie : dai segni di valore etruschi a tangentopoli : il più grande romanzo della storia. Bologna: Nomisma, 2002.
Find full textLe Monete di Piombino dagli Etruschi ad Elisa Baciocchi: 1 agosto-30 settembre 1987. Ospedaletto, Pisa: Pacini, 1987.
Find full textEroi etruschi e miti greci: Gli affreschi della tomba Fran-cois tornano a Vulci. Calenzano (Firenze): Cooperativa archeologia, 2004.
Find full text