Academic literature on the topic 'Ethnographic Research - Architecture'

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Journal articles on the topic "Ethnographic Research - Architecture"

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Neubert, Christine, and Ronja Trischler. "“Pocketing” Research Data? Ethnographic Data Production as Material Theorizing." Journal of Contemporary Ethnography 50, no. 1 (October 31, 2020): 99–119. http://dx.doi.org/10.1177/0891241620968262.

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We analyze the relations between ethnographic data and theory through an examination of materiality in research practices, arguing that data production is a form of material theorizing. This entails reviewing and (re-)applying practice-theoretical discussions on materiality to questions of ethnography, and moving from understanding theory primarily as ideas to observing theorizing in all steps of research practice. We introduce “pocketing” as a heuristic concept to analyze how and when ethnographic data materializes: the concept defines data’s materiality relationally, through the affective and temporal dimensions of practice. It is discussed using two examples: in a study on everyday architectural experience where ethnographic data materialized as bodies affected by architecture; and in a study on digital cooperation where research data’s materialization was distributed over time according to the use of a company database. By conceptualizing data’s materiality as practice-bound, “pocketing” facilitates understanding the links between data and theory in ethnographic data production.
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Święch, Jan. "ROMAN TUBAJA (1944–2021)." Muzealnictwo 63 (April 7, 2022): 5–8. http://dx.doi.org/10.5604/01.3001.0015.8229.

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On 17 April 2021, Roman Tubaja, an ethnographer, museum curator, and a long-standing director of the Ethnographic Museum in Toruń named after Maria Znamierowska-Prüffer, passed away. Born on 16 February 1944 in Warlubie, Kociewie, he graduated in ethnography from the Jagiellonian University in 1966. As of 1967, he worked at the Ethnographic Museum in Toruń continuing there throughout all his career, and moving up the entire promotion ladder. Having been appointed Head of the Folk Architecture Department in 1970, in 1978, he was promoted to become Deputy Director for Research, while on 1 April 1980, he was assigned to become Director of the Ethnographic Museum in Toruń, which he remained for almost 30 years until his retirement in 2009. An excellent logistician, during his term of office he consistently extended and modernized the Museum, doubling the volume of the collection; furthermore, he held team stationary ethnographic research in the regions forming Gdansk Pomerania. Roman Tubaja’s academic output is made up of almost 40 papers tackling folk architecture as well as history and theory of ethnographic museology, of conceptual works, and of numerous conference speeches. He also authored several museum exhibitions.
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Raffai, Judit, and Ferenc Németh. "Representation of 19th century Serbian folk architecture from Banat in the ethnographic village of the Hungarian Millennium Exhibition (1896)." Zbornik Matice srpske za drustvene nauke, no. 166 (2018): 281–94. http://dx.doi.org/10.2298/zmsdn1866281r.

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In the last quarter of the 19th century, national exhibitions had become popular in Hungary as well, following the examples of world exhibitions around Europe. A part of this process was the Hungarian Millennium Exhibition set up in 1896, which mobilised enormous energy and presented the ethnographic values of the region with special emphasis. In the Ethnographic Village of the exhibition, the counties of the country set up valid copies of 24 furnished farmhouses from their regions. Twelve of these houses were intended to present the folk culture of national minorities living in Hungary. The Toront?l County, among other things, exhibited a Serbian house type from Crepaja village and a copy of its furniture, as well as Serbian folk costumes from villages Melenci and Crepaja. A research preceded the exhibition. J?nos Jank?, an ethnographer from Budapest, conducted a fieldwork in the above mentioned settlements in 1894, with the support of the Toront?l County. During his trip, he made notes, photos and drawings. He summarised the results of his research on several occasions. After the closing of the exhibition, the objects were placed in the collection of the then-formed Museum of Ethnography in Budapest, where they can be found even today. In our work, we would like to publish the results of this research and exhibition in a wider context, since these data, drawings and photos, which are mostly unknown for the ethnography and cultural history of the region, originate from the earliest stage of professional ethnographic research in Banat.
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Czepas, Piotr. "The historical values of industrial architecture (based on the selected examples from the Lublin Voivodeship)." Zeszyty Wiejskie 28 (October 14, 2022): 187–99. http://dx.doi.org/10.18778/1506-6541.28.08.

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This article attempts to shed more light on the issues of historic values possessed by industrial architecture. Its source base results from the ethnographic ­research carried out by the Museum of Archaeology and Ethnography in Łódź in the selected districts of the Lublin Voivodeship, i.e. Łuków, Parczew and Radzyń in the years 2004–2013. This research is also a continuation of the work on the Catalogue of industrial buildings of historical value in Poland. The article focuses on the values of industrial facilities to be seen in their style and architectural details, the dangers to their existence and the examples of the undertaken initiatives for the preservation of the industrial architecture – a vital element of our cultural heritage.
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Kimeev, V. M. "Archecity-ethnographic Russian Pritomy." Ethnography of Altai and Adjacent Territories 10 (2020): 331–32. http://dx.doi.org/10.37386/2687-0592-2020-10-331-332.

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Active research on archaeological sites associated with the colonization of Pritomia by Russians began in the post-war period and is still being carried out by archaeologists from Tomsk University, the Novokuznetsk and Kemerovo Museum of Local Lore, the Kuznetsk Fortress Museum (G. V. Trukhin, N. M. Petrov,A. I. Matyushchenko, M. P. Chernaya, A. I. Martynov, Yu.V. Shirin). Since the 1970s , the city of Tomsk has hosted archaeological and ethnographic meetings (conferences since 1981) of museum and university employees, at which results are summarized and prospects for field expeditionary work are determined. In particular, the current Kuzbass Integrated Ethno-Archaeological Expedition of KemSU is engaged in the study of territories of the former fortresses of the 17th and early 18th centuries. The architectural and ethnographic survey of the Russian settlements of Pritomye was fragmentarily carried out by Tomsk and Kemerovo ethnographers and the architectural workshop of Novokuznetsk as part of various programs to preserve the ethnocultural heritage of Tomsk and Kemerovo regions. The Middle Pritomie is most poorly studied, where as a result of the construction of the Krapivinsky reservoir, most of the ancient villages and villages of the 18th — early 20th centuries disappeared. XX century. Monuments of Russian folk architecture collapsed in many localities as a result of collectivization and industrial development in Kuzbass, and the creators of this heritage traveled to cities and urbanized, discarding traditional household items and Orthodox cults as unnecessary. Only a small part of them went to the museums of Kuzbass and the city of Tomsk.
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Rizqi, Nur Rahmi, Jihan Hidayah Putri, and Isra Suna Hasibuan. "EKSPLORASI ETNOMATEMATIKA ISTANA MAIMUN DI SUMATERA UTARA." JURNAL EDUSCIENCE 9, no. 1 (April 1, 2022): 101–9. http://dx.doi.org/10.36987/jes.v9i1.2519.

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Humans were not aware of various operations using basic mathematical concepts and ideas. For example, counting activities by referring to a number, weighing operations (duty, area, capacity and load), art, business activities (counting currencies, profit and loss, etc.) ) and building architecture (traditional housing). The aim of this study is to study and analyze the ethnographic findings from Maimun Palace, North Sumatra, to obtain background information on the development of ethnography for learning mathematics in the field of geometry. This type of research is exploratory research using an ethnographic approach. Based on the results of the research carried out, mathematical sections and blanks are used to carry out the manual operations of the Maimun Palace. No need to study theoretical math projects, they apply mathematical concepts in everyday life. There is evidence of ethnographic patterns expressed in various results of organized and advanced mathematical operations, including: 1) planning for the construction of Maimun Palace; and 2) the carving activity on the walls of Maimun Palace.
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Hariyanto, Agus D., Iwan Sudradjat, and Sugeng Triyadi. "Ethnographic Approach for Research on Vernacular Architecture: Four Case Studies of Indigenous Communities in Indonesia." Nakhara : Journal of Environmental Design and Planning 20 (August 9, 2021): 108. http://dx.doi.org/10.54028/nj202120108.

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Many ethnic groups with unique cultures exist in Indonesia, but their vernacular architecture and living cultures need to be supported to ensure sustainability. One example of how a more anthropological approach to the design and planning of the built environment requires a better understanding is the study of the living culture of indigenous communities. Unsurprisingly, an ethnographic approach is critical to studying these communities' architecture and living culture in Indonesia. This study aims to outline the main principles of the ethnographic approach and review the implementation of these principles in previous studies on the vernacular architecture of indigenous communities in Indonesia. A comparative analysis of four case studies shows that each study has implemented the approach's main principles contextually. The results showed that the four case studies utilized observation and interviews to collect field data in slightly different terms. Although each case study's objectives, focus, and issues were different, the researchers managed to provide a cultural portrait that included the participants' views (emic) and the researcher's opinions (etic). The similarities between the four communities are religious or belief systems affecting the architecture and living culture, which are cultural aspects that significantly affect each case as part of the findings embodied in themes resulting from interpretation. These results can help to develop guidelines for designers and planners working in indigenous communities. Through ethnographic studies, architects and planners can understand indigenous communities' point of view (etic) to integrate their perspectives (emic) when working hand in hand with the community.
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Elarji, Dalal. "Minor Spatial Tactics from the Floating University Berlin and Agrocité Paris." SAGE Open 12, no. 4 (October 2022): 215824402211418. http://dx.doi.org/10.1177/21582440221141875.

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Emboldened by the economic crisis of 2007 to 2008, a growing rhizome of socially and politically engaged spatial practices have resorted to alternative modes of producing architecture that focus more on its societal aspirations. Aiming to uncover some of the potentialities of the projects that emerged from this growing rhizome to introduce other modes of making architecture while resisting dominant ones, this paper considers the Deleuzian-Guattarian concept of the “minor” to propose an alternative reading of such projects as “minor architectures,” that is, critical practices that resist the canon and act in the crevices of the mainstream. Using ethnographic research methods on two empirical cases, namely the Floating Berlin designed by Raumlabor and Agrocité Paris designed by Atelier d’Architecture Autogérée, the paper identifies “minor” spatial tactics of making architecture that go beyond the limit(ation)s of the practice: (1) resisting the architectural object as a static entity, (2) fostering collective expression, (3) exploring potentialities by reterritorializing interstitial spaces, and (4) creating haptic and affective experiences. The paper reflects on the concept of the minor as an operational tool that could help break away from dominant systems of architectural production.
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Tomaszek, Tomasz. "The Role of the Kolbuszowa Folk Culture Open-Air Museum in Studies of Traditional Wooden Architecture of the Rzeszowiacy Ethnographic Group." Muzeológia a kultúrne dedičstvo 9, no. 3 (2021): 43–63. http://dx.doi.org/10.46284/mkd.2021.9.3.3.

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Province, which is located in the south-eastern corner of Poland. At the beginning of the 1970s, as the result of an initiative drawing attention to the need for documentation of the rapidly disappearing traditional Rzeszowiacy vernacular wooden architecture (and that of the neighboring ethnographic group, the Lasowiacy), the Folk Culture Open-Air Museum in Kolbuszowa was created. This paper presents a short overview of the open-air museum’s establishment and describes in detail its role in the study and protection of the wooden architectural heritage of the Rzeszowiacy ethnographic group, based on the museum’s research, carried out over fifty years, and its collection of buildings.
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Maślak, Anna. "The importance of continuing research during the demolition of architectural wooden architecture on the example of pens from Kaniczek translocated into 'Olęder' Ethnographic Park in Nieszawka Wielka." Budownictwo i Architektura 14, no. 3 (September 8, 2015): 089–106. http://dx.doi.org/10.35784/bud-arch.1618.

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'Olęder' Ethnographic Park in Nieszawka Wielka is Poland's only open-air museum that has been dedicated to construction of the rural, associated with olęder settlement. Currently, its research range covers an area of Lower Vistula Valley. Existing conservation measures, which main task is to protect architectural monuments in situ, however, is not always sufficient or possible. Preserved until today, very few examples of this construction are threatened by the progressive deterioration leading to their elimination from the Vistula landscape. The creation of a museum in the open air and translocation of these precious relics is actually the only chance for their continued survival. As a preliminary point, I will briefly present the characteristics of the 'olęder' settlement in the Lower Vistula Valley and the concept of 'Olęder' Ethnographic Park in Nieszawka Wielka along with attempts to establish a new branch of the Museum. The purpose of this article is to highlight the importance of supporting architectural research during the demolition of wooden architecture on the example of pens in Kaniczek translocated into 'Olęder' Ethnographic Park in Nieszawka Wielka. Initially, the concept of conservation project was discussed, developed on the basis of architectural research conducted before demolition. These studies were conducted using a non-invasive method, making it difficult to access all components and places. Supplementing the research during the demolition shed a new light on conservation issues. The summary of activities related to the translocation will show the last phase of facility construction.
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Dissertations / Theses on the topic "Ethnographic Research - Architecture"

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Segall, Ricki Goldman. "Learning Constellations--a multimedia ethnographic research environment using video technology for exploring children's thinking." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/13567.

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Glastetter, Abigail R. "Placemaking for socially resilient site design: a study focused on further defining social resilience at the site scale through an ethnographic investigation." Thesis, Kansas State University, 2015. http://hdl.handle.net/2097/19113.

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Master of Landscape Architecture
Department of Landscape Architecture/Regional and Community Planning
Mary C. Kingery-Page
Placemaking for Socially Resilient Site Design is a project focused on clarifying and characterizing social resilience. This project used ethnographic methods to answer the question: what qualities of place affect the downtown community’s desires for a temporary landscape in Wichita, Kansas? Through literature review this project further defined what social resilience meant at the site scale. Social resilience was operationalized as social systems ability to maintain function while promoting social trust, reciprocity, collaboration, and character between networks of varying scales (Putnam 1995). Literature review provided the foundational knowledge on creative placemaking, a design strategy used to improve community prosperity through a sense of place and imageability (Artscape 2014). Place is determined by a user’s surroundings, and more importantly the memory of social engagement on site (Fleming 2007). Creative placemaking design strategies are valuable and specific to location. Therefore, it was imperative I incorporated ethnographic research methods to answer my focus question. Ethnographic research investigates cultural patterns and themes expressed or observed by a community (LeCompte et al. 1991). This form of research is unconventional for the typical site design process in landscape architecture. However, it proved to be effective in determining the most successful site use and organization. The ethnographic research allowed me to inventory and document user’s most desirable site needs and programming through the stakeholder design charrette and individual interviews. In November 2014 the Wichita Downtown Development Cooperation requested our team as a partner in developing a temporary landscape for downtown Wichita, Kansas. The site was already selected with the intention of becoming Douglas Avenue Pop-Up Park. Funding for this project was awarded to the WDDC in the form of a $146,025 grant from the Knight Foundation. Using an iterative community feedback process with five ethnographic interviews, I reevaluated the WDDC’s initial Pop-Up Park plan resulting from a community charrette. Recurring themes from interviews were identity crisis of downtown, outdoor preference, lack of residential amenities, negative perception of active and public transit, downtown lifestyle, Wichita as a place for families, and lack of nighttime activation. Using the recurring interview themes, I proposed a plan conducive to social resilience.
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O'Hara, Sullivan Susan. "Macrocognition in the Health Care Built Environment (m-HCBE): A Focused Ethnographic Study of 'Neighborhoods' in a Pediatric Intensive Care Unit: A Dissertation." eScholarship@UMMS, 2016. https://escholarship.umassmed.edu/gsn_diss/46.

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Objectives: The objectives of this research were to describe the interactions (formal and informal) in which macrocognitive functions occur and their location on a pediatric intensive care unit (PICU); describe challenges and facilitators of macrocognition using three constructs of space syntax (openness, connectivity, and visibility); and analyze the health care built environment (HCBE) using those constructs to explicate influences on macrocognition. Background: In high reliability, complex industries, macrocognition is an approach to develop new knowledge among interprofessional team members. Although macrocognitive functions have been analyzed in multiple health care settings, the effect of the HCBE on those functions has not been directly studied. The theoretical framework, “Macrocognition in the Health Care Built Environment” (m-HCBE) addresses this relationship. Methods: A focused ethnographic study was conducted, including observation and focus groups. Architectural drawing files used to create distance matrices and isovist field view analyses were compared to panoramic photographs and ethnographic data. Results: Neighborhoods comprised of corner configurations with maximized visibility enhanced team interactions as well as observation of patients, offering the greatest opportunity for informal situated macrocognitive interactions (SMIs). Conclusions: Results from this study support the intricate link between macrocognitive interactions and space syntax constructs within the HCBE. These findings help to advance the m-HCBE theory for improving physical space by designing new spaces or refining existing spaces, or for adapting IPT practices to maximize formal and informal SMI opportunities; this lays the groundwork for future research to improve safety and quality for patient and family care.
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Bantawa, Bipana. "Examining the structures and practices for knowledge production within Galaxy Zoo : an online citizen science initiative." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:574067c5-d6c2-4440-bdcb-746c5be97298.

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This study examines the ways in which public participation in the production of scientific knowledge, influences the practices and expertise of the scientists in Galaxy Zoo, an online Big Data citizen science initiative. The need for citizen science in the field of Astronomy arose in response to the challenges of rapid advances in data gathering technologies, which demanded pattern recognition capabilities that were too advanced for existing computer algorithms. To address these challenges, Galaxy Zoo scientists recruited volunteers through their online website, a strategy which proved to be remarkably reliable and efficient. In doing so, they opened up the boundaries of scientific processes to the public. This shift has led to important outcomes in terms of the scientific discovery of new Astronomical objects; the creation and refining of scientific practices; and the development of new forms of expertise among key actors while they continue to pursue their scientific goals. This thesis attempts to answer the over-arching research question: How is citizen science shaping the practices and expertise of Galaxy Zoo scientists? The emergence of new practices and development of the expertise in the domain of managing citizen science projects were observed through following the work of the Galaxy Zoo scientists and in particular the Principal Investigator and the project's Technical Lead, from February 2010 to April 2013. A broadly ethnographic approach was taken, which allowed the study to be sensitive to the uncertainty and unprecedented events that characterised the development of Galaxy Zoo as a pioneering project in the field of data-intensive citizen science. Unstructured interviewing was the major source of data on the work of the PI and TL; while the communication between these participants, the broader Science Team and their inter-institutional collaborators was captured through analyses of the team emailing list, their official blog and their social media posts. The process of data analysis was informed by an initial conceptualisation of Galaxy Zoo as a knowledge production system and the concept of knowledge object (Knorr-Cetina,1999), as an unfolding epistemic entity, became a primary analytical tool. Since the direction and future of Galaxy Zoo involved addressing new challenges, the study demanded periodic recursive analysis of the conceptual framework and the knowledge objects of both Galaxy Zoo and the present examination of its development. The key findings were as follows. The involvement of public volunteers shaped the practices of the Science Team, while they pursued robust scientific outcomes. Changes included: negotiating collaborations; designing the classification tasks for the volunteers; re-examining data reduction methods and data release policies; disseminating results; creating new epistemic communities; and science communication. In addition, new kinds of expertise involved in running Galaxy Zoo were identified. The relational and adaptive aspects of expertise were seen as important. It was therefore proposed that the development of the expertise in running citizen science projects should be recognised as a domain-expertise in its own right. In Galaxy Zoo, the development of the expertise could be attributed to a combined understanding of: the design principles of doing good science; innovation in methods; and creating a dialogic space for scientists and volunteers. The empirical and theoretical implications of this study therefore lie in (i) identifying emergent practices in citizen science while prioritising scientific knowledge production and (ii) a re-examination of expertise for science in the emerging context of data-intensive science.
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McIntyre, Lesley. "The way-finding journey within a large public building : a user centred study of the holistic way-finding experience across a range of visual ability." Thesis, University of Dundee, 2011. https://discovery.dundee.ac.uk/en/studentTheses/93c42497-3c87-46fd-95fa-61c3718391c5.

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This PhD Thesis has been immersed in investigating the holistic experience of way-finding in buildings by people who have a range of visual ability. Previous research studies, spanning across a broad spectrum of disciplines, have focused on various characteristics of human way-finding (Arthur and Passini, 1992;Lynch, 1960;Downs and Stea, 1973). It is specifically recognised that the built environment is failing people with visual loss (Barker et al., 1995) and the strategic task and skill of way-finding within a building is a particular problem (Arthur and Passini, 1992). Under the social model of disability (Oliver, 1990) this is recognised as a form of architectural disablement (Goldsmith, 1997). There are few evidence-based studies of way-finding in a building. Furthermore, there are no studies of real-life experiences of way-finding undertaken by real-life participants who have a range of visual ability within the context of a real-life building. This leads to a research question: What are the design issues revealed by participants who have a range of visual ability as they way-find in a large public building? This doctoral research, based within the discipline of architecture, focuses on the holistic experiential components of a Journey (Myerson, 2001;Harper and Green, 2000). It coins and defines the term Way-finding Hot-spot as it explores the events [positive and negative] which are experienced and therefore impact on a Way-finding Journey around a building. To fill an important gap in the current knowledge a research enquiry, based on a user-centred design approach, was implemented. Exploratory in nature, the methodology was inductive and it evolved throughout the study. A series of Research Principles, borrowed from the established methodologies of Grounded Theory (Glaser, 1968) and Case Study (Yin, 2003a;Yin, 2003b), guided this study. Ten participants [with varying degrees of visual ability, different ages and other forms of disability] undertook a Way-finding Scenario designed to evaluate both existing memories of way-finding and present way-finding experience. This was composed of a Purposeful Conversation (Burgess, 1982) and a context specific Way-finding Task. The study has produced a large amount of data based on user experience in a real-world way-finding context – this has not been done before. Participant data contributed to a new Theory of Way-finding – The Experiential Charting of a Way-finding Journey – which derived from experiential data, was found to be composed of three elements: Journey Stages, Tasks Components and Communication Requirements. This thesis presents detailed findings which generate dialogue in the design of way-finding systems suitable for a diverse range of way-finders. It provides a research-based foundation to open the problem area and provide an insight into the issues people with different visual abilities encounter as they undertake a Way-finding Journey around a building. It generates a greater understanding of the problems and joys of way-finding in a building which will be of use in professional practice across disciplines of architecture and design as well as in areas of rehabilitation, policy-making and academia. This research is a start, but it is not the end. Future research questions have been revealed and these, combined with further reviews of literature and creative use of method, will further explore the phenomenon of way-finding within the context of buildings.
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Perombelon, Brice Désiré Jude. "Prioritising indigenous representations of geopower : the case of Tulita, Northwest Territories, Canada." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:71e14c26-d00a-4320-a385-df74715c45c8.

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Recent calls from progressive, subaltern and postcolonial geopoliticians to move geopolitical scholarship away from its Western ontological bases have argued that more ethnographic studies centred on peripheral and dispossessed geographies need to be undertaken in order to integrate peripheralised agents and agencies in dominant ontologies of geopolitics. This thesis follows these calls. Through empirical data collected during a period of five months of fieldwork undertaken between October 2014 and March 2015, it investigates the ways through which an Indigenous community of the Canadian Arctic, Tulita (located in the Northwest Territories' Sahtu region) represents geopower. It suggests a semiotic reading of these representations in order to take the agency of other-than/more-than-human beings into account. In doing so, it identifies the ontological bases through which geopolitics can be indigenised. Drawing from Dene animist ontologies, it indeed introduces the notion of a place-contingent speculative geopolitics. Two overarching argumentative lines are pursued. First, this thesis contends that geopower operates through metamorphic refashionings of the material forms of, and signs associated with, space and place. Second, it infers from this that through this transformational process, geopower is able to create the conditions for alienating but also transcending experiences and meanings of place to emerge. It argues that this movement between conflictual and progressive understandings is dialectical in nature. In addition to its conceptual suggestions, this thesis makes three empirical contributions. First, it confirms that settler geopolitical narratives of sovereignty assertion in the North cannot be disentangled from capitalist and industrial political-economic processes. Second, it shows that these processes, and the geopolitical visions that subtend them, are materialised in space via the extension of the urban fabric into Indigenous lands. Third, it demonstrates that by assembling space ontologically in particular ways, geopower establishes (and entrenches) a geopolitical distinction between living/sovereign (or governmentalised) spaces and nonliving/bare spaces (or spaces of nothingness).
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Kaulicke, Peter. "Nota editorial." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113449.

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Books on the topic "Ethnographic Research - Architecture"

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Ferreri, Mara. The Permanence of Temporary Urbanism. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462984912.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semi-ethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudinal engagement with projects and practitioners, the book tests the power of aesthetic and cultural interventions and highlights tensions between the promise of vacant space re-appropriation and its commodification. Against the normalisation of ephemerality, it presents a critique of the permanence of temporary urbanism as a glamorisation of the anticipatory politics of precarity which are transforming cities, subjectivities and imaginaries of urban action.
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Tobert, Natalie. Anegondi: Architectural Ethnography of a Royal Village (Vijayanagara Research Project Monograph). Manohar Publishers and Distributors, 2000.

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Space Unjust: Socio-spatial Discrimination in Urban Public Space - Cases from Helsinki and Athens. Helsinki, Finland: University of Art and Design Helsinki, series A, 2008.

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Herrera, Juan. Cartographic Memory. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478007494.

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In Cartographic Memory, Juan Herrera maps 1960s Chicano movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space. From Chicano-inspired street murals to the architecture of restaurants and shops, Herrera shows how Fruitvale’s communities and spaces serve as a palpable, living record of movement politics and achievements. Drawing on oral histories with Chicano activists, ethnography, and archival research, Herrera analyzes how activism has shaped Fruitvale. Herrera examines the ongoing nature of activism through nonprofit organizations and urban redevelopment projects like the Fruitvale Transit Village that root movements in place. Revealing that the social justice activism in Fruitvale fights for a space that does not yet exist, Herrera brings to life contentious politics about the nature of Chicanismo, Latinidad, and belonging while foregrounding the lasting social and material legacies of movements so often relegated to the past.
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Book chapters on the topic "Ethnographic Research - Architecture"

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Grassi, Paolo. "1,460 Days of Love and Hate: An Ethnographic Account of a Layered Job." In The Urban Book Series, 99–108. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-19748-2_7.

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AbstractBuilding on four years of ethnographic fieldwork carried out in the office of the Mapping San Siro action-research group (Department of Architecture and Urban Studies, Polytechnic University of Milan) in one of the main social housing neighbourhoods of Milan, in this contribution I will investigate the role and meaning of the Urban Living Labs (ULL) from an ‘internal’ perspective. An ongoing process of building relationships and caring for a space has allowed me to develop a reflection on multifaceted dimensions of daily life in the neighbourhood. Moreover, through anthropological literature, I will critically analyse the frustrations often experienced by researchers involved in fieldwork and planning. These frustrations highlight issues that go beyond the neighbourhood, showing the territorial dimension of the space. I will then highlight some ethical implications as clues that offer a more grounded understanding of daily life, rather than solving those implications with ready-made answers.
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Groten, Miel. "Propaganda and science in imperial museums." In The Architecture of Empire in Modern Europe. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721479_ch05.

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European museums formed clear connections to the empire as they collected objects from the colonies for research and education purposes. In ethnographic museums, anthropologists produced knowledge about cultural and racial others, while governments used colonial museums to exhibit colonial objects and commodities to increase the public’s enthusiasm for the imperial enterprise within a nationalist context. The Musée des Colonies in Paris (1928–1930) was the latest of these colonial museums. It was off to a good start, with plenty of attention during the 1930 International Colonial Exposition and a modern, efficient museum building whose rich decorations glorified French imperialism. However, the museum’s peripheral location and the advent of decolonisation, soon after its completion, meant that fulfilling its mission proved to be difficult.
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Dan-Cohen, Talia. "On the Move." In A Simpler Life, 93–110. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753442.003.0006.

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This chapter follows a lab through the seemingly mundane process of moving from one building to another. It provides an ethnographic perspective on the activity of a lab that calls special attention to the physical habitat within which lab members operate. It mentions Peter Galison's statement that architecture serves as a daily reminder to practitioners of who they are and where they stand. It also talks about Thomas Gieryn, who extends the range of actors and institutions for whom the built environments of research can be meaningful. The chapter explains the existence, outward appearances, and internal arrangements of space of research buildings, which give meanings to science, scientists, disciplines, and universities. It elaborates how the move to a new building is a case in point that serves as a reminder to practitioners of who they are and where they stand and as a million-dollar incidental experimental control.
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Conference papers on the topic "Ethnographic Research - Architecture"

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MARCYSIAK, Tomasz, and Piotr PRUS. "AUTO-ETHNOGRAPHIC TECHNIQUES AS AN EFFICIENT TOOL FOR RECONSTRUCTION OF RURAL SOCIAL CAPITAL AND LOCAL IDENTITY." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.164.

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Many regions in Poland are said to be a unique example of preservation of cultural heritage. These include many examples of Pomorskie, Kujawsko-Pomorskie, Wielkopolskie and Dolnoslaskie voivodships. These regions are known to preserve the traditional way of life and customs as well as the architecture, especially the sacral architecture. It is also much easier to build mutual trust and social capital in them, because people from those regions can always refer to the universal values of their ancestors. However, there are also regions which, under the influence of migration and post-displacement processes after World War II, have lost their cultural and social character. Economic emigrants and displaced people from the Eastern Borderlands and Central Poland shared poverty and desire to settle. Will they succeed, and is there a chance to recreate and build a new identity? Those are the questions we are trying to answer, and the following article presents some of the results. By moving the border of autobiographical and ethnographic methods, authors adopt an autoethnographic method (narrative interviews, participant observation, biographical methods), which means turning to narratives as a way of research and as an expression of the search for a different relationship between the researcher and the subject and between the author and the reader. The researchers use their own experiences as a source of description of the culture in which they participate and examine. As a result, the text is a story created by the local community and researchers, aimed at reproducing and creating identity in the post-immigrant rural communities based on experienced and historical memory. The research was conducted in the years 2016-2017 in the above mentioned voivodships.
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Pillay, Nischolan, and Yashaen Luckan. "The Practicing Academic: Insights of South African Architectural Education." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.22.

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Architectural education, in the past had a grounding in a strict apprentice or pupillage method of training architects. The apprentice was someone who worked or trained under a master that transferred skill through a “hands on” approach. Architecture was regarded as one of the arts and there was no formal training to qualify one as an architect. It was through the acclaimed Vitruvius that the architectural profession was born. Vitruvius had published “Ten Books on Architecture” that led to an attempt to summarize professional knowledge of architecture and in doing so became the first recognizable architect. The architectural profession spread throughout Europe in the mid-16th century and the builder and architect became two distinct characters. Although architecture had become a profession, it wasn’t up until the late 17th century that architecture became an academic pursuit through an institutionalized educational system known as École des Beaux Arts, however the pursuit of a strict academic scholar was not the focus. At the beginning of the 1800’s, The University of Berlin in Germany forged the fundamental research and scholarly pursuit. Architecture, like the professions of medicine, law etc. became a system of academic pursuit where professors concentrated deeply on academics first and professional work second. It is through the lens of history we can decipher how architecture became an academic discipline almost de-voiding it of its vocational nature. In its current standing, various universities place a high emphasis on research output from their academic staff. Presently, architecture schools in South Africa recruit lecturers on their academic profiles, rather than their vocational experience. The approach of which has devalued the input of industry into education. It has been noted that there has been an increase in an academic pursuit rather than a professional one for the lecturers that teach architecture. This research explores the views of academics on architectural education, teaching methods and the importance of practice at South African universities. The authors of this research provide an auto-ethnographic insight into their invaluable experience of being academics at two large Universities in South Africa and concurrently run successful practices. The research makes use of a mixed method approach of secondary data from literature and semi-structured interviews posed to academics. Initial findings reveal that academics are pushing the industry to play a part in the education of architects; however, the extent must be determined. If industry plays a role in the education of architects, what factors are considered and how does this inter-twine with the academic nature of training? What strategies are academics employing to make sure students are vocationally well trained and academically capable? Another important question to ask is what qualities make an academic architect in the 21st century?
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Dinccag Kahveci, Aysegül. "The appropriation of traditional houses in Imbros/Gökçeada." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15722.

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This paper explores the transformation of locality in relation to vernacular architecture on the former Greek island of Imbros (Gökçeada) in Turkey. The people of Imbros were forced to leave their homeland due to a state-initiated policy of Turkification that started in the early 1960s. The structural evolution of the traditional Imbriotic House came to a halt due to the forced immigration of the Imbrian people. Today, the material remains of houses in villages contribute to heritage capital, while allowing returnees a chance to critically reflect on their tangible heritage. The paper aims to understand changes in the built environment and its cultural and historical contexts and records the contemporary architectural applications of the social transition of a rural community in a global age. The study shows how traditional houses are ‘modernized’ by 2nd and 3rd generation returnees of the Imbrian community, in line with the changing needs of their inhabitants, and questions how the local identity is reproduced by the heritage community. By analysing the spatial modifications of the typologies and the construction adaptation of the buildings, the study examines which architectural components are kept and/or changed in order to preserve the “local identity” in everyday life on the island today. The paper compiles preliminary findings based on ethnographic field research conducted in 2018-2019, which yielded qualitative data from oral narratives and participatory observations, and also uses the data obtained from architectural research tools. Focusing on the reconstruction of old houses by returnees from the Imbrian community, this paper showcases the appropriation of vernacular architecture in a contested area in relation to locality.
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Bakir, Ramy, and Sherif Abdelmohsen. "Integrating Nanotechnology in the Design Process: An Ethnographic Study in Architectural Practice in Egypt." In Design Research Society Conference 2016. Design Research Society, 2016. http://dx.doi.org/10.21606/drs.2016.13.

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Bakir, Ramy, and Sherif Abdelmohsen. "Integrating Nanotechnology in the Design Process: An Ethnographic Study in Architectural Practice in Egypt." In Design Research Society Conference 2016. Design Research Society, 2016. http://dx.doi.org/10.21606/drs.2016.133.

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Alves da Silva, Cristiane, and Mirtes Marins de Oliveira. "The exhibition design of a House Museum: the Dining Room as a case study." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.104.

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The exhibition space of a Collector's House Museum, the specific case of the Ema Klabin House Museum (HMEK), offers the field of exhibition design a unique place for research due to its nature, which moves from the private to the public and presents artifacts that allow entering the biography of objects and understanding them from a material culture perspective. The present research, still in progress, has as a case study, the environment of the Dining Room at HMEK, which evokes, more than any other room, domesticity and the memory of home while at the same time convoking the experience of the museum space. The research proposes the centrality of the Dining Room both in the practices of the former residence and in the discursive elaboration of the current museum. In this context and in the proposal of this research, the study of the Dining Room, its materialities, uses and spatial organization in both historical moments is an exemplary case for the implementation of research in a house museum, serving its study, based on the indicated variables, to highlight possibilities in this type of institution based on its physicality. The former residence of collector, businesswoman and patron Ema Gordon Klabin houses a multicultural collection that encompasses visual arts, ethnographic objects, books, furniture and decorative arts, exhibited in preserved environments from a house register with exhibition design that highlights the practices of the house, collector and building of modernized classical architecture. It is considered that artifacts are memory supports, vectors capable of preserving or reviving them, provoking relationships between what has been experienced and the situations of the present time. The Dining Room, used for diplomatic and social purposes, is a space measuring 4.80m X 5.30m and connects to the social rooms of the house with a large glass door accessing the external patio, environment with tropical plants and an Italian fountain. It is accessed through a gallery - a must-see for visitors to the house and now, to the museum - and the living room. On the opposite wall, a camouflaged door accesses the kitchen and service areas – currently the museum's reception area – where the French service was carried out. Currently, the Dining Room is organized in accordance with photographs and other historical records that attest to its use before its change to museum status. It exhibits documents and objects that attest to the memory of the uses and customs of this space, for example, the Reception Book, in which the hostess described each event, her guests and the planning of the reception. The research proposes an understanding of the cultural trajectory of objects and the implication of design in the activation of private memories of a domestic environment that, by becoming a museological space, provokes collective memories through its exhibition design, investigating the application of design to address the feedback between experience and history.
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Nicholas, Claire. "Augmented: Design and ethnography in/of an architecture, computer science, and textile research-creative collective." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.417.

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Rojo de Castro, Luis. "METÁFORAS OBSESIVAS: marcas del surrealismo en la construcción del discurso de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.591.

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Resumen: El reciente interés académico en el Movimiento surrealista constituye una revisión de largo alcance, habiéndose ampliado el campo de análisis con evidente ambición multidisciplinar. Su estratégica relación con otras disciplinas, la impostación de sus derivas urbanas como prácticas sociales y etnográficas, la profundización en las técnicas de manipulación de la fotografía y la escritura, la naturalización de la fragmentación asociada al montaje y, finalmente, la revisión de la imprecisa naturaleza del objeto surrealista en sus distintas versiones (objet trouvé, objet à réaction poétique, objet-type, ready-made, etc.) y su función seminal en lo contemporáneo, facilitan un escenario de investigación complejo y abierto. Un escenario en el que la obra de Le Corbusier se dibuja en una nueva perspectiva. Le Corbusier adoptó técnicas afines al surrealismo, como la fotografía, el montaje y el caligrama, con el objeto de ampliar el significado de los paradigmas asociados a la racionalidad productiva y tecnológica, en particular los que construyen el espacio doméstico. El uso tales medios discursivos y de divulgación asociados con el surrealismo facilitó la contaminación de su discurso con las estrategias desestabilizadoras y conflictivas características del Movimiento. Abstract: The recent academic interest in the surrealist movement is a far-reaching review, having widened the scope of analysis with evident multidisciplinary ambition. Its strategic relationship with other disciplines, the imposture of their urban drifts as social and ethnographic practices, the deepening on the manipulation techniques of photography and writing, the naturalization of fragmentation associated with montage and, finally, the review of the imprecise nature of the Surrealist object in its different versions (objet trouvé, objet à réaction poétique, objet-type, ready-made, etc.) and its seminal role in the contemporary facilitate an open and complex research scenario. A scenario within which the work of Le Corbusier is perceived in a new perspective. Le Corbusier adopted techniques related to surrealism, such as photography, montage, automatism and the calligram, in order to expand as well as undermine the meaning of canonical paradigms associated to productive and technological rationality, in particular those related to the domestic milieu. The use of such display of discursive instruments facilitated the contamination of his editorial and architectural work with the destabilizing and conflicting strategies that characterize the Movement. Palabras Clave: Surrealismo, metáforas obsesivas, montaje, automatismo, analogía, arbitrariedad. Keywords: Surrealism, obsessive metaphors, montage, automatism, analogy, arbitrariness. DOI: http://dx.doi.org/10.4995/LC2015.2015.591
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Sun Yi, Jae, and Suah Cho. "Development of a weight management service that considers individual physical characteristics and psychological factors." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001953.

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In modern society, life expectancy has increased, and the digital healthcare industry has grown up as people are more interested in health. Moreover, the recent spread of COVID-19 has increased the time spent at home, increasing the demand for weight control such as diet and nutrition-related products, exercise & fitness services. In the United States and Europe, weight management is mainly implemented to improve health or reduce health risk factors, whereas, in Korea, weight management is highly focused on external appearance alone. The purpose of this study is to propose a healthy weight management service design for users in their 20s and 30s in Korea who experience severe health problems in their weight management program by analyzing their needs and pain points in the process and defining fundamental problems. This study applied the double diamond model, a service design methodology, and divided the research process into discover, define, develop, and deliver. We conducted a digital ethnography of 20 selected weight management videos and in-depth interviews with 9 people who actively use the weight management process in order to collect user's verbal and non-verbal raw data and define service directions based on users' pain points and need & wants. Furthermore, we could substantiate specific solutions for service directions, the psychology types of each user, and the behavior inducement; and finalize the service architecture. Finally, we organized two sets of usability test of the service prototype of wireframes and developed the user interface design by applying heuristic evaluation criteria and analysis of the user observation from the test.As a result, we decided to use a smart mirror as a service platform based on the insight that visual observation is more effective than numerical value for weight management and the study that mirror exposure therapy is used to change users' behavior for actual weight management. In addition, We chose DTC genetic testing to identify the innate body information of each user and suggest appropriate nutrients, diets, and exercises for them. Not only that, but also, it was analyzed that in order for the user to continue weight management, it is necessary to habituate through user behavior improvement and gain motivation. Therefore, in order to form new habits of users, 1) 66 days were set as one unit, 2) the correct behavior model is to be presented to users, 3) persuasive technologies such as simplifying actions or going through steps were applied. Lastly, motivation is needed to maintain the habits, which must meet three factors: autonomy, relationship, and capability; for this reason, we provided functions according to user tendencies, provoked user interactions by sharing information and communicating with others, and comprised accomplishment process of one's goals. This study, applying DTC genetic testing results and using a smart mirror with strengthening users' experiences through the formation of digital and non-face-to-face platforms, differentiates from existing services in the healthcare industry.
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Pellicer Cardona, Isabel, and Jesús Rojas Arredondo. "Els espais de trànsit indicadors del metabolisme de la ciutat actual." In International Conference Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7597.

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Els múltiples desplaçaments de persones, informació i mercaderies són els que defineixen l’època en la que ens trobem, una època altament tecnològica, dinàmica i, per alguns autors com Bauman (2007) o Sennet (2006) governada per una sensació d’incertesa vers el futur. Les possibilitats que el ràpid desenvolupament tecnològic posa en joc, implica noves lògiques, que difuminen les tradicionals fronteres d’espai i temps, convertint-ho tot en immediat, instantani i pròxim. És en aquesta situació on prenen força les inèrcies pròpies del predomini de fluxos i de la multiplicació de les interconnexions, que caracteritzen la societat de la informació i la comunicació (Castells, 1996, 1998). En consonància, les ciutats estan immerses en una intensa transformació per a adaptar-se als nous reptes i donar resposta a les noves ànsies i necessitats socials i econòmiques. La ciutat es redefineix per adequar-se i possibilitar els nous ritmes i estils de vida, doncs la societat és relaciona amb l’espai urbà d’una determinada manera, mentre que l’espai facilita un cert tipus de relació. Per nosaltres és en aquesta relació bidireccional on la ciutat pren forma i significació. Alguns autors com Shelly & Urry (2006) ens parlen del nou paradigma de la mobilitat segons el que les noves formes de vida serien regides per aquests constants trànsits de fluxos, tant de informacions o dades, com de persones o de mercaderies. Trobem en les ciutats múltiples espais que faciliten el trànsit de persones. Els espais de trànsit, han catalitzat les necessitats de mobilitat i han facilitat que és produeixin fets com la descentralització, la transformació del territori, la reducció de la percepció de les distàncies, etc. Els espais de trànsit, segons Vivas, Pellicer i López (2008), són emplaçaments urbans que faciliten els desplaçaments i la connexió entre diferents llocs, espais contemporanis que guarden coherència amb la mobilitat. Espais que han anat adquirint rellevància dins el context urbà i no només en són els vertebradors de les ciutats, sinó que també en són icones i indicadors de la seva potència. Alguns exemples d’aquests espais en són les andanes, els vestíbuls i els intercanviadors de trens i metros, aeroports, autopistes, àrees de serveis, algunes cadenes d’hotels i diversos vehicles com el tren, el metro, l’avió... Aquests espais s’han convertit en uns espais vitals en l’articulació de la xarxa urbana i social, uns espais en els que es posen de manifest característiques de la societat actual, com la mobilitat, l’homogeneïtzació, la vigilància, la globalització, l’anonimat... i que tenen conseqüències importants en l’organització i planificació de la ciutat. El nostre treball gira entorn d’aquests espais, els espais de trànsit, uns espais emblemàtics de la societat i la ciutat actual. Mitjançant la realització d’una etnografia urbana, hem observat la Barcelona actual i la seva transformació des del seu metro, un gran eix de mobilitat urbana, amb la finalitat d’entendre la ciutat i els seus usuaris/es. Amb el nostre treball volem oferir respostes a com es viu i es transforma la ciutat, alhora que volem mostrar alguns aspectes relacionats amb els dispositius de control i tecnològics, la forma de practicar i relacionar-se amb els espais urbans emergents, la incidència dels espais de trànsit en els processos de transformació de ciutats, entre altres aspectes. The important amount of people's journeys, information and objects, explains at the present time, a dynamic and technologic time. For some authors such as Bauman (2007) or Sennet (2006), this time is guided by the sensation of the uncertainty towards the future. The possibilities that fast development of new technologies imply new logics which stump the traditional borders of space and time, transforms everything into immediate, instantaneous and near. In this context appears a predominance of flows and multiplication of the interconnections, which characterize the society of the information and the communication (Castells, 1996, 1998). The cities are changing to adapt themselves to the new social, economic and politic demands. The city reinvents itself in order to adapt at modern, both time and ways of life. The society and the urban space have a bidirectional relation, and it is in that relationship where the city takes form and meaning. According to Urry (2007) “the mobility paradigm” explains the constant exchanges and journeys (of people, ideas, objects and information) which guides towards new ways of living and relationships. In this way, in today's city we find urban places which facilitates people’s journeys and the transformation of the urban space, the reduction of the perception of the distances or the decentralisation of the city, etc. Transitspaces catalyse the necessities of the mobility. Transit-spaces, for Vivas, Pellicer and López (2008) are urban spaces designed to facilitate people’s journeys and mobility; they are contemporaries spaces and built through an ongoing process of multiple complex and changing interactions. They are places that have assumed huge relevance and upon which the modern urban network is sustained, and at the same time, inform about the power of the city.Within a range of different transit spaces we find: underground train, train platforms, connecting passageways, airports, motorways, service stations, some hotel chains and different vehicles. These spaces are vital in connecting the urban and social network. In them are revealed the common determinations of modern society. Characteristics such as mobility, homogenisation, anonymity, vigilance, globalisation, acceleration... are present in these spaces. These characteristics produce important effects in the organization and design of the city. Our attention will focus on these spaces: transit-spaces. These places are becoming spacial and architectural points of reference, and they claim a central role through their design as identifying elements of modern cities and society. Our proposal for the investigation of urban spaces is the urban ethnography. With this technique we research about Barcelona and its transformation. The space selected is the Barcelona underground train systems, a vast network of urban mobility. Focusing our analysis on Barcelona underground we are responding to the fact that they are a privileged viewing point to observe contemporary urban life, city and citizens. With our work we want to offer answers to ways of living and changing the city, and at the same time, we want to explain some aspects regarding the control practices and technologic possibilities, the form of practice these spaces and the effects of these spaces in the transformation of the city, for example.
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