Academic literature on the topic 'Estampe – 1500-1800'

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Journal articles on the topic "Estampe – 1500-1800":

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Holmes, Andrew R., Ruth McManus, Brendan Bradshaw, Conor McNamara, Caitriona Clear, Peter Collins, Deirdre McMahon, et al. "Reviews: The Ulster Crisis, 1885–1921, Dublin, 1745–1922: Hospitals, Spectacle and Vice, Britain and Ireland, 1050–1530: Economy and Society, Castle Caldwell, County Fermanagh: Life on a West Ulster Estate, 1750–1800, on the Edge of the Pale: The Rise and Decline of an Anglo-Irish Community in County Meath, 1170–1530, the Planters of Luggacurran, County Laois: A Protestant Community, 1879–1927, Balrothery Poor Law Union, County Dublin, 1839–1851, Achill Island Tattie-Hokers in Scotland and the Kirkintilloch Tragedy, 1937, World War I and Nationalist Politics in County Louth, 1914–1920, the Liberty and Ormond Boys: Factional Riot in Eighteenth-Century Dublin, Kiltubrid, County Leitrim: Snapshots of a Rural Parish in the 1890s, the Murder of Thomas Douglas Bateson, County Monaghan, 1851, Sir Robert Gore Booth and his Landed Estate in County Sligo, 1814–1876: Land, Famine, Emigration and Politics, the MacGeough Bonds of the Argory: An Ulster Gentry Family, 1880–1950, Smithfield and the Parish of St Paul, Dublin, 1698–1750, the Murder of Thomas Douglas Bateson, County Monaghan, 1851, Sir Robert Gore Booth and his Landed Estate in County Sligo, 1814–1876: Land, Famine, Emigration and Politics, the MacGeough Bonds of the Argory: An Ulster Gentry Family, 1880–1950, Smithfield and the Parish of St Paul, Dublin, 1698–1750, Canting with Cauley: A Glossary of Travellers' Cant/Gammon, Representing the Troubles: Text and Images, 1970–2000, Representing the Troubles: Text and Images, 1970–2000, Our own Devices: National Symbols and Political Conflict in Twentieth-Century Ireland, County Longford and the Irish Revolution, 1910–1923, Industry, Trade and People in Ireland, 1650–1950: Essays in Honour of W. H. Crawford, Our Good Health: A History of Dublin's Water and Drainage, a Noontide Blazing: Brigid Lyons Thornton, Rebel, Soldier, Doctor, a Memoir, ‘A Town Tormented by the Sea’: Galway, 1790–1914, the Slow Failure: Population Decline and Independent Ireland, 1920–1973, the Irish Lottery, 1780–1801, Medieval Celtic Literature and Society, German-Speaking Exiles in Ireland, 1933–1945, the Nabob: A Tale of Ninety-Eight, Studies in Children's Literature, 1500–2000, Treasure Islands: Studies in Children's Literature, Limerick Boycott, 1904: Anti-Semitism in Ireland, Irish Rural Interiors in Art, the Politics of the Irish Civil War, the Cenél Conaill and the Donegal Kingdoms, AD 500–800, Long Bullets: A History of Road Bowling in Ireland, the Pastoral Role of the Roman Catholic Church in pre-Famine Ireland, 1750–1850, Patrick McAlister, Bishop of down and Connor, 1886–1895, Faith, Fraternity and Fighting: The Orange Order and Irish Migrants in Northern England, C. 1850–1920, the Irish Policeman, 1822–1922: A Life, James Connolly: ‘A Full Life’, James Larkin: Lion of the Fold, Community in Early Modern Ireland, the Irish College at Santiago de Compostela, 1605–1769, a ‘Manly Study’? Irish Women Historians, 1868–1949, Map-Making, Landscapes and Memory: A Geography of Colonial and Early Modern Ireland, C. 1530–1750, the Progress of Music, Ulster Presbyterians in the Atlantic World: Religion, Politics, and Identity." Irish Economic and Social History 34, no. 1 (December 2007): 88–162. http://dx.doi.org/10.7227/iesh.34.7.

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Dissertations / Theses on the topic "Estampe – 1500-1800":

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Phelippot, Geoffrey. "La Sphère royale : l'entreprise cartographique de Nicolas de Fer à Paris (v.1640-1720)." Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0001.

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Cette thèse a pour objet d’étude Nicolas de Fer (1647-1720) et la production de son atelier cartographique de la Sphère royale. Contemporain de Vincenzo Coronelli, cosmographe et fabricant des globes de Louis XIV, et de Guillaume Delisle, géographe-astronome lié à la famille Cassini, Nicolas de Fer est, jusqu’à présent, connu comme un simple éditeur de cartes, dépourvu de toute autorité savante, alors qu’il est le premier géographe en France à utiliser les données de l’Académie royale des sciences pour la fabrique de ses cartes. Il devient en outre le géographe du Dauphin (1689) et celui de géographe du roi d’Espagne (1702). L’étude des ressorts de l’articulation entre son activité d’éditeur et celle de géographe est au cœur de cette enquête. La thèse propose d’explorer la trajectoire de Nicolas de Fer à travers le fonctionnement de son atelier-boutique, la Sphère royale, qui représente l’un des principaux centres d’édition et du commerce de cartes dans la France du Grand Siècle. L’angle de l’atelier offre un cadre de travail particulièrement propice pour envisager les motifs de la constitution du double profil de Nicolas de Fer et pour éclairer le fonctionnement d’un lieu de production cartographique. À partir de ce lieu, il s’agit de saisir ses pratiques concrètes afin de les réinscrire dans le contexte social et économique, culturel et politique de la période. Ce travail repose sur l’articulation de trois niveaux d’analyse : l’étude d’une trajectoire biographique, d’un atelier et d’une abondante production géographique. La thèse se présente donc comme une contribution à l’histoire des savoirs géographiques, à l’histoire de l’estampe, et à l’histoire des sciences et des savoirs. Elle vise à restituer les modes de production et de vente de la Sphère royale pour éclairer en retour la connaissance du milieu parisien de la cartographie des XVIIe et XVIIIe siècles
The purpose of this doctoral thesis is Nicolas de Fer (1647-1720) and the production of his cartographic workshop of the Sphère royale. A contemporary of Vincenzo Coronelli, cosmographer and maker of Louis XIV's globes, and of Guillaume Delisle, geographer-astronomer linked to the Cassini family, Nicolas de Fer is, until now, known as a simple map publisher, devoid of any scholarly authority, whereas he was the first geographer in France to use data from the Académie royale des sciences to make his maps. He also became geographer to the Dauphin (1689) and geographer to the King of Spain (1702). At the heart of this investigation is the study of the link between his activities as a publisher and as a geographer. The thesis explores Nicolas de Fer's career through the workings of his workshop-boutique, the Sphère royale, one of the main centers of map publishing and trade in France during the Grand Siècle. The perspective of the workshop offers a particularly propitious setting in which to consider the motives behind the creation of Nicolas de Fer's double profile, and to shed light on the workings of a cartographic production site. The aim is to use this place as a starting point to grasp its concrete practices, and to reintegrate them into the social, economic, cultural, and political context of the period. This work is based on the articulation of three levels of analysis: the study of a biographical trajectory, a workshop, and an abundant geographical production. The thesis is therefore a contribution to the history of geographical knowledge, the history of prints, and the history of science and knowledge. It aims to reconstruct the ways in which the Sphère Royale was produced and sold, to shed light on the Parisian cartographic milieu of the 17th and 18th centuries
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Melzer, Christien. "Die "Reglirung dero Estampen-Cabinets" : zur Entstehung und Entwicklung der Graphik- und Zeichnungssammlung in Dresden von der Gründung der Kunstkammer (1560) bis zum ersten Inventar des Kupferstich-Kabinetts (1738)." Paris, EPHE, 2009. http://www.theses.fr/2009EPHE4017.

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Dans les collections électorales de Dresde, et en particulier dans la Kunstkammer (fondée vers 1560) ainsi que dans la bibliothèque (fondée vers 1556), toutes deux faisant partie d'un "théâtre encyclopédique", se développa une véritable collection d'estampes et de dessins. Il est possible de reconstruire ce stock des gravures et dessins selon des groupes iconogpraphiques et des artistes et de le comparer avec les collections contemporaines de Munich, Ambras et Prague. C'est seulement dans les années 1720 que le Kupferstich-Kabinett est effectivement constitué. Au moment de son aménagement sous le prince électeur Frédéric Auguste 1er (1670-1733), une partie des oeuvres est issue des collections plus anciennes, le reste a été acquis pendant les premières décennies du XVIIIe siècle. La nouvelle disposition du cabinet devait satisfaire un nouveau goût et indique le changement des taxonomies et la naissance des sciences modernes. L'étude poursuit la formation d'un stock d'oeuvres graphiques dans les collections électorales de 1560 à 1600, son développement au XVIIe siècle et le processus de systématisation entre 1700 et 1738. Une dernière section traite des tendances théoriques au début du XVIIIe siècle et ouvre une perspective comparative avec l'analyse d'autres collections européennes. L'étude tient compte non seulement de l'histoire de la gravure et des intérêts de représentation à la cour, mais aussi des questions administratives, le rôle des artistes et marchands, les principes de systématique bien que de la fonction des oeuvres. On découvre de vastes changements de paradigmes concernant l'ennoblissement de la gravure et son développement vers un art autonome
A veritable collection of prints and drawings developed within the electoral collections of Dresden, particulary in the Kunstkammer (founded around 1560) and the library (founded around 1556), both of which were part of an "encyclopedic theatre". It is possible to reconstruct this stock of prints and drawings according to iconographic groups and artists and to compare it to contemporary collections like in Munich, Ambras und Prague. But the Kupferstich-Kabinett itself was established only in the 1720's. During its institutinalization under the elector Frederic August I (1670-1733), a part of the works of art was taken from those older collections, another part was acquired during the first decades of the 18th century. The new disposition of the cabinet had to satisfy a new taste, indicating the change of scientific taxonomies and the origin of modern science. The study pursues the formation of a stock of graphic works in the electoral collections between 1560 and 1600, its developement during the 17th century and the process of systematization between 1700 and 1738. A last chapter deals with theoretical tendencies at the beginning of the 18th century and presents a comparative perspective by analysing other European collections. The study no only takes the history of printing and interests of representation and power at court into consideration, but also questions of administration, the role of artists and merchants, principles of systematization as well as the functional use of prints and drawings. With that it is possible to comprehend extensive paradigm changes concerning the ennobling of the graphic arts and their development towards autonomy

Book chapters on the topic "Estampe – 1500-1800":

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"Economic Effectiveness of the Muscovite Pomest’e System: An Examination of Estate Incomes and Military Expenses in the Mid-16th Century." In Warfare in Eastern Europe, 1500-1800, 19–34. BRILL, 2012. http://dx.doi.org/10.1163/9789004221987_003.

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Katajala, Kimmo. "Crown’s Intervention in the Self-Government of a Small Town. Choosing Burgomasters and Councillors in Sortavala in the Swedish Borderlands in the Late 17th and Early 18th Century." In Hvem styrte byene? Nordisk byhistorie 1500–1800, 161–86. Cappelen Damm Akademisk/NOASP, 2022. http://dx.doi.org/10.23865/noasp.149.ch6.

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This chapter examines the selection of burgomasters and councillors in the small town of Sortavala. The purpose of investigating these processes is to use the typology in this volume to find out who had decisive control over the town. Sortavala had been donated in the 1650s to Count Gustaf Adam Banér, who also appointed the town’s burgomasters. Count Banér never visited the town, but his affairs and manor were managed by a bailiff. Although not nominated as the burgomaster, these duties were carried out by the bailiff of the Count’s estate in the 1670s. There is no record of how the councillors were elected during that period. However, almost all of the councillors were local eastern Finns or of Karelian peasant origin. In this era, Sortavala can be characterised as having resembled, at least in part, the category of a noble town. The largest fiefdoms were reduced in 1680. Between 1681 and 1685, the Sortavala burghers paid their taxes to the Crown. During this period, they were actively involved in the selection of councillors. Johan Mether, who had managed the manor and estate, first for the Count and then for the Crown, and from 1685 as a tax-farmer, held the position of burgomaster. In the early 1690s, when Mether’s son-in-law, Carl Ottoson, was appointed vice burgomaster, the Mether family ruled the town so that it assumed the features of a privatised monopoly town. The influence of the manor increased even further when Salomon Enberg, who was also appointed burgomaster by the governor general, became the new tax-farmer of the manor. Under Enberg, the role of the town’s burghers in the election of the burgomaster and the councillors seems to have completely vanished. After Enberg, the governor general appointed Benjamin Krook as burgomaster. There is no information on how new councillors were selected during his time. However, the names and backgrounds of the new councillors suggest that education or social status was now an important selection criterion. Under Benjamin Krook, the link between the manor and the burgomaster’s post seems to have been broken, so that in the last decade before being destroyed in the war in 1710, Sortavala ranks quite clearly in the state-led town category in urban typology.
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Brown, A. T. "Church Leaseholders on Durham Cathedral's Estate, 1540–1640: The Rise of a Rural Elite?" In Economy and Culture in North-East England, 1500–1800, 21–43. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787441729.005.

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Brown, A. T. "1 Church Leaseholders on Durham Cathedral’s Estate, 1540–1640: The Rise of a Rural Elite?" In Economy and Culture in North-East England, 1500-1800, 21–43. Boydell and Brewer, 2018. http://dx.doi.org/10.1515/9781787441729-008.

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